Dec 11

JQ Magazine: Music Review — ‘Time to Play’

"Time to Play is very much a well-produced compilation of covers that delights in mixing together several genres." (J-MUSIC Ensemble)

Time to Play is a well-produced colletion of covers that delights in mixing together several genres.” (J-MUSIC Ensemble)

By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at

“J-pop meets jazz.” What does that really mean?

These words appear on the J-MUSIC Ensemble’s official website, the J-MUSIC Ensemble being a New York-based jazz-influenced instrumental band that mixes various genres. The group’s Grammy-nominated founder Patrick Bartley once told me, “We’re not just playing jazz songs; we’re taking the jazz mentality.”

So what do they serve up with Time to Play, their full-length recording debut? Befitting the group’s name, Time to Play features eight covers of songs by popular Japanese musical acts (including Hikaru Utada’s “Simple and Clean”) executed in a cohesive mix of jazz, funk, rock and pop. Sure enough, the album’s first track (and Perfume cover) “Game” features a significant rock influence with a heavy dose of bass and guitar. The album closes with another substantial touch of rock as the Yoko Kanno cover “The Real Folk Blues” also features a significant helping of the two above-mentioned instruments (but oddly enough, the song doesn’t sound in any way like a folk or blues tune).

It’s quite appropriate that Time to Play finishes with a cover of a song featured in the anime series Cowboy Bebop. Bartley once mentioned to me that video game scores have been a major influence on his music and sure enough, a couple of other songs—“Patchwork Eden” and “Macaroni”—feature keyboard-generated sounds that wouldn’t sound out of place in video games.

Having seen the J-MUSIC Ensemble perform live earlier this year, my expectation of Time to Play is that the album would feature largely untempo songs. That was largely the case but a couple of tunes—the above-mentioned “Macaroni” and “Marie’s World”—seem relatively mellow and the latter piece reveals the album’s smooth jazz feel.

Bartley was correct when he said the J-MUSIC Ensemble doesn’t play jazz songs. Each of the tunes on Time to Play mixes a cool variety of sounds and instruments that create an album that’s easy to return to. At first listen, there doesn’t seem to be a standout track in Time to Play, especially for those unfamiliar with the original version of its songs, but that doesn’t detract from the album at all. Time to Play is a well-produced collection of covers that delights in mixing together several genres.

For more from J-MUSIC Ensemble, follow them on Facebook. Listen to samples and get Time to Play on the iTunes Store and Bandcamp. Read JQ’s 2016 interview with Patrick Bartley here.

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