Oct 6

JQ Magazine: Book Review — ‘Perfume’s “GAME”’

“To call Perfume’s GAME a ‘deep dive’ is both an understatement and compliment. From its very first chapter, St. Michel’s decade of experience writing about music shines.” (Bloomsbury Academic)

By Greg Beck (Hiroshima-ken, 2006-11) for JQ magazine. Greg is a writer, producer, home brewer, and Social Coordinator for JETAA Southern California and Arizona. A former news producer for Tokyo Broadcasting System in New York, he currently works freelance in Los Angeles. For more cinema reviews, follow him on Twitter at @CIRBECK #MovieReview.

If you were to ask me prior to writing this, I vaguely recalled Perfume as some heavily autotuned “girl group” from Hiroshima. Now that I have read Perfume’s GAME, all of that has changed.

Written by JET alum Patrick St. Michel (Mie-ken, 2009-11) and released earlier this year, this insightful work of nonfiction is part of a series called 33 1/3 Japan, also related to a larger, global series of short, music-based books sharing the 33 1/3 title. This book specifically goes beyond simple fandom, providing a master class on the early-to-sophomore career of the pop group Perfume, and how their album GAME would become an important influence in popular music on the international level.

To call Perfume’s GAME a “deep dive” is both understatement and compliment. From its first chapter, St. Michel’s decade of experience writing about music shines. That’s an extremely difficult task for the written word, given we perceive music using a different sense entirely. Descriptive prose does an excellent job identifying and elucidating songs and their smaller components. St. Michel starts with a modest introduction of his personal discovery of Perfume and how it helped him connect to his Japanese community, which for any JET alum should feel familiar, if not nostalgic. Next, he tells the story of the members of Perfume and their humble beginnings. Had the rest of the book been solely focused on their music, it would only be worth reading if you were already a diehard fan, but the author does much more.

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Oct 5

JQ Magazine: Book Review — ‘Japanese Cooking with Manga’

Japanese Cooking with Manga is an entertaining introduction to the world of Japanese food, and an approachable book for those interested in learning more about Japanese food culture.” (Tuttle Publishing)

By Alexis Agliano Sanborn (Shimane-ken, 2009-11) for JQ magazine. Alexis is a graduate of Harvard University’s Regional Studies-East Asia (RSEA) program, and currently works as a program coordinator at the U.S.-Asia Law Institute of NYU School of Law. Additionally, she is an artist and independent filmmaker, currently working on a documentary about food education in Japan entitled Nourishing Japan.

Tuttle’s latest cookbook, Japanese Cooking with Manga, captures the ethos of creating food which suits the place you live. This quirky read was written by the Gourmand Gohan team comprised of Spaniards Alexis Aldeguer and Ilaria Mauro and Japanese-living-in-Barcelona “Maiko-san,” highlighting the universal love of Japanese food and its adaptations around the globe.

Created to be part comic book and part recipe book, this is a cookbook that you “read,” filled with colorful and humorous visual explorations of preparing Japanese food. Drawn in an artistic style more reminiscent of Tintin than Totoro, the trio guides us through visuals of chopped ingredients and simmering pots culminating in the completed meal. In truth, it would be difficult to consult the book while cooking (there’s something to be said for a more traditional layout); it’s more coffee table or bedside reading. Nevertheless, readers, especially those with an appreciation for comics, will likely enjoy this book.

In addition to recipes and narrative, the writers take care to provide background information, context and history to the world of Japanese cuisine—such as the importance of seasonal ingredients, the history of sushi, or how to identify fresh fish.  For anyone embarking and revisiting the world of washoku, these principles are good reminders of the foundation to the cuisine and culture.

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Sep 20

Posted by Tom Baker

The Japan Writers Conference, a free annual event that invariably attracts at least a few JETs, will be held at Otaru University of Commerce on Oct. 13 and 14. One of the JETs giving presentations this year will be Tom Baker (who wrote this post, along with a recent Japan News article previewing the event). Here’s the official description of his presentation:

Anatomy of a Book Review
Short lecture with Q&A

“Anatomy of a Book Review” will explain how a book review is structured and what elements it should include. The key is to not merely indulge in one’s own reaction to a book, but to focus on being an informative and trustworthy guide for other readers.

A book review is like a book in miniature. It must grab the reader’s attention at the beginning, hold their interest through the middle, and leave them feeling satisfied to have spent their time on it by the end. But what goes into each of those parts and how do you put them together?

“Anatomy of a Book Review” will pin several reviews to the dissecting table to look at what parts they include and what function those parts serve. Vital organs include a catchy lead, facts about the author, and at least a sketch of the context in which the book appears.

Reviews of fiction and nonfiction will be compared. For any type of book, reviewers of course want to express their opinions. This presentation will focus on doing so in a way that fulfills the reviewer’s mission to be a concretely helpful guide for other readers.

Tom Baker has written and published about 300 book reviews over the past 20 years. He edited the Books page of The Daily Yomiuri, which is now The Japan News, where he edits the Bound to Please column. He was the ACCJ Journal’s book columnist for two years.

 

 


Sep 17

Posted by Tom Baker

The Japan Writers Conference, a free annual event that invariably attracts at least a few JETs, will be held at Otaru University of Commerce on Oct. 13 and 14. One of the JETs giving presentations this year will be poet and novelist Holly Thompson, who first came to Japan in connection with the pre-JET MEF program. She will present “Half the Story: Writing for the Picture Book Market.” Here’s the official description of her presentation:

Short Lecture, Exercises and Q&A

Picture book writing is a particular art. Writers of picture book manuscripts must write for page turns and create opportunities for the illustrator—writing just enough to offer possibilities. This session introduces the craft of writing picture books for current English-language picture book markets.

Writing is only half the story in picture books–images and text interact to tell the story together. So how do we write text without saying too much? Where in our writing should we step aside for the illustrator? And how do we compress stories for the strict count of 32 pages? How can we skill up to craft manuscripts that appeal to editors and art directors for their illustration possibility? This session will explore the anatomy of the picture book as it pertains to writers and offer guidelines for crafting fresh, marketable picture book manuscripts. We’ll examine sample picture books—fiction, nonfiction, poetry—and try some interactive exercises. We will address the current English-language picture book markets and share the gaps, openings and opportunities for writers to get a foot in the door.

Holly Thompson is author of the picture books Twilight Chant; One Wave at a Time, The Wakame Gatherers: verse novels Falling into the Dragon’s Mouth, Orchards, The Language Inside; and the novel Ash. She writes poetry, fiction and nonfiction, is SCBWI Japan Regional Advisor, and teaches at Yokohama City University.


Sep 16

 

Posted by Tom Baker

The Japan Writers Conference, a free annual event that invariably attracts at least a few JETs, will be held at Otaru University of Commerce on Oct. 13 and 14. One of the JETs giving presentations this year will be Suzanne Kamata, whose story “Monchan” appears in the “The Best Asian Short Stories 2017” anthology. Suzanne will be giving two presentations. Here’s the official description of one of them:

Panel discussion w/ Q & A

Kitaab Publisher Zafar Anjum and contributor Suzanne Kamata will discuss The Best Asian Short Stories 2017 anthology. Anjum will also talk about other anthologies in the works and publishing opportunities for Japan-based writers and translators in Singapore.

Zafar Anjum, who heads the independent Singapore publishing house Kitaab International, and contributor Suzanne Kamata, will introduce The Best Asian Short Stories 2017 anthology. In addition to the anthology series, Kitaab has published novels, short story collections and stories for children. Anjum will also discuss his vision for Kitaab and publishing opportunities for Japan-based writers and translators. There will be a question and answer period.

Zafar Anjum is a writer, publisher, and filmmaker who lives and works in Singapore. His books include Kafka in Ayodhya and Other Short Stories (Kitaab International, 2015), Iqbal: The Life of a Poet Philosopher and Politician (Random House India, 2014), and The Singapore Decalogue (Red Wheelbarrow, 2012). He is the founder-editor of Kitaab, an online journal and publishing company that promotes Asian writing in English.

Suzanne Kamata is the author or editor of ten published books including, most recently Screaming Divas (Simon Pulse, 2014), The Mermaids of Lake Michigan (Wyatt-Mackenzie Publishing, 2017) and A Girls’ Guide to the Islands (Gemma Open Door, 2017). Her story “Mon-chan” was selected for inclusion in The Best Asian Short Stories 2017 anthology. She is an Associate Professor at Naruto College of Education.


Jul 24

JQ Magazine: Book Review — ‘Amy’s Guide to Best Behavior in Japan: Do It Right and Be Polite!’

“For JETs and others who have lived and worked in Japan, many of these rules and customs might seem very familiar and would only serve as a refresher. Yet Chavez does an excellent job of providing a clear summary of many aspects of Japanese culture—all in 144 pages.” (Stone Bridge Press)

 

 

By Andy Shartzer (Shizuoka-ken, 2014-16) for JQ magazine. Andy graduated from the University of Virginia with a degree in chemical engineering, and currently works for JETRO New York. He is also the Community Development Chair for JETAA New York.

The best part about world travel is the chance to step outside of our comfort zones and sometimes monotonous day-to-day routines to gain new and different perspectives of the world. Oh, and eat lots of amazing food, right? Not just that? Okay. Sorry, that was my stomach talking there.

In all seriousness, the chance to interact and learn from locals is an opportunity travelers should make the most of. But what if you haven’t brushed up on all the rules, customs, and etiquette of the country you’re visiting? And what if that country is Japan? And what if you’re boarding the plane now? Eesh. Well, instead of binging on reruns of Marvel movies, Amy Chavez has you covered with her new book, “Amy’s Guide to Best Behavior in Japan: Do It Right and Be Polite!” Chavez, a 25-year resident of Japan and tourist adviser who lives on Shiraishi Island (population: 600) in the Seto Inland Sea, provides a quick, easy-to-read overview of how to fully enjoy your experience in Japan and best incorporate the complexities of Japanese customs and etiquette into your homestay, study abroad, or quick jaunt to Japan. With some strong support from the educational “Amy Cat” (illustrated by Jun Hazuki), this 144-page book is the perfect reading material for your 15-hour flight.

For JETs and others who have lived and worked in Japan, many of these rules and customs might seem very familiar to you and would only serve as a refresher. Yet Chavez does an excellent job of providing a clear summary of many aspects of Japanese culture — not easy to do in 144 pages. For example, this author never quite learned the proper protocol for praying at Buddhist temples and Shinto shrines, so the guidelines provided in this book (with pictures!) were very helpful. Even if you have spent a year or more as a resident in Japan, Chavez includes enough topics to ensure you learn a new thing or two — like a whole section on how to use Japanese squat toilets (Ooooh, you face the wall…who would’ve thought!).

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Jul 23

JQ Magazine: Book Review — New from Tuttle (Summer 2018)

Tuttle Publishing

By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Tuttle Publishing has recently released two books: one showcases the capital of Japan at its hippest and most colorful, while the other is dedicated to the traditional splendor of its castles.

Tokyo: Capital of Cool

“Capital of cool” sounds like an appropriate phrase to describe the host of the next Olympics. Rob Goss’s largely pictorial tribute to Tokyo certainly succeeds in making potential visitors to the capital salivate.

Subtitled Tokyo’s Most Famous Sights from Asakusa to Harajuku, Goss’s work doesn’t intend to be the typical travel guide containing useful recommendations about transportation and accommodation. Most importantly for readers, Goss provides extensive information (much of it historical) about Tokyo’s most popular tourists areas. Of course, the fun of a Tokyo trip isn’t just limited to Shibuya, Ginza, Harajuku, and the rest Goss includes segments devoted to common day trip excursion sites like Kamakura, Nikko and Yokohama.

While the photographs are obviously the first thing that jumps out at readers—indeed, Ross scores at portraying Tokyo as a youthful, vibrant city—the images are definitely not the only useful tool for prospective visitors. Several maps appear in the book, displaying places of interest that even seasoned travelers may not be aware of.

Tuttle Publishing

Samurai Castles

Castles are lot more than opulent fortresses to gaze at—these palaces represent an integral facet of Japanese feudal and military history.

That’s the biggest takeaway readers will get from Jennifer Mitchelhill’s Samurai Castles. Her work (complemented by photographs from David Green) provides a comprehensive introduction to two dozen of Japan’s most prominent castles. History buffs are treated to more aforementioned locales as the author then lists Japan’s 100 most important castles.

However, before seeking out what venerable fortresses might be in an off-the-beaten prefecture, the author expounds on their rich history (whose use was first recorded in an eighth-century work entitled Nihon Shoki). Architecture aficionados will appreciate the chapter dedicated to such structures, and if you’re motivated to visit one of Japan’s more prestigious castles, you’ll have some idea what you’re looking at, since Mitchelhill supplies meticulous information about each castle, as well as practical tips for prospective visitors.

For more information, visit www.tuttlepublishing.com.

For more JQ magazine book reviews, click here.


Jul 19

JQ Magazine: Book Review — ‘My Year of Dirt and Water’

“From her pottery classes to family visits, Tracy Franz takes you to a sometimes magical and sometimes complex world, but one very much full in enriching experiences.” (Stone Bridge Press)

By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

If you wrote about your year (or more) in Japan, what would you say? What stories would you tell?

Welcome to the world of Tracy Franz. An English teacher at a university in Kumamoto, she welcomes readers to her “year of dirt and water.”

My Year of Dirt and Water (the books takes its title from a line when Tracy asks herself what she hopes to accomplish while trying to recycle those two objects) is a journal-like journey of Tracy’s world. Her JET alumnus husband Koun Garrett Franz (Kumamoto-ken, 1999-01) is spending a year training as a monk in a Buddhist monastery, so Tracy must navigate the complexities of Japanese life feeling like an outsider (she mentions at one point she always feels a distance that prevents her from feeling at ease in the country).

As the book is a diary containing an entry for each day, the content runs the gamut from the mundane to the only-in-Japan moments (such as Tracy’s pottery teacher incredulously responding to the author’s being unaware of her husband’s blood type) to her observations of life in the country (Tracy concludes, to the surprise of no one, that Kyoto is a bit crowded during Golden Week and possibly not the most comfortable destination for those accustomed to the Alaskan countryside) to the creepy (like an eerie night at an onsen with a university colleague).

Of course, a journal may not be an enthralling read for some (My Year of Dirt and Water is divided into four sections each named after a season of the year while the book’s chapters each bear the name of a specific month). Remarkably, a decent portion of the book takes place in the United States, where Tracy spends much of the summer visiting her husband’s family, which has a mother-in-law battling illness.

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May 13

JQ Magazine: Book Review — ‘A Girls’ Guide to the Islands’

“While the book is largely a ‘what we did from beginning to end’ odyssey, Kamata’s vivid accounts of her journey with her daughter put you alongside them as they soak up culture.” (Gemma Open Door)

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Exploring local wonders with loved ones can conjure up magical memories—and an enormous sense of satisfaction upon overcoming numerous obstacles.

JET alumna Suzanne Kamata (Tokushima-ken, 1988-90) lived through such experiences, which are recounted in her nonfiction debut, A Girls’ Guide to the Islands. Such a title would indicate a guidebook for female travelers. But a scan of its second paragraph reveals the book is a first person travelogue of the author and her daughter Lilia’s exploration of their corner of Japan. Despite spending most of her life in the countryside, Kamata (author of Gadget Girl and The Beautiful One Has Come) has not just visited some nearby landmarks; she figures playing tourist in several locations would serve as good mother-daughter bonding experiences.

This treats the reader to a journey of art exploration. Lilia loves art and she wants to make a career out of it. Kamata also shares an affinity for art, which makes them perfect travel partners. A Girls’ Guide to the Islands is enhanced by the author’s illumination of the art she sees—such as Yayoi Kusama’s My Eternal Soul, which is painted in vivid colors that are considered unsettling in Japan (the artist’s iconic pumpkin sculpture in the island town of Naoshima also graces the book’s cover)—as well as the works that enthrall her daughter. Fortunately for them (and possibly surprising to some), foreign art from renowned artists was easy to locate in the rural museums they visited. Kamata and Lilia find one of Monet’s most famous paintings and Andy Warhol’s Flowers in Naoshima, as well as other works from other non-Japanese artists.

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Apr 3

JQ Magazine: Book Review — New from Tuttle (Spring 2018)

Tuttle Publishing

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Tuttle Publishing has released another selection of Japan-related books, and the following quartet includes works that touch on Japanese etiquette, language study, Okinawan history, and picturesque Kyoto.

Japan: A Guide to Traditions, Customs and Etiquette

While studying Japanese, I learned the term shikata, which is translated as the “way of doing things.” However, as the late lecturer and writer Boyé Lafayette de Mente thoroughly documents, kata represents a lot more than a translation of “form”: It is a concept present in just about every aspect of Japanese society, whether it be the business world, poetry, or sumo. In essence, kata guides the country’s etiquette.

In Japan, the process of accomplishing a goal is just as significant, if not more significant, than the actual result—a notable contrast to the West. De Mente defines kata as the “way things are supposed to be done,” and he educates readers on how the concept has shaped Japan throughout its history and the present.

The author also touches on other cultural differences between Westerners and Japanese (such as communication styles) and people reading the book will probably nod their heads in agreement as they read certain passages, such as “Foreigners can live a lifetime in Japan and not fully understand how the Japanese system works the way it does” and why Japanese often express amazement at foreigners who can utter the simplest Japanese phrase. Japan: A Guide to Traditions, Customs and Etiquette is really an exploration of the Japanese psyche.

If nothing else, you’ll be amazing at how different Japan seems from the West.

Tuttle Publishing

Beginning Japanese Kanji: Language Practice Pad

Those seeking an introduction to kanji, or just a way to brush up on them, should turn to William Matsuzaki’s work. The pad is an excellent tool for busy people: The 334 kanji it presents lends itself to a simple, one kanji-a-day memorization for those aiming to study at a relaxed pace. Furthermore, each page contains terms utilizing the featured kanji and tips on how to write its strokes.

The kanji appearing in the pad is really nothing out of the ordinary, as you’ll see them in many (if not most) materials geared toward relatively novice Japanese learners. Adding to the book’s appeal, the inclusion of spaces to write the kanji (as well as sample sentences featuring the characters) is most useful for those looking to bolster their knowledge of the language.

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Apr 2

“If nothing else, CITY is a reminder that big city chaos can be entertaining.” (Vertical Comics)

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Work often gets in the way of fun times. But if you incorporate some creativity into your life, that doesn’t have to be the case.

Enter the world of Midori Nagumo, the protagonist of the comedy manga CITY. In this first volume (which began serialization in Japan in September 2016) from creator Keiichi Arawi (Nichijou), Nagumo is a very broke college student whose landlady is constantly hounding her for money. Her roommate Niikura refuses to lend her money when she realizes what Nagumo’s true intention is.

Nagumo has to resort to other avenues to raise money, such as stealing a clay figure with the aim of selling it. But she clumsily drops the object, rendering it shattered. Crazily enough, immediately afterwards she’s offered a job at a restaurant (where the incident happens).

Our protagonist accepts the job but still has issues. It doesn’t help that her landlady has a police officer help “move” (or steal) all of her stuff so she wouldn’t escape (as the stolen items are actually collateral). In the middle of the volume, Nagumo reflects on her life, telling herself that if she could continue to have lots of happy moments, she’d be unbelievably thrilled with her life.

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Dec 31

JQ Magazine: Book Review — ‘Zen Gardens and Temples of Kyoto’

“While Zen Gardens can be challenging to grasp, there is magic to behold.” (Tuttle Publishing)

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Kyoto has served as the focal point of Japanese cultural forms such as geisha, noh theater and ikebana. And as John Dougill thoroughly details in Zen Gardens and Temples of Kyoto, the city has played an enormous role in the development of Zen in Japan.

A professor at Kyoto’s largest Buddhist university, Dougill explores the ties between Japan’s former capital and the Buddhist sect in this guide to Kyoto’s most prominent Zen gardens and temple sites. While not the birthplace of Zen in Japan, Kyoto could be considered its soul as the city has long housed renowned temples where visitors and monks have sought serenity.

At first glance, such a book would seem to be a largely visual journal featuring a score of beautiful places. Zen Gardens doesn’t disappoint in that regard as photographer John Einarsen captures the splendor of some very spiritual places. But it’s clear early on that the book will rely primarily on stories to chronicle the story of Zen in Kyoto—not surprising since Dougill has previously written about Japan’s World Heritage Sites and Kyoto’s history.

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Dec 23

JQ Magazine: Book Review — ‘The JET Program and the US-Japan Relationship: Goodwill Goldmine’

“While focused solely on the American experience, the outline of the history and intention behind the JET Program’s creation is a fascinating and illuminating one. One hopes that this book will be the start of the conversation and academic study on JET’s other accomplishments and help complete the picture of a fallible but venerable institution.” (Lexington Books)

 

 

By Eden Law (Fukushima-ken, 2010-11) for JQ magazine. Eden is the current JETAA New South Wales President (in Sydney, Australia) and Australian JET Alumni Association Country Representative, and handles the social media/website side for JETAA International as Webmaster. He also runs the Life After JET podcast.

Note: Spelling is always problematic when dealing with international differences. I shall be spellingProgramthe way it is referred to in the book and the title, to avoid inconsistencies. Apologies, especially to any fellow Australians reading this. However, Ill be keeping my quixotically placedus andrs.

Created in 1987, The JET Program has brought tens of thousands of young people from around the world to work, live and experience life in Japan. An international exchange program of a diplomatic nature, its aims were to improve global perceptions towards Japan and to internationalised Japanese local communities, all through the format of teaching and improving English skills in schools. Since then, articles and papers about the effectiveness of JET has focused primarily on its impact (or lack thereof) on the level of English language ability on the student population, leading to questions about the feasibility of maintaining the high costs of the program. At least once, the program came close to termination: In 2010, a Japanese government budget review panel called for the discontinuation of JET, before the subsequent administration of Shinzo Abe saved it, setting the agenda for expanding numbers in the lead-up to the 2019 Rugby World Cup and the 2020 Tokyo Olympics.

More positive literature exists, of course: David L. McConnell’s Importing Diversity: Inside Japan’s JET Program, published in 2000, is the most well-known example, written by an academic who was once a JET participant. Seventeen years on, Emily T. Metzgar (Shimaneken, 1993-95), herself also once a JET and now an academic, has penned a follow-up of sorts, entitled The JET Program and the US-Japan Relationship: Goodwill Goldmine, which, as described in its title, confines its evaluation of the program on its international impact in relation to the United States and Japan. The JET Program justifies its restricted focus on this bilateral relationship on its assertion that the program was originally created with the United States in mind as the first target for Japan to improve its international image abroad. Statistically, 50 percent of the total number of participants throughout the program’s history have been sourced from the United States (and in an impeccable sense of timing, the book arrived on the eve of the program’s big 30th anniversary celebrations and JETAA conference in Washington, D.C., featuring Metzgar as one of the headline presenters).

Commentators seeking to put a more positive outlook on the program’s accomplishments have had to look outside of the hoary old topic of education. The JET Program settles on examining how it worked as a “soft power” initiative for Japan’s global image (the topic of how JET fared as an internationalisation agent of Japanese local community is, as Metzgar says, best left “as a promising research topic for an ambitious doctoral student,” though she does comment on these other aims later on). For those wondering, yes, the book argues that JET has been enormously successful in this aspect. Examples are plentiful in The JET Program: recalling the threat of JET’s culling high-profile American JET alumni in organisations such as the American Enterprise Institute (AEI) and JCIE/USA defended it by referring to its “soft power” success. In other less fraught periods, the book cites senior members and policymakers of both governments who spoke positively of JET’s contributions to their countries’ relationship, implying acknowledgement of the same thing.

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Dec 17

JQ Magazine: Book Review — ‘The Abundance of Less’

“Although the purpose of The Abundance of Less might be to extol the virtues of simple living, it emerges as an enriching journey into the world of many extraordinary people.” (North Atlantic Books)

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Simple living. Sustainability. Living off the grid. Practices and ideals that could bring about an enriching life and possibly freedom for many people—as well as concepts that have become more prevalent in recent years.

But the above-mentioned buzzwords aren’t endemic to the West. Thanks to Andy Couturier, the stories of Japanese living the most sustainable lives they can outside of the mainstream is documented in The Abundance of Less: Lessons in Simple Living from Rural Japan.

Couturier, a former English teacher and staff writer for the Japan Times, originally profiled ten Japanese living “a very principled way of life” that didn’t feed the capitalist machine for his 2010 book A Different Kind of Luxury. Spurred on by a surge in environmental activism following the nuclear meltdown in Fukushima, the author provides updates on each of the people he profiled in his original book (unfortunately, two of them have since passed away).

The people providing the “lessons” are (or have been), among other things, an anarchist; a writer/filmmaker inspired by the hippie counterculture; and a painter. Couturier was introduced to several of the ten people he wrote about by Atsuko and Gufu Watanabe, a couple he and his partner Cynthia met while teaching in Japan. Although the bookends of The Abundance of Less are dominated by his observations about life in Japan, a how-to guide for those wanting to follow in his footsteps (Couturier and his partner built their abode in California by themselves and applied many of the principles they learned in Japan) and his life story, the book largely focuses on the remarkable individuals he profiles.

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Dec 12

JQ Magazine: Book Review — ‘Speak and Read Japanese’

Speak and Read Japanese won’t be mistaken for the most thorough guide for learning the language. But it is a nice reminder that injecting humor into language learning can go a long way.” (Stone Bridge Press)

By Rashaad Jorden (Yamagataken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia SubChapter, Rashaad is a graduate of Leeds Beckett University with a masters degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Your JET experience (hopefully) included a lot of Japanese study. Whether you remember what learned is another story. But it might have helped to concoct some humorous words and phrases to help you best retain the new vocabulary.

Enter the world of mnemonics, courtesy of author Larry Herzberg. The longtime professor has created a language guide titled Speak and Read Japanese: Fun Mnemonic Devices for Remembering Japanese Words and Their Meanings.

You might be wondering, just what are mnemonics? They’re tools language learners might find indispensable in preventing the meanings of new words from escaping their minds. Early in Speak and Read Japanese, Herzberg mentions that such memory hooks have served as the best method of learning new vocabulary in foreign languages for him, for if he could tie the sound of words he was trying to learn to a word in English, he was more likely to retain the new vocabulary.

So is Herzberg’s work a productive tool for language learners? Well, much of the book is an English-Japanese dictionary featuring the translation of many common words and better yet (for hardcore Japanese learners), detailed breakdowns of each word’s kanji as well as literal translations for some terms. You might not have known that hikouki (airplane) is literally translated as “flying-going machine” and shinshitsu (bedroom) means “sleeping room.” And those wanting to improve writing kanji will be pleased to discover a chart of radicals toward the end of the book.

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