A (Culturally) Stimulating Interview with the Insatiable Asa Akira
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“I think I have a lot of Japanese culture ingrained in me. Just from being from a Japanese family, living in Japan. The whole ‘respect your elders,’ that, to me, is the main thing that’s different between America and Japan.”
Porn porn
By Michael Karns (CIR Kobe-shi, 2001-02) for JQ magazine. Michael is an avid photographer.
The winner of five AVN Awards (like the Oscars, but without Cuba Gooding, Jr.), Asa Akira returned to the East Coast last weekend for a rare promotional trip. In the spirit of intensifying relations between our nation and Japan, we spoke with the scintillating 25-year-old superstar/native New Yorker about her Japanese roots, her favorite anime films, and the deeper cultural points that America and Japan can swap with each other.
Regarding your Japanese heritage, where is your family originally from?
My mother’s side of the family is from Osaka and my father’s side is from Tokyo, but they live in Yokohama.
You went to an American school growing up.
I did, a very prestigious American private school. It was nice.
When Japanese students relocate to America, it can be difficult adjusting. How was it for you relearning the way of life here?
I was born in New York City and I moved to Japan when I was six, so I already had a little America experience, but it was definitely a huge culture shock. Kids in Japan are really good, even American ones. So coming to New York was like, “Oh my God, these kids are 12 years old and they’re doing drugs!” It was definitely a huge culture shock, and I totally bought into it for a little bit (laughs).
You’ve got an incredible personality…
Thank you.
What do you attribute this to?
I grew up around boys; I think that has a lot to do with my sense of humor. Me and this other girl were always the only two girls in this group of boys, so I think we grew up with a really good sense of humor, you know?
So are you kind of like an otemba (tomboy)?
Yeah (laughs).
That’s my type, by the way.
Oh, good (laughs).
Regarding Japanese culture, what things do you like the most about it? Are there any films or other things that you point to as an inspiration?
I think I have a lot of Japanese culture ingrained in me. Just from being from a Japanese family, living in Japan. The whole “respect your elders,” that, to me, is the main thing that’s different between America and Japan. People in America treat old people like [expletive].
I love my grandmother, but I know what you’re talking about.
(Laughs) And they just don’t listen to older people. I think that’s weird. So that would be the main thing.
Kirsten Phillips strikes a Yosakoi pose.
By Sierra Soleil (Fukushima-ken, 2000-02) for JQ magazine. Sierra works at an ESL school in Manhattan. He enjoys teaching, writing, and riding his bike.
The first weekend of November marked the ninth annual Japan Arts Matsuri (JAM) in New York, this year at the Theater for the New City in the East Village. With about 30 volunteers and a handful of business sponsors, JAM put on an excellent show for roughly a thousand people over the three exciting days.
The entryway and lobby of the theater was crammed with tables selling everything from okashi and yakisoba to clothes and handicrafts, though most people in the know went directly for the Sendai miso cream puffs, and for good reason. There were even two carnival games: a simple one involving throwing a plastic katana at prizes, and an incomprehensible one where people poked little cookies with needles for some reason. Nearly every table was also raising money for earthquake/tsunami relief.
Every day of the three-day matsuri had music and dance performances, but Saturday was Talent Night, where performers could compete for a special invitation to perform at next year’s JAM. I wasn’t sure what to expect from Talent Night, which was good, because it was as wildly erratic as any cross-section of modern Japanese music and dance should be. The first act I caught was Robin’s Egg Blue, a cheerful acoustic pop group. They were followed by a band called Firesign, which was meant to be metal, though any spell they cast dissipated immediately when, as they left the stage, one of the emcees decided to reassure us that they were all very polite in person. After that there were modern and traditional dances, a gospel singer, a karaoke cover of Cee Lo Green’s smash hit (the “Forget You” version, of course), and a fascinating collaboration between a belly dancer and a beatboxer.
The show was billed as being like Amateur Night at the Apollo, and there was some resemblance. The acts were short, and before each intermission the audience chose their favorite via applause. Looking at the lineup, it occurred to me that JAM’s offering was a lot more diverse than anything I’ve seen at Amateur Night. One of the matsuri’s goals is to share Japanese culture with Americans, and the lesson to take from Talent Night is that culturally, the Japanese really are into everything. It also occurred to me that the power to vote by cheering for a performer we liked meant a lot less without the power to impeach them by booing.
I came to Talent Night specifically to meet with JET alumna Kirsten Phillips (Niigata-ken, 2005-08), a member of the Yosakoi Dance Project 10tecomai. The first impression she makes is everything a JET is supposed to be: energetic, cheerful, with a kind of wide-eyed enunciation that makes everything sound exciting. She went directly from teaching in Japan to teaching special education in New York, and it immediately seems like she would be good at it.
JQ Magazine: Film Review – Sion Sono’s ‘Cold Fish’ an Antisocially Acquired Taste
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“In the end, Sono really does ask us about our humanity, and what life is about. Sure, he takes the bloody, abusive, rape-filled path, but he does touch on some solid stuff. It’s a lot of big questions wrapped in a gory, misogynistic, boob-exposing gift box.” (Courtesy Salient Media)
By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. Rick manages the JET Alumni Association of New York (JETAANY)’s Twitter page and is the creator of the JETwit column Tadaima!
I was hungry, real hungry after work and was about 20 minutes early to the New York Museum of Art and Design near Columbus Circle to see the movie Cold Fish 「冷たい熱帯魚」, so I walked a block to Good Burger and grabbed an overpriced hamburger. As I arrived back to the museum, I sat next to Shree (name changed to protect the innocent) who was midway through a burrito. With minutes left before the movie started, we headed into the museum and down some wooden steps to the theater. Walking in I was pretty surprised; we were only accompanied by seven or eight other patrons. Little did I know that it was a blessing in disguise…fewer people to feel awkward around after the movie.
Oh yes, the movie. How do I write about Cold Fish? It’s a little difficult. I suppose I can do it like this:
Cold Fish is a film directed by the controversial Sion Sono (whose month-long, eight-film retrospective wraps this week at MAD) and stars Denden and Mitsuru Fukikoshi. The film is based on real murders that took place in Fukushima. The story begins well enough: A timid man named Nobuyuki (Mitsuru Fukikoshi) with a rebellious daughter (Hiraki Kajiwara) and a hot trophy wife (gravure idol Megumi Kagurazaka) is feeling disconnected and regretful. They own a tropical fish shop. Through an awkward circumstance they meet Mr. Murata (Denden) and his attractive wife (Asuka Kurosawa), both of whom also own a tropical fish shop.
From there, shit just gets weird. That’s the only way I can explain it, folks. And it wasn’t just because the film cut out four times while we watched it. (Apparently, there were Blu-ray issues…through most of the movie. The museum might want to buy a new player before they hold another festival.) Anyway, Mr. Murata decides to bring Nobuyuki on as a partner, but not before hiring his daughter at his shop and sleeping with his wife (who apparently enjoys rough treatment, to put it mildly).
As Nobuyuki is introduced as the new partner, the old partner finds himself exiting the business via a poisonous death. This is where things kick into the next gear, and Murata forces Nobuyuki to assist with the disposal of the body. The whole body disposal process is presented with great detail. I’m serious about this part—after watching this movie, I am fairly confident that anyone could make a dead body disappear.
The plot then dives deeper and deeper into the dark comedy that is Murata’s utter disregard for human life and the director’s utter disregard for your stomach. By the way, did I mention that this film is very graphically violent? If you aren’t into that kind of thing, find another show; this movie revels in its ability to test what you can deal with gore-wise. If you enjoy severed heads and genitalia being tossed around a bathroom, you’ve found your dream movie.
Hibari-sensei: THE LAST DAYBREAK by exist†trace
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Jen Wang (Miyagi, 2008-09) is a lab tech in Dallas and a staff writer for the Japanese music website Purple SKY. Her love of cosplay and her junior high school students inspired the name for her own Japanese pop culture blog, Hibari-sensei’s Classroom.
Recently I wrote a review of THE LAST DAYBREAK, the latest EP by exist†trace, for Purple SKY. The all-female J-rock band made their major label debut this past June and are now gearing up for a U.S. tour. They will play in Boston, New York, and Philadelphia, as well as Tekkoshocon in Pittsburg, in March.
THE LAST DAYBREAK opens with a primal call from Jyou, but instead of singing in her trademark growling alto, she keeps her voice light and clear in “Daybreak ~Jyusan gatsu no shikisai.” Unexpected moves like these are the highlight of exist†trace’s new album.
Read the rest of the review here.
Justin’s Japan: Japan Arts Matsuri 2011 presents amateur night, guest stars, charity showcase
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Japan Arts Matsuri 2011 runs Nov. 4-6 at Manhattan's Theater for the New City. (Kenji Mori)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his page here for related stories.
For every Japanese artist and entertainer in New York with a dream to make it big, the ninth annual Japan Art Matsuri (JAM) is the place for their star to shine. Held this year from Nov. 4-6 at the Theater for the New Cityin Manhattan’s East Village, this year JAM 2011 offers its biggest and most diverse lineup to date.
Hosted by Yoshi Amao and Saori Goda and presented by JaNet in association with Faune Dance Troupe, JAM 2011 has established itself as one of America’s largest Japanese art and music festivals, presenting Japan and its unique culture with performances by Japanese artists, musicians and entertainers in a true matsuri (festival)-style atmosphere, and to enhance friendship and communication among New York City’s cultural communities.
More than 1,000 people are expected to attend the three-day event that features, in addition to live entertainment, a variety of street stall-style shops in the theater lobby that sell everything from Japanese food and drinks to artworks and traditional goods. There will also be charity booths to help those in Japan devastated by the 3/11 Tohoku earthquake and tsunami disaster.
For the complete story, click here.
JQ Magazine: Concert Review – DREAMS COME TRUE in New York City
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(Courtesy Chimera R. Productions)
By David A. in Virginia, special to JQ magazine.
Japanese mega-band DREAMS COME TRUE (ドリームズ・カム・トゥルー a.k.a. ドリカム) made a very rare U.S. appearance at the Highline Ballroom in New York City on October 9, the first of two shows that sold out within days of their announcement in July. Many thanks to fanpage DCT Joy for notifying its members of this wonderful event. For those of us not in New York, Los Angeles, or Seattle, we otherwise might not have known about it.
At dusk, around 6:30, the line already was down the block for admission to the inconspicuous Highline Ballroom in Chelsea. On this unseasonably warm October Sunday evening, the anticipation was palpable, the “DCT Joy” bringing alive the night. One walks upstairs to the ballroom, spare and easy to navigate. The management asks those seated on the floor of the “pit” to stand so that the crowd can fill the room.
First of all, a big shout-out to Justin Tedaldi (Kobe-Shi CIR, 2001-02) at JQ magazine. This reviewer cannot thank you enough. Also, thanks to Reiko from the DCT organization for her kind words.
Prior to the show, the house PA played a recording of some of DCT’s most well-known melodies, such as “Ano Natsu no Hanabi” and “Ureshii! Tanoshii! Daisuki!”, performed on soft bells.
Promptly at 8:00, introductions were made first by a woman in Japanese, to great enthusiasm from the audience; then a man said, “New York City! Are you ready for DREAMS COME TRUE?!” “A theme of the WONDERLAND” played as the fifteen-piece band-and-dance ensemble walked on stage, followed by Masato Nakamura (中村 正人). Although the Highline Ballroom has a standing capacity of 700, with a few dozen dinner tables on the balcony, the roar from the crowd was as if they were in an arena. With the theme concluded, Miwa Yoshida (吉田 美和) arrived, with her hair tied back and wearing a loose-fitting, light pink outfit; and, with her familiar exclamation “DREAMS COME TRUE in WONDERLAND….!!!”, the band launched into a heavy version of “Nando Demo,” as the crowd danced, waved, and cheered, encouraged by Miwa in all of her boundless energy.
JET Alumni cited in U.S. Deputy Secretary of State’s Speech at Todai
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Thanks a bunch to JETAA Music City Treasurer Jennifer Butler (who also works at the Consulate in Nashville) for passing this along:
U.S. Deputy Secretary of State William Burns recently gave a speech at Tokyo University titled, “The Enduring Value of the U.S.-Japan Alliance“ in which he cited the value and contributions of the JET alumni and the JET Programme.
Here are the key excerpts:
“More than 35,000 people have now taken part in exchange programs sponsored by our governments — programs like the Fulbright Scholarship, the Mansfield Fellowship, and the Japan Exchange and Teaching Program, or JET. Exchanges between our government officials also play a key role in fostering mutual understanding. ”
“We are reaching out to ensure that younger Japanese business leaders understand the value of employees who know both of our cultures. We are calling on our own American JET alumni network to convince more students to study in America.”
Note: I know what you U.S. JET alumni are thinking. You have not yet received your call from the State Department personally asking you to get out there and convince more Japanese students to study in the U.S. All I can say is hang tight. And in the meanwhile, I guess we’re all now aware of one Return on JET-vestment thing we can do to help with the future existence of JET.
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Here’s the full text of the speech:
Remarks
Deputy Secretary
Thank you for the generous introduction, Professor Kitaoka and your warm welcome. It is truly an honor to be here today at Tokyo University. Read More
Miyagi JET alums organize Hong Kong fundraiser
Article/Journalism, Cultural Outreach, Earthquake Tsunami, Events, Fundraising, JETs in the News, Notable JET Alums, Return on JET-vestment, Volunteer Comments Off on Miyagi JET alums organize Hong Kong fundraiser
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Thanks to Osaka JET Cailin Arena for letting us know about this:
From Miyagi JET alum Monique Moloney: “Here is the press release (and photos) for the fundraiser in Hong Kong on April 16. It was a great way to connect with the Japanese community in Hong Kong and to put our energy towards a positive outcome for Miyagi.”
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FOR IMMEDIATE RELEASE
Former Miyagi Residents Raise Funds Through Hong Kong Event
Hong Kong – 25th April, 2011
Two former residents of Miyagi Prefecture have pooled the creative expertise of five photographers in a silent photographic auction in Hong Kong to raise money for the March 11 earthquake and tsunami relief efforts.
The event entitled “Kampai for Sendai” was held on Saturday, April 16 at Shore Restaurant and Bar and was attended by approximately 180 people. The silent auction of distinctly Japanese photographs including 13 original mounts and three canvassed photographs, was the main focus of the evening. Additional funds were raised through the live auction of Simone Legno autographed Tokidoki merchandise and the sale of raffle tickets.
The total amount raised from the event was HK$30697 (US$3950). 100% of these funds were be donated to Peace Winds Japan andShine Humanity, two non-government organisations that have been highly visible in Miyagi Prefecture and are committed to using all designated funds for the Japan relief effort.
The event organizers, Monique Moloney and Matt Jones, both Australian nationals living in Hong Kong, were Assistant Language Teachers on the JET Programme in Miyagi Prefecture between 2003-2006. Having maintained strong connections with their former home, they were deeply affected by the devastation and suffering in communities where they’d often visited and fondly remembered. Their reaction was to organise an event that could raise awareness and funds in a meaningful way.
Through online groups, Monique found photographers who were willing to contribute their work to the cause. She also connected with other former JET participants who were living in Hong Kong. These people helped promote the event and attended to show their support.
“We may have moved on but we haven’t forgotten our friends in Miyagi Prefecture. It was our turn to give back for the kindness and good will we were shown during our time there.”
For more information, please contact Monique Moloney at mnqmlny@gmail.com or phone +852 90300243
JQ Magazine Is Looking for Writers for Fall 2011!
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As the year winds down, JETAA New York’s JQ magazine continues to provide weekly content with an ever-expanding array of articles, interviews and features (for our recent stories, click here). Following our quarterly meeting in Manhattan this week, we’re now looking for new writers from all JETAA chapters worldwide to write and share more material that we can post online to the widest JET readership on the web through our hosts at the global JET alumni resource site JETwit.com.
Below are story ideas grouped by JET participants and alumni (JET World) and those more on Japanese culture (Japan World). If you’re a JET or JETWit contributor from anywhere in the world, we welcome your interest or extra story ideas! Contact JQ’s editor Justin Tedaldi (magazine [at] jetaany [dot] org) to sign up.
***JET WORLD***
JETAANY CAREER FORUM/WELCOME BACK RECEPTION (11/12)
We would like coverage of upcoming events in New York for any writers planning to attend.
JETs ‘RETURN TO TOHOKU’ SERIES
The Ministry of Foreign Affairs and the Japan Tourism Agency jointly organized an Invitation Program for JET Alums who worked as a JET in Iwate, Miyagi, Fukushima or Sendai-shi for 2 or more years to return to Japan as an ambassador. The goal of the program is to help promote the affected areas and do PR work on their behalf. From around the world, 14 JET alums were selected to return to Japan. Of those, eight were US JET alums. Visit the provided link to see their stories if you would be interested in doing a Q&A with one of them. Also, if you or other JETs are planning to return to help out in the wake of the devastation, we’d love to run an article so you can share your thoughts with other JETs around the world. www.jetaausa.com/tohoku-recovery/jet-alums-return-to-tohoku
‘ALONE IN THE KITCHEN WITH A RICE COOKER’ SERIES
We are running a new series on JETwit about solo cooking experiences while on JET (check out “Nattode,” the first piece in the series). Did you discover a new favorite comfort food in Japan, learn to cook a mouthwatering meal that you still serve today or accidentally buy something really weird only to discover (and reluctantly) eat it in your mansion? We want to hear about it!
HOLIDAYS IN JAPAN ANECDOTES WANTED!
This year, we’re bringing back seasonal holiday (from November through New Year’s) anecdotes from JET alumni around the world! If you have a strange, delightful (or both—we all do) short story to share about your holiday seasons past in Japan, we’d love to publish it.
Articles by JET journalist Patrick St Michel featured in The Atlantic
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Current Mie JET Patrick St. Michel has two articles currently featured in The Atlantic online.
- “The 48 Japanese Schoolgirls Aiming to Take Over the World” – The global ambitions of J-Pop group AKB48
- “How Korean Pop Conquered Japan”
Click here to read other writings by Patrick featured on JETwit.
Return to Tohoku: Update 10.24.11
Article/Journalism, Blogs, Earthquake Tsunami, Japan Local, Notable JET Alums, Return on JET-vestment, Travel/Tourism, Writers Comments Off on Return to Tohoku: Update 10.24.11
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Here are updates from a few more of the 20 Tohoku region JET alumni selected by the Ministry of Foreign Affairs (MOFA) to return to their town to both engage in volunteer efforts and also help document and share what’s going on there.
- “Back to Iwate“ by Alan Mockridge (Iwate-ken, Ohtsuchi, 1992) – http://alanmockridge.com/ (Lots of excellent photos.)
- Here’s a schedule of Alan’s trip:
Visit schedule
19 Sep (Mon) Depart San Francisco
20 Sep (Tue) Arrive Tokyo
21 Sep (Wed) Briefing at Min. Foreign Affairs. Bullet train to Iwate
22 Sep (Thur) Hiraizumi (UNESCO World Heritage Site) & Morioka
23 Sep (Fri) To Kamaishi via Miyako, Yamada & coast road
24 Sep (Sat) Kamaishi
25 Sep (Sun) Ohtsuchi
26 Sep (Mon) Ohtsuchi High School (cultural exchange)
27 Sep (Tue) Kamaishi to Narita. Depart Japan
JQ Magazine: Concert Review — Japan Society Hosts J-Pop Showcase with Yu Sakai and Cibo Matto
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Musician Yu Sakai brought his ecclectic talent to Japan Society Oct. 20. (Vlad Baranenko)
By Vlad Baranenko (Saitama-ken, 2000-02) for JQ magazine. Vlad is an avid photographer.
On Oct. 20, New York’s Japan Society held a sold out co-headlining performance by hometown heroes Cibo Matto and the Japanese singing sensation Yu Sakai in his international debut. Whether an aficionado of jazz, hip-hop, R&B or pop, the catchy synth beats of the girl duo and Yu Sakai’s melodic voice left an indelible impression on everyone in attendance.
Billed as J-Music Ride, the show opened with a set of fantastic vocal performances by Sakai. The breakout singer, whose professional music career kicked off in 2009 when his single titled “Story” became a radio hit, has quickly become one of Japan’s most admired artists, earning him the iTunes “J-Pop Best Album of 2010.” In June of this year, Sakai released his long-awaited album Yes!!, and those lucky enough to have attended the show (Yu Sakai’s only performance in the U.S.) were given an opportunity to sample many of the new tracks like “Train.”
Departing from the standard band format, the majority of instrumental sounds in Sakai’s pieces were recorded by the artist himself. At Japan Society, the artist would beatbox into the microphone to create a looping background rhythm, simulating a multi-layered chorus-like effect by sampling his own voice. He would then insert a fast paced piano tune, and the resulting melody astounded the audience, prompting whistles and applause during the song. To appease the American audience, Sakai-san surprised the concert attendees with his beautiful rendition of Michael Jackson’s “Rock with You.” In between pieces, Sakai would talk to the sold out crowd in a very nonchalant manner (he previously lived in Los Angeles), often making fun of himself and telling people to not be afraid to visit Japan. The obvious raw talent of Yu Sakai made this rare appearance a true gem, and the standing ovation from the audience at the end of his performance proved that this young artist can look forward to a bright future ahead.
JETAA USA Earthquake Relief Fund announces recipients
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Below is the official press release (in English and Japanese) announcing the recipients for JETAA USA Earthquake Relief Fund to the media in Japan.
FYI, a lot of hard work has gone into this process, using our JET contacts, bilingual and bi-cultural abilities to identify appropriate and worthy uses for the approximately $75,000 raised by the JETAA chapters in the U.S.
JETs and JET alumni should be extremely proud of the ways we’ve been able to support Japan in the wake of the 3/11 crisis. Many larger organizations have faced significant challenges in finding appropriate grantees, due in a large part to a very different and smaller Japanese non-profit sector that continues to grow and evolve in new ways. Our quasi-Japanese expat community of 55,000+ JET alumni spread around Japan and the world has been uniquely positioned to help meet these challenges.
Also worth noting is that the JETAA International meeting is taking place this week in Tokyo. JETAA representatives from each country are attending and will be participating in a JET-led volunteer effort in Rikuzentakata with the help of JET Paul Yoo, founder of volunteerAKITA and The Fruitree Project. JETAA International Chair Shree Kurlekar (former JETAA New York Vice-President) and other representatives will also be speaking with the Japanese media.
Thank you to JETs, JET alumni and Friends of JET everywhere who have contributed to the fund, volunteered their time, volunteered their translation and other skills and supported Japan in many other ways as well.
Ganbarou Nippon!
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PRESS RELEASE – ENGLISH VERSION
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JETAA USA Earthquake Relief Fund
In its 25-year history, more than 55,000 people from 60 countries have participated in the JET (Japan Exchange and Teaching) Program, developing strong ties with communities around Japan. Thanks to the years they spend in Japan, it is fair to say that JET participants come to view Japan as their second home, and most continue to maintain active connections with Japan after leaving the program. The most common way for JET alumni to stay connected is through the 50+ chapters of JET Alumni Association (JETAA) worldwide, which bring alumni together to share their experiences and to promote ties with Japan in their home countries.
Even JET alumni who did not have friends and family in the Tohoku region were deeply moved by the tragedy that unfolded there. In response, all 19 chapters of JETAA USA came together in March 2011 to launch the JETAA USA Earthquake Relief Fund to support educational needs of communities in the disaster zone. Since March 11, the fund has raised $76,000 (5.8 million yen) from the U.S. JET alumni community.
Rikuzentakata and Ishinomaki have special significance for JET alumni since two of their colleagues lost their lives while teaching and living in these communities. Therefore, JETAA USA has decided to donate funds to programs in these two areas, with a primary focus on educational initiatives in Rikuzentakata. The aim is to improve the prospects of students who have been affected by the disaster, carry on the spirit of the JET Program and give back to the country that found its way into the hearts of JET alumni. Grants are being made for the following initiatives:
Hope for Tomorrow support for university applicants from Rikuzentakata ($25,000)– The costs of university entrance exams are a heavy burden for Japanese families and can be especially formidable for families affected by the disaster. Hope for Tomorrow, a new nonprofit organization, will defray exam fees and/ or associated travel and lodging costs in order to support Takata High School (located in Rikuzentakata) students applying to university. JETAA USA will financially support this program in Rikuzentakata.
Rikuzentakata tutoring project ($20,000) – Students in Rikuzentakata have been through traumatic experiences and lost considerable class time. The nonprofit organization Youth Empowerment Iwate, in cooperation with other groups, is launching a new initiative through which university students will provide extracurricular tutoring for middle school students while also using these sessions to lend a sympathetic ear to students who may feel intimidated discussing their concerns with older adults.
Rikuzentakata City education project ($10,000) – A special grant is being made to support JET-related activities and English teaching in the town.
Taylor Anderson Memorial Fund ($5,000)– The Taylor Anderson Fund is supporting a range of innovative programs in Ishinomaki, where JET Taylor Anderson taught and lived, including the exchange programs for local students and “reading corners” at elementary schools.
JETAA USA supporting JET participants ($10,000)– JET-run organizations and programs such as volunteerAKITA (which has been mobilizing JET participants to provide disaster aid since mid-March 2011) have responded to the disaster and recovery efforts. Individual grants are being made to help them sustain their disaster-related activities.
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PRESS RELEASE – JAPANESE VERSION
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米国JET同窓会（JETAA・USA）日本震災復興支援基金
平成23年10月21日
JETプログラムは、今年で25周年を迎え、これまで50カ国以上から5万5000人以上の外国青年の参加を得てきた。彼らの多くは、日本全国の地域コミュニティに深くとけ込み、その貴重な経験から、帰国後も日本を第二の故郷と考え、日本との関係を保ち続けている。JET同窓会（JETAA）は全世界に50以上の支部を持ち、多くの元JET参加者がJETAAを通じて、日本の経験を共有し、日本と母国の絆を深める活動を展開している。
今般の東日本大震災は、元JET参加者に大きな衝撃と悲しみをもたらし、元JETの間では支援の輪が直ちに広がった。米国では、JETAAの全19支部が協力し、3月中に米国JET同窓会震災復興支援基金（以下「米国JETAA基金」）が立ち上げられた。同基金は、被災地の教育支援に充てられることとなっており、これまでに約76，000米ドル（約580万円）の支援金が集められた。
今回の震災で犠牲になった現役JET二名が在住していた陸前高田市と石巻市は、元JET参加者にとっても特別な意味を持つ。米国JETAAは、支援にあたって同2市に重点を置き、特に陸前高田市の教育関係への支援を優先的に実施することとした。（石巻では、テーラー・アンダーソン追悼基金が数々の支援を行っている。）米国JETAAではこの支援を通じて、被災地の子供たちの将来への可能性を広げ、JETプログラムの精神を引き継ぎ、元JET参加者が心から大切に思う日本という国に恩返しをしたいと考えている。下記の事業へ寄付が行われる予定である。
Hope for Tomorrow進学支援プログラム（＄25,000）：高校生の大学受験費用は一般家庭でも大きな負担となっているが、被災した家庭にとっては背負いきれないほどの負担となる。Hope for Tomorrowは新しく立ち上げられたNPOで、高田高校の学生を対象に大学受験にかかる旅費や宿泊費などの諸費用を支援する活動を行う。
陸前高田学習支援プロジェクト（＄20,000）：壊滅的な被害を受けた陸前高田では、多くの学生が精神的なダメージを受けた上、学習の時間も大幅に失った。NPO「子どものエンパワメントいわて」は、他の恊働団体と共に大学生ボランティアによる中学生を対象とした学習支援活動を行う。本プロジェクトでは学力向上だけでなく、被害を受けた子どもたちのケアを重視し、勉強の合間に子ども達が自然と話したくなったことを傾聴し、対話しながら学習支援を行う。
陸前高田市内教育プロジェクト（＄10,000）： JET関連の活動と英語教育を支援するための特別寄付を行う。
テーラー・アンダーソン追悼基金（＄5,000）：同基金では、テーラー・アンダーソンさんが英語を教えていた石巻において、地元学生の交流プログラムや小学校での「読書コーナー」設置など、幅広い分野で革新的な事業を支援している。
JETのボランティア活動支援（約＄10,000）：現役のJETや元JET参加者が運営する複数の団体が被災地の支援活動を行っている。これらの団体が活動を継続できるよう支援を行う。
米国JETAA基金は様々な活動を通じて集められた。
（募金活動例）
JETAA北部カリフォルニア支部（本部サンフランシスコ市）：募金イベント“Japan Relief Fundraiser”を、ホテル・カブキのO（オー）居酒屋ラウンジにて実施。150人以上の参加があり、寄付と抽選が行われ、地元紙にも取り上げられた。
JETAAミネソタ支部：募金イベント“Japan Benefit Party”を、居酒屋・基（Moto-i）（海外初の店内で醸造した日本酒を提供する店）で実施。DJ、ライブ音楽で会場を盛り上げ、サイレント・オークションが行われた。
JETAAワシントンDC支部所属の元JET2名が7月に結婚した際、招待客からの贈り物を辞退し、その代わりに寄付をするよう呼びかけた。
JETAAニューヨーク支部：300人以上が参加する大規模募金イベントを実施、日米双方のテレビ及び主要紙に取り上げられ、ニューヨーク在住元JETからの応援メッセージがメディアを通じて日本に届けられた。
米国JETAA基金は、元JET参加者による支援活動のほんの一部に過ぎない。JETAAの全米各支部は、この他にも様々な募金活動をしており、同基金とその他の活動による募金を合わせると全米JETAAによる支援金総額は31万3000米ドル（約2440万円）に上る。支部によっては、既に日本赤十字、ジャパン・プラットフォーム、ピースウィンズ・ジャパン等の日本の団体に直接寄付を行っている。また、一部の支部は、日米協会等米国の現地団体の募金イベントに協力し、積極的な役割を果たしてきた。
米国JET同窓会（JETAA・USA）
| 全世界の元JET参加者のうち、約半数が米国人であり、米国にはJET同窓会（JET Alumni Association, JETAA）が19支部存在する。各支部は、全てボランティアベースのメンバーにより運営され、元JET参加者のネットワークを維持・強化し、文化・交流・教育事業やチャリティ事業等の実施を通じて、日米関係の一層の深化を図っている。米国JET同窓会の活動の詳細、同会震災復興支援基金への寄付はこちらから： HYPERLINK “http://www.jetaausa.com” www.jetaausa.com |
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The Rice Cooker Chronicles is a series of essays by JETs and JET alumni on the theme of cooking/eating and being alone in Japan. The brain-child of JETwit founder Steven Horowitz (Aichi-ken, Kariya-shi, 1992-94) (and inspired by the book Alone in the Kitchen with an Eggplant), this series is curated by L.M. Zoller (CIR Ishikawa-ken, Anamizu, 2009-11), the editor of The Ishikawa JET Kitchen: Cooking in Japan Without a Fight. A writer and translator for The Art of Japan: Kanazawa and Discover Kanazawa, ze also writes I’ll Make It Myself!, a blog about food culture in Japan.
New submissions always welcome. E-mail us at jetwit [at] jetwit.com.
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“Nattode”
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Examiner.com page for related Japanese culture stories.
I’m at a restaurant that bleeds sophistication. Seated across from me is a stunning member of the opposite sex, joining me for the sole purpose of sampling the house’s signature dish, a personal favorite of mine.
Tender music swells in the background. The lighting is perfect, with the glow of candlelight on the table framing my partner’s irresistible charms as a celebrated bon vivant holds court four tables over. Spirits are high, and we’re high on spirits. The mood is ripe.
I snap my fingers to cue the waiter, who gracefully sets two silver trays before us. “Enjoy,” he says dryly. I look him straight in the eye and grin, signaling as I have many times before that I fully intend to.
It’s time. Gloved hands raise the lids, revealing…a small pair of Styrofoam trays with thin sheets of plastic on top. My date is puzzled.
Return to Tohoku: Alma Jennings goes back to Iwaki City in Fukushima
Article/Journalism, Earthquake Tsunami, Japan Local, Japan Society Round-up, Notable JET Alums, Return on JET-vestment, Travel/Tourism, Volunteer, Writers Comments Off on Return to Tohoku: Alma Jennings goes back to Iwaki City in Fukushima
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Thanks to JET alum Christy Jones of the Japan Society in New York for letting JETwit know about fellow JET alum and Japan Society colleague Alma Jennings (Fukushima-ken, Iwaki-shi) who has written about her return to Iwaki City in Fukushima where she went to volunteer and reconnect with old friends and colleagues.
Here’s a link to Alma’s writing on the Japan Society website: http://www.japansociety.org/page/earthquake/updates_from_japan
Here’s the intro from the Japan Society website:
“Like many young Americans interested in Japan, Alma Jennings, a Development Assistant at Japan Society, participated in the JET Programme and lived and taught English in Iwaki City on the southern coast of Fukushima Prefecture between 2008 and 2010. In September 2011, Alma returned to Iwaki City to visit her friends, former colleagues and students. She also went to the Iwaki City Volunteer Center to volunteer. Here is the first-part of a three-part series on her experience.
CLICK HERE to read more Return to Tohoku posts by other JET alums.
