【RocketNews24】Kawasaki donut shop goes beyond cat sweets with cute alpacas, penguins, and killer whales


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Casey Baseel, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
If we’re speaking honestly, we don’t really need much of an added incentive to eat a donut. Really, a sweet, inexpensive indulgence that we can eat with our hands is pretty much a laser-guided strike on our willpower.
Still, we can usually muster enough self-control that we don’t plow through a half-dozen in one sitting. But when you take donuts’ numerous preexisting merits and add the visual appeal of shaping them like cats, penguins, alpacas, and even killer whales, that’s when we stop even trying to resist them.
Click here for more on these adorable donuts and to find out where you can get some.
JET alum Roland Kelts on Japan’s “Generation Resignation” in Adbusters


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Another thought provoking article by JET alum author and writer Roland Kelts(Osaka-shi, 1998-99), this one in the current issue of Adbusters.
The Satori Generation
A new breed of young people have outdone the tricksters of advertising.
Roland Kelts, 07 May 2014
They don’t want cars or brand name handbags or luxury boots. To many of them, travel beyond the known and local is expensive and potentially dangerous. They work part-time jobs—because that is what they’ve been offered—and live at home long after they graduate. They’re not getting married or having kids. They’re not even sure if they want to be in romantic relationships. Why? Too much hassle. Oh, and too expensive.
In Japan, they’ve come to be known as satori sedai—the “enlightened generation.” In Buddhist terms: free from material desires, focused on self-awareness, finding essential truths. But another translation is grimmer: “generation resignation,” or those without ideals, ambition or hope.
CLICK HERE to read the rest on ADBUSTERS: https://www.adbusters.org/magazine/113/satori-generation.html
Click here to read more of Roland’s articles from Adbusters: https://www.adbusters.org/authors/roland_kelts
【RocketNews24】Sharp’s Ocha-presso brings traditional Japanese flavor to your kitchen


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Angelina Lucienne, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Coffee and espresso drinks are quite common in Japan, but green tea will always have a special place in Japanese hearts, as evidenced by the availability of green tea flavored doughnuts, ice bars, beer and even curry. Now, Sharp has announced a new machine for home use that makes perfect matcha (green tea made from powdered tea leaves). They are calling it the Healsio Ocha-presso (or Healthy-o Tea-presso, if you prefer).
The Ocha-presso mills whole tea leaves, boils water and blends it together all in one machine. It was modeled on home espresso machines, but designed to reflect the essential parts of the tea ceremony (represented in the graphic below).
Continue reading here.
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JQ Magazine: Concert Review—Yoshiki Classical World Tour Dazzles San Francisco with Surprise X Japan Guest



“The night offered something for everyone in Yoshiki’s ability to merge and bring together different genres and listeners and touch the collective beating heart therein.” (Shirong Gao)
By Shirong Gao (Shiga-ken, 2005-07) for JQ magazine. A member of JETAA Northern California, Shirong is a graphic designer, Illustrator, and breakfast food lover who worked in a Japanese countryside as seen only in Studio Ghibli movies. For more, visit gaoshirong.com.
Every night, as a child drifting off to sleep, I looped a rock ballad. My personal lullaby. A song by multi-million-selling heavy metal band X Japan, the Rising Sun’s answer to KISS. Yet not even in dreams did I see myself growing up to one day meet its leader, Yoshiki, and witness how far he’s come in his career.
A classically trained musician turned rock legend, Yoshiki has now returned to his more refined roots, embarking on a world tour of Yoshiki Classical concerts featuring music from the eponymous solo album released last year in collaboration with talents the likes of Beatles producer Sir George Martin and the London Philharmonic Orchestra.
On April 28, Davies Hall, home to the San Francisco Symphony, was packed on a Monday night to host only the second date of Yoshiki’s tour following its debut in Costa Mesa three days prior. “Definitely a different scene from a typical classical concert,” commented attendee Arisa Takahashi (Nara-ken CIR, 1991-92), who has also performed at the hall as part of the Sing Out, Davies! choral workshop. “There were people with blue hair, dressed in their frilly Lolita finery, sitting alongside classical music attendees.”
【RocketNews24】Japanese fans: New American Godzilla is “too fat”


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Jessica, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Fans of monster movies or big Hollywood blockbusters are no doubt aware that a reboot of the famous Godzilla franchise is due to hit theaters next month. As you might imagine for a movie featuring one of their most beloved pop culture icons, the Japanese are deeply interested in how America is going to bring their national kaiju to the screen.
When clear pictures of the creature hit the net this week, the response was probably not what studio execs were hoping for. Some Japanese fans are apparently calling this incarnation of Godzilla “fat”. Ouch.
The pictures, released by Warner Legendary through the Los Angeles Times, were immediately picked up by fan sites here in Japan. While some commenters said this Godzilla looked stronger than his ancestor, others were not as impressed.
“He’s so fat, I laughed.”
“Where’s his neck?”
“He’s gone and supersized himself!”
“I’m not surprised. A spare tire is expected in middle age.”
“Gee, even Godzilla has metabolic syndrome these days…”
Sure, this Godzilla is much larger than his predecessors, but I’m not sure calling him fat is a good idea. Even gigantic lizard monsters have feelings, you guys. And do you really want to make a 100-meter-tall reptilian sea beast more angry?
Source and images: Itai News
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【RocketNews24】Tokyo Tower lights up beautifully in Star-Spangled Banner style for President Obama


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Kay, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Yes, President Obama has arrived in Japan (and apparently already enjoyed the legendary sushi at Sukiyabashi Jiro), and with all the buzz and tightened security accompanying his visit, it’s hard not to get a little excited. Well, it seems even one of the landmark symbols of Tokyo, the Tokyo Tower, is getting all dressed up to welcome Mr. Obama. For two nights only, the 333m (1093ft) tall tower will be illuminated in the red, white and blue colors of the American flag!
That’s right, in honor of the President’s visit, for the nights of April 22 and 23, Tokyo Tower will be lit up in bright Star-Spangled Banner colors from sundown (around 6:20pm) to midnight. Naturally, we wanted to get a look at the special red white and blue version of the tower, and take some pictures to share with you as well. We hurried off to the Tokyo City View Sky Deck in Roppongi, where we were able to take the pictures below:
Click here to see RocketNews24’s images of the Star-Spangled Tokyo Tower.
JQ Magazine: Book Review — ‘Apparitions: Ghosts of Old Edo’



“Apparitions succeeds at not only giving historically accurate insight into the Edo period, but also delivers thought-provoking ghost stories that inspire fear and excitement with subtlety and expertly written dialogue and prose.” (Haikasoru)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and board gaming on his blog and Twitter @brittlejules.
Miyuki Miyabe is a Japanese author who writes widely popular fantasy, science fiction, and crime fiction for adults and young adults. Some of her works translated into English are Brave Story, ICO: Castle in the Mist, and The Book of Heroes. Published by Haikasoru last November, Apparitions: Ghosts of Old Edo is a collection of Miyabe’s short stories (translated by Daniel Huddleston) about pre-modern Japan depictions of ghosts, oni, and other supernatural events.
Apparitions includes nine short stories that are each unique but all so thoroughly engrossing that you can feel the immediacy of the narrator leaning in to deliver the chilling line foretelling the horrors yet to be revealed. Each of the stories captures the social hierarchy of the Edo period, which is a key element to illustrate in Japanese horror. One of the reoccurring aspects in Japanese ghost lore is an unbearably deep grudge that keeps a person’s spirit lingering after death. Edo society had a very rigid class system that is the source of frustration and resentment among characters, and this very resentment leads to vengeful ghost stories. This is why most ghosts in this genre are servants or women who are taking revenge on unjust masters, and insincere lovers of higher status. In this way, Japanese ghost stories are uniquely powerful in portraying the potential for wickedness in the human heart, whether it is the heart of the living or that of the vengeful dead. The supernatural dangers that appear in these stories all result from the cruel actions and thoughts of normal people that can and do occur every day. This is often exactly what is terrifying about these tales—not the ghosts, but the people.
【RocketNews24】Six (and a half) essential resources for learning Japanese


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Philip Kendall (Fukushima-ken, Shirakawa-shi, 2006–11), senior editor and writer for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
As we’ve said before, Japanese isn’t actually as hard to learn as it’s often made out to be. Unlike English, for example, Japanese follows its own grammatical rules far more rigidly, pronunciation is easy because there is only one variant of each vowel sound to choose from (none of this tomayto/tomahto business), and it’s possible to create entire, perfectly meaningful and valid sentences without uttering a single pronoun or bothering to conjugate a verb.
Nevertheless, the language will not magically seep into you through a desire to speak it alone — you still need to encounter and study it as often as possible. With that in mind, we’d like to present to you the six and a half resources that no dedicated student of the Japanese language should ever be without. Oh, and the good news is some of them are completely free.

Members of the JET Alumni Association of New York volunteering in the annual Japan-a-Mania community event with Big Brothers Big Sisters of New York City, January 2014. (Courtesy of Monica Yuki)
By Eden Law (Fukushima-ken, 2010-11) for JQ magazine. Eden is JETAA New South Wales‘s webmaster, meaning he is the voice on all the online and social media for the Sydney-based chapter like Twitter, Instagram (both @jetaansw) and Facebook. Outside of JETAA, he doesn’t exist, and is merely a concept of a shadow of a dream of an enigma, wrapped in mystery and served with a side of salad.
Introduction
The following is a shamelessly biased opinion: Being a member of JETAA is fantastic. One gets to help organise and be involved in events and projects that reach the general public here in Sydney (like the Japan Festival), hang out with a great group of like-minded people that know all the best Japanese places to eat, drink and be merry, and who are rarely inhibited in any karaoke session. There is ample opportunity to new people constantly, both inside and outside that chapter’s home city’s J-community, so in a way, the JET experience never truly ends.
That’s a personal assessment of what it’s like being a member of JETAA, the alumni association for former JETs. JETAA chapters exist all over the world from where the JET Programme has drawn its recruits. They give former JETs a way to connect with their local J-community and like-minded peers, and are essentially a non-profit social organisation with a Japanese cultural bent. And because JET is made up of a diverse group of people from all walks of life, JETAA chapters have great potential as a resource with links in government, business, education, academia and social networks.
But it can’t be denied that many chapters struggle with visibility or relevancy, in attracting members to events or to join their committees. The last point is especially important, as new members help to keep the organisation dynamic and active. And while the reasons for this are different for every situation, some similar and salient points can be discerned, notably from online forum comments (like LinkedIn). While a comprehensive discussion can probably fill a volume or ten, this article will nevertheless discuss these points.
So what does JETAA have to deal with?
【RocketNews24】Eight Japanese words we’d love to import into English


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Casey Baseel, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Recently, we talked about how Japanese, while a tough language to learn, isn’t quite as difficult as some horror stories make it out to be. Still, if English is your native language, certain Japanese grammar rules, like saying “wa” and “o” to mark the subject and object of your sentences, can seem like a major hassle.
With practice, though, these things start to become automatic. Even better, the Japanese language is filled with incredibly handy phrases that we’d love to import into English.
JET alum Michael Auslin’s commentary on NATO’s relevance in Forbes


JET alum Michael Auslin, Resident Scholar and Director in Asian and Security Studies at the American Enterprise Institute, has a new article in Forbes magazine titled “No Need to Argue for NATO’s Relevance.”
http://www.forbes.com/sites/realspin/2014/04/04/no-need-to-argue-for-natos-relevance/
JQ Magazine: NY JET Alum Collaborates with Japanese Expats on ‘2nd Avenue’



JET alum Tony Waldman (second from left) on the set of Web series 2nd Avenue. (Courtesy of Tsukasa Kondo)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and board gaming on his blog and Twitter @brittlejules.
She’s an aspiring actress with visa problems; he’s a gay law student and newly homeless. Can a fake marriage solve their problems? Mariko and Taichi are the stars of a goofy Web comedy filmed on location in New York called 2nd Avenue. You can tune into their zany adventures on YouTube and view the entire six-episode first season, which ended this past February.
The creative team behind 2nd Avenue includes Mari Kawade (director), Maho Honda (who plays Mariko), and Tsukasa Kondo (who plays Taichi). Kondo, who also is the writer for the series, was inspired by the many Web series online and decided to try writing something that would never be seen on Japanese TV, but would have a place on YouTube. He adds that his biggest inspirations for the story are “the actress Maho Honda, my life in New York as a gay man, and American TV shows.” Honda and Kawade also cite the diversity of New York City itself, and the stories of what people do just to survive in it, as a significant creative inspiration.
As you may have guessed, you can’t do something awesome involving Japan in New York without some JET alumni getting involved. Tony Waldman (Mie-ken, 2005-09) and his group New Beard provide the soundtrack for the show. The idea for this pairing took root after he met Kawade at the JET Alumni Association of New York’s annual Meishi Exchange event in 2013.
“She mentioned that she was looking for music for this Web series,” Waldman says. “We exchanged contact info and kept in touch. Many months later, she…asked if we could use my band New Beard’s music in the show. Us here in Beard Town (Williamsburg) gave her the OK, and our music became the soundtrack to the entire show…a true JETAANY Meishi Exchange success story!”
【RocketNews24】You know you’ve been in Japan too long when…


Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Philip Kendall (Fukushima-ken, Shirakawa-shi, 2006–11), senior editor and writer for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
So you’ve been living, lounging, working, or studying in Japan for a while now. The feelings of homesickness you first experienced are but a distant memory, and whenever you Skype with your family, you unconsciously use the word “home” to refer to your place in Japan rather than your home country. Not only that, you can finally navigate the Tokyo Metro without getting flustered, barely even notice when a girl dressed in kimono passes you in the street, and you think nothing of visiting a convenience store two or three times a day, sometimes just to flick through the magazines.
But what about all of the things you do unconsciously or that seem so normal to you now but would make you stop and stare back home? Today, we bring you a list of 10 moments that, if and when they happen to you, you can safely say, “Wow, I’ve been in Japan too long.”
Justin’s Japan: Nippon in New York — Miyazaki, Godzilla, Tribeca Film Festival, Sakura Matsuri



New York’s 33rd annual Sakura Matsuri will be held at Brooklyn Botanic Garden April 26-27. (Mike Ratliff)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.
This month’s highlights include:
Tuesday, April 8
Turning Point: 1997-2008 by Hayao Miyazaki
MSRP $29.99, $34.99
The companion second volume to the earlier chronicleStarting Point: 1979-1996 (also new in paperback),Turning Point is an insightful collection of essays, interviews, memoirs, and illustrations from legendary animation director Hayao Miyazaki. The new title covers the critical stage in the legendary director’s career when his animated films for Studio Ghibli such as Princess Mononoke, Spirited Away, and Ponyo began to garner a significant international audience. Turning Point follows Miyazaki as his grand vision continued to mature, cinema-lovers worldwide discovered and embraced his creations, and prominent film critics such as Roger Ebert delivered tremendous acclaim for the director’s films. Bringing us up to the present is The Art of The Wind Rises, which captures the art of the film from conception to production, featuring in-depth interviews with the creative team from Miyazaki’s latest—and supposedly final—Academy Award-nominated epic.
April 8-13, 8:00 p.m. and 10:30 p.m.
Gary Burton & Makoto Ozone Duets
Blue Note Jazz Club, 131 West Third Street
$20, $35
Born in Kobe to a jazz organist father, Makoto Ozone came to Boston in 1980 to study at the Berklee College of Music, where multi-Grammy Award-winning vibraphonist Gary Burton was a composition and percussion instructor. After graduation he made his first American solo appearance in 1983 with a recital at Carnegie Hall. The incredibly talented young man struck a record deal with CBS, making his international debut in 1984 with the album OZONE. Burton and Ozone have been collaborators in the duet format for over two decades and recorded the Grammy-nominated Virtuosi in 2002. The versatile Ozone has hosted a TV series in Japan, ventured into electronics, and composed for and played with classical orchestras in addition to working with his own jazz trio from his home in New York.
Wednesday, April 9, 8:00 p.m.
Carnegie Hall, 881 Seventh Avenue
$22.50-$140
Praised by the New York Times when she last appeared at Carnegie Hall as “among the most respected artists of our time” for her “probing and magisterial performances” of Schubert’s last three sonatas, pianist Mitsuko Uchida returns to perform his “Reliquie” Sonata, once mistakenly thought to be the composer’s final work. Also on the program is Beethoven’s all-encompassing and transcendent Thirty-Three Variations on a Waltz by Diabelli.
For the complete story, click here.
Kyodo News “JET Alumni” Series: Dominic Abordo (Akita)


News agency Kyodo News has recently been publishing monthly articles written by JET alumni who were appointed in rural areas of Japan, as part of promotion for the JET Programme. Below is the English version of the column from February 2014. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
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Originally from San Francisco, CA, Dominic Abordo (Akita-ken, Kosaka-machi, 2008-11) holds a Bachelors Degree in English Literature with a minor in East Asian Languages from Berkeley University. He spent three years working as a Coordinator for International Relations (CIR) in rural Akita before enrolling in a Master’s degree in Social Work from Columbia University, NY. He currently works as a Freelance Consultant in Social Work in New York.
A “Big City Boy” in Snow Country

“The one thing that I will continue to share with my friends and family is that the people of the small town of Kosaka-machi have some of the biggest hearts in the world.”
Akita (əˈkiːtə), noun: 1. one of the northernmost prefectures on the Japanese island of Honshu; 2. the prefecture that I, Dominic Abordo, called “home” for three years.
If you ask the average American about Japan, it is highly unlikely that Akita Prefecture – a gem of the Tohoku Region famous for heavy snowfall, rice, kiritanpo, and sinister mountain demons called namahage – will be included in his or her response. Despite living in Japan for three years prior to the JET Programme, I, too, knew very little about my future home. Thus, I was admittedly nervous when I first arrived in Kosaka-machi, a small town of approximately 6,500 people located in the northeastern corner of Akita. I assumed that my time as a Coordinator for International Relations (CIR) would be full of new adventures, challenges, and opportunities, but I had no idea that the experience would have such a positive and lasting impact on my future.
Although it took almost one year to master the local dialect, Kosaka-machi soon became a second home to me. The natives were eager to introduce me to the natural beauty and hidden treasures of their hometown, including landmarks such as Nanataki Waterfall, Lake Towada, and the Korakukan kabuki theater. They often accompanied me to the best restaurants, bars, and izakaya in the area, sharing personal stories about their families, jobs, and travel experiences over a meal or a few drinks. Elementary school students and adults alike offered warm greetings when we ran into each other around town. Perhaps most importantly, they did everything they could to make sure that I was happy, healthy, and an active part of the community. Little did I know that my love for dance, music, and performing arts would enable me to form lasting connections with so many of them. Read More