By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
From the silver screen to the stage to J-pop, November is just as colorful as the autumn leaves drifting through the air. Add these live events to the mix and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Asahi Shimbun/Getty Images
Now through Dec. 16
Yayoi Kusama: Festival of Life and Infinity Nets
David Zwirner Galleries, 525 and 533 West 19th Street and 34 East 69th Street
Free
Yayoi Kusama’s work has transcended some of the most important art movements of the second half of the twentieth century, including Pop Art and Minimalism. The exhibitions will feature sixty-six paintings from her iconic My Eternal Soul series, new large-scale flower sculptures, a polka-dotted environment, and two Infinity Mirror Rooms in the Chelsea locations, and a selection of new Infinity Nets paintings uptown. The celebrated Infinity Mirror Rooms invite the viewer to experience a sense of infinity through the play of reflections between the circular shapes of light and the surrounding mirrors. The Infinity Net paintings on view at the gallery’s uptown location are the latest works in a series begun in New York in the 1950s, when Abstract Expressionism was still the dominant style. These canvases embodied a radical departure, featuring minutely painted nets across monochrome backgrounds.
Rikyu-Enoura © Odawara Art Foundation
Nov. 3-5
Japan Society, 333 East 47th Street
$95, $75 Japan Society members, seniors and students (Nov. 4-5 only)
Part of Japan Society’s NOH-NOW series, celebrating its 110th anniversary! Hiroshi Sugimoto, acclaimed visual artist and traditional Japanese arts connoisseur, offers his most recent noh piece. In this new play, the ghost of revered 16th century tea master Sen-no-Rikyu appears to tell the story of his tragic death by forced suicide. Opening a door onto medieval Japan, the program begins with a tea ceremony by Sen So’oku, direct descendent of Sen-no-Rikyu, and features Japan’s top noh actors and musicians. Performed in Japanese with English titles.
Courtesy of Chopsticksny.com
Nov. 16-Dec. 3
SoHo Playhouse, 15 Vandam Street
$30
Universally funny and yet so very Japanese. Katsura Sunshine makes his highly-anticipated off-Broadway debut! As the world’s first bilingual rakugo-ka (a traditional Japanese comic storyteller), he is an international ambassador of this 400-year tradition. Fresh off 10 smash-hit performances in London’s West End, he will have a series of performances bringing his unique yet authentic rakugo to Off Broadway—in Japanese and English!
Crunchyroll – 2017
Nov. 17-19
Jacob K. Javits Convention Center, 655 West 34th Street
$35-$60; VIP passes also available
“Anime and manga have taken the world by storm. While New York City is the largest city in America, no focused event championing Japanese pop culture calls it home and with a population of eight million there’s a massive demand here,” says Peter Tatara, LeftField Media’s vice president of anime events. “Anime NYC will be a celebration of this community of fans and a platform for publishers and studios from both sides of the Pacific to be in front of the eyes of attendees, trendsetters, and people who aren’t yet familiar with the worlds of anime and manga. We’re looking forward to a vibrant, dedicated celebration of everything in Japan that’s nerdy and cool, in the media capital of the world!”
In this inaugural three-day celebration of Japanese animation powered by Crunchyroll, attendees will be able to view exclusive anime screenings and meet major guests courtesy of international animation and manga publishers; play the latest in Japanese gaming technology; chow down on Japanese delicacies and fusion cuisine; rock out to musical guests direct from Tokyo; and more! An estimated 20,000 fans are expected to attend, with special guests featuring the English-language cast of Sailor Moon Crystal for a panel screening; the U.S. premieres of the films Gundam Thunderbolt: Bandit Flower and Fullmetal Alchemist, and the NY Ramen Summit, featuring a discussion between famed ramen chefs from around the city.
JQ Magazine: New York Comic Con, ‘Porco Rosso,’ ‘The Legend of Zelda,’ Food Porn Party
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.
This month’s highlights include:
Volume 1—FAIRY TAIL © Hiro MASHIMA / Kodansha Ltd.; Hiro Mashima—Photo courtesy of Kodansha Ltd.; Volume 61—FAIRY TAIL © Hiro MASHIMA / Kodansha Ltd.
Thursday, Oct. 5, 6:30 p.m.
Hiro Mashima: The Magical World of Fairy Tail
Japan Society, 333 East 47th Street
$30, $25 Japan Society members, seniors and students
Award-winning manga artist Hiro Mashima, known for his bestselling series Fairy Tail, comes to Japan Society for a special talk in conjunction with New York Comic Con. The epic fantasy series, which has sold over 60 million copies worldwide, follows the rambunctious wizard’s guild Fairy Tail through adventures in a stunning variety of settings, with a mind-boggling array of colorful characters. Mashima, also renowned for his long-running series Rave Master, joins us to discuss the works that have captured the imaginations of fans around the world. Moderated by Ben Applegate, director of the Kodansha Comics publishing team at Penguin Random House, and interpreted by Misaki Kido, marketing director at Kodansha Advanced Media. One lucky guest will win a surprise gift from Mashima-sensei at the event! Followed by a reception.
Courtesy of MediaLab PR
Oct. 5-8
Jacob K. Javits Convention Center, 655 West 34th Street
Limited tickets available
With a record attendance of more than 170,000 visitors last year, the East Coast’s biggest gathering for fans of comics, film, anime and manga, New York Comic Con returns with its biggest roster of Hollywood talent to date, and features exclusive screenings, gaming, cosplay photo ops, interactive booths by manga publishers including Vertical Comics and Kodansha Comics , and special guest appearances by manga artists Hiro Mashima (Fairy Tail) and Akira Himekawa (The Legend of Zelda)!
Porco Rosso © 1992 Studio Ghibli—NN
Friday, Oct. 6, 7:00 p.m.
Japan Society, 333 East 47th Street
$13, $10 seniors and students, $5 Japan Society members
Screening in 35mm! An ace fighter pilot and ex-member of the Italian Air Force during WWI is mysteriously cursed with a pig’s face. Disillusioned with humanity, he adopts the name Porco Rosso (“Crimson Pig”) and spends his time near the Adriatic Sea, drinking at a local bar and fighting off air pirates for cash. Famous for his unsurpassable flying skills, Porco draws the envy and antagonism of an American pilot who plots to take him down with the help of the fascist Italian police. This sixth film by Hayao Miyazaki is among the master animator’s most personal and underrated, highlighting his deep love for aviation and pacifist worldview within an action-adventure story perfect for adults and children alike.
Dogwoof Ltd.
Premieres Friday, Oct. 13
Metrograph, 7 Ludlow Street
$15
In her new documentary, Lana Wilson (After Tiller) takes us deep inside the life of another extreme altruist, Ittetsu Nemoto, a punk-rocker-turned-Buddhist priest who has worked small miracles in suicide prevention in his native Japan. Now facing the new challenge of fatherhood, as well as rapidly escalating health problems of his own, Nemoto must answer a crucial question—can he justify risking his own life to help others carry on with theirs? With astonishing access and artistry, The Departure captures one man’s wrenching decision between self-preservation and selflessness. Select screenings on Oct. 13 and 14 feature a special Q&A with the director.
© Terry Lin
Oct. 13-14, 7:30 p.m.
Japan Society, 333 East 47th Street
$35, $30 Japan Society members
Aesthetics of the past, present, East and West meld together in Italian director/choreographer Luca Veggetti’s Left–Right–Left, which explores the point of intersection between Japan’s 14th-century noh tradition and today’s efforts in dance. With leading Japanese butoh and contemporary dancers, esteemed noh musicians and a child noh actor reciting text from noh plays Okina and Hagoromo, this production offers a lens into the microcosm of humanity. Performed in English. The Oct. 13 performance is followed by a MetLife Meet–the–Artists Reception. The Oct. 14 performance is followed by an artist Q&A.
© Maiko Miyagawa
Oct. 13-14, 8:00 p.m.
92nd Street Y (Buttenwieser Hall), 1395 Lexington Avenue
$15-$29
Tap dancer Kazu Kumagai, known for his “powerful athletic technique combined with a riveting clarity” (2016 Bessie Outstanding Performer Award) channels his exceptional rhythmic artistry into the intensity of HEAR/HERE. The program includes a live jazz quartet and guest tappers, including legends Ted Louis Levy and Brenda Bufalino (2016 Bessie Award for Lifetime Achievement). This Dig Dance show is Kazu’s return to 92Y after a sell-out performance last season.
Courtesy of Nipponclub.org
Wednesday, Oct. 18, 7:00 p.m.
The Nippon Club, 145 West 57th Street
$250, $200 members
A one-of-a-kind cultural experience! See Japanese Ozashiki culture in person with Geisha (Geiko and Maiko) from Nara, Japan. They will entertain visitors with their arts such as music, dance, conversations and traditional games while you enjoy Japanese food and sake. For RSVP and more info, call (212) 581-2223, or email info@nipponclub.org, attn: Mita, Uchikawa.
Andrew Craig
Friday, Oct. 20, 8:00 p.m.
The Legend of Zelda: Symphony of the Goddesses
United Palace Theater, 4140 Broadway
$28.13-$120
Back by popular demand and presented by Jason Michael Paul Productions, The Legend of Zelda: Symphony of the Goddesses returns to New York with breathtakingly new visuals and music exploring additional chapters from the Zelda franchise as well as the beautifully orchestrated two-act symphony recounting the classic storylines from some of the most popular video games in history. Take up your wooden sword and shield as a live orchestra and the Montclair State University Vocal Accord brings to life the masterpieces of legendary Nintendo composer and sound director Koji Kondo.
Hiroshi Sugimoto (b. 1948), Teatro Olimpico, Vicenza, 2015. Gelatin silver print
Oct. 20-Nov. 17 (first rotation); Nov. 21-Jan. 7 (second rotation)
Hiroshi Sugimoto: Gates of Paradise
Japan Society, 333 East 47th Street
Single visit: $12/$10 students and seniors; both rotations: $20/$16 students and seniors;
free for Japan Society members; free admission on Fridays from 6:00 p.m.-9:00 p.m.
This fall, explore one of the earliest, and largely unknown, encounters between Japan and the West in the 16th century, as seen through the eyes of artist Hiroshi Sugimoto. In celebration of Japan Society’s 110th anniversary, Hiroshi Sugimoto: Gates of Paradise charts the story of four Japanese boys, who were swept up in the tide of religion, commerce and politics during the first Global Age and sent to the princely and papal courts of Europe. Journey in their footsteps through Sugimoto’s new monumental photographs of the sites they visited, and navigate the germination of cultural exchange between East and West with classical masterpieces of visually hybrid (nanban) art from Japanese and American collections. Join guests for the Escape East @333 happy hours on Oct. 20 and Nov. 10 at 6:00 p.m.
Courtesy of USA.kinokuniya.com
Saturday, Oct. 21, 2:00 p.m.
Tatsuya Miyanishi: Tyrannosaurus series
1073 Sixth Avenue
Acclaimed Japanese children’s author and illustrator Tatsuya Miyanishi will visit the U.S. for the first time this month! His Tyrannosaurus series consists of 12 titles and has sold more than 3 million copies in Japan, China, Korea, Taiwan, and France. There are four titles available in English so far from Museyon. Bring your kids to a nearby Kinokuniya Book Store (other cities including Edgewater, NJ are listed in the photo here) between October 21st and 29th for a presentation and book signing! Miyanishi is an entertaining presenter who will draw, read from his books, and discuss his work. A book signing will follow each presentation.
Janus Films
Saturday, Oct. 21, 7:00 p.m.
The Food Porn Party featuring Tampopo
AMC Empire 25, 234 West 42nd Street
$95, $125 VIP (use code “RESOBOX” for 10% off tickets)
Taste what you see on the screen! The Food Film Festival specializes in creating multisensory food and film experiences. At their events, guests watch films about food and simultaneously taste the exact dishes they see on the screen…right in their seats! Hosting their “Food Porn” Party featuring the cult classic film, Tampopo. Following the film, they are inviting everyone to join their Japanese Noodle Fest! Directed by Jûzô Itami, the tale of an enigmatic band of ramen ronin who guide the widow of a noodle shop owner on her quest for the perfect recipe, Tampopo serves up a savory broth of culinary adventure seasoned with offbeat comedy sketches and the erotic exploits of a gastronome gangster. Sweet, sexy, surreal, and mouthwatering, Tampopo remains one of the most delectable examples of food on film. Following the movie, there will be a Japanese noodle feast featuring ramen and more ramen, decadent dishes, cocktails, craft beer and more! Additional Food Film Festival events include James Beard: America’s First Foodie (Oct. 19), Hometown Heros: The Legend of the Chopped Cheese (Oct. 20), and For the Love of Brunch (Oct. 22). For a complete listing, click here.
Courtesy of Eventbrite.com
Friday, Oct. 27, 11:30 a.m.-9:30 p.m.
NYC Event Spaces, 4 West 43rd Street
$35-$75
Chopsticks NY magazine presents its very first Sake and Food event, “Eat Up! Drink Up! Japan” on Oct. 27. During the event, we will divide Japan into six regional blocks and offer craft sake from each block and matching food made with the regional delicacies. Participants can appreciate sake from nationwide Japan and feel the sense of “terroir” in Japan. 18 dishes from nationwide, 3 from each block, will be served during the event. Every dish is crafted to be paired with regional sake. There will be at least one vegetarian dish in each block. Over 30 brands of sake, at least five brands for each region, will be served along with the dishes above. This event is 21 and over.
Courtesy of Symphonyspace.org
Saturday, Oct. 28, 6:30 p.m.
Ages of Enchantment: JPA Cultural Repertoires 2017
Symphony Space (Peter Jay Sharp Theater), 2537 Broadway
$30; $25 members; $18 seniors, students and children; $40 day of show
JPA returns for its first show in two years! This year’s performance consists of three categories: 1) Kimono show, 2) traditional Japanese dances, and 3) Japanese folk performing arts (from three regions). During the kimono show, five major kimono types will be shown with different craftsmanship with live models. The details of handcrafted fabric weaving, coloring, and decorating techniques will be explained, so when the audiences actually see the real kimono display, it can promote better learning experiences. After the kimono show, five pieces of traditional Japanese dance will be shown as the second section. The first piece is titled as the “Duet,” which is a rare parallel performance of Japanese traditional dance and Western ballet. The piece will display the differences between the two dance movements and the body uses by the dancers, so the audiences will be able to see the unique characteristics of Japanese dance much easier. The body use will be explained in the context of the cultural characteristics as well.
© Studio Ghibli – NDDTM
Oct. 29-Nov. 1
Various locations
$12.50-$13.50
Hayao Miyazaki’s Academy Award-winning masterpiece Spirited Away was the biggest box office hit of all time in Japan and helped redefine the possibilities of animation for American audiences and a generation of new filmmakers. Chihiro thinks she is on another boring trip with her parents. But when they stop at a village that is not all that it seems, her parents undergo a mysterious transformation, and Chihiro is whisked into a world of fantastic spirits, shape-shifting dragons and a witch who never wants to see her leave. She must call on the courage she never knew she had to free herself and return her family to the outside world.
Combining Japanese mythology with Alice in Wonderland-type whimsy, Spirited Away cemented Miyazaki’s reputation as an icon of animation and storytelling. The English-dubbed cast includes the vocal talents of Daveigh Chase, Jason Marsden, Suzanne Pleshette, David Ogden Stiers, Susan Egan, Tara Strong and more! Dubbed in English on Oct. 29 and November 1 and subtitled on Oct. 30, this special three–day event will also feature GKIDS Mini–Fest, an ongoing festival of the best animated shorts from around the world.
Want to stay in the loop on future events? Follow Justin on Facebook and Twitter.
JQ Magazine: Film Review — ‘The Red Turtle’
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A critical analysis couched in fiction of the Academy Award-nominated Studio Ghibli co-production (Sony Pictures Classics)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston is the English teacher you wish you had growing up. He taught in Kofu, Yamanashi on JET and later received his Master’s in Education and teaching credential from Stanford University. He now teaches English at a public high school in the Silicon Valley, and is inspiring the leaders of tomorrow one dank meme at a time.
TL;DR: Directed by Dutch animator Michaël Dudok de Wit, The Red Turtle is another visual masterpiece by Studio Ghibli (making its external co–production debut here collaborating with a European team) with a unique artistic style that makes the scenery itself a prominent character. Though it lost me in parts, the story is poignant and evokes an array of feelings, few of which are pleasant, though nonetheless life–affirming. In order to fully appreciate this film (which has no dialogue), you need to be in a calm, patient, and cerebral mood. Also, make sure you watch it in a very dark room, as the film features numerous nighttime scenes that are hard to see with extra light.
You never asked from whence I came, if I had a family in my own land, if I was happy in my new life. I suppose you found those details immaterial as far as we were concerned, but you should know that from the moment I opened my eyes and coughed the seawater from my lungs on that accursed beach we called home, after surveying the island high and low, near and far, and discovering no human civilization from which I could find salvation, I devoted every precious calorie in my body to escaping that forsaken rock, ocean be damned.
Let my words carry across time and space; to echo across the sky and go bounding beyond the reach of the island that tethered me. Let me communicate what I couldn’t before. Let my memory endure, because I have lost everything else. Let me go.
I’ll never forget the first time I saw you, a scarlet leviathan that decimated my rafts like waves over sandcastles. I admit I never quite worked it out. Was it your will or the island’s that kept me from leaving? Who did I enrage so with my escape plan and headstrong persistence in the face of constant setback? I guess what I’m asking is, were you the warden of the prison, or just one of the guards? There in the open ocean I gazed at you, awe-struck, sure in that moment that you were going to kill me for being so daring.
JQ Magazine: Film Review — ‘Hayao Miyazaki: Never-Ending Man’
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“This tight, 70-minute documentary does not wander. It preserves a feeling of deliberate pacing and purpose through clever editing, and possibly even some deliberate misdirection, which echo Miyazaki’s personal deliberations.” (© NHK)
By Greg Beck (Hiroshima–ken, 2006-11) for JQ magazine. Greg is a writer, producer, home brewer, and Social Coordinator for JETAA Southern California and Arizona. A former news producer for Tokyo Broadcasting System in New York, he currently works freelance in Los Angeles. For more cinema reviews, follow him on Twitter at @CIRBECK #MovieReview.
Receiving its East Coast premiere last night at Japan Society in New York, NHK’s new documentary on Studio Ghibli’s famed animation director Hayao Miyazaki offers a seemingly deep and undeniably personal look into the man’s current life, as well as his achievements and challenges, both artistically and—in his old age—existentially. True to Japanese-style filmmaking, we see a series of scenes as they happen, and are left to draw our own meaning. Still, this tight, 70-minute documentary does not wander. It preserves a feeling of deliberate pacing and purpose through clever editing, and possibly even some deliberate misdirection, which echo Miyazaki’s personal deliberations.
The film starts with Miyazaki’s retirement announcement at a press conference in September 2013. It then jumps forward two years, to an unseen and seldom-heard cameraman, whose perspective we take for this fly-on-the-wall documentary. Entering his gorgeous, countryside atelier, Miyazaki grumbles humbly, “What do you have a camera for? There’s nothing worth seeing. I’m retired.” He feeds birds, smokes, makes tea, and gripes about the complacency of Disney’s Frozen anthem “Let It Go,” but in no time shows that his creative drive is undiminished. Walking to a table covered in a pile of pages of new projects and material, he insists, “I’m a retired pensioner. I’m just fooling around now.” Read More
JQ Magazine: Nippon in New York — Collision: Brooklyn, ‘Four Nights of Dream,’ The Joy of Sake
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.
This month’s highlights include:
Courtesy of Nipponclub.org
Friday, Sept. 8, 6:45 p.m.
The Nippon Club, 145 West 57th Street
$70, $60 members
The Nippon Club will present “Sake Social 2017″, featuring a sake tasting with 14 different “Kuramoto” (sake brewers) from Japan, on 9/8 (Fri). From Fukui to Yamaguchi, each Kuramoto will bring 2 types of Sake to the event, so you can enjoy 28 types of Sake and Chef Yasuoka’s tasty appetizers. For RSVP and more info, call Mita-san at (212) 581-2223 or email info@nipponclub.org.
Courtesy of Residentadvisor.net
Friday, Sept. 8, 8:00 p.m.
Lot 45, 411 Troutman Street (Brooklyn)
$20 advance, $30 at the door
Collision is a cross-cultural event that aims to expose Japan’s underground music and culture to cities across the globe by curating lineups of Japanese and local artists (seven acts in all). With the 2020 Tokyo Summer Olympics on the horizon, organizers hope to introduce Japan’s unique subcultures to the millennials of the U.S. and contribute to the attraction and brand of the country, while supporting local creatives and businesses.
Illustration by Ben Warren and David O’Nyon, copyright Japan Society
Sept. 13, 15-16, 7:30 p.m.
Japan Society, 333 East 47th Street
$55, $45 Japan Society members
A frustrated samurai. An unwieldy herd of pigs. A mysterious murder. A woman’s dying wish. Four surreal stories from Japanese author Natsume Soseki’s (1867-1916) Ten Nights of Dream come to life in Four Nights of Dream (2008), a contemporary chamber opera that traverses the subconscious through colorful melodies and piercing emotions. For this new production, New York vocalists and Tokyo instrumentalists come together to perform within a spellbinding and ever-morphing set. Performed in English.
JQ Magazine: Manga Review — ‘She and Her Cat’ and ‘Mobile Suit Gundam Wing: Endless Waltz — Glory of the Losers’
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“In She and Her Cat, Shinkai does what he does best, using carefully curated imagery to set a somber tone that soothes readers into a quiet, meditative headspace.” (Vertical Comics)
By Preston Hatfield (Yamanashi–ken, 2009-10) for JQ magazine. Preston received a BA in English literature with an emphasis in creative writing and a minor in Japanese at the University of California, Davis. After spending an amazing year on JET in Yamanashi, he spent a year writing and interning with book publishing companies in New York. He currently lives in Cupertino, where he continues to cover local Japan–related stories for JQ.
This season, Vertical Comics releases two notable titles. The first is She and Her Cat, a story by acclaimed animator Makoto Shinkai, the mastermind behind 5 Centimeters Per Second and Your Name. The second is Mobile Suit Gundam Wing: Endless Waltz — Glory of the Losers, a multi-volume adventure starring everyone’s favorite fighting mecha. While very different in style, pacing, and subject matter, each title has a lot to offer its readers.
In She and Her Cat, Shinkai does what he does best, using carefully curated imagery to set a somber tone that soothes readers into a quiet, meditative headspace. From there he proceeds to unfold an understated vignette that explores adult depression. This is a timely story, our considering society’s gradual willingness to speak openly about depression and mental health more broadly.
“By contrast, Glory of the Losers delivers action, explosions, and braggadocio.” (Vertical Comics)
Shinkai’s protagonist, Miyu, is a sympathetic introvert who has a hard time asking for or accepting help from others, and she is also her own antagonist, a fact that will likely resonate with readers who have battled depression. One unique feature about this story, which is also at times strained, is that it is told from the perspective of the protagonist’s cat, Chobi. While some readers may feel that Shinkai could have done more with this story, it is nonetheless well told and tactfully, intelligently handled.
By contrast, Glory of the Losers delivers action, explosions, and braggadocio. Based on creator Yoshiyuki Tomino’s classic 1970s giant robot series, the story follows a common trope: In a post-apocalyptic world, humans have broken off into different factions to colonize other planets. But when a central military agency begins annexing free colonies, a small resistance rises in the name of freedom to end their tyranny. This is an enjoyable underdog story that may have particular appeal to middle and high school students.
For more information, visit www.vertical-inc.com.
JQ Magazine: Book Review — ‘The Seed of Hope in the Heart’
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Although The Seed of Hope is a memoir of one man’s experiences during a challenging period in recent Japanese history, it is also a fascinating look into how the people of Tohoku struggled but fought to rebuild their lives. (Amazon Digital Services LLC)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
There are certain moments we remember clearly as if they happened only yesterday, whether they are monumental historical events or natural disasters. But how would you tell stories centering on those moments?
Teiichi Sato has a go at it in The Seed of Hope in the Heart. In the memoir, Sato, an Iwate Prefecture seed shop owner, survives the 2011 Tohoku earthquake and tsunami but sees his beloved seed shop crumble. This plunges him into the task of rebuilding his life and livelihood amidst destruction while trying not to sink into depression and despair.
It all started with the disaster that struck on March 11, which didn’t actually come out of the blue. Sato explains that after a strong earthquake hit the Kesen area two days prior, a tsunami advisory was issued, which wasn’t really cause for a cause for concern as “weak” tsunami advisories were frequent around Rikuzentaka (where Sato lived).
But obviously, it should have been as for much of Tohoku, the world changed starting on 2:46 p.m. on March 11. Sato spends much of the early chapters detailing not only his perspective of the earthquake, but more dramatically his escape from the oncoming tsunami. While reading The Seed of Hope, you get the sense of being transported into a movie as it contains no shortage of drama as Rikuzentaka’s citizens make a desperate dash to find shelter—some of whom aren’t able to do so successfully.
JQ Magazine: Manga Review — ‘Kitaro and the Great Tanuki War’
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“The Great Tanuki War stands apart from the other Kitaro volumes because in this adventure, the stakes are higher than anything you’ve ever seen.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio currently keeps the lights on by working at JTB USA while writing freelance in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
A haunted house built on an ancient burial ground? That’s minor league. How about an entire nation built above an army of human-hating yokai who command a catfish large enough to cause earthquakes?
Shigeru Mizuki’s Kitaro and The Great Tanuki War is a manga volume that tells an epic tale pitting the titular character, Kitaro, against an army of tanuki and their powerful yokai allies. There are also a few bonus stories with Kitaro’s usual one-shot adventures. You may already be familiar with Mizuki’s famous character, but if you are not, you can brush up on his origin story featured in the first volume, The Birth of Kitaro, which JQ reviewed last year here.
This marks the third volume in the English collection of Kitaro stories published by the fine folks at Drawn and Quarterly. One of our very own JET alums, Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), has been doing his part to put Shigeru Mizuki’s timeless work on the map in the English-speaking world. He has served as translator for these Kitaro stories and also for Mizuki’s colossal four-volume manga history of the Showa period. Zack is a yokai expert in his own right and you can find out more about his career and JET experience in our vintage JQ interview with him.
As many consumers of Japanese media may already be aware, yokai are strange creatures or phenomena that originate in Japan and have become widely popular globally. Kitaro is a unique yokai who solves mysteries and fights for humans. The conflict between humans and yokai is often an issue of tension for him as he straddles both sides, but this conflict takes center stage in The Great Tanuki War, when an army of tanuki escape from their underground dwelling beneath the island of Shikoku (shout-out to our Shikoku JET alums!), to wage a war on the human residents of Japan.
JQ Magazine: Film Review — JAPAN CUTS 2017 at Japan Society
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Neko Atsume House, starring Atsushi Ito and an army of kitties, makes its East Coast premiere at Japan Society July 16.
(Neko Atsume House © 2017 Hit-Point:Neko Atsume House Production Committee
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City-based soccer team.
The 11th edition of JAPAN CUTS, the Japan Society of New York’s extensive showcase of new Japanese cinema, premieres tomorrow (July 13) for 11 days of unique programming, special guests, and the chance to see exclusive North American releases. This year’s lineup—29 films in all—demonstrates the wide variety of Japan’s contemporary cinematic space. The programming runs the gamut from documentaries to shoestring independents, old classics and mainstream blockbusters. A handful of films were made available for JQ press screenings; here are some notable selections:
Neko Atsume House (July 16, 12:00 p.m.): Based on a popular smartphone game, this film deals with writer’s block in a most unique way. When the novelist-protagonist Sakumoto-san (Atsushi Ito) finds himself faced with his profession’s most dreaded dilemma, he accepts an assignment to write a series of horror novels—a major step backward for this once-celebrated author. In order to solve his predicament, he adopts the old cliché of secluding himself in a country house for creative inspiration. What follows is a thoroughly unexpected delight of a movie as he makes friends with a multitude of friendly felines with whom he bonds.
At the Terrace (July 16, 6:45 p.m.): Kenji Yamauchi adapts his play for the screen, in what can best be described as a Japanese Who’s Afraid of Virginia Woolf? This dialogue-heavy film finds a group of guests drinking into the night. As the alcohol makes its way through their systems, the characters let down their guard and inhibitions and make confrontational and incriminating accusations against one another. The veneer of civility gradually dissipates until the carnal desires and petty jealousies take over the proceedings. In the process, Yamauchi skewers the pretensions of Japan’s professional and bourgeois class.
Haruneko (July 16, 8:45 p.m.): Dealing with the Japanese fascination with death is first-time director Soro Hakimoto’s Haruneko, a tale set at a forest café where people come to die. In some ways, the setting reminds one of the infamous “suicide forest” at the base of Mt. Fuji, another place for a similar purpose. Unlike that real location, Hakimoto creates an ambience that can only be described as “melancholy mysticism” as the café manager, young boy and an old woman guide their visitors into the deep woods to dissolve into the ether. This film debut serves as a harbinger of great things to come from Hakimoto, who establishes himself as Japan’s answer to the great Thai director Apichatpong Weerasethakul (Tropical Malady, Uncle Boonmee Who Can Recall his Past Lives).
JQ Magazine: Nippon in New York — Ghibli Fest, JAPAN CUTS, One OK Rock
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Before and after the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s catching one of the dozens of films premiering at Japan Society’s annual festival, or enjoying anything from interpretative theater to the latest rock sensation.
This month’s highlights include:
Courtesy of Lamama.org.jpg
June 30-July 2
The Club (La MaMa), 74A East 4th Street
$20-$100
Celebrated for her captivating work with the Martha Graham Dance Company, dancer/choreographer Miki Orihara premieres the second incarnation of her multi-media work, In the Box (ITB). Directed by theatrical visual-effects specialist Hiroyuki Nishiyama, this new experimental dance-theater piece features performances by Bessie Award winner Orihara with original music by best-selling Sony Music artist Senri Oe.
Following the 2015 Using cutting edge animations and projections from Japan, In the Box 2 (ITB2) juxtaposes three-dimensional sounds and images with the flesh and bones of a dancer and her moving shadow. ITB2 follows the 2015 premiere of ITB which explored the paradox of “Where Technology Meets the Body” inspired by Schrödinger‘s cat (quantum mechanics). ITB 2 picks up where its predecessor left off and opens the book of our lives in a paradoxical nature. “ITB2 explores human nature by mixing the human body with technology,” explains Orihara. “Audiences will experience entirely new sensations!” Using a streamlined technology of sensor system and infrared camera, audiences can enjoy the dancer’s motions and visual expressions through streamlined technology including CG, infrared cameras, and three-dimensional audio.
Courtesy of GKIDS
Wednesday, July 4-5
Village East Cinema, 189 Second Avenue
$15
Part of this year’s Studio Ghibli Fest! Perfect for audiences of all ages, PONYO centers on the friendship between five-year-old Sosuke and a magical goldfish name Ponyo, the young daughter of a sorcerer father and a sea-goddess mother. After a chance encounter, Ponyo yearns to become a human so she can be with Sosuke. Hayao Miyazaki’s tale is a beautiful combination of unbridled imagination, visual wonder and tender love, humor, and devotion from the emotional heart of the film. The July 4 screening will be presented in Japanese with English subtitles.
ANTI-PORNO © 2016 NIKKATSU
July 13-23
Japan Society, 333 East 47th Street
Most films $14/$11 seniors and students, $10 members
Now in its 11th year, North America’s largest festival of new Japanese cinema returns to serve up a slice of the best and boldest titles from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and much more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics, and breathtaking animation, JAPAN CUTS 2017 promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike. For a list of this year’s special guests, click here.
JQ Magazine: Book Review — ‘25 Places in Canada Every Family Should Visit’
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“This year marks Canada’s 150th anniversary, so it’s a wonderful time for families to explore the wonders of the country. You just need the right information to do so, and 25 Places serves as a worthy reference guide.” (TouchWood Editions)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Summer is almost here. With the kids out of school, it’s the perfect time to explore new places and travel as a family. But where should you go?
Those thinking about Canada should seek out Jody Robbins’ 25 Places in Canada Every Family Should Visit for ideas. Robbins, a JET alum (Tottori-ken, 1994-97) and arguably one of Canada’s most prominent travel writers, profiles locations going counterclockwise from Victoria to Yukon, from the famous (Toronto, Vancouver) to the relatively unknown (Parksville-Qualicum Beach, Avalon Peninsula).
As the book is geared towards parents, Robbins devotes plenty of space to sharing advice about how they can entertain their young ones. In addition to expounding on the requisite what to do and see activities for each destination, Robbins just as importantly lists family-friendly options for dining (“Kids will love the wood-fired bambino pizza” at Pizzeria Prima Strada in Victoria) and lodging (a highlight of the Fairmount Chateau Laurier in Ottawa is the Art Deco-style pool, which “children love parading down to in their child-size bathrobes”).
25 Places features a diverse mix of urban and nature-filled destinations (like Outaouauis), so readers will get a great sense of Canada’s varied landscapes, as well as some surprises (beaches on the Prairies? Yes, they exist) and more importantly, how to arrive prepared for them. While it’s obvious that Robbins would include information about how to get around certain places, she excels when extensively detailing how to make your camping trip a safe and wonderful experience: An entire chapter is devoted to providing readers advice about tackling and overcoming the challenges that awaits (as well as tips about what to pack and eat). Camping novices would do well to heed this helpful advice.
JQ Magazine: Philadelphia LOVEs Japan
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Stone lantern amidst peonies and azaleas in Shofuso’s roji tea garden. (Therese Stephen)
By Therese Stephen (Iwate-ken, 1996-99) for JQ magazine.
What many people don’t know is that the City of Brotherly Love is in love with Japan, and has been since the 1876 Centennial Exhibition in Philadelphia, when the Japanese Pavilion became one of the most popular exhibits of that historic World’s Fair.
When you think of Philadelphia, you probably think of cheesesteaks, the Liberty Bell, Independence Hall or the Rocky steps at the Philadelphia Museum of Art. What you might not realize is that Philly has many ways for Japanese, and the Japanese-at-heart, to get their Japan fix for a lot less than a roundtrip ticket to Tokyo. So, whether you’re planning a quick weekend getaway or day trip this summer, or if you’re a returning Philly JET looking at your hometown with a new post-JET perspective, read on for Philly’s best Japan picks.
Let’s start with those famous Rocky steps. It’s cheesy and we know it, but everyone who visits Philly has to replay that famous Rocky Balboa moment. So once you’ve run to the top of the steps and done your obligatory fists-in-the-air-pose, head on into the Philadelphia Museum of Art (PMA) and find your way to the East Asian Galleries.
One of the most endearing and exciting things about the PMA are its period rooms. While there are plenty of rooms displaying objects on pedestals or paintings on walls, a few steps through a doorway connecting two galleries will suddenly put you in the middle of an Indian temple or the hall of a Chinese palace. Wander a little further and you’ll find Sunkaraku Tea House, the highlight of the Japanese collection in the East Asian Galleries.
JQ Magazine: Nippon in New York — AnimeNEXT, Mr. Big, ‘My Neighbor Totoro’
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate the best of both fine art and pop art.
This month’s highlights include:
Courtesy of Asiasociety.org
June 1-2, 6:30 p.m.
Asia Society, 725 Park Avenue
$12, $10 students/seniors, $8 members
Highlighting some of the most exciting new voices in cinema, New York Japan CineFest presents two nights of short films by emerging Japanese and Japanese American filmmakers. Featuring 15 short films spanning drama, sci-fi, documentary and anime, the first night’s program is followed by a reception. Click here to check out Program 2 on Friday, June 2, 2017.
Courtesy of Bluenote.net
June 6-11
Blue Note Jazz Club, 131 West 3rd Street
$30-$45
Japan has produced an impressive assemblage of jazz pianists; from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut album Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters; taking improvisation and composition to new heights of complexity and sophistication. These special duet performances with Colombian harpist Edmar Castañeda are sure to inject a Latin flavor to the mix.
Courtesy of Okmusic.jp
June 9-11
Atlantic City Convention Center, 1 Convention Boulevard
$50-$60
The largest independently organized anime convention in the New York/New Jersey metropolitan area. AnimeNEXT features Japanese creators of anime and manga, voice actors, musical acts, artists, vendors and exhibits, events, panels, workshops, gaming, and cosplay. This year’s special guest is Oblivion Dust, a major label Japanese rock act, which reunited in 2007 following a six-year hiatus. Although they were originally largely influenced by early ’90s American grunge bands, since reuniting their music has become straight alternative rock. They stand out in the Japanese scene as most of their songs are written and sung in fluent English.
JQ Magazine: Book Review — ‘The Little Exile’
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“The Little Exile reveals a world of angst, but hope in a world that has been turned upside down.” (Stone Bridge Press)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Earlier this year I explored Uprooted, an exhibition devoted to the Japanese American internment. Considering how many families were displaced following Pearl Harbor, “uprooted” is at the perfect word to describe how a lot of people’s lives were disrupted.
Uprooted also comes to mind when reading The Little Exile. Written by Jeanette Arakawa, the novel tells the story of Marie Mitsui, a Japanese American girl living in San Francisco, whose world is jolted after the events of December 7, 1941 as she and her family is forced to relocate to an internment camp in Arkansas. Based on her own life story (although some names in the book have been changed), Arakawa takes readers on a journey through the brutal challenges that many Japanese Americans faced.
At first, you might think that The Little Exile is an uneventful novel, as the first few chapters capture a seemingly carefree life that the Mitsuis enjoy (Marie has an older brother named Brian). They seem to be a typical American family—Marie’s parents run a dry cleaning shop where the whole family lives. She loves roller-skating with her friend Beverly and often spends time on the playground (She frequently wins amateur hour contests there).
However, San Francisco is not paradise for the Mitsuis—Brian learns from his father that due to “racial covenants,” the family is prohibited from buying houses in a certain neighborhood. In addition, classmates hurl racial slurs at Brian and Marie upon their arrival at the Lawton School in December 1940.
JQ Magazine: Japan Society Salutes Godzilla with Concert Spectacular
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Special guests Charan-Po-Rantan and Makigami Koichi (center) performed in Godzilla Legend — Music of Akira Ifukube at Japan Society on April 28. The concert was conceived and arranged by Makoto Inoue (far left) and performed by the band Hikashu and other special guest musicians. (Ayumi Sakamoto)
By Lyle Sylvander (Yokohama–shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City–based soccer team.
On April 28, the Japan Society of New York hosted a delightfully unusual concert of Godzilla music. Yes, you read that correctly. The Japanese pop techno band Hikashu took the stage in a 90-minute intermission-less night of monster music from such iconic classics of the Godzilla canon as Gojira (a.k.a. Godzilla, King of the Monsters!) (1954), Rodan (1956), Mothra (1961), King Kong vs. Godzilla (1962), Ghidora, the Three–Headed Monster (1964), Godzilla vs. Mechagodzilla II (1993) and Godzilla vs. Destoroyah (1995). While the colossal black-green (his color fluctuates from movie to movie) lizard never made an onstage appearance, he made his presence aurally known through Hikashu’s superb performances, with narration by founding member Makoto Inoue (who also played keyboards) and special appearances by the female pop duo Charan-Po-Rantan. Adding to the fun were aural appearances by the Big G’s nemeses, Rodan, King Ghidora, King Kong and Mothra, a gigantic butterfly-like insect who was the only monster to ultimately defeat Godzilla in battle.
Inoue’s narration did more than entertain; it also provided informative commentary on the evolution of the films. As Inoue explained, Godzilla was born out of the collective Japanese fear of both large natural disasters (earthquakes, typhoons and tsunamis) and of the atomic bomb. Produced just nine years after the bombings of Hiroshima and Nagasaki and one year after the U.S. testing of a hydrogen bomb contaminated a Japanese fishing vessel, the original Japanese film is a dark and somber affair. For years, the only available version in North America was a re-edited film that mixed a new English-language narrative with the Japanese monster footage—that film starred Raymond Burr and downplayed the ominous sadness.
