By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered. 

This month’s highlights include:

Wednesday, Dec. 3 (IMAX early access), opens everywhere Dec. 5

Jujutsu Kaisen: Extinction

Various theaters

Various prices

For the first time on the big screen, the Shibuya Incident—the greatest battle in Jujutsu Kaisen to date—will be presented in a special compilation format. Jujutsu Kaisen: Execution presents the debut of the first two episodes of Season 3’s upcoming arc, “Culling Game Part 1” ahead of its January 2026 streaming debut. By connecting the directly linked episodes of the “Shibuya Incident” and “Culling Game,” arcs, fans can relive all the mayhem and heartbreak of the Shibuya Incident and witness the reveal of the Culling Game as the story transforms into a new experience crafted specially for the big screen. The desperate confrontation between Satoru Gojo’s two beloved students comes to the big screen with an early preview. Be the first to experience Yuji and Yuta’s fateful battle with the hotly anticipated kickoff to Season 3 in theatres nationwide!

December 4-6, 7:30 p.m.

Mishima’s Muse – Noh Theater

Japan Society, 333 East 47th Street

Sold out; limited access seats for $40 may be available for performances on December 5 & 6 only

Hosho Noh School’s U.S. Debut! A pre-performance lecture on noh theater begins one hour prior to the start of each show.

Yukio Mishima immersed himself in Japan’s traditional arts and, notably, traditional noh theater, enchanted by its noble elegance and refined beauty. His love for noh resulted in a series of esteemed dramatic works, Modern Noh Plays, growing to encompass eight contemporary adaptations of noh stories. Now, the distinguished Hosho Noh School, originating in the early 15th century and led by 20th Grand Master Kazufusa Hosho, brings this elegant art form to the U.S. in the company’s historic North American debut. In accordance with centuries-old tradition, each evening features a rotating offering of the authentic classic repertoire of noh alongside comedic kyogen theater (performed by the prominent Yamamoto Tojiro Family).  Each play selected for this program served as a source of inspiration for Mishima to adapt as modern stories centuries later.

PROGRAM:

December 4: Noh Music: Shishi (Lion Dance) / Kyogen: Busu (Poison) / Noh: Aoi no Ue (Lady Aoi)

December 5: Noh Shimai (unmasked excerpt): Kantan / Kyogen: Busu (Poison) / Noh: Aya no Tsuzumi (The Silk Drum)

December 6: Noh Shimai (unmasked excerpt): Yoroboshi / Kyogen: Busu (Poison) / Noh: Aoi no Ue (Lady Aoi)

Performed in Japanese with English supertitles.

Dec. 10-14

New Dances: Edition 2025

Peter Jay Sharp Theater at Juilliard, 155 West 65th Street

$20 members, $40

Four exceptional choreographers are working with Juilliard dancers creating new works here on campus. Be the first to see New Dances: Edition 2025. Gianna Reisen has created works for New York City Ballet and the Los Angeles Dance Project and sets her new piece for first-year dancers to sections of Philip Glass’ Einstein on the Beach, with third-year dancers as the narrators. Juilliard alum, former Paul Taylor dancer, and founder of TAKE Dance Takehiro Ueyama is creating a work for second-year dancers to communicate something “human, honest, and hopeful.” Juilliard alum My’Kal Stromile, currently choreographing with the Boston Ballet, has third-year dancers sharing the stage with Dolphin Quartet, playing Paganini live. Jessica Wright from Studio Wayne McGregor introduces the first phase of a large-scale work with fourth-year dancers, before it expands to a multi-part performance McGregor will direct this spring in New York, culminating in the world premiere at Sadler’s Wells East in May, featuring the Juilliard dancers and dancers from London’s Rambert School.

Read More

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James McKnight (Gunma-ken, 2001-03) recently published Life, Love & Baseball in Japan, the third book in his series in which he shares stories of life as a JET and his experiences as a devoted Hanshin Tigers fan.

Here’s a synopsis in James’ own words:

“Basically, I went to Japan on vacation in 2000 and met some fervent Hanshin Tigers fans when I dared to enter the Koshien left field bleachers on my own for a Giants v. Tigers game. Of course the Tigers lost to the Hideki Matsui-led Giants, but the experience left a deep impression on me since I had always been a fan of underdog teams like the Cleveland Indians and Seattle Mariners. I kept in touch with the fans I met that night and eventually moved to Japan in 2001 to work as a JET ALT. Unfortunately, I was placed in Gunma-ken, not Kansai as I requested, so I was far from Koshien. This did not deter me and I reunited with my friends and became a member of the ouendan they led. I ended up living in Gunma for 12 years and followed the Tigers at home and away games the entire time I lived there.” 

“Upon moving back to the U.S., I felt my experiences with my Tigers friends changed my life so much that I wanted to share my stories with other baseball fans and people interested in Japanese culture/education. My first book, “Yellow & Black Fever,” was published on Amazon in 2020, followed by “Bad Foreigner,” in 2021. The first book was translated into Japanese and separated into two short versions in 2022 & 2023.”

“My most recent book, “Life, Love & Baseball in Japan -The Final Chapter,” follows my experiences from 2006-2013 following the Tigers as well as life events like starting a family in Japan and learning how to adapt to being a full-time English teacher (not an ALT) in a college-prep school.”

Posted by: Margie Banin (Kochi-ken, 2005–2007), a former CIR with a love of the written word. Currently she connects others to Japan through translating, writing, and editing texts on Japan. Margie also manages the JETwit Bluesky account, serves as the JETwit Volunteer Coordinator and a JETwit jobs-list welcomer, and engages in various other JETwit outreach activities.

A number of books over the years have been written about the JET (and non-JET) teaching experience in Japan. JET alum Marshall Hughes (Tochigi-ken, 1990–1991; Ibaraki-ken, 1992–1995) has recently added to this genre with Rural Reflections: What 11 Years in Provincial Japan Taught Me. After his four-year JET experience, Hughes taught from 1996 to 2001 in Mitsukaido-shi, Ibaraki-ken, and for 25 years in Japan overall before retiring to Chiba in 2024.

Hughes’ book differs from others in that his book spans eleven years in four cities. He writes familiar stories of the typical ups and downs that all JETs had, but also gets personal with stories of student tragedies and other less-than-glamorous aspects of the JET, and Japan, life. Overall, the book takes a real look at sometimes hard-to-believe experiences with humor and interesting cultural/historical points tossed in.

Hughes says that when he became a JET in the early 1990s, foreigners in his area were “something to gawk at, follow around town on bicycles, and at times to consider less than human.” Still, his love for Japan never faded. In 2013, he returned for a visit to his first city, Yaita-shi in Tochigi-ken, and as he was walking back to his car from the main school where he had taught, he started crying. “A flood of memories came back to me of just how pure-hearted the people were there. Before I went to Yaita, I didn’t know any place on earth where people had such pure hearts.”

For former JETS, especially those from the early years of the program or who lived in rural areas, the book is a nostalgic trip down memory lane.

Of Hughes’ book, author Evan Powell wrote, “In Rural Reflections, Hughes takes us with him on a journey into a rural Japanese culture with which most Americans are unfamiliar. Through his experiences as an English teacher in Japanese schools he encounters cultural differences that are at times charming, puzzling, and occasionally disturbing to typical American sensibilities. He provides us a unique window into a fascinating Japanese culture that we might not otherwise come to appreciate and experience. An utterly charming and engaging read!”

JET alum Joe Palermo (actually a trailblazing MEF) has released a new book of 38 stories, segmented into Childhood, Adulthood, and A Slice of Japan. The work is entitled “Who Killed My Sea Monkeys? And Other Tales of Life.”

The book is described as follows:

The world, through Joe Palermo’s eyes, is always an exciting place. His conversational writing style makes you feel as if he is regaling you with his adventures over a beer or cup of coffee. Whether writing about Smokey the Bear as his childhood therapist, the demise of his Sea Monkeys, living in Japan, or more recent events like losing his wife to a Korean boy band, you’ll feel as if you’ve experienced it yourself.

The back cover endorsement is by New York Times bestselling author Bob Greene, author of Late Edition: A Love Story.

From Bob:

Joe Palermo is a fellow with a delightful ability to bring warmth and good feelings straight from his childhood recollections, and from his current-day observations, onto the printed page. He’ll make you smile and remember.

Who Killed My Sea Monkeys? And Other Tales of Life is currently available in Kindle, paperback and hardcover formats on Amazon.

Posted by Tom Baker

JET alum and novelist Charles Kowalski will give a presentation on worldbuilding in fiction at this year’s Japan Writer’s Conference. The conference, which is free, will take place in Nagoya on Oct. 14-15.

Here’s the official description of his talk:

Charles Kowalski
The Worldbuilder’s Toolbox
Short Lecture with Q&A

Creating an entirely new world is such a daunting task that even gods have been known to wash away their mistakes and start over. Fortunately, we mortals now have tools at our disposal that make some aspects of the worldbuilder’s craft almost as easy as saying, “Let there be light!” This workshop will introduce basic techniques, handy reference books, and online tools to help with the “Four L’s” of worldbuilding: Lore (creating foundational myths and stories), Land (mapping your world), Life (designing cultures and creatures), and Language (giving your world a distinctive sound, whether you want a simple naming language or Tolkien-level complexity).

Charles Kowalski is the author of the award-winning thriller MIND VIRUS, the political/espionage thriller THE DEVIL’S SON, the historical fantasy SIMON GREY AND THE MARCH OF A HUNDRED GHOSTS, and several short stories. When not writing, he teaches at the Department of Cultural and Social Studies at Tokai University.

Posted by Tom Baker

JET alum and prolific author Suzanne Kamata will discuss the art of blurbing — how to get good blurbs for one’s own books and how to write them for others’ — at this year’s Japan Writers Conference. The conference, which is free, will take place in Nagoya on Oct. 14-15.

Here’s the official description of her talk:

Suzanne Kamata
“This is the Best Book I’ve Ever Read”: Some Thoughts on Endorsements
Short Lecture with Q&A
Keywords: nonfiction, fiction, endorsements, blurbs, promotion, career

Endorsements — typically words of praise from an established author — are often deemed an essential marketing tool. However, well-known authors are often besieged with requests for such blurbs, and beginning authors may find approaching them to be intimidating. In this session, I will discuss the importance — or lack thereof — of blurbs, how to get them, how to use them, and how to write them, using examples from my own experiences and those of others.

Suzanne Kamata is the author of editor of many books including, most recently, the poetry collection Waiting (Kelsay Books, 2022), the IPPY-award-winning novel The Baseball Widow (Wyatt-Mackenzie Publishing, 2021), the middle grade novel, Pop Flies, Robo-pets and Other Disasters (One Elm Books, 2020), and the Hi-Lo novel romantic comedy Bake Sale (Gemma Open Door, 2022). She is an associate professor at Naruto University of Education.

Posted by Tom Baker

JET alum and prolific author and editor of fiction and nonfiction Suzanne Kamata will host a panel discussion on how the pandemic has changed the writing life and the publishing world at this year’s Japan Writers Conference. The conference, which is free, will take place in Hiratsuka, Kanagawa Prefecture, on Oct. 15-16, but participants must sign up by Oct. 8.

Here’s the official description of her panel’s presentation:

Suzanne Kamata
Clara Kiyoko Kumagai, Kristin Osani, Clarissa Goenawan, Sara Fujimura
Pivot: Writing for a Post-Pandemic World
Panel Discussion
Fiction

How do you keep going when the world, the publishing landscape, and YOU have had major paradigm shifts since 2020? Multi-published authors Sara Fujimura, Clarissa Goenawan, Suzanne Kamata, Clara Kiyoko Kumagai, and Kristin Osani discuss the limitations and growth opportunities that come with this new post-pandemic reality.

Are you waiting for the publishing world to “go back to normal?” The bad news: It’s not. Supply chain woes, soaring material costs, editorial burnout, and continued unrest in the world have made traditional publishing harder to break into and even harder to sustain a career. Savvy authors pivot. Five multi-published, award-winning, globally-minded authors give a state-of-the-industry report from their region of the world. They identify specific challenges they’ve had in the last two years, including launching new books during a pandemic (One out of 10 stars. Highly DON’T recommend!). They also offer tips and techniques on how to keep your writing career rolling when it seems the world is constantly conspiring against you.

American Suzanne Kamata has lived in Shikoku for over 30 years. During the pandemic, she published an award-winning middle grade novel, Pop Flies, Robo-pets and Other Disasters; The Baseball Widow, a novel for adults, and Waiting, her poetry debut. She is an associate professor at Naruto University of Education.

Clarissa Goenawan (she/her) is an Indonesian-born Singaporean writer and translator. Her award-winning short stories have appeared in literary magazines and anthologies in Singapore, Australia, Japan, Indonesia, Italy, the UK, and the US. Rainbirds, her debut novel, has been published in eleven different languages. Her second novel, The Perfect World of Miwako Sumida, came out in 2020. Watersong is her third novel.

Kristin Osani (she/her) is a queer fantasy writer who lives in Kyoto, where she works as a freelance Japanese-to-English video game translator when she’s not wordsmithing, working on nerdy cross-stitching, or cuddling her two cats (three if you include her husband). She has translated games like The Kids We Were, Voice of Cards, and Triangle Strategy. Her original fiction has appeared in FlashPoint SF, the Arcanist, and Ghost Orchid Press’s Beyond the Veil: Supernatural Tales of Queer Love anthology.

Clara Kumagai is from Ireland, Canada and Japan. Her fiction and nonfiction has appeared in publications such as The Stinging Fly, The Irish Times, Banshee, Room, Cicada, and The Kyoto Journal, among others. Her children’s story, A Girl Named Indigo, was translated and published in Japanese with the title Indigo wo sagashite (Shogakukan, 2020). Her young adult novel, Catfish Rolling, is forthcoming in 2023. She currently lives and works in Tokyo.

Sara Fujimura is a hybrid author of four award-winning young adult books: Tanabata Wish, Breathe, Every Reason We Shouldn’t (Tor Teen), and Faking Reality (Tor Teen). She is represented by Ann Rose of the Prospect Agency. Every Reason We Shouldn’t was named an NPR Best Book of 2020. www.sarafujimura.com

Posted by Tom Baker

JET alum Jillian Marshall, author of “Japanthem,” will delve into the nature of memoir in a presentation at the Japan Writers Conference.

Here’s the official description of her presentation:

Jillian Marshall
Reimagining Memoir: Storytelling as Analytical Inquiry
Short Lecture with Q&A online
Nonfiction

What lies between the traditional boundaries of non-fiction genres? This presentation examines the analytical possibilities of memoir and storytelling. Bookended by presentation and discussion, we will read a chapter from my new book as a case-study in analytical memoir, learning about Japanese music culture in the process.

This hybrid presentation and group reading introduces new approaches to memoir devised during my time in (and departure from) academia. Following with a brief lecture questioning the limits of non-fiction genre — what does the slippage between memoir and ethnography reveal? — we’ll examine analytical memoir by reading a chapter of my new book, Japanthem: Counter-Cultural Experiences, Cross-Cultural Remixes. Originally written as part of my doctoral thesis in Japanese ethnomusicology, the selected chapter and Japanthem on whole posit memoir and storytelling as colloquial sites of anthropological inquiry (in this case, getting subtly bullied by my Buddhist dance teacher in Akita Prefecture). With the Q and A that follows, I ultimately hope to inspire new possibilities in non-fiction writing and bridge not just the intellectual rigor of academia with the public sphere, but cultural (mis)understandings between Japan, the US, and beyond in the process.

Jillian Marshall, PhD, is a writer, educator, and musician who champions public intellectualism. Her first book, Japanthem: Counter-Cultural Experiences, Cross-Cultural Remixes, debuted in April with Three Rooms Press. Jillian’s other writings have been published by the Sasakawa Peace Foundation, Cornell University Press, and Music Television.

Posted by Tom Baker

Sarah Coomber (Yamaguchi, 1994-1996) is the author of “Under the Same Moon,” a memoir in which she describes moving to Japan in search of a reset in life. One month from now, she will share some of her memoir writing tips in a presentation at the Japan Writers Conference.

Most of this year’s conference will be held in person at the Shonan Campus of Tokai University in Hiratsuka, Kanagawa Prefecture, but some sessions, including Sarah’s, will take place online via Zoom. (Join the conference mailing list to get the Zoom codes.) Her talk is set to begin at 10 a.m. on Oct. 16 (Japan time). Here’s the official description:

Sarah Coomber
Moment by Moment: Demystifying the Writing of a First Memoir
Craft Workshop online
Nonfiction, Other Genre
Memoir

Telling your story in memoir form can be daunting—you have a lifetime’s worth of experiences to draw from. Where to begin?

Moment by moment.

In this craft workshop, I will share several strategies to help you on your way.

Memoirs, like life, progress moment by moment. The most important thing is not whether your particular story is full of excitement, tragedy or coincidence. What matters is what you bring to the moments in your story—how you view, interpret, reflect on and react to them.

Infusing moments with meaning will help you uncover your larger story. This can occur with sensory explorations, analogies, linked memories, about-ness and more.

I will share what I wish I’d known before writing my first memoir and will coach you through several of my favorite moment-developing strategies.

Attendees are encouraged to bring a scene or observation to explore.

Sarah Coomber is the author of The Same Moon (Camphor Press, 2020), a memoir about two years she spent regrouping in rural Japan after wrecking her Minnesota life. She has worked in public relations and journalism, coaches writing, has degrees in creative writing and journalism, and achieved level four certification in the Seiha School of koto.

Posted by Tom Baker

Tokai University Professor and JET alum Charles Kowalski will be the host of this year’s Japan Writers Conference, at his university’s Shonan Campus in Hiratsuka, Kanagawa Prefecture, on Oct 15-16.

He is the author of the Japan-based middle-grade fantasy Simon Grey and the March of a Hundred Ghosts, and the contemporary thrillers Mind Virus and The Devil’s Son. He has won the Rocky Mountain Fiction Writers Colorado Gold Award, and has been a finalist for the Killer Nashville Silver Falchion Award, the Pacific Northwest Writers’ Association Literary Award, and the Adventure Writers Grandmaster Award.

This year’s Japan Writers Conference will feature approximately 27 different sessions on various aspects of the writing life, one of which will be presented by Charles himself. Here’s the official description:

Charles Kowalski
The Magic of Humor
Craft Workshop
Fiction, Nonfiction

What wizardry lies in writing magical symbols that make anyone who looks at them fall into helpless laughter? Here, we explore ways to infuse writing with laugh-out-loud humor, such as combining divergent situations to make a comic premise, creating comic characters, and running dialogue and narration through “funny filters.”

Of all the ways to make people laugh, one of the hardest is through the written word. This workshop will present several techniques for infusing writing with laugh-out-loud humor, including:

How humor works by subverting expectations and creating new ones
How to combine disparate situations for comic effect
How to run ordinary dialogue and narration through “funny filters”
How to create comic characters using archetypes, quirks, and comical situations

Posted by Tom Baker

JET alum and novelist Joanne Anderton gave a presentation titled “Speculative Fiction Autobiography” at the most recent Japan Writers Conference.

You can watch her presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.

Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Suzanne Kamata hosted a panel discussion on “Writing Identity” at the most recent Japan Writers Conference. Joining her were Tokyo-based writer Clara Kiyoko Kumagai; Kyoto-based fantasy writer and translator Kristin Osani; Indonesian-born Singaporean writer Clarissa Goenawan; and award-winning young adult author Sara Fujimura.

You can watch their discussion below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.

Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker (Chiba-ken, 1989-91)

Poet and JET alum Michael Frazier gave a presentation titled “A Poem is a Thing that Moves: Contemporary Lyric Poems” at the most recent Japan Writers Conference.
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Percival Constantine gave a talk at the most recent Japan Writers Conference about “Successful Self-Publishing.”
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.

Posted by Tom Baker

Novelist and JET alum Charles Kowalski gave a psychologically insightful talk at the most recent Japan Writers Conference about “Personality Types and Character Arcs.”
You can watch his presentation below, and find more JWC presentations — including several by former JETs — at the Japan Writers Conference YouTube Channel.
Also, if you would like to give your own presentation at the 2022 Japan Writers Conference this October, you can submit a proposal here. The deadline is June 1.