JETAA Chapter Beat 11.22.10
JETAA Chapter Beat, JETAA Chapters 
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Freelance writer/editor Jonathan Trace (Fukuoka-ken, 2005-08) takes us on a walk around the JET Alumni community for another edition of JETAA Chapter Beat.
- Happy Hour – Monday, November 22nd, 6:00 at Sushi Raku in Midtown. Join the crew in Houston for a little sushi and sake, and start the holiday week out right.
- Yukata Workshop/Christmas Party – Saturday, November 27th, 6:00 at the Oaks Hotel in Neutral Bay. Get ready for the holidays and warm weather with JETAA Sydney at this fun event, including a charity raffle and prizes.
- JBook – Monday, December 13th, 7:00 in the Adams Morgan/Dupont area. Spend some relaxing time this holiday reading in preparation for the next meeting of JETAADC’s book club. Next month’s selection is Namoi Hirohama’s “Snakeskin Shamisen.”
- Sierra Madre Hike – Friday, November 26th, 8:30 at the trail head of Mt. Wilson Trail. Work off that turkey with a short hike along the Sierra Madre, followed by a causal brunch in town.
What happened at your chapter’s event? If you attend(ed) any of these exciting events, JetWit would love to hear about them. Just contact Jonathan Trace with any info, stories or comments.
Japan America Society Round-up 11.22.10
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Gail Cetnar Meadows (ALT, Hiroshima-shi 2007-10), co-founder of Hiroshima JET webzine the Wide Island View, shines a light on some of the upcoming events of Japan America Societies…
Inside a Japanese Kitchen: Let’s Make Sukiyaki — In this two-part workshop, participants will learn about the wide variety of Japanese condiments such as dashi, miso and ponzu, and then how to use some of those condiments to make sukiyaki.
- Date: Sunday, Dec. 5
- Time: 11 a.m. to 1 p.m.
- Place: Maneki Neko Restaurant, 238 West Broad Street, Falls Church, Virginia
- For more information, click here.
- Japanese Business Culture: Working With Japanese Colleagues — Do you work at or with a Japanese company? This seminar is designed to help cover some of the challenges you may encounter, including: ways to communicate, styles of communication, Japanese style decision making, hierarchy of workers, role of the group, protocols (gift giving, greetings, business cards, etc.), and brief language introduction.
- Date: Friday, Dec. 10
- Time: 8 a.m. to noon
- Place: Dublin Entrepreneurial Center, 7003 Post Road, Dublin
- For more information, click here.
Press Club YPG Bonenkai — Bid farewell to 2010 by sampling a wide variety of wine with Japan Society friends and food at the Press Club with its eight winery-exclusive tasting bars.
- Date: Thursday, Dec. 16
- Time: 6 to 9 p.m.
- Place: Press Club, 20 Yerba Buena Lane, San Francisco
- For more information, click here.
- The New Era of Medicine with iPS Stem Cells — This lecture will be given by Dr. Shinya Yamanaka, Japan’s best known scientist in the field of stem-cell research. In addition to his Center for iPS Cell Research & Application at Kyoto University, he is also Senior Investigator, Gladstone Institute of Cardiovascular Disease, and Investigator in Stem Cell Biology at the University of California at San Francisco. He is the 2010 recipient of two of the world’s most prestigious awards for scientific research: The Kyoto Prize in Advanced Technology and The Balzan Prize.
- Date: Monday, Dec. 13
- Time: 4 to 6:30 p.m.
- Place: The Joseph B. Martin Conference Center, Harvard Medical School, 77 Avenue Louis Pasteur, Boston
- For more information, click here.
Does your Japan America Society have an upcoming event that you’d like to share with JetWit readers? Email Gail Cetnar Meadows the info.
New JET Alum China-Chinese Connection group on LinkedIn
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With the economic rise of China, there are an increasing number of JET alums who live in China, do work related to China, have an interest in China or speak or want to learn Chinese. On top of this, there are already a number of JET alums who have a connection to Chinese culture.
As a way to connect JET alums and friends of JET who share this connection, there’s now a new LinkedIn group you can join called:
“JET Alum China/Chinese Connection.”
http://www.linkedin.com/groups?mostPopular=&gid=3691966
This admittedly awkwardly-named group is an attempt to encompass all of the above and create a way to help each other out in various ways. For example…
- You’re planning a trip to China or want to work in China and want to find other JET alums there to talk to in advance.
- You live in China and want to link up with other JET alums, or better yet, start a JETAA chapter there
- You want to learn Chinese and learn about creative study approaches for people who aren’t intimidated by the whole “kanji” thing
- You’re just curious about the intersection of JET alums and China
Culture Spreader: John Gauntner – The Sake Guy
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Culture Spreaders is a new feature intended to shine a spotlight on JET alums involved in spreading and sharing Japanese culture in their home countries. If you know of a good JET alum for a future post, just e-mail jetwit [at] jetwit.com tell us why you think that alum is a Culture Spreader. (Self-nominations welcome too.)
JET alum and leading sake expert John Gauntner (aka “The Sake Guy“) has established himself as the leading non-Japanese sake expert in the world. See, e.g., this 2009 Japan Times article titled, “Nihonshu evangelist preaches heady mix of culture, taste.”
Not only does John spread the sake gospel through numerous appearances and events in the U.S. and elsewhere, but he also offers a Sake Professional Course in various locations to teach others how to be sake experts and evangelizers. As a result, there are now four sake-only specialist shops in the U.S.–True Sake (San Francisco), Sakaya (NYC), SakeNomi (Seattle) and The Sake Shop (Honolulu)–and the owners of all four attended John’s Sake Professional Course for the purpose of starting their respective businesses.
For his work spreading Japanese sake culture around the globe (and helping the Japanese sake industry expand its markets), John Gauntner is hereby recognized by JetWit as a serious “Culture Spreader.”
Editor’s note: In the “JET’s a small world” department, it turns out that both John Gauntner and last week’s “Culture Spreader” Bruce Rutledge are both originally from Cleveland and previously have met at SakeNomi in Seattle, where Bruce currently lives.
JetWit Diary 10.21.10
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JetWit Diary is a new feature by Steven Horowitz (Aichi-ken, 1992-94), founder and publisher of JetWit. Steven is available on a consulting basis to assist organizations with any membership building, social media consulting, creative communications and writing needs.
There’s a lot going on in the JetWit (i.e., JET and JETAA) world right now. New ideas. New information. New projects. New people.
Seattle
I had a great trip to Seattle, primarily to visit JET alum friends (and take in the JETAA Pacific Northwest Happy Hour). I reconnected with former PNW Newsletter Editor Liz Sharpe, former PNW officers Ryan Hart and Shun Endo, and current President Sandra Sakai. Also got to meet a lot of new people, and even JetWit contributor, Stephanie Boegeman, whom I’d never met in person and who is heading to Cambodia to work for JET alum-founded PEPY Tours). As a chapter, PNW very much has their unchi together. e.g., At the happy hour, they had a staff of 2 or 3 alums manning a spreadsheet on a laptop, taking everyone’s orders and keeping track of who owed what so that the bill worked out right in the end.
I also learned that the Kobe-Seattle sister city relationship is strong, and that despite the reduction in Aichi prefectural JETs, Hyogo-ken is still a big supporter of JET and perhaps a good model of how to really extract value from JET and from sister city relationships. In fact, there’s a Hyogo Business & Cultural Center in Seattle that typically employs a JET alum. (Currently it’s Ben Erickson who also serves as PNW’s Webmaster.)
Sister Cities
Speaking of sister cities, I recently spoke with Laura Giroux, Membership Director of Sister Cities International (based in D.C.) The conversation came about thanks to Carlo Capua, a Fort Worth, TX-based JET alum who is on the Board of SSI and who got in touch after seeing the JET-Sister Cities List Project on JetWit. The purpose was to learn more about SSI and see if there’s any potential for collaboration with the JET alum community. But in the process, I gained some historical perspective on sister cities from Laura.
Did you know that the first ever sister city relationship was apparently formed in the 1930s between Toledo, Ohio and Toledo, Spain? Also, SSI was formed thanks to President Eisenhower who, following WWII, pushed for grassroots cultural exchanges especially among the Axis Powers (Japan, Germany and Italy) which led to the creation of SSI as well as many other sister city relationships in those countries. As many of us have noticed, Japan in particular really took to the sister city concept.
FYI, the potential for collaboration with JET alumni may lie in the fact that sister city relationships often involves the over-60 set who have time to maintain the relationships and high school students who have time to go on exchanges. As a result, it sounds like energy from internationally-minded folks in the 23-to-50 age range could be beneficial in some form. Just something to tuck away in your brain for future use and ideas generation.
State of JET
The reason I’ve been focused on the sister city relationships is because it’s becoming clear that one of the key links to sustaining JET lies in identifying its value to Japanese local governments. Based on feedback from knowledgeable sources, I’ve heard that the value of JET has been strongly recognized at the central government level. The JETAA USA press release, the series of op-eds in the Japanese media (including one by JET alums Jim Gannon, Michael Auslin and Paige Cottingham-Streater), pressure perhaps from the U.S. State Department and general common sense of have merged to make key political constituencies aware of how significant a role JET has played and continues to play in US-Japan relations.
That said, there remain long-term concerns about JET’s survival. And attrition at the local level figures as a major one of those concerns.
JET-Visitors Tally Project
In addition to the JET-Sister Cities List Project, another upcoming JetWit project aimed at the JET-local government relationship will be the “JET-Visitors Tally Project.” (That project name is not set in stone, btw.) The gist of the project is that JETs are directly responsible for some amount of tourism revenue for Japan given that most of us had family and friends visit them in Japan. Hence, JETs have been directly responsible for significant tourism dollars (or rather, yen) pouring into Japan’s economy. And this tourism income, as far as I can tell, is not being factored into any cost-benefit analysis or discussion of the JET Program or JETAA.
So, working off an idea raised by Dennis Li (an officer of the Texoma JETAA chapter) at this year’s JETAA USA Conference in NYC in August, this project will invite JETs and JET alums to tell us how many people (and “people-days”) they have been directly responsible for bringing to Japan. The result will be a minimum estimated amount of tourism revenue that JET has generated for Japan. So start reaching back into your visitor memories and stay tuned for the official announcement.
JetWit Funding
And lastly, it’s time to have a potentially uncomfortable discussion about money.
In a nutshell, for the last 3+ years I’ve been building JetWit as a free resource for the JET and JET alumni community. This has all been an extremely enjoyable labor of love. But I’m at the point where I need to start generating enough revenue to justify the time I’ll need to continue spending. (And ideally to be able to pay other key contributors at some point.)
I’m going to put up a more detailed post about this in the near future. But I believe to make JetWit continue to work and grow, the 3 most likely sources of revenue, and the 3 ways you can potentially help are:
1. Direct member contributions – If you think JetWit is a public good worth supporting and that you’d like to see continue to exist, please feel free to contribute via PayPal.
2. Advertising– Advertise your business or services on JetWit. Or introduce JetWit to businesses likely to advertise. (Contact information for a specific person at a company is always helpful.) JetWit has become the de facto central source of JET-relevant information, original content and job listings, is read by key people at CLAIR, the Consulates and MOFA and gets over 13,000 hits/month. Pretty good demographic, right?
3. Grants – Do you know of a grant or foundation that would be a good fit for JetWit? Even better, can you help put a proposal together?
I’m always open to ideas, suggestions and experimenting. So feel free to get in touch with ideas and suggestions or just to brainstorm.
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Here’s wishing JetWit readers a Happy Thanksgiving (and a belated Happy Thanksgiving for our Canadian readers). I should mention that I’ll be in Tampa, FL around Christmas time and will be looking to meet up with folks from the JET alum community down there on Dec 26 or 27. So get in touch if by any chance you’ll be nearby at that time.
Yoroshiku onegaishimasu,
Steven Horowitz (Aichi-ken, 1992-94)
Brooklyn, NY
jetwit [at] jetwit.com
Justin’s Japan: ‘Summer Wars’ Anime Aims for Oscar (Film Review)
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- ‘Summer Wars’ comes to New York’s IFC Center Dec. 29.
By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
The opening scene of Mamoru Hosoda’s animated film Summer Wars transports us to the virtual world of OZ, a place where hundreds of millions of users chat, shop and play via customized avatars in a breathtakingly trippy space that owes much to contemporary Japanese pop artist Takashi Murakami and Mamoru Oshii’s Ghost in the Shell movies. But it’s in rural Nagano where most of Summer Wars occurs, and this setting gives it a heart in a world that’s becoming increasingly addicted to online social networks and mobile devices.
The film enjoyed a sold-out reception of its English language premiere at Asia Society yesterday as part of distributor GKIDS’ annual New York International Children’s Film Festival. Fueled by Internet buzz and rapturous word of mouth upon its initial release in Japan last year, the film won a clutch of awards and is an official entry for Best Animated Feature at the 2011 Academy Awards.
The plot: teenage OZ moderator Kenji (voiced by Michael Sinterniklaas) agrees to a “job” escorting his popular schoolmate Natsuki (Brina Palencia) to her great-grandmother’s upcoming 90th birthday celebration at the family’s enormous estate in Ueda. The catch: he’s asked by his secret crush to pose as her fiancé, which hits complications as her crazed extended family enters the picture. To make matters worse, Kenji unwittingly triggers a malicious AI program called Love Machine that threatens not just the existence of OZ, but the rest of the real world with its interdependence on technology. It’s up to the boy—a girl-phobic math prodigy—to gain new confidence in himself in order to right OZ and win his dream girl’s heart.
Click here for the rest of the review.
Job: Private ALT position in Naganuma (Hokkaido)
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Via the Hokkaido JETs yahoo listserv:
Naganuma Town, near Sapporo & Kitahiroshima, is looking for a private ALT to start a contract in April, 2011. The pay is approximately 300,000 yen/month. The successful applicant will work closely with JTEs in 3 junior high schools and 4 elementary schools. Housing will be in town and will possibly be subsidized.
If interested, please contact Mrs. Chika Kubota at dontmorry@yahoo.co.jp for more specific details and to set up an interview.
WIT Life #137: Tokyo Sky Tree
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Very interesting article in yesterday’s NYT about how efforts are being made to reduce the presence of yakuza in various business transactions. The story focuses on the recent construction project of Tokyo Sky Tree, a communications tower. This is a huge change as traditionally yakuza have been an integral part of this industry, often seeking “protection money” from developers. Developers might also call on the yakuza to give an extra push to people unwilling to give up their land. I liked Jake Adelstein‘s quote calling the yakuza “Goldman Sachs with guns.” Check out the adjoining picture to see a comparison between Tokyo Tower and the “new Tokyo Tower,” what Sky Tree was called before decided on its official name. Other candidates were Tokyo Edo Tower, Mirai (Future) Tree, Yume Miyagura (Dreamwatching Tower), Rising East Tower and Rising Tower. It is due to be completed next year.
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Matt Leichter (matt [dot] leichter [at] gmail [dot] com) (Saitama-ken 2003-05) is a renegade attorney who plays by his own rules. He operates a think tank of one, The Law School Tuition Bubble, where he archives, chronicles, and analyzes the rising cost and declining value of legal education in the United States. He also maintains the “Bankruptcy Legal Topics,” and, “Bankruptcy Billables,” sections for Steven Horowitz’s Bankruptcy Bill. For further reading regarding JETs and the law, he recommends JETs with J.D.s.
Take a break, and listen to some Rock & Roll, primate!
Japan Foundation NY Newsletter (Nov 18, 2010)
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NEWS FROM THE JAPAN FOUNDATION NEW YORK AND CGP
//// VOL. 9: November 18, 2010 ////
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CGP Grant Program (Deadline: December 1)
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This is a reminder that the Japan Foundation Center for Global Partnership’s (CGP) Intellectual Exchange program open competition deadline is December 1, 2010.
[ http://cgp.org/index.php?option=section&id=3 ]
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JAILA: “An Evening of Japanese Jazz” in Jamaica (Nov 27-Dec 1)
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As part of the Japanese Arts in Latin America (JAILA) program, the Japan Foundation, New York will dispatch flutist YUKARI and pianist Ms. Eri Yamamoto to Jamaica to give a concert and workshop to local audiences and music students. They will be performing their own compositions as well as well-known Japanese songs in a jazz style. They will also be joined by local musicians for collaborative performance.
About YUKARI: [ http://www.yukariflute.com/Site/Welcome.html ]
About Ms. Eri Yamamoto: [ http://www.eriyamamoto.com/ ]
[ http://www.jfny.org/arts_and_culture/jaila.html ]
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Call for JFNY Grant for Arts and Culture Applicants
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We are accepting applications from nonprofit organizations for the JFNY Grant for Arts and Culture. This grant aims to support projects that will further
understanding of Japanese arts and culture. Applicants must be from the 37 states east of the Rocky Mountains.
Successful candidates may be granted up to $5,000 for projects conducted in the 14 Southern and 12 Midwestern states, and up to $2,000 for all other states.
[ http://www.jfny.org/arts_and_culture/smallgrant.html ]
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CGP US-Japan Journalism Fellowship Program
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10 graduate journalism students from across the US will embark on a 13-day study-tour of Japan starting on November 20, 2010. This second cohort of students, along with Emerson College and CGP staff, will visit Tokyo, Okinawa, Kobe and other cities during their stay in Japan.
[ http://journalism.indiana.edu/news/bomersback-headed-to-japan-as-postgrad-fellow/ ]
[ http://www.merrill.umd.edu/deadline/index.php/2010/11/10/two-merrill-graduate-students-receive-fellowships-for-travel-to-japan/ ]
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Sake World e-Newsletter by John Gauntner (November 2010)
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John Gauntner: JET alum and leading sake expert
The November 2010 issue of the Sake World E-mail Newsletter by JET alum and leading sake expert John Gauntner (aka “The Sake Guy”) is now available online. In this issue:
1. Greetings
2. “I’m from the Gov’t”
3. The 18 Nihonshu Samurai Tasting
4. Did You Know?
5. Sake Basics
6. Announcements and Events: Sake Professional Course in Japan
7. Sake Education Central
Additional Links:
Job: Work for the Korean Government Teaching English
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Stephanie Boegeman (ALT, Akita-ken, 2006-09) gets her kicks from finding fun crazy ways to see the world and getting paid to do it. She is constantly in search of job, internship, and travel ideas to add to her site Playing With Hire, in the hopes that more JET alumni and like-minded souls join her in her quest to find creative, inspiring, and unique ways to make ends meet.
If you loved your stint with JET, but need to mix it up a bit, perhaps you should consider working for EPIK (English Program in Korea), a national English teaching program sponsored by the Korean Ministry of Education, Science and Technology Development. Applicants looking to begin work this March should apply by *Dec. 1st*. More details on the program are available here.
Interview with Guitar God John McLaughlin
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- Grammy-winning musician John McLaughlin. (Absolutely Live Entertainment)
By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
Whether you call it electric jazz, fusion, or just good old music, John McLaughlin is the forefather of this style on the six string. From his contributions on classic albums by Miles Davis starting with the landmark In a Silent Way in 1969 to his own work with the massively influential Mahavishnu Orchestra and as a solo artist, McLaughlin is a legend who has continued to record with no signs of slowing down.
His 2009 collaboration with Chick Corea, Five Peace Band, won the Grammy Award for Best Jazz Instrumental Album earlier this year, and in April McLaughlin then released his new disc with the 4th Dimension, To the One (Abstract Logix). Following a concert at New York’s Town Hall last weekend, the artist graciously took the time to answer some questions.
Tell us about your history with Japan. What attracted you most to the culture?
I’ve been studying the cultures of Asia for many years, and I’m very attracted to the culture of Japan, in particular to the impact Zen has had on the Japanese mind and spirit. That said, any in depth study of Zen will bring you to China and the culture of Chan, the forerunner of Zen. In my opinion, there is one singular problem with religions in general: they are exclusive. To me, this exclusivity is not right. Zen and Chan’s “ways” of discovery are non-exclusive. They speak about the reality of everyone having Buddha nature, and the potential of realizing it. This is the aspect of Zen and Chan that appeals to me strongly: the non-discrimination and inclusivity of everyone.
Are there any Japanese musicians of whom you’re a fan? What other kinds of Japanese performing arts do you enjoy?
I am less of a fan of Japanese music than I am to the poetry of haiku strangely enough, though I do enjoy the koto and shakuhachi music. The Zen calligraphy is something for which I have a great admiration.
Why do you think the Japanese possess such a great interest in jazz?
For sure the answer lies in the culture of the Japanese mind. Perhaps because the spontaneity of jazz appeals to their innate sense of honesty. In improvisation, jazz or otherwise, there’s no room to lie.
Click here to read the rest of the interview.
Culture Spreaders is a new feature intended to shine a spotlight on JET alums involved in spreading and sharing Japanese culture in their home countries. If you know of a good JET alum for a future post, just e-mail jetwit [at] jetwit.com tell us why you think that alum is a Culture Spreader. (Self-nominations welcome too.)
Seattle-based Bruce Rutledge (MEF Program Chiba-ken, 1985-87) is the Editor-in-Chief of Ibuki, the “Japanese Inspired Food and Lifestyle Magazine” for the Seattle/Bellevue/Portland area. (www.ibukimagazine.com)
I was in Seattle this past weekend and (thanks to JETAA Pacific Northwest President Sandra Sakai) was able to pick up a copy of the “I Love Kawaii” issue, which featured “6%Dokidoki Brings Happy Anarchy,” “Your Slice of Japan on the Eastside,” a recipe for green tea sweets, a travel article titled “Kanpai in Tokyo” and a sake article titled “Food pairing hints.” The magazine also includes an extensive Japan-related business directory for the area, including restaurants, galleries, grocery stores, etc.
In addition to his work with Ibuki, Bruce is also the founder of Chin Music Press, which has put out a number of Japan-related books and takes pride in book design.
For all his work with Ibuki and Chin Music Press, Bruce is undoubtedly a major JET alum “Culture Spreader.”
Interview with Jazz Musician Keiko Matsui
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Keiko Matsui performs at New York's Blue Note Nov. 23-25. (Jun Sato)
By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
Contemporary jazz icon Keiko Matsui began playing piano at the age of five. With sales of over 1.2 million units in the U.S. and sold-out appearances at concert halls across the world, she is one of the most recognized artists in the genre.
In addition to being the first Japanese artist to top Billboard’s contemporary jazz chart, she actively supports a range of charities, including the Y-Me Breast Cancer Organization. United Nations World Food Programme’s efforts in Africa, and California for A3M’s charity for the National Marrow Donor Program.
Matsui is now putting the final touches on her latest album, due early 2011 with Shanachie Records. I spoke with her prior to her debut three-night stand happening next week at New York’s venerable Blue Note Jazz Club.
Congratulations on your very first show at New York’s Blue Note. How do you feel about playing there and what do you expect?
Of course in New York, Blue Note is a legendary place, and I’m very happy to be there. At the same time, I have toured in many different countries, and I always feel very fortunate at the concerts to feel that music connects us beyond the culture, history, country, everything. So, I really feel that this experience at Blue Note will be very special.
When did you first come to the U.S.?
In the early ’80s.
What did you do there?
At that time, I was invited to Los Angeles by Yamaha for a special recording. I was also a student, and had the opportunity to make a sample album with Vinnie Colaiuta and Nathan East. That was my first visit to the U.S., and also my first recording there. I invited Vinnie to record on my new album, so I’m glad to see him again.
What were your memories of that experience? Did you have any culture shock?
I only had one week there, so of course I didn’t know much about the music scene in the U.S., but I was so entranced by Nathan and Vinnie’s playing. It was great creating music together with great musicians, but at that time they were so open. Maybe this is a cultural difference, because Japanese language is based on politeness and different words depending on who you talk to, but English doesn’t have that. So, Japanese people speak really strictly, I felt.
You’ve had a successful career for a long time. Why have you decided to play Blue Note now?
That’s true. For me, that’s something I’m kind of questioning myself, too. [laughs]
Click here to read the rest of the interview.
