Rafael Villadiego (Nagasaki-ken 2010-2013) writes for Green Tea Grafitti and reviews Tokyo Tribe.
Rap battles with actual battle
In a dystopian, not-so-distant-future Tokyo that has fallen into urban decay, young thugs rule the streets and the disparate districts have been divided between the various gangs that hold sway over their respective neighbourhoods. There is an uneasy alliance between these tribes as long as each adheres to the unspoken truce of keeping out of each others’ allocated territory.
But none of the tribes are entirely satisfied with maintaining the status quo and are chomping at the bit to prove their superiority and expand their sphere of influence.
All this teetering tinder box needs is a spark to push it completely off the edge and set the entire thing on fire.
Enter Mera (Suzuki Ryohei), leader of the ‘Bukuro Wu-Ronz, who is seeking to finally settle an old score with the Musashino Saru’s, Kai (rapper Young Dais). Mix in the insane Yakuza boss Big Buppa (Takeuchi Riki) and the kung-fu kicking virginal daughter of an international crime lord, Sunmi (Seino Nana), and you have all the ingredients for one unforgettable night through the myriad maze of this doomed metropolis, where all the simmering tribal rivalries are finally set to boil over.
Who will win the war for the streets of Tokyo? Plug in the speakers, pump up the volume and strap in for one epic ride.
The inimitable Sono Sion is back with a hybrid hip-hop, musical, gangster battle epic that defies easy categorisation or description. Over-the-top to the point of parody, this film will either provide an entertainingly rollicking departure from standard cinema fare, or turn viewers off entirely. Replete with a mish-mash of genre cliches and tongue-in-cheek references to classic Hollywood and Japanese cinema. In short, it is exactly what the seemingly ludicrous blurb of the film promised. Yet some people still had the audacity to get-up and leave – obviously not realising just what they had signed up for.
Our guide to the evening’s festivities is MC SHOW (embodied by Sion Sono alum Sometani Shota) who sets the stage for this sprawling rap narrative in what is shapes up to be one heck of a ride through an alternate Tokyo where gangs rule the streets and anything goes. The only rule is that you don’t cross into another gang’s turf. But this turns out to be the night when rules are meant to be broken, which just might ignite an all-out war that will set the streets of Tokyo alight.
The storyline is paper-thin, but the narrative is carried forward on sheer energy, lyrical verve and musical drive. With references to old-school yakuza gangster flicks, Broadway musicals and underground “pinku” cinema, the film offers a veritable smorgasbord of z-grade schlock and kitschy action extravagance. Populated by a veritable who’s-who of old-school Japanese hip-hop and rap royalty, led by Young Dais, the majority of roles are filled by street-level, non-actors ranging from tattoo artists to stunt performers. Despite lacking requisite thespian credentials, they are instead fully versed in the world Sion is attempting to create, lending an air of authenticity to the work and lyrical legitimacy to the rhymes.
The lyrics themselves range from street-level swagger to the scintillatingly surreal, to the downright hilarious. Are these wannabe posers or veterans so far above the game they are willing to poke fun at their own expense? There are moments when one cannot be entirely certain. But it is clear that these indisputable artists are fully committed to the cause and believe unequivocally in the unfolding struggle.
There are some mind-boggling action sequences drenched in veritable buckets of blood all captured in sweeping single-take shots that fully immerse you in this sprawling epic. It certainly reaches a point where style and artifice well and truly rule over any form of substance. So if you are looking for a deeper statement on the human condition or an underlying message amidst all this madness, you may find yourself disappointed.
But if you are happy to check your brain at the door and fully immerse yourself in Sion Sono’s insane symphony, then plug yourself in and raise your fists high as you cheer on the love and peace of the Musashino Saru in their struggle to prevail against the all-out-mayhem declared by the warlike Waru.
At the close of the film, we eventually discover the idiosyncratically innocuous circumstance that set the entire war in motion, and you will either laugh or cry – or more than likely, both.
Watch this film if…
…you are hankering for rap infused, hip-hop action epic through the streets of Tokyo…
“Tokyo Tribe” (Tokyo Toraibu) was released August 30 2014 in Japan, starring Suzuki Ryohei, Young Dais, Seino Nana, Sato Ryuta, Kubozuka Yousuke, Takeuchi Riki, Sometani Shota.
Justin’s Japan: Nippon in New York — Takashi Murakami, Studio Ghibli Documentary, Japan Society Party
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See Takashi Murakami: In the Land of the Dead, Stepping on the Tail of a Rainbow at the Gagosian Gallery through Jan. 17. (Kaikai Kiki Co., Ltd. All Rights Reserved.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Now through Jan. 17
Takashi Murakami: In the Land of the Dead, Stepping on the Tail of a Rainbow
Gagosian Gallery, 555 West 24th Street
Free
Since the devastating Great Tōhoku Earthquake of 2011, prolific contemporary visual artist Takashi Murakami has explored Japanese art produced in response to historic natural disasters. Combining classical techniques with the latest technologies, he moves freely within an ever-expanding field of aesthetic issues and cultural inspirations. Mining religious and secular subjects favored by the so-called Japanese “eccentrics” or non-conformist artists of the Early Modern era commonly considered to be counterparts of the Western Romantic tradition, Murakami situates himself within their legacy of bold and lively individualism in a manner that is entirely his own and of his time.
Friday, Nov. 28
The Kingdom of Dreams and Madness
IFC Center, 323 Sixth Avenue
$14
New York premiere! Granted near-unfettered access to the notoriously insular Studio Ghibli, director Mami Sunada follows the three men who are the lifeblood of Ghibli—the eminent director Hayao Miyazaki, the producer Toshio Suzuki, and the elusive and influential “other director” Isao Takahata—over the course of a year as the studio rushes to complete two films, Miyazaki’s The Wind Rises and Takahata’s The Tale of The Princess Kaguya. The result is a rare “fly on the wall” glimpse of the inner workings of one of the world’s most celebrated animation studios, and an insight into the dreams, passion and singular dedication of these remarkable creators.
Wednesday, Dec. 3, 9:00 p.m.
Midnight in the Garden of Unearthy Delights Party
Japan Society, 333 47th Street
$25/$20 Japan Society members (until Dec. 2, $30/$25 afterward)
Japan Society Gallery serves up an exclusive after-dark soirée for patrons to escape into the wildly imaginative virtual gardens of its hit exhibition, Garden of Unearthly Delights: Works by Ikeda, Tenmyouya & teamLab. Sip some wine, beer, or a signature sake cocktail concocted just for Japan Society by JET alum Chris Johnson (Oita-ken, 1992-95), one of the country’s foremost experts on sake; enjoy the swinging sounds of jazz quartet The Red Birds + Francesco Ciniglio followed by the beats of DJ Aki til midnight; dig deep into the Garden with specially themed expert guided tours available all night; satisfy your sweet tooth at our dessert bar featuring tasty treats, fruits, and cheeses; and more! All food and drinks are covered by the cost of admission. Participants must be 21 years old or over.
For the complete story, click here.
JQ Magazine: Film Review — ‘The Kingdom of Dreams and Madness’
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“Although beautiful and carefully crafted, in the end this work is one that ushers you into a new era of Ghibli by giving you a bittersweet goodbye.” (GKIDS/TIFF/© 2013 dwango)
By Alexis Agliano Sanborn (Shimane-ken, 2009-11) for JQ magazine. Alexis is a graduate student of Harvard University’s Regional Studies—East Asia (RSEA) program, and currently works as an executive associate at Asia Society in New York City.
The Kingdom of Dreams and Madness is a documentary following animation director Hayao Miyazaki during his last months at Studio Ghibli. Centering on the production arc to The Wind Rises, Miyazaki’s final and most controversial film, it offers a unique glimpse into the fading days of Studio Ghibli with Miyazaki at the helm.
The film is directed by Mami Sunada, a former assistant director on Hirokazu Kore-eda’s films. Although the documentary does not detail the advent of the unprecedented behind-the-scenes access, from its beginning Sunada and Miyazaki share a tacit understanding that his film straddles a nebulous period. It is the beginning to the end of an era. As Miyazaki admits unreservedly, “I’m a man of the 20th century. I don’t want to live in the 21st.” This documentary captures his twilight world.
Fading though Studio Ghibli may be, it is still a place where one anticipates a world not beholden to reality. What one finds is an atmosphere entrenched in the daily slog. There are deadlines to be met, decisions to be made, marketing, budgeting, and finances that throw the project for a whirl. It is a work place like any other. Somewhat unromantic.
Yet, just like the Ghibli films themselves, this documentary captures the beauty of the everyday. It is there we find appreciation, meaning and relevance through details and rituals. For Miyazaki, these include greeting kindergarteners on their way to school, going up to the rooftop to “watch the sky,” or even the small cheerful doodles pinned about the office with inspirational messages. These simple elements stitch the work into something meaningful.
Job: Travel bloggers for Citrus Japan (Japan all over)
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Received directly from the company. They said they have already found 48 travel bloggers and are seeking to hire another 48. Posted by Jayme Tsutsuse (Kyoto-fu, 2013-2014), Community Manager for Be Social Change, the largest social impact community and professional development hub in New York City. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Position: Travel Bloggers
Posted by: Citrus Japan
Location: Japan all over
We are seeking videos or articles highlighting local Japanese attractions, sightseeing spots, shops, restaurants, etc. throughout Japan to support the launch of a new hostel booking site for low-budget travelers. This project will start in Jan/Feb 2015 till the Tokyo Olympics in 2020. Read More
Eden Law (Fukushima-ken ALT 2010-2011) reviews My Little Sweet Pea, a film of the haha-mono genre, or “mother stories”. Guaranteed to make you call your mum and if not, you’re either an orphan or dead inside.
Why haven’t you called your mother yet?
“My Little Sweet Pea” is a genre film, one that is quite an old trope in Asian cinema, that of the self-sacrificing maternal figure who patiently bears all the insults and trials (usually originating from her family or ungrateful children), until finally her passing or fatal illness causes her former tormentors to repent their evil ways and express remorse in a climax of tears and self-blame. In Japan, it’s known as haha-mono or “mother stories”, and it’s an enduringly popular style of melodrama (my mother loves them to the point of identifying with the main character, and I don’t know what that says about me).
In this particular entry however, the mother character is not the main focus, but one of her children – her daughter Mugiko. Mugiko and her brother Norio have lived together since their father died, until one day their absent parental unit, Ayako, suddenly shows up, asking to move in, after having being missing for almost all of their lives. Begrudgingly, they allow her in, although Norio disgustedly moves out, leaving his sister alone with their mother. Mugiko subjects her mother to all sorts of nasty, unfilial treatment, before Ayako suddenly passes away from an unrevealed terminal cancer. As per custom, Mugiko has to travel to her mother’s home town to bury her ashes, which sparks a journey of discovery, of herself and the mother that she had never known.
Western tastes might find this kind of movie to be a tad over the top, as the mother character is by necessity, almost a caricature in how inhumanly compassionate and submissive she is – obviously she’s meant to elicit as much sympathy from the audience as possible while at the same time whipping up the accompanying feelings of indignation to such a frenzy that only an appropriately melodramatic or tear-soaked climax would suffice. But while “My Little Sweet Pea” ends the way you’d expect, it’s luckily a little more subtle in its emotional manipulation. As the audience explores Ayako’s past alongside with Mugiko, and as Mugiko gradually comes to realise and empathise with her mother, we also come to sympathise with the errant prodigal child, so that her emotional realisation and remorse is all the more touching and moving than it would have been, had we just simply hated her for being a bitch instead. Horikita Maki does very well in this regard in conveying a character that the audience could have disliked intensely, and she also does double duty in playing both the daughter and the mother (in her younger years).
“My Sweet Little Pea” still has its over the top moments, but it is also unexpectedly humourous in parts, allowing a deeper level of emotional complexity beyond “angry” and “crying”. A tear-jerker, it is nonetheless enjoyable and will make you feel the urge to call up your mum or hug her to apologise for being the brat that you most certainly were.
My Little Sweet Pea (Mugiko-san to) by Yoshida Keisuke, released December 21 2013 in Japan, starring Horikita Maki, Matsuda Ryuhei, Yo Kimiko, Nukumizu Yoichi, Asou Yumi.
Job: Associate Program Officer – The Japan Foundation Center for Global Partnership (NYC)
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Thanks to JET alum Renay Loper for sharing this great opening, which is the position that she has held for several years and will be leaving soon.
Posted by Jayme Tsutsuse (Kyoto-fu, 2013-2014), Community Manager for Be Social Change, the largest social impact community and professional development hub in New York City.. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Position: Associate Program Officer
Posted by: The Japan Foundation Center for Global Partnership
Location: New York, NY
Type: Full-time
Established in 1972, the Japan Foundation seeks to promote international cultural exchange and mutual understanding between Japan and other countries. The Foundation awards grants in the areas of Arts & Cultural Exchange, Japanese-Language Education Overseas and Japanese Studies and Intellectual Exchange and operates fellowship programs to foster individual research and the development of human resources. The Center for Global Partnership (CGP) was founded within the Foundation in 1991 and seeks to promote exchange and collaboration between the United States and Japan with the goal of fulfilling shared global responsibilities and contributing to the improvements in the world’s welfare.
Job: Digital Communications – U.S.-Japan Council (D.C.)
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See below, received directly from the US-Japan Council. They mentioned that the position has been open for a couple weeks, but they’d like to see someone with an interest in Japan as well as a background in technology and communications (e.g., a JET alum!)
Posted by Jayme Tsutsuse (Kyoto-fu, 2013-2014), Community Manager for Be Social Change, the largest social impact community and professional development hub in New York City.. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Position: Digital Commuications
Posted by: U.S.-Japan Council
Location: Washington, D.C.
Type: Full-time
- Write and create engaging content including short videos interviews, motion-graphic pieces, topical articles and more for the website and bi-monthly e-newsletters.
- Improving web presence through engaging visuals and layout, supported by tools like Google Analytics to assess and improve user experience.
- Manage the back-end of the Council’s public website including the Content Management System (CMS), domain names, CSS, etc.
- Manage the back-end of salesforce.com.
- Develop and execute a social media marketing strategy across the Council’s Facebook, Twitter and LinkedIn accounts and carefully monitor analytics to measure results. Read More
Job: Institute for International Education – Manager, Alumni Initiative (NYC)
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Via Idealist. Posted by Jayme Tsutsuse (Kyoto-fu, 2013-2014), Community Manager for Be Social Change, the largest social impact community and professional development hub in New York City.. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Position: Manager, Alumni Initaitve
Posted by: Institute for International Education
Location: New York, NY
Type: Full-time
Job: University of Northern Colorado – Study Abroad & Exchange Director
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Posted by Sean Pavlik (Fukui-ken, 2010-12), International Programs Officer for the DC-based Congressional Study Group on Japan. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
The University of Northern Colorado is searching for a Study Abroad & Exchange Director. This position exists to manage current education abroad programs; create and develop new international partnerships, provide policies and procedures to manage risk and liability in international programs; oversee recruitment and advising of UNCo students on international education opportunities; facilitate transfer of credit for students studying or interning abroad; provide pre-departure and re-entry programming; promote international education opportunities on campus; liaise with faculty and departments to identify and develop stronger international academic programs/opportunities for UNC students; supervise CIE study abroad staff.
The Director of Education Abroad should be knowledgeable about best practices and current issues in education abroad. The position requires at least 3 years of proven experience at an academic institution or institution of comparable breadth and complexity within the field of international education. A Master’s degree is required in a relevant field (comparative international education/international education).
For a full description and application see: https://careers.unco.edu/postings/167.
Job: St. Lawrence University – Asst. Director of Campus Programs (NY)
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Posted by Sean Pavlik (Fukui-ken, 2010-12), International Programs Officer for the DC-based Congressional Study Group on Japan. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
The Center for International and Intercultural Studies (CIIS) at St. Lawrence University invites applications for the position of Assistant Director of Off-Campus Programs. The Assistant Director will work closely with the staff of the CIIS to advise students and the wider campus community about off-campus study and intercultural education. S/he will be the primary manager of the St. Lawrence international studies website and the Terra Dotta/Studio Abroad online application management system. S/he will work to expand the use of blogs, video, social media, and teleconferencing, to promote diversity education and enhance students’ learning experience before, during, and after study abroad.
The Assistant Director will take the lead in specific study abroad program areas and will provide general and program-specific study abroad advising, as well as promoting diversity and intercultural learning both on and off-campus, including off-campus study as an integral component of a St. Lawrence University education. S/he will be involved in producing informational materials about off-campus programs, most specifically on the web but also in brochures and other printed materials such as campus announcements, the campus events calendar, and other publications; will advise students considering or preparing to study abroad; will assist with information and orientation sessions for off-campus study programs; will coordinate information on student enrichment/research grants and travel arrangements for students going abroad; will collect and maintain statistical data related to off-campus programs; will promote St. Lawrence programs including the recruitment of students from other colleges; will assist with international and intercultural programming on campus; and will be responsible for other duties as assigned.
For more information and to apply, please visit the University’s website at https://employment.stlawu.edu/postings/202
Job: Program Advisor, Intrax Global Internships
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Posted by Sean Pavlik (Fukui-ken, 2010-12), International Programs Officer for the DC-based Congressional Study Group on Japan. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Intrax is seeking a Program Advisor, which is a great entry-level opportunity for anyone seeking enrollment + recruitment experience in international and experiential education. The Program Advisor will work out of a home office in IL, MI, IN, MO, MN, TN, TX, FL, GA or VA.
More information about this position can be found below. To apply, please send resume + cover letter to mgr…@intraxinc.com<mailto:mgrant@intraxinc.com>.
Company: Intrax (International Training & Exchange)
Job Title: Program Advisor, Intrax Global Internships
Reports to: Regional Internship Director – Southeast + Midwest
Company Description
Intrax is a globally-oriented company that provides a lifetime of high quality educational, work, intern, and volunteer programs that connect people and cultures. Intrax has operations in more than 100 countries worldwide and offers diverse educational and cultural programs including: high school exchange, international au pairs, language classes, volunteer opportunities, leadership programs, and work and internship placements.
Position Summary
The Program Advisor position is responsible for promoting and closing the sale of our outbound programs by working with students, student organizations, universities, and faculty. In this role, the successful candidate will support students through the program application process with the goal of increasing enrollment numbers. This position requires a highly energetic and personable individual who can consistently reach out to the prospective customers and build relationships.
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Job: Assistant Director with the Washington Ireland Program for Service and Leadership (DC)
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Posted by Sean Pavlik (Fukui-ken, 2010-12), International Programs Officer for the DC-based Congressional Study Group on Japan. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
The Washington-Ireland Program for Service and Leadership (WIP) is a fifteen-month program of personal and professional development that brings outstanding university students from Northern Ireland and the Republic of Ireland to Washington, DC for summer work placements and leadership training. The program begins and ends with practical service in Northern Ireland and Ireland.
In Washington, participants gain first-hand experience of a mature political process and are exposed to a culture of diversity. Through an intense eight-week schedule, WIP participants are formed into a team and challenged to develop their vision for the future of post-conflict Ireland. Students gain invaluable practical experience by completing internships in US government, media, business and non-profit organizations. At the end of the summer, participants return to the island of Ireland with enhanced professional and interpersonal skills, as well as a new confidence in their ability to work together to make a difference. A new component of the 2015 program includes participants completing a substantial service project between August of 2015 and April of 2016. Participants will complete 80 hours of service on a part-time basis, while completing their education or pursuing full-time employment.
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JQ Magazine: Book Review — ‘Kuma-Kuma Chan, the Little Bear’
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“The simplicity of the storyline and illustrations makes it easy for young readers, and also invites parents and children to dive deeper and create their own dialogue and inquisitions.” (Museyon Inc.)
By Heather Wilson Tomoyasu (Ibaraki-ken, 2004-06) for JQ magazine. Heather is a blogger on her site US-Japan Fam, owner of Miny Moe (multi-brand variety packs that allow parents to find the best brand for their baby), founder of Tunes 4 Bay Ridge Tots, and mommy to her yummy toddler, Kenzo! You can follow and connect with her on Twitter, Facebook, Pinterest, and Instagram.
I’m a sucker for the word chan. Seriously. I don’t know what it is; chan is just so endearing and cute and, well, Japanese!! If you’re a chan-aholic like me, get excited, because there is a new children’s book coming your way that is all about the chan!
The beloved children’s book, Kuma-Kuma Chan, the Little Bear, originally written by Kazue Takahashi and published in Japan in 2001, has just been translated into English, republished by Museyon, and will be available in stores and online Dec. 1 (just in time for those stocking stuffer purchases—hoorah!!). This hardcover book is small, about 5” x 7”, with 52 pages of simple-yet-adorable illustrations and minimal text. The story is short and sweet, with Takahashi describing what she imagines Kuma-Kuma Chan to do every day. With each turn of the page, you are greeted with an illustration and a single sentence describing a different chore or activity, such as shopping, gardening (and sometimes hurting his back), and personal hygiene such as, “He trims the nails of his paws. Then he lines up the cut nails and gazes at them.” I mean, come on, that is kind of hilarious.
Eden Law (Fukushima-ken 2010-2014) reviews one of the smaller films of the 18th Japanese Film Festival, “The Piano in the Shed”. The producer Yuto Kitsunai, made a surprise appearance at the screening of this film in Sydney. Created by the people of Kori, Fukushima, this is truly a labour of love.
The Piano in the Shed
“The Piano in the Shed” is a coming-of-age story, centred around Haruka, a final-year senior high school student in the town of Kori, a rural town in Fukushima, in her last summer break during the final years of her senior high school years. Quiet and withdrawn, she is happiest only when playing the family piano in the shed, her place to escape from life and its troubles, which includes the loss of a younger brother, whose death still continues to affect the family, but especially her grandfather, who blames himself for the tragedy. Into all this two further pivotal events occur: her older sister, Akiha, comes back from Tokyo to stay for the summer, stirring up Haruka’s long-held resentment of the attention-seeking, prettier and more popular sibling. The other, far more happier, is the promise of a first romance with Kosuke, recently relocated from the contaminated zone.
There will perhaps be very few other films about Fukushima post 3-11 that wears its heart on its sleeve so openly and earnestly. Like the other film related to Fukushima in this festival, “Homeland”, “The Piano in the Shed” is more focused on telling an emotional story rather than making a critique of the prevailing political and social issues. For the film’s scriptwriter, Hara Misaho, this is clearly a very personal project – both her and the director, Natanai Chiaki, hail from Kori, where the film is set. And by choosing to tell the story from young Haruka’s point of view, they show how the youth can be emotionally affected, just like their elders, forced to cope with the ever present feelings of anxiety and worry that are now an unfortunate part of everyday life. Haruka’s uncertainty about her future after graduation reflects the broader, general uncertainty – for young people like herself from Fukushima, for evacuees like Kosuke and his father, constantly on the move for jobs and shelter, and for the future of farming communities that cannot sell their produce to a frightened and paranoid public, as Tokyo forgets and continues the status quo, while frustrated local councils continue to hold meetings about “reconstruction”, a sloganistic message that seems increasingly pointless and empty.
The human story here, from the aspect how the young are coping with the new reality in the wake of the disaster, is certainly a very compelling one. Other subplots such as Haruka’s family tragedy, and her rivalry with her sister, are less successful or not as well-developed by comparison, and could probably have been dropped in order to make the film feel more cohesive and less derivative. But the young actors are lovely to watch (though at the expense of the adults, who, with the exception of the grandfather, are rather less developed). Yoshine Kyoko is the same age as the character she plays, giving Haruka a level of convincing authenticity to her shyness, and her touching selflessness and unexpected strength for someone so young.
As mentioned, there is no denying the amount of emotional heart and soul poured into this film by its creators. Often included are footage of slice-of-life scenes of the town and its people, whether participating in their annual summer festivals, or going about their daily lives. The film’s ultimate positive note conveys the filmmakers’ message: Kori, and places like it, and the people who live there, should not be forgotten, and they will find a way to endure and survive.
The Piano in the Shed (Monooki no Piano) by Natanai Chiaki, released February 9 2014 in Japan, starring Yoshine Kyoko, Koshino Ena, Hirata Mitsuru, Akama Mariko, Hasegawa Hatsunori, Imai Yuto, Kanda Kaori, Orimoto Junkichi.
Job: Director positions – Society for the Promotion of Japanese Animation (Santa Ana, CA)
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Via Idealist. Posted by Jayme Tsutsuse (Kyoto-fu, 2013-2014), Community Manager for Be Social Change, the largest social impact community and professional development hub in New York City.. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
Position: Director positions
Posted by: Society for the Promotion of Japanese Animation
Location: Santa Ana, CA
Type: Full-time
