JET alum Robert Cornilles won the Republican primary for Congress in Oregon’s 1st District and will be running against incumbent Democrat David Wu this November 2010.

Rob is also the founder and CEO of Game Face, a successful sports marketing company with a client list that includes the Chicago Bulls, Miami Dolphins, Boston Celtics, New York Mets, St. Louis Cardinals and Los Angeles Dodgers.

For more information about Rob and his campaign, you can visit his website at www.cornillesforcongress.com.

Tim Harms (1994-95) is film producer for the indie film The Vicious Kind among other films.  Tim was also the line producer for The Harimya Bridge, a film written and directed by fellow JET alum Aaron Woolfolk.

Maynard Plant (Aomori-ken, 1997-2000) is the founder of the well-known Japan-based band Monkey Majik (www.monkeymajik.com), which consists of two Canadian members (Maynard and his brother Blaise) and two Japanese members-tax and DICK.

For more information you can check out their:

• Website: www.monkeymajik.com
• Wikipedia entry (where you’ll learn about the origins of the band as well as how Maynard is fluent in Aomori-ben):  http://en.wikipedia.org/wiki/Monkey_Majik
• Embassy of Japan in Canada press release: “Goodwill Ambassadors, Monkey Majik, arrive in Ottawa to celebrate the 80th Anniversary of Japan-Canada Diplomatic Relations”

Here is their song Change with the Yoshida Brothers (a video all JET alums will appreciate):

Do you know of any notable JET alums?  Let us know at jetwit [at] jetwit.com.

Aaron Woolfolk (Kochi-ken, 1991-93), director and writer of the Kochi-based film, “The Harimaya Bridge,” recently won a director’s award at the 2010 Pan African Film Festival.

Click the link below to read the article and learn more about Aaron and his acclaimed film.

http://www.indybay.org/newsitems/2010/08/12/18655970.php

By JQ Magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.

Singer-songwriter Hikaru Utada is going from exodus to hiatus.

According to a message on her homepage from Aug. 9, Hikki (as she as known to her army of fans worldwide) has wrote that following the release of this fall’s Utada Hikaru Single Collection Vol. 2 album, she will take time off from her musical career effective next year.

The message finds the musician in a reflective mood, recalling the music video from her single “Automatic,” released 12 years ago when the singer was just 15 years old. She commented that since then, “part of my growth has stopped…as a person.” Hikki now intends to focus on “human activity” over “artistic activity” in the next year for an indeterminate period.

Read the full story here.

JET ALUMNI ASSOCIATION OF NEW YORK (JETAA NY)

with support from the Consulate General of Japan in New York

Presents

A Special Play Reading of critically acclaimed Off Broadway Play

SAKE WITH THE HAIKU GEISHA

Graphic by JET alum Amber Liang

The JET Alumni Association of New York is pleased to present a limited one-night reading of the critically acclaimed play “Sake with the Haiku Geisha,” written by JET alumnus and playwright, Randall David Cook (Fukui-ken, 1991-93).

Date: Friday, August 13

Start time: 8:30 p.m.

Location: Tinker Auditorium (between Park & Madison Aves.) 22 E 60th St, New York, NY 10065, (212) 355-6100

Cost:

• $5 in advance ($10 at the door) for JET alumni
• $10 in advance ($15 at the door) for Friends of JET

CLICK HERE TO PURCHASE TICKETS ON-LINE VIA PAYPAL

“Sake with the Haiku Geisha” premiered Off-Broadway in 2006 and was based on the collective experiences of three JETs who were placed in Fukui-ken from 1991-1993: an American from South Carolina, a Canadian from Nova Scotia and an English woman from Devon. The structure of the play is inspired by the classic Noh play: an opening ceremony, five acts (each of which uses a different speaker and a spirit or ghost), and a closing ceremony. The show starts on at a farewell party for the visiting JETS, and first three acts are told from the perspective of the visiting JETs, and then the tables turn, and the final two acts are told from the perspective of two Japanese: the supervisor of the Canadian JET, and the geisha’s story, which closes out the play.

The first act, “Sushi and Scones” was a finalist in five major festivals in the USA and England, won the “Best Play” award at the Southeastern Playwrights Conference and was taped and broadcast by as a BBC radio play in late 2005. See a full review of the play in the New York Times.

This event is being organized in cooperation with the Consulate General of Japan in New York.

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. As another example of JET ROI, he is one of at least four former JETS to have been on the newspaper’s staff in recent years. He usually writes for DYWeekend, the arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.

Recently he interviewed two members of the cast of “The Last Airbender” movie during their promotional visit to Tokyo, asking them for their views on the “racebending” controversy surrounding their film. He also covered an insect show now running at a Tokyo museum, reviewed the manga “Otomen,” and weighed in on a couple of other movies now playing in Japan. Here are some excerpts:

“Last Airbender”

In the United States, some fans of the anime-style cartoon on which the movie is based have protested against the casting of Jackson Rathbone and Nicola Peltz, who are white, in roles the fans saw as Asian.

Asked to comment on that, Rathbone said: “I originally was a finalist for Prince Zuko [a Fire Nation role that went to Slumdog Millionaire star Dev Patel]. Almost a year later, I was brought back in for the character of Sokka…I think what they were really looking for was the qualities that people represent, not so much focusing on race…All these characters [in the cartoon] have so many different features, you can’t really say that they are one race…It’s a shame that people really focus on the race thing and they don’t understand that it’s a story for everyone.”

“And there are over 120 different types of people in the film,” Peltz added.

“In terms of a big-budget film, it’s the most ethnically diverse cast there’s ever been,” Rathbone agreed.

Read the rest of the interview here.

“Insects festival”

Open your window on a hot summer day and you may hear a sound that caught the ear of haiku poet Matsuo Basho in the 17th century: the voices of cicadas, seeping into the rocks. Of course, Japan today is a lot more urbanized than it was in Basho’s time, and cicadas are more likely to sing against a background of asphalt and cement. Yet year after year, the buzzing bugs never fail to show up, even in the heart of Tokyo.

Visitors to Insects Festival, an exhibition now running at the Edo-Tokyo Museum in Ryogoku, Tokyo, are reminded of such persistence right away with a display of six-legged critters that live in three different Tokyo zones: mountains, fields and downtown areas.

While city-dwellers often resent sharing space with the likes of cockroaches and ants, the emphasis of this show is on seasonal outdoor insects whose diverse shapes, bright colors and occasional songs actually enhance city life…

Read the rest of the article here, or visit the exhibition’s site here.

“Otomen”

Anyone writing a graduate thesis on the presentation of gender in Japanese pop culture will find abundant material in the manga series Otomen. Readers looking for laughs will also find what they seek in Otomen, but rather less abundantly.

The main characters are a trio of high school students, with the focus on Asuka (a boy who has a name more common for girls), who is in love with Ryo (a girl who has a name more common for boys). Their would-be romance is complicated by the constant presence of their friend Juta, who tries to play cupid, but is more often a third wheel.

Asuka is the captain of the school kendo team, and is admired by everyone as a “real man.” But he is secretly an “otomen,” a boy who is into girly things, such as cute stuffed animals and delicate pastries. He is at least as skilled at cooking and sewing as he is at sports, but he keeps that side of himself hidden. Ryo is Asuka’s mirror image in that she has been raised by her socially inept father to follow in his footsteps as a martial arts champion, but she strives to put up a feminine front at school. Juta has a secret, too, as he is actually a best-selling manga artist who is using the couple as a model for his stories…

Read the full review here.

Also playing…

You can read Tom’s review of “Inception” here, and his review of “Zombieland” here.

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.

He recently interviewed Shane Acker, director of the animated film “9” and Richard Kelly, who most recently directed “The Box,” a thriller starring Cameron Diaz. He also reviewed the manga “Hot Gimmick.” Here are some excerpts:

Shane Acker

[The characters in the movie are all animated dolls with numbers instead of names.]　A different personality aspect is dominant in each one. Rigid orthodoxy is represented by leader 1 (voiced by Christopher Plummer), creativity by inventor 2 (Martin Landau), bravery by warrior 7 (Jennifer Connelly) and so on. Elijah Wood does the voice of 9, the truth-seeker of the group, and John C. Reilly voices his timid friend, 5…

The most amusing character is 8 (Fred Tatasciore), who embodies sheer physicality. In one scene, he achieves a moment of strange bliss by stroking his head with a large magnet, an activity that Acker called “degaussing himself.”

“In film school, especially in the days of video, if you had a videotape and you wanted to just wipe it clean, there’s a degaussing machine, which is basically like a supermagnet, and you would wave the videotape over the degausser and it would just take off all the footage that’s on there,” Acker explained. “So that’s the kind of idea, he’s sort of wiping his memory banks. You realize why he’s so dumb.”

Read the full article here.

Richard Kelly

Imagine that a mysterious stranger has just handed you a wooden box with a red button on top. He explains, rather convincingly, that if you push the button two things will happen: Someone whom you don’t know will die, and you will receive a payment of 1 million dollars…

In writer-director Richard Kelly’s movie The Box, based on a short story by Richard Matheson, the stranger’s name is Arlington Steward (Frank Langella), and he is conducting a high-stakes social experiment by visiting the homes of middle-class American couples and offering them the choice of pushing the button or not.

“Tonally this movie crosses a lot of genres,” Kelly, who previously wrote and directed Donnie Darko (2001) and Southland Tales (2006), told The Daily Yomiuri in a recent phone interview. “It’s a science fiction film, it’s a domestic melodrama, it’s a suspense film, there’s elements of horror in it, and there’s also some black comedy inherent…The conceit of pushing this button on this contraption and someone you don’t know dying is very mischievous. Anyone who would build this contraption and make this offer is smirking when they do it. And Matheson was smirking, I’m sure, when he wrote this short story.”

…[The story is set in the 1970s because] the mysterious stranger is a character type whose day has passed, according to Kelly. “When I set out to write this screenplay, I initially was trying to figure out how to make it work present-day, but when you introduce modern technology and the Internet, social networking sites, Google maps, satellite maps, reality TV, just our media-saturated world that we live in…there is no such thing as a real stranger anymore. Everyone can be found on the Internet. You can find anyone’s house, you can go onto a satellite map with a 360-degree view.”

Read the full article here.

“Hot Gimmick”

[In this manga, a high school girl’s seriously unhealthy relationships with her would-be boyfriends is presented as perfectly normal.]

For example, the day after one of her suitors is unable to reach her by phone (for reasons that are no one’s fault), he slaps her across the face so hard that bystanders rush to offer first aid. But Hatsumi chases after him to make the following speech, which he receives in stony silence: “I’m sorry. For being so clueless. For…never being able to get your calls…I’m so sorry. I’m really sorry. For not understanding how you feel about me. I’m sorry.”

Later, when one of the boys proposes to her, she thinks, “Maybe if we got married, he’d finally be nice to me.”

She seems unaware of some basic principles of healthy human interaction, such as this simple standard: If a friend arranges for you to be gang-raped, that person is not really your friend.

Read the full review here.

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.

Recently he interviewed two notable figures from the world of science fiction: novelist Charles Stross, the Hugo Award-winning (and Seiun Award-nominated) author best known for his “Merchant Princes” series, and actor Sharlto Copley, who plays the lead role in the movie “District 9.” Stross in now in Japan to attend the newly launched Hal-Con science fiction convention in Saitama, while Copley was there to promote his film, which just opened in the country. Here are some excerpts:

CHARLES STROSS:

Stross has also written “hard” science fiction, such as his novels Saturn’s Children and Accelerando, which imagine technologically advanced futures in deep detail. Readers of those books may notice a sprinkling of Japanese vocabulary, such as “bishojo,” “chibi” and “kawaii.”

“There were particular reasons for wanting to use it [Japanese vocabulary],” Stross explained. “One issue is globalization of culture. Japan is unusual in that it’s one of the few societies other than North-American-stroke-Anglosphere ones successfully exporting its culture globally. You will find Hello Kitty in shops in the U.K., you will find her in Germany, you will find her all over the world. There’s far less in the way of, for example, German cultural exports. So if you’re going to portray a near future, it is one that is going to be Japanese-influenced to a greater or lesser extent.”

Saturn’s Children is about a robot created to serve humans who must get on with her life in a universe where humans have gone extinct. She’s one of a long line of nearly identical “sibs” who sometimes share their memory chips with each other, blurring distinctions between the individual and the group…

Read the rest of Tom’s interview with Stross here. (And read his review of Saturn’s Children here.)

SHARLTO COPLEY:

As Wikus [Copley's character] works for a heavily armed private company called MNU, another big issue in District 9 is the movement of military power into the hands of corporations, a phenomenon that has been prominent in recent world news due to the involvement of U.S. contractors such as Blackwater in the war in Iraq. In the movie, MNU is portrayed as a menace, which made Copley’s comment on the topic a bit of a surprise.

“That started with Neill’s fascination with [a South African military contractor called] Executive Outcomes,” Copley said. “That’s actually the start of modern-day privatization, when the South African government changed, and you had incredibly high-level professional soldiers…that had nowhere to go. They weren’t going to work for the new government, and they formed a private military company that went and sorted out various conflicts in Africa–and did amazingly well, actually. It was very controversial, but you couldn’t argue that when 50 guys went in and solved a problem that the United Nations couldn’t with 5,000, that there was definitely something to be said for that.”

Read the rest of Tom’s interview with Copley here.

Hey JETAA New England! Join Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, at Anime Boston this coming weekend for a Japanamerica talk and book-signing session Saturday, April 3, @ 1:30 p.m. in the Hynes Convention Center in downtown Boston.

Thanks to JET alum Harlan Rosacker of Washington, D.C. for passing along this information:

JET alum David Boling has announced his candidacy for the 2^nd Congressional seat in Arkansas.   You can see David’s website at:  www.bolingforcongress.com and you can follow his blog at:  www.bolingforcongress.com/blog.html.

Harland adds:

“We have known David since the mid-1990s.  Our association grew as a result our having lived in Japan ourselves from 1969 to 1976.   Our son Andrew (born in Tokyo) was a JET in Kanagawa-ken from 1996 to 1998.”

Here are a few JET-relevant snippets from David’s bio:

• David Boling, 45, is a fourth-generation Arkansan. He is a 10-year veteran of the U.S. Department of Justice; a one-time lawyer at the Mitchell Williams law firm in Little Rock; and, until last month, the Chief of Staff to Congressman Vic Snyder (D, AR-2).
• Boling is married to former Fuji Television reporter Mine Sasaguri; he and his wife are the parents of two children, Christopher (7) and Ellen (5).
• Fulfilling a desire to learn more about the Japanese educational system, David took a one-year break from law school, 1988-1989, to teach English to students in Fujishiro. He was later selected for a competitive Rotary scholarship which he used to master the 1800 character Japanese language, visit Pine Bluff’s Sister City, Iwai and, most importantly, gain an understanding of the Japanese legal system and trade between Japan and the United States – specifically, about trade between Japan and Arkansas.
• David passed the Arkansas Bar Exam in 1993 and then completed a Masters in Law (LL.M) at Columbia University School of Law in 1994, where he focused on international and Japanese law.
• In 1995, David joined the US Department of Justice Antitrust Division as a lawyer. He worked there for 10 years, spanning both the Clinton and Bush Administrations. As they increasingly litigated cases against Japanese firms, David’s background was a strong asset to the Justice Department, but he also worked to investigate alleged illegal monopoly behavior in the concert ticketing business and on criminal investigations to crack down on international price-fixing cartels, which steal from American consumers. He helped prosecute a Japanese executive and Japanese company for obstruction of justice in two separate antitrust investigations. In 1999, Janet Reno signed an international antitrust agreement between Japan and the US to further open the Japanese market and improve antitrust enforcement that Boling helped to negotiate.
• Boling was selected for a Mike Mansfield Fellowship at Justice, during which he worked in the Japanese Justice Ministry and other government agencies, deepening his understanding of their legal system.

David-san, ganbatte kudasai!

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.

Last Friday he had two movie articles in the paper: a review of “Sherlock Holmes,” which you can read here, and an interview with martial artist Jon Foo, who stars in a new movie based on the “Tekken” series of video games. Here is an excerpt:

“My mom, she does judo, and my dad did karate, so I learned a lot from them growing up,” Foo told The Daily Yomiuri in an interview in Tokyo last week. “My mom used to do throws; tomoenage was her favorite. She’d pick me up, kick me in the air and I landed on the bed. And I’d do conditioning. And then I moved on to kung fu, tae kwon do, Muay Thai. Just take the best from each and mix it [considering] whatever suits my body, and I’ll take that and I’ll use that to perform to my best.”

Foo, 27, has had supporting roles in action movies in several countries, but Tekken puts him in the lead for the first time.

He plays Jin Kazama, a young man who makes a living as a fleet-footed courier in a postapocalyptic world ruled by corporations, one of which is Tekken (a name that translates as “iron fist”)…

…Tekken’s top boss, Heihachi Mishima, is an elderly man–but a mean fighter–whose shiny bald dome is framed by an erect ruff of gray hair that looks like a set of tail fins from a 1950s Cadillac. The hair and makeup people did a hilarious job of replicating this look on actor Cary-Hiroyuki Tagawa, but they were more restrained when it came to just hinting at Jin’s swept-back hairstyle with Foo. We’re probably meant to laugh at some parts of this film, but Jin has to hold the audience’s sympathy.

Read the rest of the article here.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has published his latest SOFT POWER/HARD TRUTHS column for The Daily Yomiuri–this one about last month’s sentencing of American Chris Handley for possession of ‘obscene manga’ in Iowa–and this month’s proposal by the Tokyo Government to censor ‘virtual porn’ (read: manga and anime) in Japan.

Is this another example of ‘gaitsu‘–Japan being affected by foreign pressure?

Column is here:  http://www.yomiuri.co.jp/dy/features/arts/20100319TDY11101.htm

More details here:  http://japanamerica.blogspot.com/2010/03/tokyo-otaku-talk-temple-this-thursday.html

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games. You can follow Tom’s blog at tokyotombaker.wordpress.com.

He also writes movie reviews. Here is an excerpt from a recent review of “I Love You Phillip Morris,” in which Jim Carrey and Ewan McGregor play Steven and Phillip, the lead characters in a gay romantic-comedy/prison-break film that is based on a true story. It opens March 17 in Britain and April 30 in the United States, but is already playing in Japan.

McGregor’s sweet and naive Phillip is totally believable. Harmlessly meek and far too trusting, yet somehow uttering the lion’s share of the laugh lines, he makes you want to protect him, which is also how Steven feels. “You only see the good in people,” marvels Steven, whose own outlook is far more cynical.

Carrey, who does appear in good movies now and then, is not always as believable in his role, but this is appropriate since he plays a chronic fake who is always trying on new identities and tells lies to everyone he meets. Late in the movie, when Steven tries to prove his love by revealing his true self to Phillip, he can’t really do it.

Steven is a criminal who went to prison because he belonged there. But his scams are amusing because his wealthy victims are entertainingly depicted (fairly or not) as crude, pompous fools. And his various prison escapes are amazing. In one, he uses felt-tip markers and toilet water to dye his prison uniform green, enabling him to walk right out in the guise of a visiting doctor…

Read the rest of the article here.

The March 2010 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, will be speaking at Kinokuniya in NYC as part of “Ponyo Day.” The event is this Saturday from 1:00 pm to 5:00 pm, and Roland will be speaking at 4:00 pm.  (This appearance hot on the heels of his Atlanta book signing on March 4!)

All the JETAA Southeast alums will have a chance to meet and hear Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, speak at Keenesaw State University in Atlanta, GA on Thursday, March 4 from 6:30-8:00 pm.  If you happen to go and say hi, let him know you heard about the event on JetWit.  Also, email JetWit (jetwit [at] jetwit.com) to let us know how the event was so we can share it with the rest of the JET alum community.

Here’s the flyer with all the relevant info for the event:

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I received a wonderful request from author Solmaz Sharif, Managing Director of The Asian American Writers’ Workshop, regarding an event that she thought might be of interest to the JET alumni community:

Matchmaker:
Speed dating hosted by Kavita Ramdya and Jen Kwok

Saturday, March 6, 7-9 PM

• Location: The Asian American Writers’ Workshop16 W 32nd Street, Suite 10A btwn 5th Avenue and Broadway
• Cost: $20 for members / $30 for non-members
• Purchase your tickets here before March 5, 2010 and give us an idea who we should set you up with. For more information you can also visit aaww.org or call 212.494.0061.

Tired of making eyes at readings and not approaching the hottie next to you? Wondering how you can meet people that’ll compliment your bookcase? Interested in hearing more about love in Asian America? Keep it in the family and let the Workshop help you find the one at our first ever speed dating event. The Asian American Writers’ Workshop presents MATCHMAKER, a special event about how we meet, mingle, and marry in Asian America.

Kavita Ramdya, author of Bollywood Weddings: Dating, Engagement, and Marriage in Hindu America, discusses how second-generation Indian Americans get hitched, a tricky negotiation involving arranged meeting, Mom and Dad, and, of course, lots of dancing.

The event will be hosted by stand-up comedian Jen Kwok, the hilarious mastermind behind Date an Asian, her self-described comic ode to “the awesomeness of dating an asian guy.”

You will receive the following premiums:

• A month’s worth of dates squeezed into one night as you move table to table closer to the one
• Finger foods to keep the attention where it counts
• A signature Workshop cocktail
• A horoscope reading to predict your compatibility

Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games.  You can follow Tom’s blog at tokyotombaker.wordpress.com.

He also writes about movies. Here is his interview with stop-motion animator Henry Selick, whose film “Coraline” is a nominee for best animated feature in the Academy Awards to be presented on March 7:

When the nominees for best animated feature film are read out at the Academy Awards ceremony in Hollywood next month, there will be one computer-graphic animated film (Up), two traditional 2-D animated films (The Princess and the Frog and The Secret of Kells) and two stop-motion films (Fantastic Mr. Fox and Coraline).

“I feel very lucky to have lived long enough to still be making films in this era,” Coraline director Henry Selick told The Daily Yomiuri in Tokyo last week. His two previous features, Nightmare Before Christmas (1993) and James and the Giant Peach (1996) came out before the Oscars introduced an animated feature category in 2001.

Coraline has already won several other prizes, including an Annie animation award for Japanese production designer Tadahiro Uesugi.

Coraline, based on a novel by Neil Gaiman, is the story of a young girl who discovers a secret passage to an alternate universe where all the things that annoy her in the real world have been changed. But like a gingerbread house in a fairy tale, this seemingly delightful place turns out to be a trap from which she must escape.

Read the rest of the article here.

If you’ve been following Toyota’s problems of late, then you may have also noticed JET alum Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, popping up a lot as a commentator.

He recently appeared on ABC’s World News Tonight.  And even more recently he was commissioned to write an op-ed for the Christian Science Monitor to clarify some of the vast cultural misreadings evident in the Congressional Toyota/Toyoda hearings.

• Toyota and trust: Was the Akio Toyoda apology lost in translation? Stung by Toyota recalls, Toyoda had to convey sincerity – and bridge the gulf in communication styles between Japan and America. http://www.csmonitor.com/Commentary/Opinion/2010/0225/Toyota-and-trust-Was-the-Akio-Toyoda-apology-lost-in-translation

• Roland is also quoted in this AP article on Toyota:  “Toyota President Battles Crisis in Family Company“ http://www.boston.com/business/articles/2010/02/19/toyota_president_battles_crisis_in_family_company/?page=full

And addressed the topic of Toyota in an interesting way in his recent Daily Yomiuri column on The Super Bowl, Toyota, Anime and Hollywood:

• SOFT POWER, HARD TRUTHS / Anime must eventually transcend Japan ‘national’ brand http://www.yomiuri.co.jp/dy/features/arts/20100219TDY11003.htm

And if you’re looking for commentary on non-Toyota topics, then you can listen to Roland’s recent appearance on NPR discussing a wild relic of Japanese popular culture, a viral video of Japanese ‘Jazz Opera,’ produced in 1986 by Tamori, the great comedian:

• http://www.theworld.org/2010/02/17/japanese-jazz-opera/

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, is interviewed on ABC’s “World News Tonight” with Brian Ross and Diane Sawyer.

The February 2010 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.  In this issue:

1. Special Confusion
2. Did you know?  Moto methodology
3. New section:  Sake basics – daiginjo
4. Sake professional course
5. New!  Japanese for sake lovers
6. New!  iPhone app:  The Sake Dictionary
7. Odds-n-Ends

Additional links:

• Sake World Website
• More About Us
• Archive

Here’s the latest SOFT POWER/HARD TRUTHS column in the Daily Yomiuri by Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, this one whether Japan, like Fonzie in the epic sitcom Happy Days, has “jumped the shark.”

http://www.yomiuri.co.jp/dy/features/arts/20100122TDY11003.htm

Also, fyi, Roland is now down in Miami for the Super Bowl (his sister works for the NFL!) hanging out with his pal Pete Townsend of The Who which will be providing the halftime entertainment.  Here’s the post from Roland’s blog:  http://japanamerica.blogspot.com/2010/02/super-bowl-in-south-beach.html

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Here’s the latest SOFT POWER/HARD TRUTHS column in the Daily Yomiuri by Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, this one about hybrid people, hybrid music and hybridization as a trend.

http://www.yomiuri.co.jp/dy/features/arts/20091218TDY11001.htm

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Here’s a nice review of Japanamerica (by Roland Kelts (Osaka-shi, 1998-99) on the blog Fan-to-Pro:  The Blog of Professional Geekery, which describes itself as “a blog about jobs, career and economics for ambitious fans, progeeks, Otariimen and other members of the Modern Literati.”

http://www.fantopro.com/blog/2009/12/book-review-japanamerica.html

Just in time for the holidays, in case you’re looking for that special gift for that special JET friend or Friend of JET!

Just heard from Aaron Woolfolk (Kochi-ken, 1991-93), writer and director of the film The Harimaya Bridge (starring Ben Guillory, Saki Takaoka, Misa Shimizu, and Danny Glover, who is also the Executive Producer), that the film is now available on DVD in Japan.

JetWit would love to have a copy of the DVD for JETAA NY purposes, so if you’re in Japan and can get a hold of a The Harimaya Bridge DVD, let me know.  (jetwit [/at/] jetwit [/dot/] com.)

Meanwhile, the Aaron has continued showing The Harimaya Bridge at film festivals around the U.S. and reports that the film is due out in theaters in the U.S. in the spring.

Here’s a column by Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, in the Japanese-language travel magazine, PaperSky (http://www.paper-sky.com/blog/).  It’s a “mediation on hybridization and travel” and includes photos of the Tokyo, Sydney and NYC skylines.

The November 2009 (#2) issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.  In this issue:

Tasting  with Mr. T
Did You Know? Sake Brand Name Characters
New Section: Sake Basics – Junmai-shu
Guided Sakagura Tours
Sake Professional Courses in Japan: Last Call!
Holiday Gift Idea: Announcing The Sake Dictionary!!!
Odds-n-Ends

Additional links:

Sake World Website
More About Us
Archive

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The JET alumni community already has a great reputation for writers such as Bruce Feiler, Roland Kelts and James Kennedy among others.  And now we’re starting to make our mark on the world of film as well.

JET alum Aaron Woolfolk‘s film The Harimaya Bridge, starring starring Ben Guillory, Saki Takaoka, Misa Shimizu, and Danny Glover (who is also the Executive Producer), is making its New York debut on Sunday December 6 (with Q&A and cocktail reception to follow) and Sunday December 13 as part of the African Diaspora Film Festival.

(Editor’s Note: I already bought my ticket for the Dec 6 date!)

The film had a nationwide theatrical release in Japan beginning in June, and the response from audiences and critics was fantastic.  (There was also a showing in Los Angeles back in June that a number of JETAA Southern California JET alums attended.)

The film will be showing in New York:

• Sunday, December 6 @ 5:30PM – Thalia Cinema, Symphony Space (95th & Bway) – GALA SCREENING. Followed by a Q&A with director and catered reception
• Sunday, Dec. 13 @ 7:30PM- Thalia Cinema, Symphony Space (95th & Bway)

This looks to be a big event for the JET alum community, so get your tickets now and hope to see you there.

Here’s the trailer for the film:

Here are two videos of Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, from a keynote speech he gave at the University of Missouri in St. Louis back in October.

In the first, he talks about the connection between manga and anime and traditional Japanese line-based aesthetics–or what Takashi Murakami now calls “Superflat”:

And in the second video, he discusses the fundamental differences between American visual iconography and Japanese sensibilities, with a reference to Pokemon in America and McDonald’s in Japan:

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http://www.yomiuri.co.jp/dy/features/arts/20091120TDY13001.htm

FYI, images below are 1) Commodore Perry’s bow, 2) Obama’s bow and 3) Political commentary from Perry’s day.

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JET alum Aaron Woolfolk‘s film The Harimaya Bridge, starring starring Ben Guillory, Saki Takaoka, Misa Shimizu, and Danny Glover, is making its New York debut on Sunday December 6 (with Q&A and cocktail reception to follow) and Sunday December 13 as part of the African Diaspora Film Festival.  (See the JetWit post about the upcoming event here for details and ticket info.)

The film had a nationwide theatrical release in Japan beginning in June, and Aaron was involved in a five-week promotional tour in Japan for the film.  What is it like for a former JET to go on a five-week promotional tour in Japan?  Well, Aaron captured much of it in photographs available on Facebook along with informative and entertaining captions.  (FYI, you don’t need to have an account to view the pictures.)

Here’s the link:  http://www.facebook.com/album.php?aid=124235&id=833564815&l=9d23bf0eb9

And here’s Aaron’s intro commentary on the photos along with a couple samples of what you’ll see:

Five weeks in Japan in May and June of 2009, traveling all around the country doing promotion in the run-up to the June 13th nationwide opening of “The Harimaya Bridge.” Most days were spent doing loads of media interviews and promotional appearances. This here is just a small sampling, as I wasn’t able to come anywhere close to capturing everything with a camera. It was hectic and exhausting…but talking to the media and connecting with audiences only reaffirmed my desire to live my life telling stories via film, television and theater. :-)

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Here’s a radio interview Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, did in Tokyo this past weekend with Tyler Brule, founder and editor of the UK-based Monocle magazine, about manga in Japan and overseas, and Japanamerica:

http://www.monocle.com/The-Monocle-Weekly

The Japanamerica segment is introduced at 1:00 and starts at 22:00

The November 2009 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.  In this issue:

It Just Gets Worse
Did You Know? Rice Harvest Timiing
Guided Sakagura Tours
Sake and Pottery Seminar
Sake Professional Courses in Japan
Learn More About Sake through  eBooks
Odds-n-Ends

Additional links:

Sake World Website
More About Us
Archive

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Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, was interviewed by Japan Society of New York at the New York Anime Festival 2009 which was held September 25-27 at the Jacob Javits Convention Center.  Let’s go to the video tape:

Part 1 of the interview:

Part 2 of the interview:

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A story just published in the new December issue of VANITY FAIR chronicles the way Japanese kawaii, or super-cuteness, has conquered America: http://www.vanityfair.com/culture/features/2009/12/cuteness-200912

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, is quoted fairly liberally via an interview with Vanity Fair writer Jim Windolf.  Here’s a sample:

“There’s no doubt that cuteness has been a part of the Japanese aesthetic since the postwar years,” says Roland Kelts, the author of the 2006 book Japanamerica: How Japanese Pop Culture Has Invaded the U.S. “One theory, which has been proposed by a lot of Japanese artists and academics, is that, after the humiliation and emasculation of Japan in the postwar years, Japan developed this quasi-queer position of ‘little brother’ or ‘little boy.’ If you become ‘little brother’ or ‘little boy,’ the only way you can get big brother’s or fat man’s attention is by being so cute or puppy-like that he has to take care of you.”

Roland also recently returned to Japan from a book promotion tour in Korea.

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has another SOFT POWER/HARD TRUTHS column in The Daily Yomiuri (and also re-printed in 3:AM Magazine) about J-Pop music in America, featuring interviews with Miho Hatori, formerly of Cibo Mato, and Reni-chan, a recent NYC transplant from Tokyo, plus reflections on AKB48.

1. Daily Yomiuri SOFT POWER/HARD TRUTHS:  Japan’s Music Makers in America
2. Link to 3:AM Magazine post of the column:  http://www.3ammagazine.com/3am/3am-asia-soft-power-hard-truths-japans-music-makers-in-america/

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has a good article out in Adbusters magazine.

Private Worlds:  Lives spent lurking too long in the shadows of the virtual

https://www.adbusters.org/magazine/86/private-worlds.html

Also, Roland is traveling to Korea soon to do give some talks there.  If you’re a JET alum living in Korea and you go, make sure to go up and introduce yourself and invite him out for some sho-chu.

The October 2009 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.  In this issue:

The Boyz of Nada
Did You Know? Sake Day
SCHEDULED AND CONFIRMED: Guided Sakagura Tours
NEW! Sake Professional Courses in Las Vegas and Japan
Learn More About Sake eBooks
Odds-n-Ends

Additional links:

Sake World Website
More About Us
Archive
Subscribe

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, will be giving a talk in St. Louis tomorrow as part of the Anime at UMSL event featuring renowned translator of anime and manga, Frederik L. Schodt, as well as a screening of the film PAPRIKA.  The event is being run by the University of Missouri at St. Louis’ Center for International Studies.

All you Missouri JET alums out there, make sure to introduce yourself and say hi if you happen to attend.

Thanks to a tweet from Roland Kelts (Osaka-shi, 1998-99), I just read the news that Yoshito Usui, the creator of Crayon Shinchan, died after falling off of a cliff.  Apparently he was taking photos in Nagano and must have slipped.

Here’s the article:  http://search.japantimes.co.jp/cgi-bin/nn20090922a2.html

This is very sad news.  I learned Japanese thanks to Crayon Shinchan.  No joke.  When I went on JET, I subscribed to Manga-Jin, a now defunct magazine that would do line-by-line explanations of manga.  It was studying from an issue of Manga-Jin one day that introduced me to Crayon Shinchan.

I was hooked, and I proceeded to buy ever new Crayon Shinchan book I could find.  The relatively simple language combined with use of furigana plus the appealingly crude humor that also inadvertently explained a lot of Japanese social dynamics was exactly what I was seeking in those pre-Internet days of JET.

The news of Usui’s death reminded me that I had a sort of fantasy (long since forgotten) where I would track down Usui-san and thank him and let him know how influential he was in my Japanese language study.

Well, that opportunity no longer exists.  But if anyone else wants to share any thoughts or memories about their experience with Crayon Shinchan, feel free to post below.

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The New York Anime Festival has announced its bookings for Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, for this year’s event, which commences at the Javits Center on September 25.

Roland will be on with Yoshiyuki Tomino (GUNDAM creator) on Friday, pop sensations AKB48 Saturday, and Yui Makino (voice of TSUBASA) on Sunday.

Here’s the official announcement:  http://www.mediumatlarge.net/2009/09/roland-kelts-comes-to-nyaf.html

The September 2009 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online.  In this issue:

• The Hazards of Nama
• Did You Know? The Toji
• Guided Sakagura Tours
• NEW! Sake Professional Courses in Las Vegas and Japan
• Sake Events
• Learn More About Sake eBooks
• Odds-n-Ends

Just found out that Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has a review of “Tears in the Darkness,” a capacious, brilliantly narrated account of the Bataan Death March in World War II, featuring interviews with Japanese, American and Filipino veterans/survivors — in this month’s issue of BOOKFORUM.  Inhumanity, with novelistic intimacy…

Read the review here: http://www.bookforum.com/inprint/016_03/4339

More @ http://www.tearsinthedarkness.com/

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This just in from Feiler, Bruce (Tottori-ken, 1989-90), author of the original JET book Learning to Bow as well as a number of other best sellers such as Walking the Bible, Abraham, and Where God Was Born:

A Note From Bruce Feiler On October 6th, my new book America’s Prophet: Moses and the American Story arrives in bookstores. It describes a year I traveled through American history, from the pilgrims to the founding fathers, Cecil B. DeMille‘s garage to the Oval Office, looking at Moses’s influence on the American story. You can read more about the book here. I’ve also completely redesigned www.brucefeiler.com. It contains some cool new videos, a list of the cities I’m visiting this fall, a blog, including a new series “This Week in Moses,” and, of course, a way to email me directly. I’ve also set up a Facebook page, and I hope you’ll friend me there. Plus, you can follow me on Twitter. I hope you enjoy the book, and thanks for your continued support. Please let me know what you think. Yours, Bruce

http://www.yomiuri.co.jp/dy/features/arts/20090828TDY13003.htm

Related JetWit Posts:

• Roland Kelts interview with Hayao Miyazaki
• Transcript of Roland Kelts full interview with Hayao Miyazaki (via GhibliWorld)

Check out the latest article by Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, in AdBusters magazine, titled “Japanese Simplicity:  The only way to leave a smaller footprint would be to die.”

Also stay tuned for Roland’s forthcoming novel titled “Access.”

Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has an article in the August issue of Adbusters magazine addressing the long lineage of Japanese artists’ resistance to the U.S.-Japan Security Treaty and subsequent interdependence.  With the elections looming on August 30th, perhaps this additional context will be of interest JET alum.

The Soul of Japan:  Japan’s crisis is not political, but psychological

https://www.adbusters.org/magazine/84/soul-japan.html