“J-Boys is a historical lesson for readers of all ages. Although the story takes place 20 years after World War II, Japan is still very much scarred by the war and Oketani mentions how it affected the mindsets of the country’s people.” (Stone Bridge Press)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
The 1960s were a decade of enormous change around the world. Although Japan didn’t experience the upheaval some other countries did during that period, for one teenager, the mid-1960s were shaping up to be a different era.
Shogo Oketani’s novel J-Boys: Kazuo’s World, Tokyo, 1965 takes readers into the lives of young Kazuo Nakamoto and, to a lesser extent, his friends—younger brother Yasuo, his friend Nobuo, Nobuo’s older brother Haruo, and Kazuo’s classmate Minoru. As steeped in tradition as Japan is (and continues to be), Oketani paints a picture of a society beginning to be seriously touched by foreign influences. Inspired by the 1964 Olympics in their hometown, Kazuo and Haruo usually head to an empty lot after school to emulate 100-meter champion Bob Hayes (It was Kazuo’s dream to be an Olympic sprinter). And like many young people across the world, Haruo went crazy for a quartet from Liverpool, often singing “A Hard Day’s Night.”
Essentially, J-Boys (which was based on Oketani’s childhood)serves a journey through the ups-and-downs of adolescence while introducing younger readers to Japanese culture and the changing landscape of the country. Kazuo’s father speaks about the rise in TV’s popularity with an air of sadness, blaming it for the loss of a nearby cinema. Likewise, Kazuo feels the new Tokyo (much of it fueled by Olympic-related construction) he sees during his Saturday afternoon walks is not necessary an improved one. Kazuo develops a crush on a girl he’s known for quite a while, but sees a couple of close friends move just prior to the start of a new school year. So he realizes he’s about to embark on an unpredictable journey.
CLAIR Magazine “JET Plaza” series: Austin Moore (Yamaguchi)
Article/Journalism, Japan Local, LifeAfterJET, Return on JET-vestment 
Comments Off on CLAIR Magazine “JET Plaza” series: Austin Moore (Yamaguchi)
Each month, current and former JET participants are featured in the “JET Plaza” section of the CLAIR Forum magazine. The January 2013 edition includes an article by Austin Moore, a former Monbusho English Fellow (MEF), the forerunner to the JET Programme. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
***********
“Sometimes I joke that back when I began what quite unexpectedly is turning out to be a lifetime in Japan, the local men carried swords and wore topknots.”
Austin Moore was born and brought up in a house that was built in 1830 in a small town of Massachusetts. After graduating from Syracuse University in 1984, he came to Japan to work as a member of the Monbusho English Fellow Programme in Yamaguchi Prefecture. Three years later, he moved to Tokyo to join the organization which is today known as CLAIR. Austin has been working for the Japan Intercultural Academy of Municipalities in Shiga Prefecture for the past twenty years. He is also the head of the Historic Preservation Society of Hino town, where he lives in a house that dates back to Edo period.
Adoption Of and By Japan
Sometimes I joke that back when I began what quite unexpectedly is turning out to be a lifetime in Japan, the local men carried swords and wore topknots. While that is more than a small exaggeration, the changes in Japanese society that I have witnessed during these three decades are nearly as significant.
In 1984, immediately after concluding my studies at Eisenhower College and Syracuse University, I was accepted into the Monbusho English Fellow (MEF) Program (preceding JET and run exclusively by the Ministry of Education) and spent almost three years in Yamaguchi Prefecture – the philosophical birthplace of modern-day Japan. There, for the first year, I had the distinction of being the only American employed by the prefectural education board and, as such, visited most every public high school in the prefecture, as well as numerous junior high schools.
It was the very beginning of July when I arrived in Yamaguchi. My supervisor was a kind man who spoke extremely good English – the only one in the office who did. But a week into life as an MEF, my supervisor, my ‘life-support system’, left for a month-long training seminar at Tsukuba University. And so it was that I promptly learned to breathe on my own. Read More
Justin’s Japan: Japan Society Presents 15th Contemporary Dance Showcase: Japan + East Asia
Art, Article/Journalism, Justin's Japan, Music Comments Off on Justin’s Japan: Japan Society Presents 15th Contemporary Dance Showcase: Japan + East Asia
From Tokyo, “Misshitsu: Secret Honey Room,” created and performed collaboratively by Makotocluv founder Makoto Enda (in orange) and former Dairakudakan dancer Kumotaro Mukai (in white), has its North American premiere at Japan Society of New York Jan. 11-12. (Hideto Maezawa)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Japan Society swings into the new year with two nights of its upcoming 15th Contemporary Dance Showcase: Japan + East Asia showcase from Jan. 11-12. This year’s program features four North American premieres.
Since the inception of the Performing Arts Program in 1953, Japan Society has introduced more than 600 of Japan’s finest performing arts to an extensive American audience. The program also commissions new works to non-Japanese artists, produces national tours, organizes residency programs for American and Japanese artists and develops and distributes educational programs. Originally America’s leading platform for the introduction of Japanese choreographers and companies, the Dance Showcase has expanded to include artists and works of international acclaim from the broader East Asian region.
From Tokyo comes the U.S. premiere of post-post-post butoh Misshitsu: Secret Honey Room – Duo Version, created and performed collaboratively by Makotocluv founder Makoto Enda and former Dairakudakan dancer Kumotaro Mukai, following a world premiere at Setagaya Public Theatre/Theatre Tram in Tokyo in August 2012. Formed in 2001, Makotocluv appeared at Japan Society in 2008 and was hailed by the New York Times as “wonderfully fluent in the language of the theater.” Misshitsu: Secret Honey Room marks Mukai and Enda’s first collaboration in 15 years.
For the complete story, click here.
JETwit seeks new JETAA Chapter Beat Curator
Article/Journalism, Events, Uncategorized Comments Off on JETwit seeks new JETAA Chapter Beat Curator
Posted by Kay Monroe (Miyazaki-shi, 1995 -97). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
————————————————————————————————————
JETwit is seeking a new person to curate the periodic JETAA Chapter Beat posts on the site. If interested, please email me directly at jetwit@jetwit.com. Here’s a link to previous JETAA Chapter Beat posts: http://jetwit.com/wordpress/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/category/jetaa-chapter-beat/
The role involves subscribing to as many JETAA chapter email lists/groups as possible. Then once a week (or periodically) putting up a post on JETwit with a small sampling of interesting items that you see. And the goal is to give a sense of what’s going on in the JETAA world. You can be as straightforward or creative as you’d like with the posts. There are also certain strategic elements to the JETAA Chapter Beat posts that I’ll explain when we get to that point.
You’ll be replacing JET alum Jonathan Trace, the first and only JETAA Chapter Beat poster to date. He did a wonderful job for several years, and you’ll have the benefit of his experience via email should you need any help. (I’ll be available to help too, of course.)
Yoroshiku onegaishimasu,
Steven
JQ Magazine: Same-sama, Party of One
Anecdote Article, Article/Journalism, I'll Make It Myself, JQ Magazine, Rice Cooker Chronicles Comments Off on JQ Magazine: Same-sama, Party of One
“We’re gonna need a bigger shopping cart.” (Leah Zoller)
By Leah Zoller (CIR Ishikawa-ken, 2009-11) for JQ magazine. Leah lives in Kanazawa, where she works as a writer and web administrator for The Art of Travel. In her spare time, she writes I’ll Make It Myself!, a blog about food culture in Japan and curates The Rice Cooker Chronicles on JETwit.com.
I live and work not too far from Omicho Market, and as a result, I see a lot of “Kanazawa’s Kitchen” and its back alleys in all seasons. I particularly like passing through in winter when the crabs are set outside the fish sellers’ stalls in the morning, the steam rising off their Styrofoam crates like a cloud in the cold air.
According to my coworkers, Omicho Market was once narrow and dirty, the way one expects a fish market to be. Since being renovated, Omicho, with its wide paths, incense to cover up the scent of fish, and ice blocks to relieve the summer heat, really fits with the tone and charm of our little city on the sea. Of course, the site is popular with tourists, but locals—myself included—actually shop there, since the variety and price of produce and seafood is often better than it is at the supermarkets. Every visit there is like a culinary adventure to me: What will be on sale today? Will the price of persimmons have dropped? What new squash varieties are the farms in the Noto growing?
Even Omicho, whose weaving roads I know like the back of my hand, has its surprises. One weekend in early winter (and winter comes early to Kanazawa), my husband and I were walking past one of the market’s side entrances when something caught my eye. I couldn’t quite process what I was seeing at first—was that a person was lying on the ground in front of one of the restaurants?
The figure on the ground was about my height, but slowly the realization that it wasn’t a person sank in. No, it wasn’t a person at all—it was a dead shark.
JQ Magazine: Book Review – ‘Samurai Awakening’
Article/Journalism, Books, JQ Magazine, Reviews Comments Off on JQ Magazine: Book Review – ‘Samurai Awakening’
“Ultimately, Samurai Awakening is a fun read that makes you think you’re watching a movie.” (Tuttle)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
For those who have lived in Japan, there were probably times when nothing seemed to be going right while struggling to get adjusted to a new culture. But eventually—or maybe miraculously—things take a 180 degree turn.
Well, that happened in Samurai Awakening, Benjamin Martin‘s work of fiction for young adults. Martin—currently a fifth year Okinawa Prefecture JET—tells the story of David Matthews, an exchange student spending the year in Japan. David is frustrated and unhappy due to the fact he can’t speak Japanese well and hasn’t made any close friends. Fittingly, very early in the story, he is bloodied in a fight with students at Nakano Junior High School.
But after attending a local temple ceremony, David learns a new god has created special powers in him. He is now able to speak Japanese fluently, fight incredibly well and turn into a cat. However, those are not the only surprises in the book. His host family the Matsumotos, who are famous sword makers, are also keeping a secret handed down to their ancestors by the Emperor of Japan. And it is with the Matsumotos that he must work to save his host sister Rie, as wolves have taken up residence in her body.
JET Alum Author Beat 12.15.12
Article/Journalism, JET Alum Author Beat, Roland Kelts, Uncategorized, Writers Comments Off on JET Alum Author Beat 12.15.12
Gemma Vidal (Okayama-ken, 2010-12) is a recently returned JET seeking work in licensing/merchandising (if it’s within the publishing industry, even better!). You can usually find her in her little web spaces Gem in the Rough and Peachy Keen (her JET adventures) or training with San Jose Taiko. If you know of any authors/aspiring writers you’d like to see featured in JET Alum Author Beat, just contact Gemma at gem.vidal [at] gmail.com. She would also like to express her deepest condolences to the community of Newtown, Connecticut.
- Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica wrote a special article for The Japan Times where he interviewed Pete Townshend, guitarist of The Who and discussed UK/Japan post-WWII similarities and Mr. Townshend’s recent memoir, “Who I Am”. You can find the article here. Roland Kelts also posted an interesting article on the possible decline of the pop culture phenomenon “Japan Cool”. That article can be found here at The Christian Science Monitor.
- If you’re looking for some light entertainment, Young Adult book Guardian of the Dead’s New Zealand author Karen Healey self-published a collection of essays titled Teen Movie Times. In this collection she muses on teen movie “classics” such as Bring it On and Clueless. Who knows, maybe one of these movies can be used in one of your lessons?
JQ Magazine: Book Reviews – ‘Belka, Why Don’t You Bark?’ and ‘The Future Is Japanese’
Article/Journalism, Books, JQ Magazine, Reviews Comments Off on JQ Magazine: Book Reviews – ‘Belka, Why Don’t You Bark?’ and ‘The Future Is Japanese’
A pair of this year’s releases from Haikasoru.
Belka, Why Don’t You Bark?
“As a writer, Furukawa is possessed of a kinetic voice that seems to teeter on the edge of insanity. The hyperactive prose is sometimes poetic, sometimes sharp like a stinging slap in the face. Often, it’s both.” (Haikasoru)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
War: It’s a Dog’s Life. Battle Is a Bitch. War and Fleas.
These were just a few of the potential titles I had streaming through my mind as I sat down to write the review of Belka, Why Don’t you Bark?, the newly translated novel by Hideo Furukawa. But the truth is, love it or hate it (and you very well may hate it, but more on that later), Belka is far too original to be reduced to silly catchphrases or bromides.
At the very start of the novel, readers are met with a detailed canine family tree complete with the dogs’ names and nationalities. In looking back, this might as well have been a de facto warning: if anthropomorphism is not your thing, put this book down immediately.
The story begins in 1943 on the Aleutian Island of Kiska where four military dogs are left by the Japanese and then claimed by U.S. troops after the Japanese retreat. One dog dies and the other three go on to produce the offspring that populate the novel and occupy the branches of the family tree. Belka chronicles the lives of the military dogs who trace their roots back to Kiska, intertwined with the story of the young daughter of a yakuza boss who is kidnapped in the USSR and has a psychic connection to dogs. Belka is a book about history through canine eyes, namely the wars of the 20th century, as Furukawa tells us “history is moved, rolled this way and that, so simply. The twentieth century was a pawn, as were the dogs.”
JQ Magazine: Book Review – Haruki Murakami’s ‘1Q84’
Article/Journalism, Books, JQ Magazine, Reviews, Roland Kelts Comments Off on JQ Magazine: Book Review – Haruki Murakami’s ‘1Q84’
“Murakami’s previous books were like delicious sandwiches that left you wanting more. 1Q84 is like a two-foot long sub that filled you to bursting, but you’re still not totally satisfied.” (Vintage International)
Roland Kelts, don’t kick me in the balls—
One man’s attempt to review a book honestly while still keeping friends
By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. A staple of the JET Alumni Association of New York (JETAANY) community, Rick manages their Twitter page and is an up-for-anything writer.
My girlfriend wouldn’t shut up about it.
“1Q84 is the best! Ah, when it comes out in English you need to read it!” Just talking about it made her rush to find her old copies (it was broken up into three books in Japan) and start reading them again. She was enthralled, to say the least. I’ve been a Murakami fan for a while: Norwegian Wood was emotional and sexually riveting; Dance Dance Dance was creepy as hell but lots of fun; Kafka on the Shore blew my mind. So I was hungry for 1Q84.
I picked it up shortly after it came out…and put it down for a while…then picked it up again…then down… then up…I think you get the idea. My feelings can kind of be summed up like this: Murakami’s previous books were like delicious sandwiches that left you wanting more. 1Q84 is like a two-foot long sub that filled you to bursting, but you’re still not totally satisfied.
The plot follows two people tied together by fate, love, and inter-dimensional happenstance. Tengo is an author and math teacher who finds himself embroiled in a shady plot to write an award-winning book. Aomame is a fitness instructor with a decidedly darker side job. Both find themselves in an altered version of 1984 called 1Q84 that deviates from the previous reality in specific ways. Those changes seem to revolve around a cult, a beautiful young girl, a book and mysterious “Little People.” Their battle to beat the odds and find each other, discover where they are, and who’s behind the changed world is an epic journey told through alternating perspectives.
1Q84 had all the things I love about Murakami: Super complex, interesting and engaging characters, crazy inter-dimensional sex, lots of mystery, and supernatural elements that bring it right on the cusp of reality, teetering between a fantasy realm and the real 1984. His ability to walk that line (like a cat walking a picket fence for those who love cats not only in Murakami novels, but also in reviews of Murakami novels) is astounding and he does it…for a really long time.
JET alum Bruce Feiler’s latest NYTimes column on Maria Popova, creator of Brain Pickings
Article/Journalism, Celebrity, Notable JET Alums, Writers Comments Off on JET alum Bruce Feiler’s latest NYTimes column on Maria Popova, creator of Brain Pickings
Here’s the latest NYT column by JET alum Bruce Feiler (Tottori-ken, 1989-90), author of Learning to Bow, The Council of Dads, and, most recently, The Secrets of Happy Family, as well as several books on the Middle East including Walking the Bible, Abrahamand Where God Was Born. To read prior columns, please click here.
This Life: She’s Got Some Big Ideas
By Bruce Feiler
SHE is the mastermind of the one of the faster growing literary empires on the Internet, yet she is virtually unknown. She is the champion of old-fashioned ideas, yet she is only 28 years old. She is a fierce defender of books, yet she insists she will never write one herself.
CLICK HERE to read the full column.
JQ Magazine: Concert Review – ‘The Legend of Zelda: Symphony of the Goddesses’
Article/Journalism, JQ Magazine, Music Comments Off on JQ Magazine: Concert Review – ‘The Legend of Zelda: Symphony of the Goddesses’
“There was so much attention paid to the nuance, so much consideration given to the fans, that the show became a kind of homage to both the franchise’s legacy and to every avid gamer whose collective fealty raised Zelda into one of the highest echelons of video game lore.” (Preston Hatfield)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
If life is one ongoing adventure and each day is its own side quest, then several days ago the already labyrinthine halls beneath Madison Square Garden were not those of a theater but a dungeon, and the spirited host of attendees was nothing short of raiders in pursuit of plunder. Their coveted treasure on this magical evening of Nov. 28 was The Legend of Zelda: Symphony of the Goddesses from Jason Michael Paul Productions. Wielding the baton like her own personal Master Sword (or, as was the case at the onset of the Wind Waker movement, an actual replica of the Wind Waker), conductor Eimear Noone led the Orchestra of St. Luke’s into an epic musical campaign that toured across Hyrule and the 16 games in Zelda’s renowned platform, which is currently celebrating 25 years since its American debut on the original 8-bit Nintendo Entertainment System.
The evening commenced with a rousing overture in the form of “The Legend of Zelda Medley” before embarking a four-part movement that began with the crowd favorite Ocarina of Time, and concluded with A Link to the Past, the game where many of the now iconic Zelda themes first premiered. Each movement in this symphonic journey—this Tour de Triforce, if you will—began at the beginning of each game and proceeded to tell the familiar tales of heroism and mystic wonder, transitioning almost fairylike from one key moment to the next, as large screens over the orchestra showed in-game footage for context and intermittently focused on soloists and the choir.
JET alum Asia Security Expert Michael Auslin in the Wall Street Journal
Academic, Article/Journalism, JETs in the News, Notable JET Alums, Return on JET-vestment, Writers Comments Off on JET alum Asia Security Expert Michael Auslin in the Wall Street Journal
Here’s a recent article in the Wall Street Journal by JET alum Michael Auslin, Director of Japan Studies at the American Enterprise Institute:
Michael Auslin: Asian Pivot, Take Two
President Barack Obama is celebrating his re-election by trying to make good on his promised pivot to Asia. Not only is the President in the region for the East Asian Summit in Cambodia—he has also dispatched his Secretaries of State and Defense on extended visits as well.
Showing up may constitute 90% of diplomacy. But at a time of numerous territorial disputes and leadership upheavals, Mr. Obama may have bitten off more than he can chew over the next four years.
The Administration’s agenda this month is an unusual start. Unlike traditional trips that include old allies like Japan or …
Click here to read the article (subscription required).
“Privy to Mysterious Loos” by New Zealand JET Tania Butterfield
Article/Journalism, Blogs, Cultural Outreach, JETs in the News, Writers Comments Off on “Privy to Mysterious Loos” by New Zealand JET Tania Butterfield
A recent blog article by current JET Tania Butterfield that recently appeared in New Zealand publication Marlborough Express. (Thanks to Jessica Tisch for posting on the JETAA South Island Facebook group):
Last weekend I discovered something I should have known since I arrived here – toilets are not my friend.
If you know anything about Japan, you know it has some unusual toilets.
No, I am not referring to the squat toilets, which I quite happily use at school.
I am referring to the insanely automated toilets with a billion buttons that do everything under the sun so you never have to touch that part of your body again.
Some of the buttons make sense – like the button to ….
Click here to read the full article.
JQ Magazine: Book Review – ‘Professor Risley and the Imperial Japanese Troupe: How an American Acrobat Introduced Circus to Japan—and Japan to the West’
Article/Journalism, Books, JQ Magazine, Reviews Comments Off on JQ Magazine: Book Review – ‘Professor Risley and the Imperial Japanese Troupe: How an American Acrobat Introduced Circus to Japan—and Japan to the West’
“Chock-full of illuminating illustrations and gorgeous printed ephemera that would make any contemporary typographer swoon, Professor Risley and the Imperial Japanese Troupe is a jet-set adventure in pop culture scholarship sure to appeal to anyone interested in Japan’s history on the world stage.” (Stone Bridge Press)
By Jessica Sattell (Fukuoka-ken, 2007-08) for JQ magazine. Jessica is a freelance writer, and was previously the publicist for Japan-focused publishers Stone Bridge Press and Chin Music Press. She is interested in the forgotten histories of culture, and has often considered running away and joining the circus.
We’re still riding the “Cool Japan” wave that crested at the turn of the millennium, but our fascination with the country and its culture didn’t quite stem from just anime, Harajuku fashions, or J-pop. In Professor Risley and the Imperial Japanese Troupe: How an American Acrobat Introduced Circus to Japan—and Japan to the West, award-winning author Frederik L. Schodt argues that contemporary interest in Japan’s popular culture has its roots in the travels and cross-cultural interactions of a band of 19th century Japanese circus performers and a colorful American impresario.
Published in November by Stone Bridge Press, Professor Risley explores a critical and exciting time in history, when an interest in foreign cultures was rapidly expanding beyond the privileged parlors of the upper class and Americans and Europeans were greatly fascinated by anything Japanese. Schodt offers an intriguing case study of both early Japanese conceptions of the West and the West’s first looks at modern Japan, but it is also a mystery of sorts: Why did a group of acrobats that were incredibly popular with international audiences in the 1860s fade from the annals of performing arts history? How was the life of “Professor” Richard Risley Carlisle, arguably one of the most extraordinarily talented and well-traveled performing artists in history, buried in the folds of time? Schodt suggests that we may never know the answers, but we can sit back and enjoy the show as their histories unfold.
This story begins, fittingly, with the question, “Where Is Risley?” Schodt artfully traces “Professor” Risley’s early travels and performance history like an elusive game of connect-the-dots, piecing together itineraries, publicity notices and press clippings until a clear pattern of a fascinating life emerges. Risley seemed to be everywhere and nowhere, and led a full life of jet-setting and adventure-seeking at a time where transcontinental travel was only beginning to open up to those outside of the diplomatic realm. We follow him on a decades-long journey across the United States, Europe, Australia, New Zealand, Southeast Asia, China…and finally to Japan.
Risley arrived in Yokohama in early 1864 and immediately went to work setting up a fantastic Western-style circus to delight foreign residents and Japanese locals alike. As the country had re-opened to the world just five years earlier, it was a risky time to be in Japan, and non-Japanese residents lived with underlying worries of Shogunate-dictated expulsion and violence from disgruntled ronin. That didn’t quite stop Risley’s entrepreneurial spirit, but he did eventually run into a series of difficulties with his shows—and a stint in dairy farming, which, in the process, led him to introduce ice cream to Japan. He hadn’t originally intended to stay in Japan for long, but most likely due to the Civil War raging back home in America, he bided his time and explored his options. Thankfully, his stay there—paired with an almost desperate talent for improvisation—would lead to the world’s first taste of Japanese popular culture.
JQ Magazine: JQ&A with Matthew Gillam, Senior Researcher at the Japan Local Government Center
Article/Journalism, Interview/Profile, JQ Magazine, Local Government Comments Off on JQ Magazine: JQ&A with Matthew Gillam, Senior Researcher at the Japan Local Government Center
“When you come back from Japan, people say, ‘You know Japanese, you’ve been abroad, you should be able to get a job anywhere.’ You soon realize that it doesn’t work that way. Alumni coming back should look at things you did in different light: what did you fundamentally do, and take away from that?”
By Adam Lobel (Nagano-ken, 2000-02) for JQ magazine. Last year, Adam returned to New York after 10 years in Japan, where he researched satoyama (traditional landscape of Japan) as a master’s student, and collaborated with Japanese policymakers in science and technology while working at a think tank. Adam currently helps manage his family’s business, a land use law firm in Manhattan, and looks forward to contributing to New York’s green building movement.
Born and raised in Marshalltown, Iowa, Matthew Gillam was hooked on Japan after visiting when he was 17. After college, he lived in Japan for eight years, and then returned to the U.S., where he completed a master’s at Columbia’s School of International and Public Affairs (SIPA). Matt has spent the past 14 years as a researcher at the Japan Local Government Center (JLGC), discovering and sharing best practices from local governments in North America with his colleagues in New York and Japan.
By encouraging organizational discipline and providing tools to build strong networks, Matt has helped strengthen the JET Alumni Association, thus helping thousands of JET participants smoothly transition to life back home. He promotes JETAA’s role an important stakeholder in productive business and cultural relationships with Japanese localities, helping broaden the JET Program’s mission long after participants return home.
In this thought-provoking interview, JQ spoke with Gillam about what it was like to study Japanese at the University of Iowa in the 1980s, life in Japan before the existence of JET, and the kindness and hard work JET families displayed in the aftermath of 3/11. He emphasizes that JET—an experiment in grassroots internationalization—has changed how the world thinks about Japan. Matt gave this interview before heading to Japan, where he spent four days with It’s Not Just Mud (INJM), a non-profit volunteer organization based in Ishinomaki.
How did you become interested in Japan?
I was exposed to Japan when I was seven: my sister spent the summer of 1969 as an exchange student in Yamanashi. She fell in love with Japan, and told us about it after returning home. Eventually she went to live in Japan, teaching English at Sony Language Labs. In 1979, just before my senior year of high school, my mother and I went to visit. Before that trip, I never liked to travel. Suddenly, I was in a completely new place. I realized there was a bigger world, and it was interesting. That’s when I fell in love with Japan, its people, food, art and architecture.
After my sister returned to the U.S., she placed a Japanese student in a nearby town. I fell in love with that student, who eventually became my wife. In college I flunked out of forestry, my first major and, looking for something new, got into Japanese language. I did a year abroad at Kansai Gaidai in Osaka, and spent eight more years in Japan after graduating.
How did people react to your decision to study Japanese? What was Japanese study like at the University of Iowa in the 1980s?
Some people did not understand my decision to study Japanese, especially because it was a small Midwestern town. Their reaction was, “Why Japanese?” This was 1982: Japan was just beginning to emerge as a major economic rival, and Japanese culture hadn’t permeated the Midwest yet. It was a strange thing to do.
My sister understood, and my mom understood, but other family members and friends did not. In those days, some people’s reaction to Japan was still influenced by the Second World War: “These people were enemies; I am not comfortable with them.” That only got worse through the eighties with trade friction.
Study materials were primitive by today’s standards: Japanese textbooks by Prof. Eleanor Jorden, a kanji dictionary, and language lab with cassette tapes. Our professor, Thomas Rohlich (now at Smith College) started the same day I did. We had a Japanese teaching assistant from Tokyo, but most of the teachers were white men.
There were no Japanese restaurants or pop culture. Fisher Control, a company in my hometown, employed a Japanese engineer, who had relocated with his wife. At the beginning of my first year of college, there were 30 students, the biggest class they had ever had! That number slowly decreased, until there were only six or eight students by my third year. There were a couple of Japanese students on campus who became casual friends. Prof. Rohlich’s wife was from Kyoto, and she hosted a gyoza party. That was about it.
