There’s a nice review of JET alum Lars Martinson’s graphic novel Tonoharu:  Part 1 on the BoingBoing site written by Mark Frauenfelder titled “Tonoharu:  Excellent graphic novel about an English teacher in Japan.”  And according to Lars’ blog,

“Thanks to Mark Frauenfelder’s writeup about Tonoharu: Part One on Boing Boing, the book has made it into Amazon.com’s Top Ten Bestselling Graphic Novels today!”

Here’s the link to the review:  http://www.boingboing.net/2010/08/27/tonoharu-excellent-g.html

Here’s a quote from the review:

“Published in 2008, and a winner of the prestigious Xeric Award, Tonoharu is a story of isolation, frustration, and mystery, with just the right amount of black humor to keep it from being depressing.”

For fans awaiting the next installment, Tonoharu:  Part 2 is due out in December.

Life After the B.O.E. is a comic series about the JET experience by David Namisato (Aomori-ken, 2002-2004), a professional illustrator currently living in Toronto.
Visit David’s website at www.namisato.org.

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. As another example of JET ROI, he is one of at least four former JETS to have been on the newspaper’s staff in recent years. He usually writes for DYWeekend, the arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.

Recently he interviewed two members of the cast of “The Last Airbender” movie during their promotional visit to Tokyo, asking them for their views on the “racebending” controversy surrounding their film. He also covered an insect show now running at a Tokyo museum, reviewed the manga “Otomen,” and weighed in on a couple of other movies now playing in Japan. Here are some excerpts:

“Last Airbender”

In the United States, some fans of the anime-style cartoon on which the movie is based have protested against the casting of Jackson Rathbone and Nicola Peltz, who are white, in roles the fans saw as Asian.

Asked to comment on that, Rathbone said: “I originally was a finalist for Prince Zuko [a Fire Nation role that went to Slumdog Millionaire star Dev Patel]. Almost a year later, I was brought back in for the character of Sokka…I think what they were really looking for was the qualities that people represent, not so much focusing on race…All these characters [in the cartoon] have so many different features, you can’t really say that they are one race…It’s a shame that people really focus on the race thing and they don’t understand that it’s a story for everyone.”

“And there are over 120 different types of people in the film,” Peltz added.

“In terms of a big-budget film, it’s the most ethnically diverse cast there’s ever been,” Rathbone agreed.

Read the rest of the interview here.

“Insects festival”

Open your window on a hot summer day and you may hear a sound that caught the ear of haiku poet Matsuo Basho in the 17th century: the voices of cicadas, seeping into the rocks. Of course, Japan today is a lot more urbanized than it was in Basho’s time, and cicadas are more likely to sing against a background of asphalt and cement. Yet year after year, the buzzing bugs never fail to show up, even in the heart of Tokyo.

Visitors to Insects Festival, an exhibition now running at the Edo-Tokyo Museum in Ryogoku, Tokyo, are reminded of such persistence right away with a display of six-legged critters that live in three different Tokyo zones: mountains, fields and downtown areas.

While city-dwellers often resent sharing space with the likes of cockroaches and ants, the emphasis of this show is on seasonal outdoor insects whose diverse shapes, bright colors and occasional songs actually enhance city life…

Read the rest of the article here, or visit the exhibition’s site here.

“Otomen”

Anyone writing a graduate thesis on the presentation of gender in Japanese pop culture will find abundant material in the manga series Otomen. Readers looking for laughs will also find what they seek in Otomen, but rather less abundantly.

The main characters are a trio of high school students, with the focus on Asuka (a boy who has a name more common for girls), who is in love with Ryo (a girl who has a name more common for boys). Their would-be romance is complicated by the constant presence of their friend Juta, who tries to play cupid, but is more often a third wheel.

Asuka is the captain of the school kendo team, and is admired by everyone as a “real man.” But he is secretly an “otomen,” a boy who is into girly things, such as cute stuffed animals and delicate pastries. He is at least as skilled at cooking and sewing as he is at sports, but he keeps that side of himself hidden. Ryo is Asuka’s mirror image in that she has been raised by her socially inept father to follow in his footsteps as a martial arts champion, but she strives to put up a feminine front at school. Juta has a secret, too, as he is actually a best-selling manga artist who is using the couple as a model for his stories…

Read the full review here.

Also playing…

You can read Tom’s review of “Inception” here, and his review of “Zombieland” here.

Life After the B.O.E. is a comic series about the JET experience by David Namisato (Aomori-ken, 2002-2004), a professional illustrator currently living in Toronto.
Visit David’s website at www.namisato.org.

A quick book recommendation from current Hiroshima-ken JET Gail Cetnar Meadows…

Now and then I read a book that’s so good I want to tell everyone I meet about it, and I’ve recently finished one such book. For those interested in learning more about the atomic bombing of Hiroshima, I highly recommend a graphic novel written by atomic bomb survivor Keiji Nakazawa. Barefoot Gen: A Cartoon Story of Hiroshima is a 10-volume graphic novel loosely based on Nakazawa’s experiences and those of other Hiroshima residents who survived the bomb. The book taught me a lot about what happened in Hiroshima in the year’s following World War II — things beyond what I learned visiting Hiroshima’s Peace Memorial Museum or listening to the accounts of hibakusha. For those who are interested, I’ve written a piece on the Wide Island View talking a little more about it and encouraging others to check it out.

Bankruptcy Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has published his latest SOFT POWER/HARD TRUTHS column for The Daily Yomiuri–this one about last month’s sentencing of American Chris Handley for possession of ‘obscene manga’ in Iowa–and this month’s proposal by the Tokyo Government to censor ‘virtual porn’ (read: manga and anime) in Japan.

Is this another example of ‘gaitsu‘–Japan being affected by foreign pressure?

Column is here:  http://www.yomiuri.co.jp/dy/features/arts/20100319TDY11101.htm

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, will be speaking at Kinokuniya in NYC as part of “Ponyo Day.” The event is this Saturday from 1:00 pm to 5:00 pm, and Roland will be speaking at 4:00 pm.  (This appearance hot on the heels of his Atlanta book signing on March 4!)

Bankruptcy Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games.  You can follow Tom’s blog at tokyotombaker.wordpress.com.

Here is his latest manga review, of Ooku by Fumi Yoshinaga:

With its shrinking population, chronically depressed birthrate and rising average age, Japan is fated for major social changes in the fairly near future. How that will play out remains to be seen, but Fumi Yoshinaga’s manga series Ooku: The Inner Chamber is an example of how popular art can tap into real-world social anxieties.

Ooku is set in an alternate-history Japan that also faces a demographic crisis, but of a different type. In the 1630s, a mysterious epidemic called Redface Pox kills 75 percent of Japan’s men, while leaving women physically unharmed.

The disease lingers, the gender imbalance never rights itself, and Japanese society comes to resemble a colony of bees or ants, in which the large female majority does every kind of work while the male minority are seen as delicate creatures valued only for their “seed.”

With women forced to share the limited supply of men, the institution of marriage largely disappears, as only a rich woman can keep a husband all to herself. The wealthiest and most powerful woman of all is the shogun, who keeps a crowded male harem in the innermost chambers–the Ooku–of Edo Castle…

Read the rest of the review here.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Here’s a nice review of Japanamerica (by Roland Kelts (Osaka-shi, 1998-99) on the blog Fan-to-Pro:  The Blog of Professional Geekery, which describes itself as “a blog about jobs, career and economics for ambitious fans, progeeks, Otariimen and other members of the Modern Literati.”

http://www.fantopro.com/blog/2009/12/book-review-japanamerica.html

Just in time for the holidays, in case you’re looking for that special gift for that special JET friend or Friend of JET!

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Here are two videos of Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, from a keynote speech he gave at the University of Missouri in St. Louis back in October.

In the first, he talks about the connection between manga and anime and traditional Japanese line-based aesthetics–or what Takashi Murakami now calls “Superflat”:

And in the second video, he discusses the fundamental differences between American visual iconography and Japanese sensibilities, with a reference to Pokemon in America and McDonald’s in Japan:

JetWit Blog Beat by Crystal Wong (Iwate-ken, 2002-04) is a recurring item featuring posts from the blogs of various JET alumni.  Crystal is a former English-language writer for Kyodo News. She now works in online marketing in New York and relishes her constant hunt for the best cheap(ish) eats in the city.

Hope everyone had a great Thanksgiving weekend and that you’re all enjoying autumn. Let’s take a peek at what our favorite JET bloggers have been posting lately.

JET alum Suzanne Kamata (Tokushima-ken, 1988-90) at Gaijin Mama shares a decidedly Japanese first in twenty one years of living in Japan, as well as an eye opening take on a day with a wheelchair in Japan.

Kevin Kajitani (Kyogo-ken, 2006-07) over at iSpeakJapanese has moved to Japan – check out the first video from his new home here.

JET alum Lars Martinson finishes up his series on the beauty of East Asian calligraphy. Check out part one and part two.

Here’s another delicious recipe derived from a productive bout of insomnia from Elizabeth White (Toyama-ken, 1995-98), adventure writer.

Just in time for the holidays – JET alum Chen Reichert has new holiday cards at botodesigns.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

(Click image above to see larger version.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

***********

Here’s a radio interview Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, did in Tokyo this past weekend with Tyler Brule, founder and editor of the UK-based Monocle magazine, about manga in Japan and overseas, and Japanamerica:

http://www.monocle.com/The-Monocle-Weekly

The Japanamerica segment is introduced at 1:00 and starts at 22:00

Just received a subarashii email from Smitha Prasadh (Tokushima-ken, 2005-07) who is part of an effort to revitalize JET alum activities in Pittsburgh-shi (which is officially part of the JETAA New York chapter).  JetWit wants to say good luck to “yins guys” (that’s Pittsburgh-ben, fyi :-) and keep us updated on how everything is going.

A small but determined group of us in Pittsburgh, Pennsylvania, USA are attempting to jump-start the JETAA – New York sub-chapter here. We’re located kind of in the middle of a rough triangle composed of New York, Washington DC, and Detroit (all of which are at 200-400 miles away), and would like to restart the subchapter to establish a local JETAA presence, form ties with the Japanese community, and spread awareness of the JET Programme.

In the last couple of weeks, we’ve gotten official permission from JETAANY and established affiliations with the Japan-America Society of Pennsylvania and the Asian Studies Center at the University of Pittsburgh, and we’re currently in the process of choosing officers and getting the word out. (We’ll be putting up a website in the near future, too.) At the moment, we know we’ll be hosting a Nihongo Dake dinner (date/time/location TBA) and quarterly events/meetups.

Like other JETAA chapters, we’re open to all JET alums, prospective applicants, and any friends of the JET Programme. We’re based in western PA, but people in neighboring areas who are also too far from their regional JETAA chapters to participate actively (eastern Ohio, West Virginia, etc.) are welcome to join us.

Any interested parties can send an e-mail to pittsburghrep [/at/] jetaany [/dot/] org.

Smitha Prasadh (Tokushima-ken, 2005-07)

Note: JetWit just checked out Smitha’s website (http://skprasadh.com) and realized that Smitha also does sugoi design work (graphic and web), illustrations and photography.

***************

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, was interviewed by Japan Society of New York at the New York Anime Festival 2009 which was held September 25-27 at the Jacob Javits Convention Center.  Let’s go to the video tape:

Part 1 of the interview:

Part 2 of the interview:

James Kennedy (Nara-ken, 2004-06), author of The Order of Odd-Fish, is seeking art submissions from JET alumni for his Chicago gallery show in Spring 2010.

To get a sense of James’ aesthetic and sensibilities (or if you just like reading extremely funny and dramatic stories), by all means read The Order of Odd-Fish.  Or watch clips of his over-the-top “speech” to the American Librarians Association as well as his audience-gripping reading performed at the JET Alumni Author Showcase last March.

In JetWit’s humble opinion, if James Kennedy is putting an event together, you will benefit greatly on many levels and attain new levels of happiness by participating in it in any way you can.  Keep reading and you’ll understand.

Exciting news!

For about a year now I’ve been receiving stupendous fan art for my novel “The Order of Odd-Fish.” Artists like these deserve broader recognition. So this spring I’m planning a gallery show / extravaganza of “Odd-Fish” art in Chicago!

Are you an artist? Do you want to make something for the show? Everyone’s invited. Learn more here:

http://jameskennedy.com/2009/11/03/call-for-submissions-odd-fish-art-show/

I’m working with award-winning Chicago theater group Collaboraction to pull this off. It won’t be just an art show — we’re going to convert their space into Eldritch City and throw a Dome of Doom costumed dance party! We’re going to be bringing schools in for performances and writing workshops as well.

Will there be troupes of foppish dancing cockroaches? Will you be able to venture into the very maw of the All-Devouring Mother itself? You’ll have to come and see!

The opening will be sometime in late March or early April, to celebrate the debut of the “Odd-Fish” paperback. The deadline for submission of art is March 1.

I’ve already received lots of great art! Check out Max Pitchkites’ marvelous cut-paper illustrations — he’s doing one for every chapter:

http://jameskennedy.com/2009/10/29/the-odd-fish-art-of-max-pitchkites/

Feel free to pass this on to whomever you think might be interested in doing art for the show. And don’t hesitate to contact me if you have questions!

Click here to read more about the show:

http://www.facebook.com/l/c93ba;tinyurl.com/yl5tjlk

Thanks,

James

Thought I’d share this recent profile about the Bankruptcy Bill cartoons written by South Carolina bankruptcy attorney Russell A. DeMott for the Bankruptcy Law Network, the top consumer bankruptcy law blog.

• “Bankruptcy Bill and BAPCPA Man:  Cartoons come to bankruptcy”

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Do you work in bankruptcy or restructuring?  Now you can join the JET Alumni Restructuring & Bankruptcy Group on LinkedIn.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Author Suzanne Kamata (Tokushima-ken, 1988-90) who also serves as the Publicity Assistant for the Society of Children’s Book Writers and Illustrators, shared the following, which she mentioned is, “a great opportunity for writers in Japan to meet one of the top editors in the world of children’s books.”

The World of Children’s Book Publishing

with

Alvina Ling, Senior Editor

Little, Brown Books for Young Readers

Saturday, November 14, 2009, 10:30 am – 5:00 pm

Manuscript critiques 8:30-10:00 a.m.

Place:      Yokohama International School, Middle Building Cafeteria, Yokohama

For access information and maps, visit www.yis.ac.jp

Fee:         Advance Registration 4,000 yen SCBWI members; 7,000 yen nonmembers (contact info@scbwi.jp by November 5)

At the Door 5,000 yen SCBWI members; 8,000 yen nonmembers

Reservations: Required! Contact info@scbwi.jp to reserve your place.

This event will be in English.

SCHEDULE

************ Read More

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Click here to see a larger image of the cartoon.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, will be giving a talk in St. Louis tomorrow as part of the Anime at UMSL event featuring renowned translator of anime and manga, Frederik L. Schodt, as well as a screening of the film PAPRIKA.  The event is being run by the University of Missouri at St. Louis’ Center for International Studies.

All you Missouri JET alums out there, make sure to introduce yourself and say hi if you happen to attend.

Here’s the latest Daily Yomiuri column from Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, from his “Soft Power, Hard Truths” series for the Daily Yomiuri.  This one about the giant robot Gundam and AKB48 girl-power at this year’s New York Anime Festival, kicking off tomorrow:

http://www.yomiuri.co.jp/dy/features/arts/20090925TDY13001.htm

Also, Roland will be at the New York Anime Festival at the Javits Center all weekend and says to JET alums, “Please swing by and say hello if you can.”  Here’s his schedule for the weekend:

• Friday, 5:15 to 6:15 pm — Yoshiyuki Tomino (GUNDAM)
• Saturday, 12:15 to 1:15 pm — AKB48
• Sunday,  11:15 am to 12:15 pm — Yui Makino

***********

Thanks to a tweet from Roland Kelts (Osaka-shi, 1998-99), I just read the news that Yoshito Usui, the creator of Crayon Shinchan, died after falling off of a cliff.  Apparently he was taking photos in Nagano and must have slipped.

Here’s the article:  http://search.japantimes.co.jp/cgi-bin/nn20090922a2.html

This is very sad news.  I learned Japanese thanks to Crayon Shinchan.  No joke.  When I went on JET, I subscribed to Manga-Jin, a now defunct magazine that would do line-by-line explanations of manga.  It was studying from an issue of Manga-Jin one day that introduced me to Crayon Shinchan.

I was hooked, and I proceeded to buy ever new Crayon Shinchan book I could find.  The relatively simple language combined with use of furigana plus the appealingly crude humor that also inadvertently explained a lot of Japanese social dynamics was exactly what I was seeking in those pre-Internet days of JET.

The news of Usui’s death reminded me that I had a sort of fantasy (long since forgotten) where I would track down Usui-san and thank him and let him know how influential he was in my Japanese language study.

Well, that opportunity no longer exists.  But if anyone else wants to share any thoughts or memories about their experience with Crayon Shinchan, feel free to post below.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Click here to see a larger image of the cartoon.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

**************

The New York Anime Festival has announced its bookings for Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, for this year’s event, which commences at the Javits Center on September 25.

Roland will be on with Yoshiyuki Tomino (GUNDAM creator) on Friday, pop sensations AKB48 Saturday, and Yui Makino (voice of TSUBASA) on Sunday.

Here’s the official announcement:  http://www.mediumatlarge.net/2009/09/roland-kelts-comes-to-nyaf.html

*********************

Author Suzanne Kamata (Tokushima-ken, 1988-90) who also serves as the Publicity Assistant for the Society of Children’s Book Writers and Illustrators, shared the following:

Why Haven’t They Called Me?  What Happens After You Submit your Picture Book to a Publisher

with Kerry Martin, Senior Designer, Clarion Books

Time: Saturday, September 26, 19:00-20:30; portfolio reviews 17:30-18:30

Place: Tokyo Women’s Plaza, Conference Room 2

5-53-67 Jingumae, Shibuya-ku, Tokyo

(by the Children’s Castle and United Nations University)

For a map see www.scbwi.jp/map.htm

Fee: SCBWI members 1,000 yen; non-members 1,500 yen

Additional fee for Portfolio Review.

This event will be in English. Japanese interpretation will be available.

Private Portfolio Reviews are available from 17:30 to 18:30. Contact info@scbwi.jp to reserve your ten-minute slot. Portfolio Reviews must be paid for in advance: SCBWI members 3,500 yen; 4,000 yen non-members.

You’ve submitted your book dummy, sketches, or art samples and wonder why the phone isn’t ringing yet. Kerry Martin, Senior Designer at Clarion Books in New York City, will discuss the process of creating a picture book from initial sketch stage to the finished product, including what goes on behind the scenes while you wait for a response. Also discussed will be the dos and don’ts of sending unsolicited art samples. Private portfolio reviews will precede the discussion.

Kerry Martin grew up in Rhode Island and graduated from Parsons School of Design, New York City, in 2001. After graduating, she worked at a design studio, a letterpress print shop, and several magazines. She has been designing children’s picture books, novels and nonfiction for young adults with Clarion Books, an imprint of Houghton Mifflin Harcourt in New York, since 2002. She travels to Japan as often as she can to visit her husband’s family in Tokyo and Yokohama.

www.scbwi.jp info@scbwi.jp

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

*********************

Author Suzanne Kamata (Tokushima-ken, 1988-90) who also serves as the Publicity Assistant for the Society of Children’s Book Writers and Illustrators, shared the following:

Storyboards and Picture Book Dummies for Good Bookmaking

with Author/Illustrator Naomi Kojima

Time: Saturday, September 12, 2009, 9:45-11:45 a.m.

Place: Tokyo Women’s Plaza, Conference Room 1

5-53-67 Jingumae, Shibuya-ku, Tokyo (by the Children’s Castle and United Nations University)

For a map see www.scbwi.jp/ map.htm

Fee:          SCBWI members 1,000 yen; nonmembers 1,500 yen

Reservations Required: Contact info@scbwi.jp by Sept. 10 to reserve your space

Materials to bring: pencils, scissors, tape or glue

This event will be in English and Japanese.

Putting together the storyboard and book dummy is a necessary process and the foundation for good bookmaking. It enables illustrators and authors to see their work more clearly, and to find clues for editing and arranging text and illustration. In this hands-on workshop we will take a pre-selected story and turn it into a 32-page picture book dummy. A preliminary talk will address the basics for preparing storyboards and book dummies: dividing text for placement on pages, creating visual flow and pacing of text and pictures, as well as basic layout and design. But the primary focus of the workshop will be on the actual making of the dummy. Illustration skills are not necessary; both writers and illustrators are welcome. Story text and paper will be provided.

Naomi Kojima is an author and illustrator of picture books. Born in Japan, she spent her childhood years in the U.S. and studied sculpture at Rhodes College in Memphis, Tennessee. Kojima’s first two picture books, Mr. and Mrs. Thief and The Flying Grandmother were published in New York soon after she joined a Massachusetts SCBWI chapter. Since then, her books have been published in the U.S. and Japan, and translated into French, Swedish, and Indonesian. Her picture books include The Alphabet Picture Book (Kaisei-sha) and Singing Shijimi Clams (Kane Miller).

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

http://www.yomiuri.co.jp/dy/features/arts/20090828TDY13003.htm

Related JetWit Posts:

• Roland Kelts interview with Hayao Miyazaki
• Transcript of Roland Kelts full interview with Hayao Miyazaki (via GhibliWorld)

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

(Click here to see larger version of the cartoon.)

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

APCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Update: Nice mention of BAPCPA Man on the independent law blog AboveTheLaw.com.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has a good column in today’s Daily Yomirui titled “Anime with Texas Roots Debuts in Switzerland.”

According to the column:

Manga Impact: The World of Japanese Animation, a special program at the 62nd annual Locarno International Film Festival in Switzerland, will include next Friday’s world premiere of the Japanese anime Redline in the city’s historic central square, which can accommodate more than 8,000 viewers.

And Redline is:

a film that piles hybrid upon hybrid–a racing film that blasts into sci-fi apocalypse, as a corrupt alien government seeks to destroy the mortal drivers who dare to compete on their alien planet. The action is relentless, allowing you to catch your breath only in brief interludes, yet the imagery is dense with anatomical grotesqueries–like Lucian Freud on acid, or, if you view Redline as a kind of meta- anime, an anime about the stylized thrills of anime itself, Speed Racer on speed.

If any JetWit readers happen to see Redline–especially if you see it in Switzerland at the film festival–please post a comment and share your thoughts and experience.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

BAPCPA Man and Bankruptcy Bill are cartoons created by Steven Horowitz (Aichi-ken, 1992-94) and Gideon Kendall.  For more cartoons, original bankruptcy haiku and even a bankruptcy country song, go to bankruptcybill.us.

Additionally, if anyone would like to take a stab at translating the cartoon into Japanese for JetWit’s Japanese fans out there, feel free to post in the comments section of this post.  Some cultural explanation might be helpful as well, given that Japanese bankruptcy laws are very different than the U.S.

JET alum Lars Martinson, author of the graphic novel Tonoharu:  Part 1, is not only currently studying East Asian calligraphy in Ehime-ken, he wants to write a comic book about his experience.  And he’s in the process of seeking funding to help make this happen.

If you’ve seen Tonoharu:  Part 1, you know that “comic book” barely does justice to Lars’ sophisticated and detailed drawing style.  And having won a Monbusho Scholarship to help him fund the production of Tonoharu:  Part 1, Lars knows a thing or two about getting funding (as further demonstrated in a previous blog post titled “How to Apply for a Monbusho Scholarship“).

That said, it’s never easy getting funding and income as an artist/illustrator.  (See, e.g., Lars’ recent post on adapting his drawing style for professional and practical purposes.)  So if anyone can provide any assistance or leads to help Lars with funding, please feel free to get in touch with him at blog [at] larsmartinson [dot] com.

For information about Lars, you can read his blog at http://larsmartinson.com. You can also read a nice article about Lars from the Winter 2008 “Digital Media” Issue of the JETAA NY Newsletter, written by Alexei Esikoff (Fukushima-ken, 2001-02).

For those of you who weren’t able to catch Roland Kelts’ (Osaka-shi, 1998-99) interview with Hayo Miyazaki in Berkeley, CA on July 25, a “fanatically thorough transcript” of the full interview has been posted at the GhibliWorld site:  http://www.ghibliworld.com/miyazaki_on_stage_conversation_berkeley_july_2009.html

JetWit just learned of two more JET alum artists who happen to be married to each other and live in Greenville, SC.  They also both lived in Niigata-ken.

Lauer, Brooke (Niigata-ken 2004-07) – Greenville, SC

• Writes and illustrates picture books, makes dolls from polymer clay, and handmade journals. Her newest work can be found at http://brookelauer.blogspot.com
• Motto:  “Creating a more interesting world, one character at a time…”

Lauer, Daniel (Niigata-ken 2005-2007) – Greenville, SC

• His wheel-thrown pottery can be seen at http://www.firebirdpottery.com

Over the weekend we mentioned that Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, gave a talk for the students in the Keio Academy of New York Japanese-English Bilingual Summer Program in Purchase, NY in connection with a two-week Digital Media Creation program.  (Additional speakers in the program include Michael Arias, director of “ANIMATRIX” and “Tekkonkinkreet,” Shoji Kawamuri, animation director and mechanical designer and Yuji Nunokawa, CEO of animation producer Pierrot Co., Ltd.)

Here are a couple nice photos from the event:

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This past Thursday evening, Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, gave a talk for the students in the Keio Academy of New York Japanese-English Bilingual Summer Program in Purchase, NY in connection with a two-week Digital Media Creation program.

Additional speakers in the program include Michael Arias, director of “ANIMATRIX” and “Tekkonkinkreet,” Shoji Kawamuri, animation director and mechanical designer and Yuji Nunokawa, CEO of animation producer Pierrot Co., Ltd.