Singer Hikaru Utada Announces ‘Artistic Activity’ Break


By JQ Magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
Singer-songwriter Hikaru Utada is going from exodus to hiatus.
According to a message on her homepage from Aug. 9, Hikki (as she as known to her army of fans worldwide) has wrote that following the release of this fall’s Utada Hikaru Single Collection Vol. 2 album, she will take time off from her musical career effective next year.
The message finds the musician in a reflective mood, recalling the music video from her single “Automatic,” released 12 years ago when the singer was just 15 years old. She commented that since then, “part of my growth has stopped…as a person.” Hikki now intends to focus on “human activity” over “artistic activity” in the next year for an indeterminate period.
Read the full story here.
WIT Life #113: Centenarian crisis


WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Recent news coming out of Japan has surrounded unsettling discoveries regarding its elderly population. Last week it was revealed that Tokyo’s oldest listed man, who if alive would have been 111 last month, likely died over 30 years ago. According to a report on CNN this morning, currently the whereabouts of about 30 Japanese centenarians are unknown. As discussed in this coverage from Bloomberg, “the disappearance of some of Japan’s oldest citizens is raising concern that some families are bilking the nation’s pension system even as others risk being deprived of payments for the same reason — poor record keeping.” This was a big issue back in 2007 when Read More
Kobayshi Cleared of Charges From Nathan’s Arrest



Competitive eater Takeru Kobayashi with interpreter/publicist Maggie James and attorney Mario D. Romano. (Associated Press)
The case, of which its misdemeanors also included charges of obstruction of governmental administration and disorderly conduct, ended with an adjournment in contemplation of dismissal (A.C.D.). This means that if Kobayashi, 32, stays out of trouble for six months, his record will be restored. This is good news for the Nagano native’s New York fans, since he moved to Gotham earlier this year after receiving a 0-1A work visa in February for his “extraordinary ability or achievement.” His visa status should remain unaffected by the court’s decision.
Read the full story here.
Tom Baker interviews “Airbender” cast


Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. As another example of JET ROI, he is one of at least four former JETS to have been on the newspaper’s staff in recent years. He usually writes for DYWeekend, the arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Recently he interviewed two members of the cast of “The Last Airbender” movie during their promotional visit to Tokyo, asking them for their views on the “racebending” controversy surrounding their film. He also covered an insect show now running at a Tokyo museum, reviewed the manga “Otomen,” and weighed in on a couple of other movies now playing in Japan. Here are some excerpts:
“Last Airbender”
In the United States, some fans of the anime-style cartoon on which the movie is based have protested against the casting of Jackson Rathbone and Nicola Peltz, who are white, in roles the fans saw as Asian.
Asked to comment on that, Rathbone said: “I originally was a finalist for Prince Zuko [a Fire Nation role that went to Slumdog Millionaire star Dev Patel]. Almost a year later, I was brought back in for the character of Sokka…I think what they were really looking for was the qualities that people represent, not so much focusing on race…All these characters [in the cartoon] have so many different features, you can’t really say that they are one race…It’s a shame that people really focus on the race thing and they don’t understand that it’s a story for everyone.”
“And there are over 120 different types of people in the film,” Peltz added.
“In terms of a big-budget film, it’s the most ethnically diverse cast there’s ever been,” Rathbone agreed.
Read the rest of the interview here.
“Insects festival”
Open your window on a hot summer day and you may hear a sound that caught the ear of haiku poet Matsuo Basho in the 17th century: the voices of cicadas, seeping into the rocks. Of course, Japan today is a lot more urbanized than it was in Basho’s time, and cicadas are more likely to sing against a background of asphalt and cement. Yet year after year, the buzzing bugs never fail to show up, even in the heart of Tokyo.
Visitors to Insects Festival, an exhibition now running at the Edo-Tokyo Museum in Ryogoku, Tokyo, are reminded of such persistence right away with a display of six-legged critters that live in three different Tokyo zones: mountains, fields and downtown areas.
While city-dwellers often resent sharing space with the likes of cockroaches and ants, the emphasis of this show is on seasonal outdoor insects whose diverse shapes, bright colors and occasional songs actually enhance city life…
Read the rest of the article here, or visit the exhibition’s site here.
“Otomen”
Anyone writing a graduate thesis on the presentation of gender in Japanese pop culture will find abundant material in the manga series Otomen. Readers looking for laughs will also find what they seek in Otomen, but rather less abundantly.
The main characters are a trio of high school students, with the focus on Asuka (a boy who has a name more common for girls), who is in love with Ryo (a girl who has a name more common for boys). Their would-be romance is complicated by the constant presence of their friend Juta, who tries to play cupid, but is more often a third wheel.
Asuka is the captain of the school kendo team, and is admired by everyone as a “real man.” But he is secretly an “otomen,” a boy who is into girly things, such as cute stuffed animals and delicate pastries. He is at least as skilled at cooking and sewing as he is at sports, but he keeps that side of himself hidden. Ryo is Asuka’s mirror image in that she has been raised by her socially inept father to follow in his footsteps as a martial arts champion, but she strives to put up a feminine front at school. Juta has a secret, too, as he is actually a best-selling manga artist who is using the couple as a model for his stories…
Also playing…
You can read Tom’s review of “Inception” here, and his review of “Zombieland” here.
JET ROI: JET Program Alums, Allies Mount Petition Campaign


By JQ Magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
Since 1987, the Japan Exchange and Teaching (JET) Program has hired over 50,000 native English speakers to work at Japanese public schools, enriching ties between nations. Now, Tokyo’s new ruling political party has JET in its crosshairs in the wake of its effort to slash public spending to reduce its ballooning public debt. In a hearing last May, an 11-person panel of the Democratic Party of Japan ruled unanimously for a comprehensive examination of the program to decide whether it should be scaled back or cut entirely.
JET, an initiative of the Japanese government and run by three of its national ministries, has an annual budget of over $400 million. It was launched with the intentions of increasing grassroots internationalization in Japan, primarily through introducing foreigners to Japanese youth as schoolteachers across the country contracted for a minimum of one year. While the program does not require applicants to be licensed teachers (successful candidates team teach with the host school’s own native Japanese English instructor), they are expected to have an interest in Japan and a desire to integrate themselves in their new communities as cultural ambassadors.
Read the rest of the article here.
JQ Magazine’s July/August “Hot Button Issue” Out Now!


JQ knows you’re going to see Scott Pilgrim vs. the World, the summer’s coolest comic book movie, so why not get to know the the guy who started it all, cartoonist Bryan Lee O’Malley? Their new “Hot Button” issue features an exclusive interview with Bryan, a recap of the new Samurai in New York museum exhibition, and the return of the JETAANY Society Page, plus more! Click here to view.
Additional contents below. Thanks to JQ Editor Justin Tedaldi (Kobe-shi CIR, 2001-02) for another sugoi issue. Contact Justin if you’d like to pitch or write a story for the next issue.
CONTENTS
- Page 3……..From the Editor, Japan Local Government Center Executive Director
- Page 4……..Nippon News Blotter / Welcome Suzuki-san
- Page 5……..JETAANY Society Page by Goshippu Garu
- Page 6……..JETlog featuring Byron Nagy
- Page 6……..Samurai in New York Exhibition by Mark Brandstetter
- Page 7……..Bryan Lee O’Malley: The JQ Interview by Justin Tedaldi
- Page 8……..Nihonjin in New York featuring Noriko Hino by Stacy Smith
- Page 9……..Book Corner: Nintendo Magic by David Kowalsky
- Page 10……Nichibei Toastmasters by Pam Kavalam
- Page 11……The Funny Page
- Page 11……The Heiz Rocks On by Hugh Prysten
JET ROI: Top Ten “Best of JQ” Articles That Support Our Cause


Wondering how JET alums give back to the community and make new connections with Japan after their work on the program is over? JQ Magazine Editor Justin Tedaldi (Kobe-shi CIR, 2001-02) has compiled a list of ten relevant articles from the past two years that exemplify the dedication of our members.
2010 May/June – Bruce Feiler interview (an author who’s probably the biggest “JET celebrity” out there. Wrote his first book about his JET experiences) by Justin Tedaldi
2010 January/February – Aaron Woolfolk interview (JET alum, first African American to direct a feature film in Japan) by Lyle Sylvander
2010 January/February – Peace Corps profile (talks with those who joined Peace Corps after the positive experience they had on JET) by Marea Pariser
2009 Fall – International Visitor Leadership Program interpreting (shows how JETs can become invaluable interpreters to continue grassroots internationalization at home) by Stacy Smith
2008 Summer – Ambassador Nishimiya interview (boosts visibility of new Japanese officials to our readers; demonstrates strong relationships between JETAA chapters and local government) by Anne Koller
2009 Spring – Hikaru Utada interview (probably the longest English-language interview with Utada out there. It was even translated into Japanese by a resourceful fan) by Justin Tedaldi
2009 Spring – JETAANY Author Showcase (names four notable JET alum authors and also stands as a unique event organized by JETAANY) by Gina Anderson and Justin Tedaldi
2009 Spring – President Sakurai of Japan Society interview (this piece examines JET’s relationship with non-profit cultural centers and is included in Japan Society media kits) by Justin Tedaldi
2008 Fall – Anthony Bianchi interview (JET done good in Japan) by Michael Glazer
2008 Summer – George Rose interview (JET done good at home) by Stacy Smith
Comments are welcome. Spread the word!
By Justin Tedaldi, Editor (Kobe-shi CIR, 2001-02) for JQ Magazine. Portions of this interview were originally published on Examiner.com.
Award-winning bestselling author, journalist, and—in his own words—“professional traveler” Bruce Feiler (Tochigi-ken, 1987-88) has been a writing books for nearly 20 years, the most recent of which focused on social issues and religion. Bruce’s new book, The Council of Dads: My Daughters, My Illness, and the Men Who Could Be Me, was inspired by his diagnosis with cancer two years ago. Faced with an uncertain future and concerned about his family, he asked six of his peers to form a “Council of Dads” to help guide his young daughters through their lives. JQ spoke with Feiler about the start of his writing career, which began with 1991’s Learning to Bow, an account of his time living in Japan as an English teacher on the inaugural year of the JET Program, as well as his thoughts about the program today.
You’re now cancer-free. When did you receive this prognosis, and what was your treatment like?
I was first diagnosed in July 2008, and I had osteosarcoma, which is so rare that only one hundred adults a year get it. Twenty years ago they would have cut off my leg and hoped, since there was a fifteen percent survival rate. They determined that one cocktail of chemo could be effective, and I had that. I basically had four months of chemo, a 15-hour surgery to rebuild my leg, and then four more months of chemo. So, I’ve technically been cancer-free since my surgery when they cut the tumor out of my femur. I’ve been cancer-free now for about 15 months. I’m full of hope walking forward.

JET Filmmaker/JQ subscriber Aaron Woolfolk at the New York premiere of his film ‘The Harimaya Bridge,’ December 2009
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ Magazine
Most JETs enjoy telling tales about the cities they lived in. But it’s a select few who take the extra step of making movies that actually take place in them. JETAA Southern California’s Aaron Woolfolk (Kochi-ken, 1992-93) is the writer and director of The Harimaya Bridge, which received a theatrical release in Japan last year and premiered in New York’s Upper West Side in December as part of the African Disapora Film Festival.
The film stars Ben Guillory as Daniel, an American man who travels from San Francisco to Kochi after his estranged son—who works as an assistant English teacher—Mickey (Victor Grant) dies in a traffic accident. There, Daniel’s own prejudices spark rows with his Japanese hosts and daughter-in-law Noriko (Saki Takaoka) as he discovers secrets his son left behind. The film will receive a wider release in the U.S. for spring 2010, and JQ talked with Aaron about the making of the film.
How did you get involved with JET?
During my senior year in college, I ran into a couple of friends who were on their way to pick up an application for the JET Program. I had nothing to do when I saw them, so I tagged along. I had never heard of the program before, but it definitely intrigued me. I had always wanted to experience another culture firsthand, and thought the best way to do that would be to live in that culture, rather than merely visiting it for a limited time.
By Marea Pariser (Kagoshima-ken, 2003-04) for JQ Magazine
What comes to mind when you think of the Peace Corps? Is it the image of young, daring humanitarians performing HIV/AIDS work across Africa? Or how about the ambitious environmentalist who flocks to third-world Latin America to build aqueducts in the locals’ backyards? Sure, we all know the stereotype—adventurous, somewhat-experienced travelers willing to spend two years out in the bush roughing it with the locals as a result of their passion to see the world and underlying desire to help others.
Perhaps we’ve thought about the opportunity for ourselves. And it’s likely that we all know at least one person who’s a current or returned Peace Corps volunteer. What probably doesn’t come to mind, though, regarding this nearly 50-year-old program—founded in 1961 by the Kennedy administration—is the image of native English speakers flying abroad to teach English as a second language to locals in over 70 countries where the Peace Corps has presence.
Sound familiar? It should.
By Stacy Smith (Kumamoto-ken CIR, 2002-03) for JQ Magazine
Since becoming a freelance Japanese translator/interpreter/writer, one of the opportunities that I have enjoyed the most has been interpreting for the Department of State’s International Visitor Leadership Program (IVLP). IVLP is an exchange program designed to build mutual understanding between the U.S. and other countries through carefully designed visits that reflect the participants’ (the titular IVs) professional interests and to support U.S. foreign policy goals. For IVs, it involves meeting professional counterparts and learning to appreciate America’s ethnic, cultural, political and socioeconomic diversity.
IVs are established or potential foreign opinion makers in government, public policy, media, education, labor, the arts and other key fields, and after being nominated by someone they are selected by American embassies abroad. Since the program’s inception in 1940, there have been over 140,000 participants (about 5,000 each year), including 290 current and former heads of government such as Tony Blair and several Japanese prime ministers.
However, here in the States all IVs are considered “honorary Americans.” This means that no matter what their rank is back home, during the program everyone is of equal status. This takes quite a bit of pressure off the lowly interpreter (who of course has hopes of being fondly remembered when her former participants go on to become big shots!).
Best of JQ: Ambassador Shinichi Nishimiya: Diplomat, Collaborator, Fly Fisher (Summer 2009)


By Anne Koller (Fukuoka-ken, 2002-2004) for JQ Magazine.
Having been spotted at various local Japan events, JETs were curious to know more about the new Consul General Shinichi Nishimiya. JQ talked with Ambassador Nishimiya to find out his plans for the consulate in New York and how JETAANY can help.
How are you and your family adapting to New York life? What has been the hardest part about living in the city and the most satisfying? What do you miss the most about our beloved Nippon?
We are adapting very well. The hardest part has been the weather. Nobody told us that NY weather is this unstable and unpredictable. [Jokingly] I have been told that there is no spring or fall between the long hot summer and a long, cold winter: then how do you describe what we have now? The most satisfying part of living in New York for my wife and I is meeting people. Everyone has been very welcoming and kind. I miss ramen! There are ramen shops everywhere in Japan and they are always open. You can go to places in New York, but it isn’t the same. I do think the lack of eating ramen has allowed me to live a healthier life here which my wife is certainly happy about [laughs].
Best of JQ: The Hikaru Utada Interview (Spring 2009)


By Justin Tedaldi, Editor (Kobe-shi CIR, 2001-02) for JQ Magazine
It was perfect timing. Back in January, Hikaru Utada, the New York-born recording phenomenon who before she was out of her teens notched three of Japan’s top ten bestselling albums (including Number One), was back in town working on a new album for the U.S., and JQ spent a full hour with Hikki to talk of many things, including her new disc This is the One, which hit stores in May.
I know you want to talk about the new album and the single.
The song…
I heard it about two and half weeks ago, as I think I was already on the e-mail list from when your last English album came out.
Oh, right, right, right.
So we go way back. Ten years ago I found out about First Love when I studying Japanese as an undergraduate…
Oh, wow.
It’s amazing to be here now talking about it.
I’m humbled [laughs]. Read More
- From left: JET alum authors Randall David Cook, Robert Weston, Roland Kelts and James Kennedy talk shop at the Author Showcase in Midtown (photo by Noriko Furuhata)
By Gina Anderson (Nara-ken, 2003-05) and Justin Tedaldi, Editor (Kobe-shi CIR, 2001-02) for JQ Magazine. This article was previously published on JetWit and appeared in the Consulate General of Japan in New York and Japan Information Center’s Japan Info e-newsletter.
New York City’s Holiday Inn hosted a summit for published JETs as JETAA NY launched its debut JET Alumni Author Showcase on March 22. The panelists included pro writers Roland Kelts (Osaka-shi, 1998-99), Robert Weston (Nara-ken, 2002-04) and James Kennedy (Nara-ken, 2004-06).
Drawing over 60 JET alums, friends and family, the event kicked off with some words from Akira Sugiyama, director of the Japan Information Center of the Consulate General of Japan in New York. Moderator and playwright Randall David Cook (Fukui-ken, 1991-93), creator of the critically acclaimed Off Broadway plays Sake with the Haiku Geisha and Fate’s Imagination, asked each author to share a favorite selection of their works with the crowd.
By Justin Tedaldi, Editor (Kobe-shi CIR, 2001-02) for JQ Magazine
Even century-old organizations can find new ways to change. In April, New York’s Consul General of Japan Motoatsu Sakurai became the first Japanese president of the city’s esteemed Japan Society. JQ talked with President Sakurai (who has graciously hosted JET gatherings at his home numerous times over the years) shortly after his inauguration to ask about his new plans and ideas for the future.
How did become the new president of Japan Society? Did you campaign, or were you appointed directly by their board of directors?
I have long been an admirer of Japan Society, its mission and its programs. In fact, I served as member of Japan Society’s Board of Directors from 2003 until my appointment as Ambassador and Consul General of Japan in New York, after which I became an Honorary Director. Towards the end of my term as Ambassador, when former president Richard J. Wood was looking to retire, the Society’s board approached me to see if I had interest in the position. As my first venture into the nonprofit sector, leading this venerable 102-year old organization seemed like—and now is—an exciting new challenge.