Posted by Tom Baker

JET alum and novelist Charles Kowalski will give a presentation on worldbuilding in fiction at this year’s Japan Writer’s Conference. The conference, which is free, will take place in Nagoya on Oct. 14-15.

Here’s the official description of his talk:

Charles Kowalski
The Worldbuilder’s Toolbox
Short Lecture with Q&A

Creating an entirely new world is such a daunting task that even gods have been known to wash away their mistakes and start over. Fortunately, we mortals now have tools at our disposal that make some aspects of the worldbuilder’s craft almost as easy as saying, “Let there be light!” This workshop will introduce basic techniques, handy reference books, and online tools to help with the “Four L’s” of worldbuilding: Lore (creating foundational myths and stories), Land (mapping your world), Life (designing cultures and creatures), and Language (giving your world a distinctive sound, whether you want a simple naming language or Tolkien-level complexity).

Charles Kowalski is the author of the award-winning thriller MIND VIRUS, the political/espionage thriller THE DEVIL’S SON, the historical fantasy SIMON GREY AND THE MARCH OF A HUNDRED GHOSTS, and several short stories. When not writing, he teaches at the Department of Cultural and Social Studies at Tokai University.

Posted by Tom Baker

JET alum and prolific author Suzanne Kamata will discuss the art of blurbing — how to get good blurbs for one’s own books and how to write them for others’ — at this year’s Japan Writers Conference. The conference, which is free, will take place in Nagoya on Oct. 14-15.

Here’s the official description of her talk:

Suzanne Kamata
“This is the Best Book I’ve Ever Read”: Some Thoughts on Endorsements
Short Lecture with Q&A
Keywords: nonfiction, fiction, endorsements, blurbs, promotion, career

Endorsements — typically words of praise from an established author — are often deemed an essential marketing tool. However, well-known authors are often besieged with requests for such blurbs, and beginning authors may find approaching them to be intimidating. In this session, I will discuss the importance — or lack thereof — of blurbs, how to get them, how to use them, and how to write them, using examples from my own experiences and those of others.

Suzanne Kamata is the author of editor of many books including, most recently, the poetry collection Waiting (Kelsay Books, 2022), the IPPY-award-winning novel The Baseball Widow (Wyatt-Mackenzie Publishing, 2021), the middle grade novel, Pop Flies, Robo-pets and Other Disasters (One Elm Books, 2020), and the Hi-Lo novel romantic comedy Bake Sale (Gemma Open Door, 2022). She is an associate professor at Naruto University of Education.

Posted by Tom Baker

JET alum and prolific author and editor of fiction and nonfiction Suzanne Kamata will host a panel discussion on how the pandemic has changed the writing life and the publishing world at this year’s Japan Writers Conference. The conference, which is free, will take place in Hiratsuka, Kanagawa Prefecture, on Oct. 15-16, but participants must sign up by Oct. 8.

Here’s the official description of her panel’s presentation:

Suzanne Kamata
Clara Kiyoko Kumagai, Kristin Osani, Clarissa Goenawan, Sara Fujimura
Pivot: Writing for a Post-Pandemic World
Panel Discussion
Fiction

How do you keep going when the world, the publishing landscape, and YOU have had major paradigm shifts since 2020? Multi-published authors Sara Fujimura, Clarissa Goenawan, Suzanne Kamata, Clara Kiyoko Kumagai, and Kristin Osani discuss the limitations and growth opportunities that come with this new post-pandemic reality.

Are you waiting for the publishing world to “go back to normal?” The bad news: It’s not. Supply chain woes, soaring material costs, editorial burnout, and continued unrest in the world have made traditional publishing harder to break into and even harder to sustain a career. Savvy authors pivot. Five multi-published, award-winning, globally-minded authors give a state-of-the-industry report from their region of the world. They identify specific challenges they’ve had in the last two years, including launching new books during a pandemic (One out of 10 stars. Highly DON’T recommend!). They also offer tips and techniques on how to keep your writing career rolling when it seems the world is constantly conspiring against you.

American Suzanne Kamata has lived in Shikoku for over 30 years. During the pandemic, she published an award-winning middle grade novel, Pop Flies, Robo-pets and Other Disasters; The Baseball Widow, a novel for adults, and Waiting, her poetry debut. She is an associate professor at Naruto University of Education.

Clarissa Goenawan (she/her) is an Indonesian-born Singaporean writer and translator. Her award-winning short stories have appeared in literary magazines and anthologies in Singapore, Australia, Japan, Indonesia, Italy, the UK, and the US. Rainbirds, her debut novel, has been published in eleven different languages. Her second novel, The Perfect World of Miwako Sumida, came out in 2020. Watersong is her third novel.

Kristin Osani (she/her) is a queer fantasy writer who lives in Kyoto, where she works as a freelance Japanese-to-English video game translator when she’s not wordsmithing, working on nerdy cross-stitching, or cuddling her two cats (three if you include her husband). She has translated games like The Kids We Were, Voice of Cards, and Triangle Strategy. Her original fiction has appeared in FlashPoint SF, the Arcanist, and Ghost Orchid Press’s Beyond the Veil: Supernatural Tales of Queer Love anthology.

Clara Kumagai is from Ireland, Canada and Japan. Her fiction and nonfiction has appeared in publications such as The Stinging Fly, The Irish Times, Banshee, Room, Cicada, and The Kyoto Journal, among others. Her children’s story, A Girl Named Indigo, was translated and published in Japanese with the title Indigo wo sagashite (Shogakukan, 2020). Her young adult novel, Catfish Rolling, is forthcoming in 2023. She currently lives and works in Tokyo.

Sara Fujimura is a hybrid author of four award-winning young adult books: Tanabata Wish, Breathe, Every Reason We Shouldn’t (Tor Teen), and Faking Reality (Tor Teen). She is represented by Ann Rose of the Prospect Agency. Every Reason We Shouldn’t was named an NPR Best Book of 2020. www.sarafujimura.com

Posted by Tom Baker

JET alum Jillian Marshall, author of “Japanthem,” will delve into the nature of memoir in a presentation at the Japan Writers Conference.

Here’s the official description of her presentation:

Jillian Marshall
Reimagining Memoir: Storytelling as Analytical Inquiry
Short Lecture with Q&A online
Nonfiction

What lies between the traditional boundaries of non-fiction genres? This presentation examines the analytical possibilities of memoir and storytelling. Bookended by presentation and discussion, we will read a chapter from my new book as a case-study in analytical memoir, learning about Japanese music culture in the process.

This hybrid presentation and group reading introduces new approaches to memoir devised during my time in (and departure from) academia. Following with a brief lecture questioning the limits of non-fiction genre — what does the slippage between memoir and ethnography reveal? — we’ll examine analytical memoir by reading a chapter of my new book, Japanthem: Counter-Cultural Experiences, Cross-Cultural Remixes. Originally written as part of my doctoral thesis in Japanese ethnomusicology, the selected chapter and Japanthem on whole posit memoir and storytelling as colloquial sites of anthropological inquiry (in this case, getting subtly bullied by my Buddhist dance teacher in Akita Prefecture). With the Q and A that follows, I ultimately hope to inspire new possibilities in non-fiction writing and bridge not just the intellectual rigor of academia with the public sphere, but cultural (mis)understandings between Japan, the US, and beyond in the process.

Jillian Marshall, PhD, is a writer, educator, and musician who champions public intellectualism. Her first book, Japanthem: Counter-Cultural Experiences, Cross-Cultural Remixes, debuted in April with Three Rooms Press. Jillian’s other writings have been published by the Sasakawa Peace Foundation, Cornell University Press, and Music Television.

Posted by Tom Baker

Sarah Coomber (Yamaguchi, 1994-1996) is the author of “Under the Same Moon,” a memoir in which she describes moving to Japan in search of a reset in life. One month from now, she will share some of her memoir writing tips in a presentation at the Japan Writers Conference.

Most of this year’s conference will be held in person at the Shonan Campus of Tokai University in Hiratsuka, Kanagawa Prefecture, but some sessions, including Sarah’s, will take place online via Zoom. (Join the conference mailing list to get the Zoom codes.) Her talk is set to begin at 10 a.m. on Oct. 16 (Japan time). Here’s the official description:

Sarah Coomber
Moment by Moment: Demystifying the Writing of a First Memoir
Craft Workshop online
Nonfiction, Other Genre
Memoir

Telling your story in memoir form can be daunting—you have a lifetime’s worth of experiences to draw from. Where to begin?

Moment by moment.

In this craft workshop, I will share several strategies to help you on your way.

Memoirs, like life, progress moment by moment. The most important thing is not whether your particular story is full of excitement, tragedy or coincidence. What matters is what you bring to the moments in your story—how you view, interpret, reflect on and react to them.

Infusing moments with meaning will help you uncover your larger story. This can occur with sensory explorations, analogies, linked memories, about-ness and more.

I will share what I wish I’d known before writing my first memoir and will coach you through several of my favorite moment-developing strategies.

Attendees are encouraged to bring a scene or observation to explore.

Sarah Coomber is the author of The Same Moon (Camphor Press, 2020), a memoir about two years she spent regrouping in rural Japan after wrecking her Minnesota life. She has worked in public relations and journalism, coaches writing, has degrees in creative writing and journalism, and achieved level four certification in the Seiha School of koto.

Posted by Tom Baker

Tokai University Professor and JET alum Charles Kowalski will be the host of this year’s Japan Writers Conference, at his university’s Shonan Campus in Hiratsuka, Kanagawa Prefecture, on Oct 15-16.

He is the author of the Japan-based middle-grade fantasy Simon Grey and the March of a Hundred Ghosts, and the contemporary thrillers Mind Virus and The Devil’s Son. He has won the Rocky Mountain Fiction Writers Colorado Gold Award, and has been a finalist for the Killer Nashville Silver Falchion Award, the Pacific Northwest Writers’ Association Literary Award, and the Adventure Writers Grandmaster Award.

This year’s Japan Writers Conference will feature approximately 27 different sessions on various aspects of the writing life, one of which will be presented by Charles himself. Here’s the official description:

Charles Kowalski
The Magic of Humor
Craft Workshop
Fiction, Nonfiction

What wizardry lies in writing magical symbols that make anyone who looks at them fall into helpless laughter? Here, we explore ways to infuse writing with laugh-out-loud humor, such as combining divergent situations to make a comic premise, creating comic characters, and running dialogue and narration through “funny filters.”

Of all the ways to make people laugh, one of the hardest is through the written word. This workshop will present several techniques for infusing writing with laugh-out-loud humor, including:

How humor works by subverting expectations and creating new ones
How to combine disparate situations for comic effect
How to run ordinary dialogue and narration through “funny filters”
How to create comic characters using archetypes, quirks, and comical situations

Posted by Tom Baker

JET alum and novelist Joanne Anderton gave a presentation titled “Speculative Fiction Autobiography” at the most recent Japan Writers Conference.

You can watch her presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.

Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Suzanne Kamata hosted a panel discussion on “Writing Identity” at the most recent Japan Writers Conference. Joining her were Tokyo-based writer Clara Kiyoko Kumagai; Kyoto-based fantasy writer and translator Kristin Osani; Indonesian-born Singaporean writer Clarissa Goenawan; and award-winning young adult author Sara Fujimura.

You can watch their discussion below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.

Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker (Chiba-ken, 1989-91)

Poet and JET alum Michael Frazier gave a presentation titled “A Poem is a Thing that Moves: Contemporary Lyric Poems” at the most recent Japan Writers Conference.
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Percival Constantine gave a talk at the most recent Japan Writers Conference about “Successful Self-Publishing.”
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Charles Kowalski gave a psychologically insightful talk at the most recent Japan Writers Conference about “Personality Types and Character Arcs.”
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Last week on the Krewe of Japan Podcast…

The whole Krewe sits down with famous comedian and Youtuber (and former JET Program participant in Oita Prefecture), Dogen! In Part 1, Dogen shares his background including how he became interested in Japan and its culture, his background in martial arts tricking, early attempts at learning Japanese, his path to writing comedy in Japanese, and so much more.

This week…

Nigel, Jenn, & Doug conclude their awesome discussion with comedian and Youtuber, Dogen! In Part 2, the Krewe joins Dogen as they embark on a deep dive into learning Japanese. This discussion takes them to many places from discovering the meaning of pitch accent and how to study effectively, to setting appropriate goals and hilarious language learning stories. This is an episode you don’t want to miss!

The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, and Stitcher.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, & the Krewe of Japan Youtube Channel). Until next time, enjoy!

Posted by Tom Baker

In non-pandemic years, the Japan Writers Conference is held on an autumn weekend at a university somewhere in Japan. This year it is being held online (Oct. 15-17), which means you can participate no matter where in the world you are.

At least nine JETs (including classic-edition MEFs) will be among the published writers giving presentations on how to write well – and how to sell your work. These include memoirist Joe Palermo, poet Michael Frazier, poet and picture book author Holly Thompson, textbook author Todd Jay Leonard, and travel consultant Joy Jarman-Walsh. More JET alums are mentioned in the (slightly JET-edited) official press release below:

Published writers to share how they did it

TOKYO (Sept. 14, 2021) – The Japan Writers Conference has announced a lineup of more than 30 presentations by published writers in a variety of fields, from food writing to screenwriting and from to novels to haiku, for its 15th annual event on Oct. 15-17.

Due to the pandemic, this year’s conference will be held online, with Zoom details to be made available at http://japanwritersconference.org/email-updates/. As always, it will be a free, interactive event open to all who are interested in the art, craft and business of writing.

Poetry, memoir, fiction and publishing will be major themes. Tokyo Poetry Journal associate editor Zoria Petkoska will discuss how technology enables “cyber poetry,” while noted haikuist Michael Dylan Welch will look into the past to examine the use of place names. Karen Hill Anton and Lianne Wakabayashi will discuss crafting their Japan-related memoirs. Novelist and JET Joanne Anderton will explore mixing autobiography into speculative fiction, while novelists Charles Kowalski (another JET) and Michael Pronko will speak about creating characters. Multiple writers will share tips on both traditional publishing and self-publishing.

Astrophysicist and author Elizabeth Tasker will participate in a panel discussion on “Social Media for Writers,” while young adult novelist Sara Fujimura will join a panel on “Writing Identity.” Prominent multi-genre author – and JET – Suzanne Kamata will be part of both panels.

For more variety, journalist Melinda Joe will serve up the basics of food writing, photographer Edward Levinson will discuss finding inspiration in nature, filmmaker Yuri Kageyama will premiere a work on the Fukushima nuclear disaster, and “Jeopardy!” quiz show champion Tom Baker, still another JET, will describe how to write trivia questions. And that’s far from all.

Details on this year’s event can be found at http://www.japanwritersconference.org
Inquiries should be directed to japanwritersconference@gmail.com.

Posted by Tom Baker (Chiba 1989-91)

The 15th annual Japan Writers Conference will be held in October this year. The organizers are now looking for writers, editors and publishers to give presentations on the art, craft and business of writing. If you are a writer, now is a good time to think about taking part.

The conference is a free event, held in English. It covers publishable writing of all types: poetry, fiction, journalism, memoir, translation and more.

Past presenters have included best-selling thriller author Barry Eisler, Edgar-winning mystery novelist Naomi Hirahara and “Slumdog Millionaire” creator Vikas Swarup. There have also been presentations by many JET writers over the years, including poets Warren Decker and Michael Frazier, novelists Percival Constantine and Benjamin Martin, journalists Elaine Lies and Tom Baker, textbook author Todd Jay Leonard, and writing renaissance woman Suzanne Kamata. This year’s event will be cohosted by JET alum and novelist Charles Kowalski, together with nonfiction writer Joan Bailey.

Here are the official details:

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

The 2021 Japan Writers Conference will be at Tokai University, Shonan Campus in Hiratsuka, Kanagawa, on Saturday, October 16th and Sunday, October 17th, 2020. Hiratsuka is on Sagami Bay, not far from Odawara. As in the past, the conference will be free and open to all who wish to attend. Please mark your calendars and plan to join in. As the COVID-19 pandemic is still with us, there is a possibility we’ll have to move online again this year, or it may be a hybrid, with some sessions held live, some online.

All published writers, translators, editors, agents and publishers are welcome to submit presentation proposals for the 2021 Japan Writers Conference. The deadline for your proposal is Tuesday, June 1, 2021.

Please send your proposals via this page on the JWC website: http://japanwritersconference.org/submit-proposal/

We especially encourage proposals from new submitters. One of our strengths has been variety, and the best way to foster variety is to have new presenters each year.

When planning your JWC proposal, keep your audience in mind. Your listeners will be writers and others (translators, editors, publishers, and agents) concerned with creating publishable writing. While teaching, literary studies and private self-expression are all worthy activities, they are not the focus of this conference.

Standard conference sessions are fifty minutes long, but if you have something longer in mind, please let us know and we will accommodate if possible.

To submit a proposal for a conference presentation, send the following information, using the form here to submit: http://japanwritersconference.org/submit-proposal/

1. Your name (or names)
2. Title of presentation (20 words or less)
3. Type of presentation (short lecture with Q&A, craft workshop, panel discussion, reading with Q&A, etc.)
4. Genre (Fiction, Poetry, Nonfiction, Translation, Instructional, Career)
5. Short summary (50 words or less)
6. Abstract (150 words or less)
7. Personal and professional biography (50 words or less. Mention your publications, as this will be part of the Conference program)
8. Your publications (Need not be complete, but give names of journals and genre for short pieces; title, publisher and date for books; venues and dates for plays, and so on)
9. Are you available on both days?
10. Any special needs?
11. Contact information (email address, telephone number) These remain confidential. Please include everyone who will be part of the presentation.

If you are unable to use the website form, or
have questions concerning your idea or the conference in general, you may use this email address: japanwritersconference@gmail.com

Posted by Tom Baker

Warren Decker and Michael Frazier are two JET poets living in Japan who will each be hosting a workshop at the Oct. 10-11 Japan Writers Conference. This year’s conference is being held online, so you don’t need to be in Japan to attend. For details, see http://japanwritersconference.org. Official descriptions of the workshops appear below.

Warren Decker

Pterodactylic Pentagrameter: Working with Rhyme and Meter

Craft Workshop

Poetry

In this workshop we will focus on poetry that incorporates rhyme and meter. As a participant, please bring 2-10 lines of rhymed and metered poetry for us to discuss. Please also be ready to share your unique techniques for finding the right meter and rhymes for your poetic lines.

Paradoxically, the confines of rhyme and meter can often serve to open unexpected creative doors. One who sets out to write about “fractals” may find “pterodactyls” swooping into their poem. Maintaining a regular pattern of stressed and unstressed beats might lead a poet—after many hours at the keyboard—feeling as though a supernatural rhythmic force is guiding them to choose the perfect words and in the perfect order. 

In this workshop, while looking at specific examples of rhyme and meter as exhibited in the participants’ samples, we will collectively attempt to recall the wonderful technical terminology describing syllabic meter (for example: “iambic pentameter,” and “dactylic tetrameter”), but also consider looser and more intuitive accentual poetic rhythms. 

Furthermore, we will discuss the incredible variation contained within the seemingly simple concept of “rhyme,” focusing on concrete examples to understand how and why certain rhymes work.

Warren Decker has published poetry, fiction and non-fiction in The Best American Poetry 2018, NOON, The Font, Frogpond, Modern Haiku, Acorn, The New Ohio Review, THINK, Sou’wester, Fifth Wednesday, and several other online and print journals. He also performs his poetry online and in front of live audiences in Osaka.

Michael Frazier
I AM MY FAMILY (a persona workshop)
Craft Workshop
Poetry

This is a poetry workshop (open to writers of all genres) who are interested in writing about and through their family. We will use the persona form—writing in the voice of family members—to interrogate ourselves. Some poets we’ll look at include Natalie Diaz, Paul Tran, and Julian Randall.

No one can move forward without looking back at where they’ve come from. This is the principle that guides this workshop. Persona poetry is poetry in the voice of someone, or thing, other than ourselves: shiba inu, wild iris, Sailor Moon, Kanye West, or even your bed. We will use the persona to focus on and interrogate our own families and make meaning out of the relationships that have formed us. In order to embody the voices of our family (biological or chosen) we must practice radical empathy. While a persona is in the voice of someone else, my hope is that in the poems we will write, we will turn inwards and learn something new about ourselves. We will look at writers who wield the persona and voices of their family with urgency like Paul Tran, Yalie Kamara, Hiwot Adilow, K-Ming Chang, Natalie Diaz, and Eduardo C. Corral.

Michael Frazier is a poet in Kanazawa. He graduated from NYU, where he was the 2017 poet commencement speaker & co-champion of CUPSI. He’s performed at venues including Nuyorican Poets Café & Lincoln Center. On staff at The Adroit Journal, his poems appear in COUNTERCLOCK, Construction, Visible Poetry Project, among others.