JQ Magazine: New York Comic Con, ‘Porco Rosso,’ ‘The Legend of Zelda,’ Food Porn Party


By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.
This month’s highlights include:

Volume 1—FAIRY TAIL © Hiro MASHIMA / Kodansha Ltd.; Hiro Mashima—Photo courtesy of Kodansha Ltd.; Volume 61—FAIRY TAIL © Hiro MASHIMA / Kodansha Ltd.
Thursday, Oct. 5, 6:30 p.m.
Hiro Mashima: The Magical World of Fairy Tail
Japan Society, 333 East 47th Street
$30, $25 Japan Society members, seniors and students
Award-winning manga artist Hiro Mashima, known for his bestselling series Fairy Tail, comes to Japan Society for a special talk in conjunction with New York Comic Con. The epic fantasy series, which has sold over 60 million copies worldwide, follows the rambunctious wizard’s guild Fairy Tail through adventures in a stunning variety of settings, with a mind-boggling array of colorful characters. Mashima, also renowned for his long-running series Rave Master, joins us to discuss the works that have captured the imaginations of fans around the world. Moderated by Ben Applegate, director of the Kodansha Comics publishing team at Penguin Random House, and interpreted by Misaki Kido, marketing director at Kodansha Advanced Media. One lucky guest will win a surprise gift from Mashima-sensei at the event! Followed by a reception.
Oct. 5-8
Jacob K. Javits Convention Center, 655 West 34th Street
Limited tickets available
With a record attendance of more than 170,000 visitors last year, the East Coast’s biggest gathering for fans of comics, film, anime and manga, New York Comic Con returns with its biggest roster of Hollywood talent to date, and features exclusive screenings, gaming, cosplay photo ops, interactive booths by manga publishers including Vertical Comics and Kodansha Comics , and special guest appearances by manga artists Hiro Mashima (Fairy Tail) and Akira Himekawa (The Legend of Zelda)!
Friday, Oct. 6, 7:00 p.m.
Japan Society, 333 East 47th Street
$13, $10 seniors and students, $5 Japan Society members
Screening in 35mm! An ace fighter pilot and ex-member of the Italian Air Force during WWI is mysteriously cursed with a pig’s face. Disillusioned with humanity, he adopts the name Porco Rosso (“Crimson Pig”) and spends his time near the Adriatic Sea, drinking at a local bar and fighting off air pirates for cash. Famous for his unsurpassable flying skills, Porco draws the envy and antagonism of an American pilot who plots to take him down with the help of the fascist Italian police. This sixth film by Hayao Miyazaki is among the master animator’s most personal and underrated, highlighting his deep love for aviation and pacifist worldview within an action-adventure story perfect for adults and children alike.
Premieres Friday, Oct. 13
Metrograph, 7 Ludlow Street
$15
In her new documentary, Lana Wilson (After Tiller) takes us deep inside the life of another extreme altruist, Ittetsu Nemoto, a punk-rocker-turned-Buddhist priest who has worked small miracles in suicide prevention in his native Japan. Now facing the new challenge of fatherhood, as well as rapidly escalating health problems of his own, Nemoto must answer a crucial question—can he justify risking his own life to help others carry on with theirs? With astonishing access and artistry, The Departure captures one man’s wrenching decision between self-preservation and selflessness. Select screenings on Oct. 13 and 14 feature a special Q&A with the director.
Oct. 13-14, 7:30 p.m.
Japan Society, 333 East 47th Street
$35, $30 Japan Society members
Aesthetics of the past, present, East and West meld together in Italian director/choreographer Luca Veggetti’s Left–Right–Left, which explores the point of intersection between Japan’s 14th-century noh tradition and today’s efforts in dance. With leading Japanese butoh and contemporary dancers, esteemed noh musicians and a child noh actor reciting text from noh plays Okina and Hagoromo, this production offers a lens into the microcosm of humanity. Performed in English. The Oct. 13 performance is followed by a MetLife Meet–the–Artists Reception. The Oct. 14 performance is followed by an artist Q&A.
Oct. 13-14, 8:00 p.m.
92nd Street Y (Buttenwieser Hall), 1395 Lexington Avenue
$15-$29
Tap dancer Kazu Kumagai, known for his “powerful athletic technique combined with a riveting clarity” (2016 Bessie Outstanding Performer Award) channels his exceptional rhythmic artistry into the intensity of HEAR/HERE. The program includes a live jazz quartet and guest tappers, including legends Ted Louis Levy and Brenda Bufalino (2016 Bessie Award for Lifetime Achievement). This Dig Dance show is Kazu’s return to 92Y after a sell-out performance last season.
Wednesday, Oct. 18, 7:00 p.m.
The Nippon Club, 145 West 57th Street
$250, $200 members
A one-of-a-kind cultural experience! See Japanese Ozashiki culture in person with Geisha (Geiko and Maiko) from Nara, Japan. They will entertain visitors with their arts such as music, dance, conversations and traditional games while you enjoy Japanese food and sake. For RSVP and more info, call (212) 581-2223, or email info@nipponclub.org, attn: Mita, Uchikawa.
Friday, Oct. 20, 8:00 p.m.
The Legend of Zelda: Symphony of the Goddesses
United Palace Theater, 4140 Broadway
$28.13-$120
Back by popular demand and presented by Jason Michael Paul Productions, The Legend of Zelda: Symphony of the Goddesses returns to New York with breathtakingly new visuals and music exploring additional chapters from the Zelda franchise as well as the beautifully orchestrated two-act symphony recounting the classic storylines from some of the most popular video games in history. Take up your wooden sword and shield as a live orchestra and the Montclair State University Vocal Accord brings to life the masterpieces of legendary Nintendo composer and sound director Koji Kondo.
Oct. 20-Nov. 17 (first rotation); Nov. 21-Jan. 7 (second rotation)
Hiroshi Sugimoto: Gates of Paradise
Japan Society, 333 East 47th Street
Single visit: $12/$10 students and seniors; both rotations: $20/$16 students and seniors;
free for Japan Society members; free admission on Fridays from 6:00 p.m.-9:00 p.m.
This fall, explore one of the earliest, and largely unknown, encounters between Japan and the West in the 16th century, as seen through the eyes of artist Hiroshi Sugimoto. In celebration of Japan Society’s 110th anniversary, Hiroshi Sugimoto: Gates of Paradise charts the story of four Japanese boys, who were swept up in the tide of religion, commerce and politics during the first Global Age and sent to the princely and papal courts of Europe. Journey in their footsteps through Sugimoto’s new monumental photographs of the sites they visited, and navigate the germination of cultural exchange between East and West with classical masterpieces of visually hybrid (nanban) art from Japanese and American collections. Join guests for the Escape East @333 happy hours on Oct. 20 and Nov. 10 at 6:00 p.m.

Courtesy of USA.kinokuniya.com
Saturday, Oct. 21, 2:00 p.m.
Tatsuya Miyanishi: Tyrannosaurus series
1073 Sixth Avenue
Acclaimed Japanese children’s author and illustrator Tatsuya Miyanishi will visit the U.S. for the first time this month! His Tyrannosaurus series consists of 12 titles and has sold more than 3 million copies in Japan, China, Korea, Taiwan, and France. There are four titles available in English so far from Museyon. Bring your kids to a nearby Kinokuniya Book Store (other cities including Edgewater, NJ are listed in the photo here) between October 21st and 29th for a presentation and book signing! Miyanishi is an entertaining presenter who will draw, read from his books, and discuss his work. A book signing will follow each presentation.
Saturday, Oct. 21, 7:00 p.m.
The Food Porn Party featuring Tampopo
AMC Empire 25, 234 West 42nd Street
$95, $125 VIP (use code “RESOBOX” for 10% off tickets)
Taste what you see on the screen! The Food Film Festival specializes in creating multisensory food and film experiences. At their events, guests watch films about food and simultaneously taste the exact dishes they see on the screen…right in their seats! Hosting their “Food Porn” Party featuring the cult classic film, Tampopo. Following the film, they are inviting everyone to join their Japanese Noodle Fest! Directed by Jûzô Itami, the tale of an enigmatic band of ramen ronin who guide the widow of a noodle shop owner on her quest for the perfect recipe, Tampopo serves up a savory broth of culinary adventure seasoned with offbeat comedy sketches and the erotic exploits of a gastronome gangster. Sweet, sexy, surreal, and mouthwatering, Tampopo remains one of the most delectable examples of food on film. Following the movie, there will be a Japanese noodle feast featuring ramen and more ramen, decadent dishes, cocktails, craft beer and more! Additional Food Film Festival events include James Beard: America’s First Foodie (Oct. 19), Hometown Heros: The Legend of the Chopped Cheese (Oct. 20), and For the Love of Brunch (Oct. 22). For a complete listing, click here.
Friday, Oct. 27, 11:30 a.m.-9:30 p.m.
NYC Event Spaces, 4 West 43rd Street
$35-$75
Chopsticks NY magazine presents its very first Sake and Food event, “Eat Up! Drink Up! Japan” on Oct. 27. During the event, we will divide Japan into six regional blocks and offer craft sake from each block and matching food made with the regional delicacies. Participants can appreciate sake from nationwide Japan and feel the sense of “terroir” in Japan. 18 dishes from nationwide, 3 from each block, will be served during the event. Every dish is crafted to be paired with regional sake. There will be at least one vegetarian dish in each block. Over 30 brands of sake, at least five brands for each region, will be served along with the dishes above. This event is 21 and over.
Saturday, Oct. 28, 6:30 p.m.
Ages of Enchantment: JPA Cultural Repertoires 2017
Symphony Space (Peter Jay Sharp Theater), 2537 Broadway
$30; $25 members; $18 seniors, students and children; $40 day of show
JPA returns for its first show in two years! This year’s performance consists of three categories: 1) Kimono show, 2) traditional Japanese dances, and 3) Japanese folk performing arts (from three regions). During the kimono show, five major kimono types will be shown with different craftsmanship with live models. The details of handcrafted fabric weaving, coloring, and decorating techniques will be explained, so when the audiences actually see the real kimono display, it can promote better learning experiences. After the kimono show, five pieces of traditional Japanese dance will be shown as the second section. The first piece is titled as the “Duet,” which is a rare parallel performance of Japanese traditional dance and Western ballet. The piece will display the differences between the two dance movements and the body uses by the dancers, so the audiences will be able to see the unique characteristics of Japanese dance much easier. The body use will be explained in the context of the cultural characteristics as well.
Oct. 29-Nov. 1
Various locations
$12.50-$13.50
Hayao Miyazaki’s Academy Award-winning masterpiece Spirited Away was the biggest box office hit of all time in Japan and helped redefine the possibilities of animation for American audiences and a generation of new filmmakers. Chihiro thinks she is on another boring trip with her parents. But when they stop at a village that is not all that it seems, her parents undergo a mysterious transformation, and Chihiro is whisked into a world of fantastic spirits, shape-shifting dragons and a witch who never wants to see her leave. She must call on the courage she never knew she had to free herself and return her family to the outside world.
Combining Japanese mythology with Alice in Wonderland-type whimsy, Spirited Away cemented Miyazaki’s reputation as an icon of animation and storytelling. The English-dubbed cast includes the vocal talents of Daveigh Chase, Jason Marsden, Suzanne Pleshette, David Ogden Stiers, Susan Egan, Tara Strong and more! Dubbed in English on Oct. 29 and November 1 and subtitled on Oct. 30, this special three–day event will also feature GKIDS Mini–Fest, an ongoing festival of the best animated shorts from around the world.
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JQ Magazine: Nippon in New York — Collision: Brooklyn, ‘Four Nights of Dream,’ The Joy of Sake


By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.
This month’s highlights include:
Friday, Sept. 8, 6:45 p.m.
The Nippon Club, 145 West 57th Street
$70, $60 members
The Nippon Club will present “Sake Social 2017″, featuring a sake tasting with 14 different “Kuramoto” (sake brewers) from Japan, on 9/8 (Fri). From Fukui to Yamaguchi, each Kuramoto will bring 2 types of Sake to the event, so you can enjoy 28 types of Sake and Chef Yasuoka’s tasty appetizers. For RSVP and more info, call Mita-san at (212) 581-2223 or email info@nipponclub.org.
Friday, Sept. 8, 8:00 p.m.
Lot 45, 411 Troutman Street (Brooklyn)
$20 advance, $30 at the door
Collision is a cross-cultural event that aims to expose Japan’s underground music and culture to cities across the globe by curating lineups of Japanese and local artists (seven acts in all). With the 2020 Tokyo Summer Olympics on the horizon, organizers hope to introduce Japan’s unique subcultures to the millennials of the U.S. and contribute to the attraction and brand of the country, while supporting local creatives and businesses.
Sept. 13, 15-16, 7:30 p.m.
Japan Society, 333 East 47th Street
$55, $45 Japan Society members
A frustrated samurai. An unwieldy herd of pigs. A mysterious murder. A woman’s dying wish. Four surreal stories from Japanese author Natsume Soseki’s (1867-1916) Ten Nights of Dream come to life in Four Nights of Dream (2008), a contemporary chamber opera that traverses the subconscious through colorful melodies and piercing emotions. For this new production, New York vocalists and Tokyo instrumentalists come together to perform within a spellbinding and ever-morphing set. Performed in English.
Justin’s Japan: Ryoko Yonekura Returns to ‘Chicago’


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
This month, “Chicago,” the longest-running American Broadway musical in history, features Japanese superstar actress Ryoko Yonekura in the role of Roxie Hart for 11 performances from July 3-13 at the Ambassador Theatre.
Yonekura originated the role of Hart in the Japanese-language production of “Chicago” in 2008 and played it again in 2010. She then learned the role in English and made her Broadway debut in 2012. Following her return to Broadway this year, Yonekura will join the “Chicago” U.S. national touring company in Tokyo August 2-13 at the Tokyu Theater Orb.
An actress who has enjoyed a steady career in film and television in Japan since the year 2000, Yonekura is best known from the TV Asahi series “Doctor X.” Recently, she appeared for an intimate discussion and meet and greet at Asia Society on June 27.
“Ryoko Yonekura is an amazing bridge builder between the U.S. and Japan. In 2012, she became the first Japanese person in the history of Broadway to play a major character as an American. We are really excited to have Ryoko back in New York,” said Josette Sheeran, president and CEO of Asia Society.
Featuring classic tunes by John Kander and Fred Ebb, “Chicago” tells the story of Roxie Hart, a Jazz age nightclub dancer who murders her lover after an argument, and the media sensationalism that follows. Originally produced for Broadway in 1975 and revived in 1996, the show won six Tony Awards the following year, and the 2002 film adaptation starring Reneè Zellweger, Catherine Zeta-Jones and Richard Gere won Best Picture at the Academy Awards. For tickets, visit www.chicagothemusical.com.
JQ Magazine: Nippon in New York — Ghibli Fest, JAPAN CUTS, One OK Rock


By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Before and after the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s catching one of the dozens of films premiering at Japan Society’s annual festival, or enjoying anything from interpretative theater to the latest rock sensation.
This month’s highlights include:
June 30-July 2
The Club (La MaMa), 74A East 4th Street
$20-$100
Celebrated for her captivating work with the Martha Graham Dance Company, dancer/choreographer Miki Orihara premieres the second incarnation of her multi-media work, In the Box (ITB). Directed by theatrical visual-effects specialist Hiroyuki Nishiyama, this new experimental dance-theater piece features performances by Bessie Award winner Orihara with original music by best-selling Sony Music artist Senri Oe.
Following the 2015 Using cutting edge animations and projections from Japan, In the Box 2 (ITB2) juxtaposes three-dimensional sounds and images with the flesh and bones of a dancer and her moving shadow. ITB2 follows the 2015 premiere of ITB which explored the paradox of “Where Technology Meets the Body” inspired by Schrödinger‘s cat (quantum mechanics). ITB 2 picks up where its predecessor left off and opens the book of our lives in a paradoxical nature. “ITB2 explores human nature by mixing the human body with technology,” explains Orihara. “Audiences will experience entirely new sensations!” Using a streamlined technology of sensor system and infrared camera, audiences can enjoy the dancer’s motions and visual expressions through streamlined technology including CG, infrared cameras, and three-dimensional audio.
Wednesday, July 4-5
Village East Cinema, 189 Second Avenue
$15
Part of this year’s Studio Ghibli Fest! Perfect for audiences of all ages, PONYO centers on the friendship between five-year-old Sosuke and a magical goldfish name Ponyo, the young daughter of a sorcerer father and a sea-goddess mother. After a chance encounter, Ponyo yearns to become a human so she can be with Sosuke. Hayao Miyazaki’s tale is a beautiful combination of unbridled imagination, visual wonder and tender love, humor, and devotion from the emotional heart of the film. The July 4 screening will be presented in Japanese with English subtitles.
July 13-23
Japan Society, 333 East 47th Street
Most films $14/$11 seniors and students, $10 members
Now in its 11th year, North America’s largest festival of new Japanese cinema returns to serve up a slice of the best and boldest titles from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and much more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics, and breathtaking animation, JAPAN CUTS 2017 promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike. For a list of this year’s special guests, click here.
Justin’s Japan: Mr. Big Returns with ‘Defying Gravity’


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Sometimes a band has something special that makes it transcend its own culture, creating a whole new tradition in a completely different place.
Since 1989, this has been the case with Mr. Big, the American hard rock quartet that mixes metallic virtuosity with melodic appeal. Best known for their international smash ballad “To Be with You” (a number one pop U.S. hit in 1992), the band has continued to enjoy massive success in Japan, having played over 100 large-scale concerts there to date and continuing to serve as an influence on Japan’s own music scene and its top artists.
Mr. Big’s drummer Pat Torpey and bassist Billy Sheehan have previously performed with Japan’s all-time most successful rock group B’z (with the latter even joining them on tour); lead singer Eric Martin has recorded a successful string of “Mr. Vocalist” albums consisting of songs originally made famous by female Japanese singers; and guitarist Paul Gilbert has appeared on Japanese talk shows displaying both his tremendous guitar chops and dedicated study of the language.
In a new tradition, the U.S. will get the first taste of all-new Mr. Big material as the group launches a 13-date national tour beginning May 31, with a New York stop at B.B. King Blues Club & Grill on June 10. The tour precedes the release of the group’s ninth studio album, “Defying Gravity,” available July 7 on Frontiers Records. The new songs will presumably make their live debut at these special American gigs.
For tickets to the show and more information, visit www.bbkingblues.com and www.mrbigsite.com.
Also on June 10 at 12:00 p.m., An Intimate Afternoon of Conversation and Music with Mr. Big will take place at The Cutting Room (44 East 32nd Street), featuring a long–form interview with author and journalist Brad Tolinsk. This special event includes an opportunity for audience questions, a short acoustic performance, and a meet and greet. Tickets are $25; for more information, click here.
Justin has written about Japanese arts and entertainment since 2005. For more of his stories, visit http://jetaany.org/magazine.
JQ Magazine: Nippon in New York — AnimeNEXT, Mr. Big, ‘My Neighbor Totoro’


By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate the best of both fine art and pop art.
This month’s highlights include:

Courtesy of Asiasociety.org
June 1-2, 6:30 p.m.
Asia Society, 725 Park Avenue
$12, $10 students/seniors, $8 members
Highlighting some of the most exciting new voices in cinema, New York Japan CineFest presents two nights of short films by emerging Japanese and Japanese American filmmakers. Featuring 15 short films spanning drama, sci-fi, documentary and anime, the first night’s program is followed by a reception. Click here to check out Program 2 on Friday, June 2, 2017.

Courtesy of Bluenote.net
June 6-11
Blue Note Jazz Club, 131 West 3rd Street
$30-$45
Japan has produced an impressive assemblage of jazz pianists; from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut album Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters; taking improvisation and composition to new heights of complexity and sophistication. These special duet performances with Colombian harpist Edmar Castañeda are sure to inject a Latin flavor to the mix.

Courtesy of Okmusic.jp
June 9-11
Atlantic City Convention Center, 1 Convention Boulevard
$50-$60
The largest independently organized anime convention in the New York/New Jersey metropolitan area. AnimeNEXT features Japanese creators of anime and manga, voice actors, musical acts, artists, vendors and exhibits, events, panels, workshops, gaming, and cosplay. This year’s special guest is Oblivion Dust, a major label Japanese rock act, which reunited in 2007 following a six-year hiatus. Although they were originally largely influenced by early ’90s American grunge bands, since reuniting their music has become straight alternative rock. They stand out in the Japanese scene as most of their songs are written and sung in fluent English.
JQ Magazine: Japan Society Salutes Godzilla with Concert Spectacular



Special guests Charan-Po-Rantan and Makigami Koichi (center) performed in Godzilla Legend — Music of Akira Ifukube at Japan Society on April 28. The concert was conceived and arranged by Makoto Inoue (far left) and performed by the band Hikashu and other special guest musicians. (Ayumi Sakamoto)
By Lyle Sylvander (Yokohama–shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City–based soccer team.
On April 28, the Japan Society of New York hosted a delightfully unusual concert of Godzilla music. Yes, you read that correctly. The Japanese pop techno band Hikashu took the stage in a 90-minute intermission-less night of monster music from such iconic classics of the Godzilla canon as Gojira (a.k.a. Godzilla, King of the Monsters!) (1954), Rodan (1956), Mothra (1961), King Kong vs. Godzilla (1962), Ghidora, the Three–Headed Monster (1964), Godzilla vs. Mechagodzilla II (1993) and Godzilla vs. Destoroyah (1995). While the colossal black-green (his color fluctuates from movie to movie) lizard never made an onstage appearance, he made his presence aurally known through Hikashu’s superb performances, with narration by founding member Makoto Inoue (who also played keyboards) and special appearances by the female pop duo Charan-Po-Rantan. Adding to the fun were aural appearances by the Big G’s nemeses, Rodan, King Ghidora, King Kong and Mothra, a gigantic butterfly-like insect who was the only monster to ultimately defeat Godzilla in battle.
Inoue’s narration did more than entertain; it also provided informative commentary on the evolution of the films. As Inoue explained, Godzilla was born out of the collective Japanese fear of both large natural disasters (earthquakes, typhoons and tsunamis) and of the atomic bomb. Produced just nine years after the bombings of Hiroshima and Nagasaki and one year after the U.S. testing of a hydrogen bomb contaminated a Japanese fishing vessel, the original Japanese film is a dark and somber affair. For years, the only available version in North America was a re-edited film that mixed a new English-language narrative with the Japanese monster footage—that film starred Raymond Burr and downplayed the ominous sadness.
JQ Magazine: Nippon in New York — George Takei, Tokyo x Brooklyn, Japan Day @ Central Park


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
As spring continues and the weather continues to warm, New Yorkers can enjoy activities all over the city both indoors and out.
This month’s highlights include:
Monday, May 1, 7:30 p.m.
BAM Howard Gilman Opera House, 30 Lafayette Avenue
$35-$75
Actor and social justice activist George Takei brings his uncanny eloquence and signature wit to BAM. In this very special evening, he shares the story of his Japanese-American family’s forced internment during World War II, a seemingly forgotten part of American history. He also takes audiences through his rise to celebrity as a sci-fi icon, his remarkable journey as social media mega power, and his passionate fight for LGBTQ rights and marriage equality in America—empowering others to beat the odds and make a difference.

Courtesy of Asiasociety.org
Wednesday, May 3, 6:30 p.m.
Monkey Business: Japan/America Writers’ Dialogue
Asia Society, 725 Park Avenue
$20, $15 students/seniors, $12 members
Join a conversation between Japanese and American writers as part of the annual PEN World Voices Festival. This year’s featured writers are award-winning novelist Jamaica Kincaid, author Brian Evenson, Japanese writer Hiroko Oyamada, and Hiromi Ito, one of the most important female voices in contemporary Japanese poetry. Each ticket includes a complimentary copy of the latest volume (#7) of Monkey Business.
Thursday, May 4, 9:00 p.m.
Rough Trade NYC, 64 North 9th Street (Brooklyn)
$15
Kikagaku Moyo (Geometric Patterns) is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice. Since 2013 the band has released two full lengths, an EP, and several singles. They have toured Australia, the United States, Europe and Japan extensively. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing. With support from Mountain Movers and Jason Spacin’ Killinger.
Thursday, May 11, 7:30 p.m.
B.B. King Blues Club & Grill, 237 West 42nd Street
$29.50-$69.50
With guitar styles ranging from rock, blues, jazz and fusion to pop and soul, Richie Kotzen has built a remarkably diverse 25-plus year career as a guitarist, singer and songwriter. A veteran of numerous groups including the Winery Dogs, Kotzen’s Japan cred is extensive: He wrote the number one song “Shine” as a member of Mr. Big, which was used as the ending theme for the anime series Hellsing, has recorded an entire album of music from the anime series Gundam, and toured as the opening act on the Japanese leg of the Rolling Stones’ 2006 tour. The Kotzen Telecaster guitar has repeatedly been the #1 selling signature model guitar for Fender Japan. This show will include selections from his new album, Salting Earth.
May 13-14
Brooklyn Expo Center, 72 Noble Street
$15-65
This all-new pop culture festival brings together two cultures, Tokyo and Brooklyn, featuring an exciting lineup of musicians, a variety of culinary favorites, innovative technology, artists and performers. The concept is to bridge the gap between Brooklyn creativity and craftsmanship and Japanese pop culture. Festival attendees experience more than just a spectacular neighborhood event, which Includes vintage anime screenings of films like Akira and Ghost in the Shell and headline performances from acts including MIYAVI, Anamanaguchi, DJ Logic (Plus Special Guests) and the Taiko Masala Thunder Drummers.
Sunday, May 14, 9:30 a.m.-4:00 p.m.
Free
Now in its eleventh year, Japan Day has won acclaim from New Yorkers from every walk of life, with Mayor Michael de Blasio calling it an eagerly anticipated cultural event on the city’s calendar. For this year’s event, organizers are planning once again to have both the Japan Run (beginning in the early morning) and the Japan Day Festival, emphasizing enjoyable activities for all ages that will deepen participants’ understanding and appreciation of Japanese culture—not to mention the food, drinks and snacks! Hosted by CNN national correspondent Sandra Endo, previous guest performers have included AKB48, Jero and Akiko Yano.
Sunday, May 28, 5:00 p.m.
Irving Plaza, 17 Irving Place
$25 GA, $95 VIP meet and greet
Generations from Exile Tribe (a.k.a. Generations) is a seven-member Japanese boy band signed to the Avex Group label Rhythm Zone. lThe group belongs to the talent agency LDH and is part of the collective “Exile Tribe,” related to pop group Exile. Generations debuted in November 2012 and is ready to make its New York debut.
Want to stay in the loop on future events? Follow Justin on Facebook and Twitter.
Justin’s Japan: Charan-Po-Rantan Returns to New York


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
What do you get when you take candy-coated J-pop idol fashion, frenetic European folk accordion melodies, and a stuffed pink pig—all happening on the same stage?
You get Charan-Po-Rantan, the “alternative chanson” duo of sisters Momo (vocals) and Koharu (accordion). Their music is an eclectic, multi-ethnic mix that combines originals from Koharu with inspired cover tunes ranging from Puffy to “Hava Nagilah” to the Super Mario Brothers theme, creating an infectious live experience.
Originally formed in 2009 and signed as Avex recording artists in 2014, Charan-Po-Rantan’s latest album was released in January. This popular live act has made a high-profile splash everywhere from Nippon Budokan to SXSW, and now the group has returned to New York for their first local gigs since 2015. Momo and Koharu kick things off by headlining Joe’s Pub on April 24, followed by an encore performance at Japan Society as part of the Godzilla Legend: Music of Akira Ifukube showcase with techno-pop band Hikashu on April 28.
In a statement about the upcoming shows, the group said, “We are so happy to be going back to our favorite place—New York! We heard that New York is called a salad bowl of different cultures, and our music is sometimes called ‘a melting pot of world music.’ Please come taste our Tokyo sound, which mixes different genres and eras.”
For more information and tickets, follow the group on Facebook at /charanporantan.
JQ Magazine: Nippon in New York — ‘Your Name,’ Miyavi, Charan-Po-Rantan


By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.
This month’s highlights include:
Now playing
Landmark Sunshine Cinema, 143 East Houston Street
$14.50
Written and directed by Makoto Shinkai (5 Centimeters Per Second, Children Who Chase Lost Voices), the highest-grossing internationally released anime film in history finally comes to America! The day the stars fell, two lives changed forever. High schoolers Mitsuha and Taki are complete strangers living separate lives. But one night, they suddenly switch places. Mitsuha wakes up in Taki’s body, and he in hers. This bizarre occurrence continues to happen randomly, and the two must adjust their lives around each other. Yet, somehow, it works. They build a connection and communicate by leaving notes, messages, and more importantly, an imprint. When a dazzling comet lights up the night’s sky, something shifts, and they seek each other out wanting something more—a chance to finally meet.
Sunday, April 9, 8:00 p.m.
B.B. King Blues Club and Grill, 237 West 42nd Street
$29.50 advance, $35 day of show
A courageous, spiritually-driven and consummate artist who transcends boundaries, Keiko Matsui has worked alongside the best, including Miles Davis, Stevie Wonder, Hugh Masakela, and Bob James. Her unique melting pot of musical influences have garnered her a devout international following, as she tours relentlessly and seeks to make a genuine connection with her audience. “This music energizes me and I am overwhelmed with emotion when I listen to it. I hope people will allow themselves to go inside the music and become a part of my journey,” says the Tokyo native. In the words of Duke Ellington, Keiko Matsui is “beyond category.”
Friday, April 21, 7:30 p.m. and 9:30 p.m.
Club Bonafide, 212 East 52nd Street
$20
Orange Pekoe is a band composed of vocalist Tomoko Nagashima and guitarist Kazuma Fujimoto. Formed in 1998, they started creating original songs and have developed a unique sound sublimating various types of music such as jazz, Latin, Brazilian and soul. Since then, Orange Pekoe has been acclaimed as a one-of-a-kind uniquely artistic band.. Their performance style varies from a duo to a band, sometimes playing alongside a 16-member big band-style orchestra, which they received renown as one of the most unique and talented artists in Japan.
Concert Review: Yoshiki Classical Special at Carnegie Hall


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). For more of his articles, click here.
On Jan. 12-13, Yoshiki of the band X Japan—the nation’s number one rock group, which has sold out the 55,000 seat Tokyo Dome a record 18 times and has moved more than 30 million singles and albums since forming in the 1980s—fulfilled a lifelong dream by debuting, and also selling out, two consecutive nights at Carnegie Hall in New York City with his Yoshiki Classical Special performance.
Backed by the Tokyo Philharmonic Orchestra conducted by Yuga Cohler with arrangements by Shelly Berg, the nearly three-hour concert brought an arena vibe to the traditional concert hall setting. Featuring a mix of X Japan classics, new material, and pitch perfect renditions from the book of Beethoven and Tchaikovsky, Yoshiki brought the tunes to life at the piano, and additional turns from guest vocalists Katie Fitzgerald and Ashley Knight provided bright spots of witty banter (unlike other Japanese superstars poised for American fame, Yoshiki’s English is fluent).
The production team pushed the limits of imagination for Carnegie Hall, with lighting so intense that Yoshiki himself had to ask his crew mid-song to reposition of one of the rigs. Videos and still images (courtesy of last year’s internationally released documentary We Are X) were amply beamed overhead throughout the show, giving the audience the full scope of Yoshiki’s lifelong artistic journey.
In the final stretch following the X Japan epic “Art of Life,” an instrumental version of “Endless Rain” spotlighted a colossal mirror ball that bathed the hall in brilliant, swirling light, as those in the front rows unexpectedly belted out its bilingual chorus to the delight of longtime fans.
While X Japan supporters might have to wait a bit longer to witness another full band performance in New York (they last headlined Madison Square Garden in 2014), Yoshiki Classical Special easily lived up to its name, making another dream come true for both performer and audience.
For additional photos and videos of the concert, visit Yoshiki’s homepage at www.yoshiki.net.
JQ Magazine: Nippon in New York — Anime films, Final Fantasy Live, Yoshiki at Carnegie Hall


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Start 2017 off right by heading down to your local concert hall, cinema, or arts center for some fantastic new year’s fare. Whether you enjoy movies, travel, or orchestral performances classic video games, treat yourself and catch a break from the cold.
This month’s highlights include:
Now playing through Jan. 5
IFC Center, 323 Sixth Avenue
$15
New 4K restoration! Rarely seen outside of Japan, Ocean Waves is a subtle, poignant and wonderfully detailed story of adolescence and teenage isolation. Taku and his best friend Yutaka are headed back to school for what looks like another uneventful year. But they soon find their friendship tested by the arrival of Rikako, a beautiful new transfer student from Tokyo whose attitude vacillates wildly from flirty and flippant to melancholic. When Taku joins Rikako on a trip to Tokyo, the school erupts with rumors, and the three friends are forced to come to terms with their changing relationships. As the first Studio Ghibli film directed by someone other than studio founders Hayao Miyazaki and Isao Takahata, these new screenings of Ocean Waves are paired with Ghiblies: Episode 2, a unique 25-minute short film from Studio Ghibli, featuring several comedic vignettes of studio staff as they go about their day. Utilizing new animation techniques and software that would then be deployed on the production of My Neighbors the Yamadas, Ghiblies: Episode 2 made its North American debut in December 2016. Presented in Japanese with English subtitles.
January 5 & 9, 7:00 p.m.
Princess Mononoke: 20th Anniversary
AMC Empire 25, 234 West 42nd Street
$15.99
A two-night event! Princess Mononoke, the classic animated film from groundbreaking writer/director Hayao Miyazaki and the legendary Studio Ghibli, returns to movie theaters in celebration of the beloved historical fantasy’s 20th anniversary and director Miyazaki’s birthday. The first Studio Ghibli film to receive an uncut U.S. theatrical release, Princess Mononoke returns to cinemas subtitled on Jan. 5 at 7:00 p.m. and English-dubbed on Jan. 9 at 7:00 p.m. The celebration will include a special bonus screening of the music video directed by Hayao Miyazaki, Chage and Aska’s “On Your Mark”!
Jan. 5-9
The Public: Martinson Hall, 425 Lafayette Street
$25, $20 members
Part of the 2017 Under the Radar Festival! Tokyo, 1937: An American silent film about a Japanese immigrant is introduced by a celebrated narrator whose existence is being threatened by the impending arrival of the talkies. Ten years later, he will survive under U.S. occupation as a street performer, desperately attempting to finish this story. Admiration and resistance, dreams and survival, Club Diamond is a modern take on the immigration tale. Its creators are Nikki Appino, an award-winning filmmaker, Saori Tsukada, who has been described as a “charismatic mover” (Backstage) and a “startlingly precise dancer” (The New York Times), and has been developed in collaboration with violinist Tim Fain.
JQ Magazine: Music Review — ‘Time to Play’



“Time to Play is a well-produced colletion of covers that delights in mixing together several genres.” (J-MUSIC Ensemble)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
“J-pop meets jazz.” What does that really mean?
These words appear on the J-MUSIC Ensemble’s official website, the J-MUSIC Ensemble being a New York-based jazz-influenced instrumental band that mixes various genres. The group’s Grammy-nominated founder Patrick Bartley once told me, “We’re not just playing jazz songs; we’re taking the jazz mentality.”
So what do they serve up with Time to Play, their full-length recording debut? Befitting the group’s name, Time to Play features eight covers of songs by popular Japanese musical acts (including Hikaru Utada’s “Simple and Clean”) executed in a cohesive mix of jazz, funk, rock and pop. Sure enough, the album’s first track (and Perfume cover) “Game” features a significant rock influence with a heavy dose of bass and guitar. The album closes with another substantial touch of rock as the Yoko Kanno cover “The Real Folk Blues” also features a significant helping of the two above-mentioned instruments (but oddly enough, the song doesn’t sound in any way like a folk or blues tune).
JQ Magazine: Nippon in New York — ‘We Are X,’ ‘Tonoharu,’ VAMPS, Momoiro Clover Z


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
From the silver screen to the stage to J-pop, November is just as colorful as the autumn leaves drifting through the air. Add these live events to the mix and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Friday, Nov. 4, various times
Alamo Drafthouse Downtown Brooklyn, 445 Albee Square West
$11
East Coast premiere! This award-winning documentary debuted at Sundance and SXSW earlier this year chronicles the back story of the hard rock band X Japan, as its star drummer Yoshiki prepares for a reunion concert at Madison Square Garden. While virtually unknown to U.S. audiences, Yoshiki has sold more than 30 million records overseas, where he enjoys an A-list following. Directed by Stephen Kijak (Stones in Exile) and produced by John Battsek (Searching for Sugar Man), We Are X includes testimonials from such high-profile X fans as Gene Simmons and Marilyn Manson. See Yoshiki and director Stephen Kijak in person for Q&A on Fri, 11/4 following the 7:30 p.m. show. Director Stephen Kijak appears in person for Q&A Sat, 11/5 following the 6:30 p.m. show.
Tuesday, Nov. 8
$24.95
The long-awaited final volume of the critically acclaimed Tonoharu series from JET alum Lars Martinson (Fukuoka-ken, 2003-2006) rejoins Dan Wells several months into his tenure as an English teacher in the Japanese village of Tonoharu. As personal stresses push Dan to the breaking point, he decides to take an extended cross-country vacation to let off steam. His time away grants him a fresh perspective on his troubles, but upon his return to Tonoharu, Dan discovers that dramatic change has occurred in his absence. Will this upheaval render his new-found epiphany moot? With hundreds of beautiful, detailed illustrations that evoke 19th century line engravings, Tonoharu provides a nuanced portrayal of the joys and frustrations of living abroad.
Friday, Nov. 11, 8:30 p.m.
Sounds to Summon the Japanese Gods: Ko Ishikawa
Japan Society, 333 East 47th Street
$20, $15 Japan Society members. A limited number of Lobby Seats are available for purchase. Please call the box office at (212) 715-1258 to inquire.
Step into a space where otherworldly sounds abound. Led by Ko Ishikawa, master player of the sho (ancient Japanese mouth organ) and internationally active contemporary musician, this program offers selections spanning from medieval gagaku (Imperial Court music) to works by acclaimed music composer Mamoru Fujieda. Ishikawa will be joined by Kayoko Nakagawa on koto and Ami Yamasaki on voice for this musical soiree, which also incorporates the sounds of fermenting shochu (Japan’s distilled alcohol), a highly sacred beverage in Japanese mythology.
Justin’s Japan: Yoshiki and ‘We Are X’


By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
The most influential rock band in Japanese history, X Japan has sold 30 million albums, performed a record 18 shows at Tokyo Dome, and even headlined Madison Square Garden in 2014. Led by their flamboyant drummer/pianist Yoshiki, the band rewrote the rules for both sound and style in the late ’80s and early ’90s, giving birth to the visual kei genre in the process.
After a series of struggles and rebirth, 2016 promises to be X’s biggest year yet on the global stage. The band is months away from releasing their first studio album in 20 years, and with October 21 comes the theatrical premiere of “We Are X,” a new award-winning documentary of the group from American director Stephen Kijak, best known for 2010’s “Stones in Exile.”
The film had its first-ever screening at Sundance in January, and Yoshiki himself appeared in New York last month for a special invitation-only screening of the film at the Crosby Street Hotel in Soho, where he participated in a Q&A with the director, played grand piano, and greeted some very lucky fans.
While X Japan has no current plans to tour America, fans hoping to see Yoshiki on stage won’t have to wait too long: Yoshiki Classical with the Tokyo Philharmonic Orchestra makes its Carnegie Hall debut January 12 and 13. Tickets are available now. For more information on cities and premiere dates for the film, visit www.wearexfilm.com.
Justin has written about Japanese arts and entertainment since 2005. For more of his stories, visit http://jetaany.org/magazine.