【RocketNews24】There’s something about sakura: It’s hard not to fall in love with Japan’s cherry blossom【Videos】
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Philip Kendall (Fukushima-ken, Shirakawa-shi, 2006–11), senior editor and writer for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Spring has arrived in Japan, and that can mean only one thing: Hanami, or cherry blossom viewing parties! But what is it about hanami, and those pretty pink petals in general for that matter, that manages to capture the hearts and minds of so many?
Let’s take a look at a handful of videos that capture the mood of hanami season perfectly and see if we can pinpoint exactly what it is that makes the season so special!
CLAIR Magazine “JET Plaza” Series: Caroline Klee (Kagawa)
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Each month, current and former JET participants are featured in the “JET Plaza” section of the CLAIR Forum magazine. The April 2014 edition includes an article by JET alumnus Caroline Klee. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
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Born to a French father and a Japanese mother, Caroline Klee (Kagawa-ken, 2000-03) was raised in Tokyo until the age of 15 and considers herself an “Edo-ko” (Tokyo girl). After graduating from a business school and working several years in Paris, she decided that she wanted to go back to Japan to live and work there and joined the JET Programme as a CIR. She then moved to Vancouver to become an Activity Coordinator at an English language school, before coming back to Japan in 2008. She has been working in Tokyo ever since and is now Director for Domestic and International Events for a Healthcare Communication Agency. When she is not travelling around the world with her job, Caroline enjoys fishing in the open sea in the Tokyo Bay area, and cooking tasty meals for friends and family.
So much more than Udon…
“My three years in Kagawa are my treasure, and I am filled with gratitude towards all the people I was able to meet there”
Everything started with an encounter. After leaving my job in Paris, I was living back with my mother in Strasbourg and was thinking
of working in Japan, where I used to live when I was a child. My mother came back one day from her interpreting job, saying “I met someone who is doing a job that would suit you perfectly.” Oh really?! She had met a Belgian CIR who was on a business trip in our town with a group of colleagues who were interested in the city tram system. So this is how I found out about the JET Programme. I applied and was lucky enough to be sent to Kagawa.
Where is it? I still remember the following phone conversation with my parents. After applying for JET I decided to travel to Tibet, and I was in Lhassa when my parents received a letter with information on my placement. First, my father told me on the phone “You are going to be placed in Kanagawa.” I heard a shuffle on the other side of the line as my mother grabbed the phone. “No, not at all. You are going to be placed in Ka-ga-wa, not in Kanagawa.” My first reaction was “What? But where is Kagawa?” And my mother answered without answering. “Oh, you will be fine. Udon is very good over there and you will be able to ride your bicycle around Takamatsu.” OK… Well, she was right. I did find a very unique udon culture in Kagawa and I also rode my bike every day to IPAL, the Kagawa International Exchange Center, where I worked. But I also ended up meeting many fantastic people and doing many incredible things. My three years in Kagawa brought me so much in terms of experience and joy: they are priceless. Read More
JQ Magazine: Book Review – ‘Cool Japan: A Guide to Tokyo, Kyoto, Tohoku and Japanese Culture Past and Present’
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“Cool Japan focuses on giving an inside look into the enduring and captivating qualities of Japan’s culture and history and how it can be discovered by visiting Kyoto, Tokyo, and the Tohoku region.” (Museyon Guides)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and board gaming on his blog http://brittlejules.wordpress.com and Twitter @brittlejules.
When was the last time you picked up a non-fiction book and felt like you were escaping to a faraway land? Cool Japan (Museyon Guides) is the special kind of guidebook that does just that.
The author, Sumiko Kajiyama, is a journalist and scriptwriter residing in Japan. Her other books include Ghibli Magic, The Man who Changed Animation Business, The Way of Work by Top Producers, and Important Things to Enjoy Your Work and Life.
In any bookstore you will find Frommer’s, Lonely Planet, and Fodor’s travel guidebooks. You may own a few already from trips you have taken in the past. While these guides are meticulously researched and written to suit a traveler’s needs, there is an inherent problem that they all have in common: over a relatively short amount of time, prices for services or goods can change, hostels can move or go out of business, and new ones can pop up in yet undiscovered places. For these reasons, and many that need not be mentioned, the Internet has become an invaluable tool for anyone planning a trip. Many digital communities of travelers have evolved for the exchange of current information. Furthermore, smartphones allow today’s travelers to access all of this information on the go.
So you may be wondering, why buy a guidebook at all? There are many reasons to buy the ones listed above, despite the weakness of having an ever-decaying reliability of information. Cool Japan is a special because it does not squander space listing information that may no longer be relevant by the time it gets into your hands, but instead Cool Japan focuses on giving an inside look into the enduring and captivating qualities of Japan’s culture and history and how it can be discovered by visiting Kyoto, Tokyo, and the Tohoku region.
JQ Magazine: JQ&A with Jim Breen of Monash University on WWWJDIC
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“I just spent several weeks in Finland and Sweden, where the level of English speaking is extremely good. No JET Programmes there. You can’t even argue that they are related languages—Finnish is just as foreign as Japanese, and probably has fewer gairaigo (borrowed words). How do they do it? By teaching it properly in the first place, with trained and qualified teachers.” (Courtesy of Jim Breen)
By Tim Martin (Fukui-ken, 2006-08) for JQ magazine. Tim is a neuroscience researcher and swing dancer based in New York City. He runs a blog called The Floating Lantern, where he writes about humanism and other things that matter. Lately he is trying to learn more about effective altruism and the science of applied rationality.
Jim Breen is the man behind a resource that probably every English speaker trying to learn Japanese has used: the massive WWWJDIC online dictionary. In the 1980s, Breen developed an interest in Japanese that led to him programming a Japanese dictionary for DOS as a hobby. While a professor of digital and data communications at Monash University in Melbourne, Australia, Breen continued working on the dictionary, until eventually it bloomed into an interface that connects and cross-references hundreds of thousands of entries for words, names, and kanji.
Now a recognized authority on lexicography and the Japanese language, Breen continues to work on his “hobby,” and is pursuing a Ph.D. in computational linguistics. In this exclusive interview, JQ spoke with Breen to find out how it all began, his thoughts on language teaching and the JET Programme, and how he thinks technology will affect our experiences with foreign language in the future.
How did you develop your interest in, as you say on your website, “things Japanese”? Is there a specific part of Japanese culture or media that got you hooked?
I guess my interest in Japan over other foreign countries began around 1977 when my eldest daughter, then six years old, began to study the violin using the Suzuki Method. My wife, a musician and music teacher, had heard about the Suzuki Method from a lecture and demonstration, had been extremely impressed, and had expressed an interest in our children studying in the method. From that point on Suzuki began to play an increasingly bigger part of our lives as our second and third children began to study within that method. Also, my wife began to explore teaching in the Suzuki Flute Method.
None of this interest was particularly focussed on Japan itself. In 1980, I took most of the year off work to complete my MBA (I was a budding junior executive in Telecom Australia in those days). A fellow student in our classes had studied Japanese, and impressed me by translating some of the titles of pieces in the Suzuki books. Also among the visiting lecturers was a former trade commissioner in Japan, who spoke eloquently about the importance of Japan and the need for people trained in Japanese. I recall going home that night and saying to my wife: “I think I’d like to study Japanese eventually.” She didn’t think much of the idea, and I concentrated on other things like finishing my MBA and completing a music performance diploma.
In mid-1981, my wife said one day that she thought she really should go to Japan to study teaching Suzuki flute with Toshio Takahashi at the Suzuki headquarters in Matsumoto, as there was no one in Australia teaching Suzuki flute. I liked the idea, and we agreed to go the following December and January, which is Australia’s summer period when schools are closed. Our kids, then aged ten, seven and three, could easily miss a couple of weeks school in December. I arranged two months’ Long Service Leave from Telecom (LSL is a employee right in Australia after you have worked more than 10 years with an employer), and after struggling for a short while with Teach Yourself Japanese (all Kunrei-shiki romaji), I also arranged to have weekly Japanese lessons with Brian Drover, who trained as a Japanese linguist in the Australian army during WWII.
So, in late November 1981, five Breens arrived at Narita, made our way into Tokyo, were popped on a Chuo-sen train to Matsumoto by people from the Suzuki organization, and later that day found ourselves being greeted by a welcoming party from the Nagano Girl Scouts(!). (My eldest daughter was a Brownie, so we had set the international tom-toms working.)
We spent two months in Matsumoto living in two tiny six-mat apartments rented to us by the mother of some local Girl Scouts. My wife had piano and flute pedagogy classes, my kids had lessons in violin and piano (the former with Shinichi Suzuki himself), and I did the housework, shopped, minded kids, tried to study Japanese, etc.
I guess I don’t have any particular parts of Japanese “culture” I concentrate on—my tastes are rather catholic in this regard.
【RocketNews24】Government form allows Japanese romantics to officially declare their love
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Casey Baseel, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Generally, Japanese culture tends to handle emotional expression a little less directly than in English-speaking countries, especially where romance is concerned. In particular, couples in Japan aren’t nearly as likely to regularly say “I love you” as their Western counterparts are or be seen smooching in public.
In certain situations, though, these roles get flipped. For example, while most Westerners would feel awkward making the explicit statement, “Please be my boyfriend/girlfriend,” in Japan that exact phrase, tsukiatte kudasai, is a pretty common romantic milestone, and something that many actually expect their partner to say in order to explicitly recognize the nature of the relationship.
Now, couples can even have their affection officially recognized, as lovers in Japan can submit government documents certifying their love for each other.
JQ Magazine: Staying On—JETs in Fukushima Share Their Stories
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Sunrise over Iwaki: A local pre-dawn commemorative service took place on March 8, 2014, which included taiko performances and ended with the sunrise over the beach near Shinmaikohama Park. (Alexandrea “Xan” Wetherall)
By Eden Law (Fukushima-ken, 2010-11) for JQ magazine. Eden lived and worked in the core city of Iwaki on JET, and he is a current committee member of JETAA NSW, based in Sydney, Australia.
Introduction
It’s been three years since the Great East Japan Earthquake of 2011. While the rest of the world, and arguably, the rest of Japan, has moved on, communities all along the east and north coast continue to endure and deal with the continuing legacy and consequences of that event, especially those displaced from the exclusion zone around TEPCO’s Daiichi plant.
The JET Programme continues to operate, with the government previously announcing plans to double the number of participants over three years. JETs continue to live and work in Tohoku, including JETs who were there before the earthquake, joined later by those placed after 2011. This article will examine the experiences and viewpoints of JETs who continue to work and live in Tohoku, in particular, those living in Iwaki, Fukushima, a city just past the the southern edge of the nuclear exclusion zone. Three years on, they will relate what they’ve seen and observed in their neighbourhood and the city. In addition, the viewpoints of two local Japanese residents will also be included, one from a retired member of a suburb in which evacuees have been housed; and a Japanese English teacher and mother of two.
Before the earthquake, Iwaki was one of the biggest rural cities in Fukushima, with a thriving fishing and farming industry, popular with tourists who come for its natural beauty and well-known beaches. A region rich in history from the Nara period (and prehistory, with its own dinosaur and fossil museums), it also has a famous theme park called the Spa Resort Hawaiians (made famous by the 2006 award-winning film Hula Girls) as well as the Aquamarine Fukushima aquarium. A mere 2.5 hours away from Tokyo by express train, it also supports a large JET community, ideal for those wanting to experience a rural pace with easy access to the bright lights of Tokyo. As a JET placement, it was arguably one of the best places to be.
【RocketNews24】The Japanese universities where graduation is one giant cosplay party【Photos】
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Fran Wrigley, writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
We’ve seen what can happen when high schools relax the rules for yearbook photos. Today, we bring you the Japanese anything-goes graduation! At the Kanazawa College of Art, graduating students can wear anything they want to the ceremony – and they certainly rise to the challenge.
The students’ epic outfits have become such a popular attraction that TV crews even turn up to find and interview the wearers of this year’s best costumes. The effort these students have put into their outfits is really something!
JQ Magazine: JQ&A with Cade Mosley on His Return to Japan with Rotary International
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“In my experience, Japan is going through an interesting evolution these days. It’s starting to take a more assertive role in international affairs and taking more of a stand for human rights, development, and peaceful relations. This also makes it a very interesting time for Westerners to be engaged in Japan more than ever before.” (Courtesy of Cade Mosley)
By Mark Flanigan (Nagasaki-ken, 2000-04) for JQ magazine. Mark is a program director at the Japan ICU Foundation in New York City and was also a Rotary Peace Fellow at ICU from 2010-12, during which time he volunteered for a tsunami relief mission in Ishinomaki after the terrible 3/11 tragedy. In addition to his JET and Rotary service, Mark has also been a U.S. Army officer, Presidential Management Fellow, Pacific Forum CSIS Young Leader, Eisaku Sato Memorial Essay Contest prize winner, and Aspen Institute Socrates Program Seminar scholar. His interests lie in international education, disaster response, and post-conflict peacebuilding. He can be contacted at mflanigan[at]jicuf.org.
Christopher Cade Mosley (Nagasaki-ken, 2000-01) is a current Rotary Peace Fellow at International Christian University (ICU) in Tokyo and previously served as a JET for one year. Born in Texas and raised mostly in Fort Worth, Mosley attended the University of Texas at Austin, majoring in government and philosophy. He also spent a semester abroad in Haifa, Israel and interned for Congressional House Majority Leader Dick Armey in Washington, D.C. He was also on student government for their department (Liberal Arts), chairing the committee on study abroad. In this exclusive interview, JQ caught up with Mosley to discuss his lifelong interest in politics and international affairs.
Thanks for your time and for answering our questions, Cade! Would you please tell everyone about your time on JET?
I was a JET in 2000-01 on a long, thin island called Tsushima in Nagasaki, but physically closer to the city of Fukuoka, nestled in the strait between the cities of Pusan and Fukuoka. Tsushima is famous for a decisive sea battle Japan won against Russia in 1905 that first put Japan on the map as a world power and set its course into the 20th century. There’s a massive Russian battleship sunk just off the coast from my apartment there! (Too deep to see, though.) I taught for the second largest district, called Mitsushima, on the south end of the island.
What was your JET role?
I was an ALT at four schools in my district, spending a week in each so that I would rotate through all four in a month. I spent Monday through Thursday assisting the teacher with the lesson, usually coming up with some creative activity or role play to complement the lesson, and Fridays at our BOE.
Did you have any previous background in Asian languages and cultures?
I actually was accepted to JET while I was teaching English in Seoul, South Korea, and my friends there insisted I take the opportunity. Before Seoul, I didn’t have any experience. My whole reason for going to Seoul and applying to JET were because I had zero experience with Asia and thought it would be a good chance to get to know the region, since I was already interested in international affairs at that time.
【RocketNews24】Five Japanese customs even some Japanese people think are a pain
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Casey Baseel, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
One of the trickier aspects of adapting to life in Japan is getting the hang of the numerous seasonal customs. While your acquaintances aren’t likely to get that bent out of shape if you miss a day or two, completely adhering to proper etiquette involves managing a year-round schedule of sending gifts and written salutations to friends, family, and business associates.
The sentiment is definitely admirable, but don’t Japanese people don’t find this all to be a huge hassle? Actually, it turns out some of them do, as shown in a poll of the top five seasonal traditions people in Japan would like to do away with.
Justin’s Japan: Nippon in New York—Japan Week at Grand Central, Mayday debut, Jake Shimabukuro
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Ukulele hero Jake Shimabukuro returns to Highline Ballroom March 27. (Courtesy of Highline Ballroom)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Tucked between Oscar and cherry blossom season, March offers an unmissable array of concerts, performances and exhibitions, along with a special gathering to mark the three-year anniversary of the Tohoku earthquake and tsunami.
This month’s highlights include:
March 1-2, 2:00 p.m.
Kaleidoscoping Tohoku: Three Years After the Disaster in 2011
J-LABO Brooklyn, 300-302 Seventh Street, Park Slope
Free
Three years have now passed since the tsunami, earthquake and nuclear accident in 2011 rocked Eastern Japan, yet those who have visited since have been enchanted by the rich culture and history of Tohoku, forging relationships with local residents across generations and geographies. Now, various new projects, art works, crafts, and business from the traditional and the contemporary have emerged. Contents of the two-day event include regional progress reports; a silent auction and charity sale; an exhibition featuring a display of local crafts and a documentary film of Fukushima residents; and of course, food and sake!
Monday, March 2, 11:00 a.m./2:00 p.m./4:30 p.m.
Engleman Recital Hall at Baruch Performing Arts Center, 55 Lexington Avenue
$25 advance/$31 day of event at box office
A show for all ages, this celebration of otaku culture displays how total devotion to one’s artistry creates a truly unique and unforgettable performance. With 15 years of experience, Syan is considered one of the top balloon artists of Japan, becoming the first person ever to win the triple crown of Japanese balloon competition the year he turned pro. A graduate of Japan’s only circus school, Saito is an accomplished juggler, acrobat, balloon twister, and award winner best known for his ninja performance, where he showcases his artistry while clad in black.
March 6-8
Vanderbilt Hall at Grand Central Terminal, 89 East 42nd Street
Free
Japan Week’s annual program highlights unique features of Japanese culture from the last 100 years to the present. Delectable regional foods, technology exhibits, and traditional arts and performances will aim to inspire greater understanding of Japan and travel to the country. There’s something for everyone, from the fresh aroma of Kyoto green tea; a new NTT DOCOMO smartphone app that translates spoken Japanese and English; an introduction to Japanese artistry including hand-blown glass house wares, wooden keyboards and USB’s, gold lacquered iPhone cases; and more. Those planning an international trip can head to the Visit Japan booth for in-person info about travel and various regions.
For the complete story, click here.
JQ Magazine: Book Review — ‘Public Properties: Museums in Imperial Japan’
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“Aso’s study is an intriguing, and refreshingly straightforward, examination of the shaping of the Japanese public in an era of increasing speed, change and modernization in the realm of how objects can promote, or even create, a national identity.” (Duke University Press)
By Jessica Sattell (Fukuoka-ken, 2007-08) for JQ magazine. Jessica is a freelance writer and a graduate student in arts journalism. Her favorite museum in all of Japan is the Fukuoka Asian Art Museum, but the Mori Art Museum is a close second.
Artist Barbara Kruger poses the pinnacle of questions in an untitled 1991 photograph and type-on-paper piece featuring a sunglasses-clad man whose mouth is twisted into a howl of wonder: “Why are you here?” She provides a few suggestions: “To kill time? To get ‘cultured’? To widen your world? To think good thoughts? To improve your social life?” When this piece is encountered within the walls of a gallery or art museum, these prompts can stir the viewer to question their place as a member of a larger conversation, rather than a simple viewer or consumer. This provokes further rumination: what do we feel when we go to museums, anywhere in the world? What connections do we have, or are we “supposed” to have, to an assortment of collected and cataloged objects arranged for public access? How are we shaped by social and political entities that can (and do) organize exhibitions around certain agendas? Design, of any kind, is never without direction.
Dr. Noriko Aso, Associate Professor of History at the University of California, Santa Cruz, addresses these, and several other powerful veins of inquiry, in her recently published book Public Properties: Museums in Imperial Japan (Duke University Press). She posits that the forerunner to the Japanese museum audience of today was shaped by governing bodies in a shift that brought state-safeguarded treasures out of storage houses and into public view. In this sense, museums in Imperial Japan (1868-1945) played a part far beyond that of the cultural repository and actually took on an active role in cultivating a Japanese national identity. Artworks, ancient artifacts and other cultural treasures helped to shape the self-representation of a self-actualized Japanese public.
【RocketNews24】There’s snow in my kitchen! Heaviest snowfall on record brings Yamanashi Prefecture to its knees
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Cara Clegg, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
We’ve already seen Hokkaido residents putting a damper on the fuss Tokyo-ites are making over a bit of snow, but Yamanashi Prefecture genuinely might be able to give them a run for their money. Huge amounts of the white stuff has been causing problems across the prefecture, but has been comparatively underreported compared to events around the capital.
Residents have been taking to Twitter to share these shocking images that aren’t making it onto the news. Check out these rather epic photos.
“I didn’t have any idea what I was getting into when I arrived as a JET, or if I would even be here longer than a couple of years. However, working for the future of these children, and trying to give them more opportunities in their future, has become my greatest personal accomplishment and given my life new meaning.” (Courtesy of Matthew Cook)
By Eden Law (Fukushima-ken, 2010-11) for JQ Magazine. Eden is a member of JETAA NSW, based in Sydney, Australia, which is part of the thriving JETAA Oceania community that covers Australia and New Zealand.
As a JET Programme success story, that of Matthew Cook (Osaka-fu, 2007-12)’s must surely rank as being one of the most extraordinary and inspiring. Hailing from Blacksburg, Virginia in the U.S., Matthew’s interest in Japanese martial arts led to his participation on JET. Beginning a five-year tenure as an in Osaka ALT, he also served as AJET national council chair, working with the Japanese government as well as JET alumni associations, international corporations, and news media about the value of the programme and internationalization. In 2012, after his JET tenure ended, he was hired by the Osaka Prefectural Board of Education as their Native English Teacher (NET) Program Coordinator, and in the following year, became a senior staff member appointed to the revolutionary English Education Reform Project—and as far as anyone knows, a first for a foreign-born, former JET to be appointed to a senior government role in education.
Now almost a year after his historic appointment, Matthew generously took some time out of his packed schedule to talk with JQ about his role, and most interestingly of all, provide some frank opinions about the JET Programme and the state and future of English education in Japan.
First of all, let me just say, congratulations on your achievement. In a nutshell, how did you go from being an ALT to a senior staff position at the Osaka Prefectural Board of Education? Is that something you could have imagined doing when you first arrived as a JET in 2007?
Thank you very much. It’s been a whirlwind, these past few years, and the congratulations are appreciated. However, we believe the real work is just beginning now.
During my time as a JET, I had the unique opportunity to develop my own curriculum and methodology, teaching junior high and elementary school students. I taught phonics part of a methodology, with the goal of extensive reading. I also had the honor being the AJET national council chair my final year on JET. That experience opened a lot of doors, allowing me to meet some influential people that I may not have been able to meet otherwise.
One of those people was Toru Nakahara, who was named the superintendent of the Osaka Prefectural Board of Education on April 1 of last year. He holds the strong belief that English education has been a failure in Japan, and wants to reform the system altogether. He was one of the first people to take my opinions and experiences seriously, and believed that I could use them to play a key role in the reformation of English education in Osaka. Because of that, I got the chance to interview for a position on his special “English Reform Project Team,” fondly referred to as the “Seven Samurai.”
It’s something I never would have dreamed of in 2007. In fact, I didn’t have any idea what I was getting into when I arrived as a JET, or if I would even be here longer than a couple of years. However, working for the future of these children, and trying to give them more opportunities in their future, has become my greatest personal accomplishment and given my life new meaning.
“Seven Samurai” is a wonderfully evocative name. Who are the other members on the English Reform Project Team?
I was hired from outside the board of education along with Kiyoshi Takeda, who was a high school English teacher in Shiga prefecture. He took a couple years off, and a few years ago he graduated from Harvard with a master’s in educational leadership.
Colleagues who already worked for the board education were teamed with us, because they should have a good understanding of the internal processes of the board of education. Two members from the high school division, two members from the prefectural education center, and one member from the elementary and junior high school division.
I know it’s early days yet, but what kind of impact does the appointment of a non-Japanese (and a former JET!) to a government position have on English education and the perception of JETs in particular?
That’s a tough question for me to answer. It’s a huge leap forward, and very encouraging from my viewpoint. I hope that it opens the door for other government entities in Japan to see what’s possible and search out capable employees with broader experience and different perspectives to add to their workplace. If there’s anything that I’ve learned, it’s that diversity should be celebrated and encouraged.
【RocketNews24】Nippon or Nihon? No consensus on the Japanese pronunciation of “Japan”
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Master Blaster, writing team for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
As any student of Japanese will tell you, its use of Chinese characters known as kanjican be a nightmare at times. And although they can be really useful at deducing the meaning of complex words, they give little in the way of clues as to how one should pronounce them.
Take the kanji for Japan (日本) for example. Even a first grader can tell you what it means, but ask a group of adults how to pronounce it and you might get a mixture of “Nihon” or “Nippon” and maybe even an occasional “Yamato” if one of those people happens to be a smart-ass.
JQ Magazine: JETAA UK Launches Careers and Networking Programme
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JETAA UK members Sarah Parsons (second from right) and Rob Gorton of Toyota (second from left) attend the inaugural Careers and Networking Programme reception with guests in the fields of business and academia, Nottingham, Oct. 3, 2013. (University of Nottingham)
By Sarah Parsons (Gunma-ken, 1995-97) for JQ magazine. Sarah is the careers and networking coordinator for JETAA UK and chair of the Midlands Chapter. She also runs her own business called Japan In Perspective, where she facilitates business links between the UK and Japan.
There are a variety of ex-JETs: those who have just returned looking for jobs and hoping to make sense of and use their JET experience, and those who are still interested in keeping in touch with Japan who have been very successful using their JET experience professionally—whether it be directly Japan-related or using it as a catalyst for a new career—but who have not been engaged with JETAA for a long time, if ever. Several things became evident.
First, JET can be a life-changing experience that offers so many potential professional opportunities, but the professional needs of our members are not being formally facilitated within JETAA UK. Secondly, the job environment in the UK is getting more and more competitive and it is very challenging for ex-JETs to stand out, gain more business skills and use their experiences professionally, so there is a demand for helping JETs with their post-Japan careers; and thirdly, in order to achieve any of this, JETAA needs to raise its profile professionally and engage with local business communities.
In this vein, we decided to map out a multifaceted programme within JETAA UK to facilitate these needs and to engage and utilise the expertise of some of our more experienced members. We wanted to organise networking events for local ex-JETs to meet the local business communities (UK companies that are interested in Japan as well as local Japanese companies) so as to offer great opportunities for JETs to develop important contacts and give attendees a chance to keep up to date on what is happening in the Japan-related business world.
