JETAA Northern California: Pacific Bridge: Fiber Futures: Japan’s Textile Pioneers Opens
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This summer and fall, the Museum of Craft and Folk Art (MOCFA) in San Francisco is proud to present a traveling exhibition co-organized by the Japan Society (New York), Tama Art University (Tokyo), and International Textile Network Japan. Fiber Futures: Japan’s Textile Pioneers explores a new art that is emerging from a remarkable fusion of Japanese artisanal and industrial textile making. Coaxed from materials as old as hemp and as newly developed as microfilaments, a varied array of more than 25 works by artists from multiple generations will be on view in this extraordinary two-part exhibition.
By transcending and cutting across the limitations imposed by the inherited oppositions between art, craft, and design, this two-part exhibition brings together over 20 contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement. These men and women transform fabrics into sculptures, pictures, emulations of nature, and even abstract meditations on memory and identity. The materials range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to stainless-steel wire and weaving and dyeing technology. Ultimately the goal is expressing an environmentally sustainable ethos.
The opening reception of Fiber Futures was on July 20, 6-8pm and offered an exciting opportunity to preview the exhibition and meet several artists and curators visiting from Japan. Special guests in attendance included Joe Earle, Vice President and Director of the Japan Society Gallery, and distinguished artists, Machiko Agano, Akio Hamatani, and Hiroko Watanabe (President of International Textile Network Japan). In addition to a delicious sake tasting hosted by the innovative and contemporary Japanese restaurant, Ozumo, who shared some of Japan’s finest premium and limited edition sakes, entertainment included TOMOSAITO, the guitarist/beat producer of FOTOS. The exhibit runs until the 3rd of November this year.
Nicole Crescenzi, Development and Curatorial Associate
Museum of Craft and Folk Art
51 Yerba Buena Lane
San Francisco, CA 94103
For a print version of the article, click here.
JQ Magazine: San Francisco Hosts Fourth Annual J-Pop Summit Festival
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The 2012 J-Pop Summit Festival will be held in San Francisco’s Japantown August 25-26. (NEW PEOPLE, 2011)
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By Lindsay Martell (Saitama-ken, 1995-1997) for JQ magazine. Lindsay is a freelance writer and a voice-over actor in Oakland, California. Visit her website here.
Whether you have a penchant for hunky Lelouch Lamperouge (the hunky antihero of the anime series Code Geass: Lelouch of the Rebellion) or a serious hankering for Lolita fashion, the pop-y, edgy, dynamic stuff you love is busting at the seams with this year’s J-Pop Summit Festival in San Francisco’s Japantown August 25-26.
With its campy theme of “Cyberpop Overload,” the second annual gathering is a Japanophile’s dream come true—noshing on chicken teriyaki bento or pork katsu curry from a JapaCurry food truck as you bop along to the scores of bands busting out tunes—this mecca of all things related to Japanese pop culture has something for everyone: fashion, film, anime, video games, technology and thumping music. And for JET alums who are feeling particularly natsukashii? Kite-kudasai!
Personally, I can’t wait. Not a day goes by when I don’t miss Japan. I haven’t lived there since the mid-’90s, when I was an ALT in Saitama, and yet, I can still feel the humid summer air, tatami beneath my feet, and the salty perfection of roasted senbei crunching in my mouth. At that time, I couldn’t get enough of the hypnotic pop scene. Most of it was a mere 1.5 hours away in Shibuya—a deliriously crazed hub of all things punk and pop.
And while I am now thousands of miles away from that edgy scene, J-Pop is an easy trip—a place brimming with kawaii-ness around every corner. More than 55,000 people got their pop on at the festival in 2011, and even more are expected to join in the fun this year.
WIT Life #209: The Amazing Yakusho Koji!
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
I had an unusually exciting Friday night as I got to meet one of my favorite actors, Yakusho Koji! He was on hand at Japan Society’s wonderful 2-week film festival Japan Cuts to screen his movie The Woodsman and the Rain. He was also presented with the first ever Japan Cuts prize, the CUT ABOVE award for excellence in film. He is pictured here with festival coordinator Samuel Jamier and interpreter Linda Hoaglund during the pre-screening introduction, during which time he humbly thanked the audience for Read More
WIT Life #208: Monsters, Woodsmen and Girls, Oh My!
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
It is indeed time again for one of my favorite annual events, Japan Cuts at Japan Society! The lineup of 39 films is more robust than ever, and the focus on fabulous actor Koji Yakusho adds a new dimension to this year’s festival. He will be on hand this Friday night to screen his 2011 award-winning The Woodsman and the Rain, and he will receive the first ever Japan Cuts prize, the CUT ABOVE award for excellence in film. Can’t wait for the screening and to possibly catch an up-close glimpse of this living legend at the reception after.
This event kicked off last Thursday, and many wonderful pieces have already been shown. I haven’t been able to catch as many as I would have liked, but one that really struck me was Read More
Justin’s Japan: Hideo Kojima and Yoji Shinkawa Salute 25 Years of Metal Gear at Uniqlo NYC
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Hideo Kojima, director of the Metal Gear video game series, at Uniqlo 34th Street store in Manhattan, June 9, 2012. (Justin Tedaldi)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Japanese retail clothing giant Uniqlo is commemorating a quarter century of Metal Gear—the classic Konami stealth video game series—with a new line of 10 exclusive UT Metal Gear 25th Anniversary T-shirts. On June 8 and 9, series director and game designer Hideo Kojima and artist Yoji Shinkawa made a special appearance at two off Uniqlo’s New York stores with for a special autograph session to commemorate a quarter century of Solid Snake, Big Boss and the eponymous bipedal tank that started it all.
“There were over 2,000 people who attended the UNIQLO Metal Gear event at both Fifth Avenue and 34th Street,” according to Mary Lawton, a spokesperson for Uniqlo. “This is our second event with Metal Gear and we are always thrilled at the level of support we receive from the Konami team as well as the loyal fans of Metal Gear.”
Kojima has made previous appearances at Uniqlo New York’s Soho flagship store in 2008 and 2010.
Fans attending the event who made a $30 store purchase were allowed to have one game-related item signed by Kojima and Shinkawa. Most of the items were related to the Metal Gear Solid series, which began in 1998 on the Sony PlayStation console. (The original Metal Gear was released in the U.S. a decade earlier for the Nintendo Entertainment System.) Most of the fans in attendance were American, attributing to the international influence and success of the Japanese-created game series.
For the complete story, click here.
WIT Life #204: Enka Sensation Jero
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
I never thought I would say this, but last night I was captivated by the strains of enka. However this was not your typical enka, it was this style of Japanese music performed by none other than Pittsburgh-born singer Jero. This 30-year old celebrity in Japan learned enka thanks to his maternal Japanese grandmother. As early as five he began singing ballads to entertain her, and from this young age he had a dream of becoming an enka singer. He has achieved this success in spades, debuting with his hit single 「海雪」 (Umiyuki, or Ocean Snow) four years ago. He went on to create numerous other hits, including an original one dedicated to his mother who raised him on her own.
The event I attended took place at Japan Society and was entitled “Let’s Enka! with Jero.” It began with an interview where Jero shared how his childhood dream had became a reality, including how at one point he contemplated Read More
SCBWI Tokyo Illustration Day with John Shelley
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SCBWI-Tokyo Publicity Assistant Suzanne Kamata (Tokushima 1988-90) shares the following:
Sunday August 19, 2012
SCBWI Tokyo Illustration Day with John Shelley:
Breathing Life Into Your Pictures
Power up your pictures! Give your illustrations vitality and zest! This SCBWI Tokyo Illustration Day featuring illustrator John Shelley will focus on techniques that children’s illustrators use to create resonance in their work and will explore how visual psychology works to convey mood, emotion, and movement. The Action and Emotion Illustration Assignment to be completed in advance of the workshop provides an opportunity for illustrators to develop their craft through open critiques at the event.
Time: Sunday, August 19, 2012, 9:00 am-5:00 pm
Place: Tokyo Women’s Plaza, Audiovisual Room, A & B
5-53-67 Jingumae, Shibuya-ku, Tokyo (by the Children’s Castle and United Nations University). For a map see www.scbwi.jp/map.htm Read More
WIT Life #203: Super Cool Biz/Cool Share
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
As early summer heats up in Japan, the country is trying to figure out how it will satisfy its energy needs now that all 50 of its nuclear reactors have been taken offline to be checked. With expected cutbacks in electricity consumption, some supermarkets have adjusted their operating hours to open two hours early for consumers who want to shop in the cooler morning hours.
Another idea is the implementation of Super Cool Biz, building on Japan’s previous Cool Biz boom. This fashion trend was created in response to the decreased use of air conditioning in Japanese offices for the purpose of energy conservation, and enabled employees to eschew ties and jackets. However, Super Cool Biz takes it a step further and also allows them to wear things like polo and Hawaiian shirts, chino pants and sneakers. The icon on the right also suggests beating the heat with things like fans and sun umbrellas.
Building on this concept is Cool Share, an idea that took shape in Saitama. “Share” refers to Read More
Justin’s Japan: New York Mets Present Third Annual Japanese Heritage Night
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
After two successful runs, the New York Mets are prepping the third annual edition of its Japanese Heritage Night at Citi Field, featuring pre-game entertainment that celebrates both the traditional performing arts and the enduring spirit of the Land of the Rising Sun a year after the devastation of the Great East Japan Earthquake.
The festivities kick off the evening of Friday, June 15 when the Mets play the Cincinnati Reds. Appearing in the pre-game show this year are the New York Suwa Taiko Association (also known as Taiko Masala) and the Japanese Folk Dance Institute of New York. Following the entertainment, patrons will be treated to the presentation of Mets Community Spirit Awards to New York City Japanese organizations that have been instrumental to the ongoing relief efforts.
The only taiko group based in Brooklyn, Taiko Masala was founded by Hiro Kurashima. A Lincoln Center Teaching Artist from 2004 to 2005, Kurashima has sought to bring the influences of various types of music into the art of Japanese music while at the same time preserving the rich tradition of taiko. The 10-member troupe, whose drummers hail from all over the world, have played such high profile New York events like last year’s Japan Arts Matsuri, and will make their Citi Field debut on game day.
For the complete story, click here.
This year, The JET Alumni Association of New York will be purchasing a block of tickets in the Promenade Reserved area for $20 each. If they buy 25 tickets, their name will be displayed on the scoreboard! Sign up here to reserve your tickets.
This year’s Tampa Natsu Matsuri will be held June 9 at St. Francis of Assisi Church.
By John McGee (Nagano-ken, 2004-05) for JQ magazine. John is the Tampa Regional Representative for the Florida JET Alumni Association, and the founder of Tampa Natsu Matsuri, a free annual event organized by local residents with an interest in Japan.
It’s a familiar story: apply to JET for one of several reasons, go to Japan and find a second home, return to the U.S., and…well, that’s where it all falls apart, right? Most of us come back intent to keep our newfound hybrid culture alive, but few areas in the U.S. have profound Japanese cultural presence. So we sigh with natsukashii pangs when we can’t take our beer out of the bar, we hang out with JETs on occasion, download the odd drama, and let the rest of our lives go back to American normal, like it or not.
That was certainly the case for me here in Tampa. There’s a bit of Asian presence: restaurants, markets, a festival, even a karaoke place, mostly all Korean or Chinese. But I’ve never been content with the status quo. (I know; how did I survive in we-do-it-this-way-because-that’s-how-it’s-done Japan, right?) So I started probing some contacts at the university, searching the Internet for related local topics; I even knew some Japanese nationals living here.
I discovered that the area actually has quite a bit of Japanese culture…it’s just hiding. Turns out the people are hiding, too. There’s a whole thriving subculture in the region made up mostly of Japanese women who have married American men. But there’s also martial and cultural arts, anime clubs, language groups, and we even have a pack of strangely elusive diehard Loli girls. The problem wasn’t that we didn’t have the culture; it was that it was so diffuse and cloistered.
About the time I was figuring all this out, a JET friend suggested we have a natsu matsuri party, just to reminisce and eat some suika in the sweltering Florida heat. That’s when a light bulb came on and I realized, “what better way to draw those groups together than to have a real natsu matsuri?” Everyone I ever met who lived in Japan, Japanese and foreign, loved natsu matsuri. So it just might work! If nothing else, I missed them myself.
JQ Magazine: Japan Day @ Central Park Reels in the Crowds
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Volunteers from JETAANY helped make this year's yo-yo fishing game a big success.
By Alma Jennings (Fukushima-ken, 2008-10) for JQ magazine. Alma works at Japan Society in New York as a development assistant in foundation and government relations.
The sixth annual Japan Day @ Central Park took place on a warm Sunday May 13. Over 40,000 people attended the event, which featured live performances, Japanese games and language lessons, and the four-mile “Japan Run.” This year also marked the triumphant return of food tents, where volunteers dished out free sushi, udon, Pocky, and other Japanese vittles to hungry visitors.
According to their homepage, the goals of Japan Day are to build bridges of understanding between the people of Japan and the U.S., showcase the local Japanese community’s appreciation toward New York, and facilitate stronger grassroots connections within the local Japanese community. This year, the JET Alumni Association of New York (JETAANY) teamed up with Japan Society, a New York City-based organization that deepens understanding between the U.S. and Japan, to offer traditional Japanese “yo-yo fishing.” In this addictive game, participants try to win a colorful balloon by using a paper hook to lift it from a pool of water. Volunteers from the Japan Local Government Center, Mitsubishi, K Line Logistics, Mirai IT International, and the Bronx Science Key Club also provided much appreciated help at the tent.
The cute yo-yos look deceptively easy to make. In fact, they are tricky to make and can get messy. Volunteers showed up hours before the event began to blow up the balloons, which tend to deflate over a few days and thus couldn’t be made in advance. Japan Society’s director of special events and JET alum Christy Jones (Nagasaki-ken, 1995-98) served as the yo-yo activity organizer on behalf of the Society, encouraging Japan Society’s staff and JET alums to prepare thousands of paper hooks before the big day.
Tom Baker (Chiba-ken, 1989-91) is a, coauthor of The Sushi Lover’s Cookbook and Tokyo Chic and contributor to Time Out Tokyo and Time Out Shortlist Tokyo. He blogs as “Tokyo Tom Baker.”
A few minutes ago, I went outside and tested my fancy new eclipse-viewing glasses. Forty-eight hours from now, on the morning of May 21, I’ll be among millions of people in Japan and the western United States taking the rare opportunity to view a “kinkan nisshoku,” or “annular eclipse.”
An annular eclipse is one that occurs when the moon passes between the Earth and the sun at a point in the moon’s orbit when it is far from the Earth and thus appears relatively small – the exact opposite of the effect seen in the recent “supermoon.” In an annular eclipse, this small moon appears superimposed in front of the sun rather than completely blocking it out. The visible portions of the sun form a fiery ring around the moon’s black silhouette.
One positive effect of this event is that it has expanded my vocabulary in two languages. The English word “annular,” which comes from Latin via French, means “ring-shaped.” The Japanese term is even more straightforward and easy to remember, as it is written with a string of kanji characters that literally mean “gold-ring sun-eating.”
The moon’s shadow will fall across a large swath of the Earth, but the full annular effect will be visible only in a narrow band that goes through nearly all of Japan’s major cities (what luck!) Monday morning before moving out to sea in a long arc across the northern Pacific Ocean, where it will slip back to late Sunday as it crosses the International Date Line, after which it will come ashore in northern California, pass over Las Vegas and the Grand Canyon, and finally fade out over the border of Texas and New Mexico.
Justin’s Japan: Roland Kelts Makes New ‘Monkey Business’ at Japan Night @ Joe’s Pub
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JET alum and ‘Monkey Business’ editor Roland Kelts will appear at Japan Night @ Joe’s Pub in New York May 6. (Kaz)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Regular visitors to NoHo’s St. Mark’s Place are known to enjoy many of the Japanese pubs and eateries that dot the street down to Avenue A. This Sunday (May 6), neighbor Joe’s Pub will host live music and the latest English release of a notable Nippon-centric literary anthology.
Japan Night @ Joe’s Pub, held at the eponymous nightclub a stone’s throw below Astor Place, promises an unforgettable night of transcultural readings, music and live performances. On tap for Sunday: revered Japanese writers Masatsugu Ono, Tomoko Shibasaki, and award-winning author and translator Motoyuki Shibata will arrive from Tokyo to share the stage with American authors Stuart Dybek, Kelly Link, and Canadian translator, scholar and editor Ted Goossen.
The scriveners’ summit will celebrate the second Issue of Monkey Business International, the latest English-language edition of the acclaimed Japanese literary magazine that Pulitzer-winning author Junot Díaz calls “one of the year’s best publications” and Luna Park Review dubbed “one of the seven best literary magazines of 2011.”
Emceeing is JET alum (Osaka-shi, 1998-99), Japanamerica author and Monkey Business contributing editor Roland Kelts (click here for an exclusive interview conducted with Kelts last year), who describes the literary project as “all about dear friends calling upon me to be a bridge between the worlds I inhabit, write about and know best—giving me an enormous opportunity to feel a momentary spurt of self-worth.”
For the complete story, click here.
JQ Magazine: Petals Underfoot at Brooklyn’s Sakura Matsuri
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The view from Sakura Matsuri at Brooklyn Botanic Garden, April 2012. (Preston Hatfield)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
In the end I find myself in Cherry Esplanade, sinking to the ground, my back comfortable against the broad face of a cherry tree whose gnarled and mostly barren branches still sported a few late blossoms flitting in the breeze, the petals of those that had come before it strewn across the grounds, specking the meadow in gentle shades of pink. It’s an act of defeat, really; an act of resignation.
I never did find that damn press table.
* * *
I arrived early, as planned, eager to take in the 31st Annual Sakura Matsuri at the Brooklyn Botanic Garden. It was my first matsuri since moving to New York in January, my first trip to the Garden. I was stoked.
As instructed, I went to the entrance designated for performers, event staff and press and told the man at the front desk who I was. After consulting his clipboard and giving me a skeptical look, he let me in and gave me directions to the tent where I could pick up my press kit and thank the publicist for giving JQ magazine and myself the opportunity to cover the event. I set off, and once inside was instantly struck by how large the Brooklyn Botanic Garden really is. Droves of people had shown up for the event, a fair number of them in costume, though conspicuously, from where I stood just outside the visitor center, it was not readily apparent where the main event was being held. As I continued walking down the path, I was growing more and more sure that either the guy at the front desk either gave me poor instructions, or I was poor at following them (and this would not surprise most people who know me, least of all my mom or some of my elementary school arts and crafts teachers).
Leave it to me to let this bother me, to knock impatiently at the door of my mind so loudly that I was unable to really take in and appreciate my surroundings. Find the press table. That is the first priority. Enjoying myself can come later.
Justin’s Japan: Kota Yamazaki and Sakura Matsuri Return to New York
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Dance performance Kota Yamazaki/’Fluid hug-hug (glowing)’ will be held at New York's Japan Society April 27-28. (Ryutaro Mishima)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Examiner.com page here for related stories.
Following a month of concerts from all types of Japanese musicians, New York City bids sayonara to April this weekend with an exciting pair of performances from a Bessie Award-winning performance artist, followed by the 31st edition of one of Brooklyn’s finest annual events.
Kicking things off tonight (April 27) and tomorrow at Japan Society is the performance of Kota Yamazaki/Fluid hug-hug (glowing), the Society’s newest commissioned work by the butoh-trained choreographer. In this new work that will appeal to fans of dance, Yamazaki re-examines the fundamentals of butoh, the form in which he received his training, as six dancers hailing from Senegal, Ethiopia, Japan, and the U.S., perform within a set constructed to evoke the soft lighting and dim interior of a traditional Japanese house, where shadows contribute to a visual atmosphere.
The performance, which made successful stops earlier this month at the Andy Warhol Museum in Pittsburgh and the Painted Bride Arts Center in Philadelphia, draws its inspiration from the world-renowned essay In’ei Raisan (In Praise of Shadows) by the great modern Japanese novelist Jun’ichiro Tanizaki. First published in 1933 and in English in 1977, it has itself been praised the world over, with the Guardian calling it a “hymn to nuance.”
For the complete story, click here.
