Justin’s Japan: Robert Whiting Brings ‘Tokyo Underworld’ to Japan Society
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Tokyo Underworld 2012: An Evening with Robert Whiting will be held Feb. 16 at Japan Society. Continue reading on Examiner.com Robert Whiting brings ‘Tokyo Underworld’ to Japan Society. (Courtesy of Japan Society)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Japan Society of New York becomes your gateway to the seamy side of Japan on Feb. 16 with Tokyo Underworld 2012: An Evening with Robert Whiting. At this special appearance, the celebrated author will discuss the intractable role of yakuza in virtually all areas of modern day society in Japan. (It also echoes a 2011 Japan Society lecture by crime expert and Tokyo Vice author Jake Adelstein.)
Whiting first came to Japan with U.S. Air Force intelligence in 1962, where he was assigned to work for the National Security Agency in the U-2 program. He graduated from Tokyo’s Sophia University in 1969 with a degree in Japanese politics. His research into the ties binding Japan’s leading politicians to Yakuza bosses gained him entrée into the Higashi Nakano wing of Tokyo’s largest criminal gang, the Sumiyoshi-kai, where he became an “informal advisor.” He worked for Encyclopedia Britannica Japan as an editor until 1972, whereupon he moved to New York City and wrote his first book, The Chrysanthemum and the Bat. He later worked for Time-Life in Tokyo for a year before becoming a professional author.
Embassy of Japan in the UK Webmagazine (February 2012)
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Embassy of Japan in the UK Webmagazine round-up. Posted by JET alum and current editor of the webmagazine, Dipika Soni (Ishikawa-ken, 2003-06). To subscribe to the Embassy of Japan’s monthly webmagazine, email webmagazine@ld.mofa.go.jp with the subject ‘subscribe’.
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Embassy of Japan in the UK Webmagazine: February 2012
Ambassador’s blog
My visit to Fukushima
Featured article
JAPAN: International Fashion Showcase 2012
Other articles:
Films at the Embassy of Japan: The Glass Cape
Manga Jiman 2011 Competition Results
Wasabi and chocolate?! An interview with William Curley
Tatsumi – A new film by Eric Khoo
Olympic Judo Champion Maki Tsukada to appear at HYPER JAPAN!
One Year After the Great East Japan Earthquake
Preston busts a move onstage with cosplay idol Reni Mimura. (Justin Tedaldi)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
The Bennett Media Studio in New York’s West Village was filled to capacity on Feb. 11 for Saturday’s Lunar New Year Celebration and Fashion Show. This event, hosted by the ASIANinNY networking organization, treated guests to a night of Asian-oriented exhibitions, highlighted by two fashion shows and an energetic performance by cosplay singer and Japanese idol Reni Mimura.
The boys took the stage first, modeling clothes by designer Ninh Nguyen and eliciting a number of lascivious hoots and catcalls from an appreciative crowd, and the girls, wearing Meiling Chen’s new line, came out to a barrage of camera flashes. Fitting with the Year of the Dragon, the models’ hair, stylized by a team from Haruo Noro Salon, exhibited a quiet ferocity and mystique.
“For [the girls] the look is a simple and romantic boho style, center part, with a low ponytail and a braid. For [the boys] the look is a ’60s mod, edgy/punk, with a modern and clean feel,” lead stylist Noro said of his artistic intent. Having worked and studied in salons in Japan and London before coming to New Jersey and establishing his own business, Noro explained that for this event he drew mostly from his Japanese training, though having additional training and work with other cultures and participating in various fashion shows has enhanced his creative vision.
“I love that ASIANinNY is able to feature and promote various Asian designers, and my team and I are very happy to be part of it,” he said.
Justin’s Japan: Cosplay Idol Reni Mimura, Haruo Noro Salon Headline NY Lunar New Year Fest Feb. 11
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Courtesy of AsianInNY.com
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Cosplay singer Reni Mimura and Japanese stylists from Haruo Noro Salon will appear at AsianInNY‘s annual Lunar New Year Celebration and Fashion Show on Feb. 11 at Bennett Media Studio, 723 Washington Street in Manhattan’s West Village at 7 p.m.
New York’s premier online destination for multicultural networking and entertainment, AsianInNY’s Year of the Dragon celebration is in time with the New York Fashion Week. Many outstanding Asian designers will present their new collections with runway fashion shows along with an exciting line-up of comedy, music, dance, and martial arts. Models will rock tresses and looks with amazing hair and make-up provided by Haruo Noro Salon.
Reni Mimura specializes in Moe style performances, a genre that emphasizes the cute look of Japanese pop-culture with the hip appeal of Japanese animation. She released her first Japanese CD in 2006 and relocated to New York in 2008. In 2009, she was invited as a guest performer to Japan Society, Otakon, New York Anime Festival and Anime Boston, and is quickly winning over the hearts of many new local fans, thanks to her pretty stage costumes, upbeat personality, and her unique singing talent.
For the complete story, click here.
Miyagi AJET to host Feb 17 “Cultures United” event to promote multiculturalism in Miyagi
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Thanks to Andy Anderson for sharing this information originally sent by Miyagi AJET Co-President Cameron Peek regarding an upcoming Miyagi AJET event:
“On February 17th we will be holding “Cultures United,” an event promoting multiculturalism in Miyagi, and advertising the efforts of foreign members of the community towards helping rebuild after the earthquake. JET participants are going to be a big focus of the event, and about 10-11 JETs are going to be assisting, putting on booths about their activities in the prefecture. We are also planning on having a display about Taylor Anderson, telling her story.”
Notably, the event will feature JET alum Maynard Plant’s (Aomori-ken, 1997-2000) hit band Monkey Majik.
Note: Because the event is intended for Japanese residents, all information produced for the event is in Japanese only.
Justin’s Japan: ‘Tokio Confidential,’ ‘Our Planet’ Premiere Next Week
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Mel Maghuyop and Manna Nichols in rehearsals for ‘Tokio Confidential,’ playing Feb. 5-19 at the Atlantic Theater Stage 2. (Philip Smith)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Words, music and the history of the world collide next week with the new theatrical presentation of Tokio Confidential at Atlantic Theater Stage 2 from Feb. 5-19 and Our Planet at Japan Society for one night only on Feb. 6.
A new musical penned entirely by Eric Schorr and helmed by Joanna McKeon (the associate director of the Broadway and national tour editions of Green Day’s American Idiot), Tokio Confidential (a Richard Rogers Award finalist) is set in 1879 the hidden pleasure quarters of Meiji era Japan.
Isabella Archer, a young American war widow, crosses an ocean in search of a lost love—and is about to cross a line from which she can never return. When Isabella falls in love with a renowned Japanese tattoo artist, she enters a world of extreme beauty, becoming an object of unexpected desire—in a realm of unspeakable danger. It’s a journey across the boundaries between pleasure and pain, art and artifice, the secrets of the flesh and the sins of the heart.
#188: Happy New Year and Meeting Yoko K. in DC!
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
ちょっと遅くなりましたが、明けましておめでとうございます！ I hope that your 2012 has gotten off to a good start, and that the year of the dragon is a fortuitous one for everyone.
I’m down in DC with a new group of International Visitors invited by the State Department to study U.S. energy policy. In light of the Fukushima accident nuclear is obviously a big focus, but we are also looking at renewable energy options like solar and wind (as well as geothermal which will take us to a plant on the Big Island of Hawaii!). As part of our cultural activities outside of the professional program, the other night we attended Millennium Stage at the Kennedy Center where a Japanese artist was featured.
Her name is Yoko K. and she hails from Nagano, and she is an electronic musician, producer, engineer and vocalist. I was not very familiar with that genre of music, but her performance kept me entertained throughout. She incorporates various tools in her sound creation, and you can see Read More
Justin’s Japan: Roland Kelts Joins Famed Musicians, Writers for The Global Salon
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Author Roland Kelts and musician Keiko Matsui join Akiko Yano and Ian Buruma for The Global Salon: Cities in Japan at The Greene Space on Jan. 19. (Kaz, Bobby Quillard)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
JET alum and half Japanese American writer, editor and lecturer Roland Kelts (Osaka-shi, 1998-99) will appear with acclaimed musicians and writers connected to Japan for an intimate talk and performance called The Global Salon: Cities in Japan at The Greene Space in New York on Jan. 19.
Kelts, who lives half of each year in Tokyo and New York, is the author of Japanamerica: How Japanese Pop Culture has Invaded the U.S. and writes about contemporary Japan for several publications in the U.S. and Japan. He is a frequent commentator on Japan for National Public Radio and the BBC.
Hosted by WNYC News host Eddie Robinson and presented in cooperation with the Consulate General of Japan, The Global Salon: Cities in Japan presents compelling stories of courage and resiliency, while the country continues to face unprecedented hardships of increased suicidal rates and unemployment, before and after the 2011 earthquake and tsunami. Robinson will engage the audience and esteemed guests through captivating dialogue and enchanting musical themes about the country’s economic future, advances in technology, and the preservation of its remarkable culture.
For the complete story, click here.
WIT Life #187: Norwegian Wood
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
This week I attended the Japan Society’s member screening of Norwegian Wood, the film version of this Haruki Murakami novel. I haven’t read the book, but the movie was quite moving. It takes place in the late 1960’s with student riots as a backdrop. It is a love story centering on the university student Toru Watanabe, who is torn between his first love from his hometown, Naoko, and a new women he meets at school, Midori. His relationship with Naoko is complicated as their mutual best friend (and Naoko’s boyfriend) committed suicide when they were in high school. They share this bond, but it is also the source of Naoko’s mental instability. Midori is a bit of a brighter character, though her life has been overshadowed by family members’ untimely deaths. The film is quite tender in its exploration of these relationships and the direction Toru’s future will take.
The movie was made in 2010 by the French-Vietnamese director Anh Hung Tran, who was on hand at the screening along with Rinko Kikuchi who plays Naoko (pictured above with Kenichi Matsuyama who plays Toru). They offered some behind the scenes stories, such as how Read More
Embassy of Japan in the UK Webmagazine (December 2011)
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Embassy of Japan in the UK Webmagazine round-up. Posted by JET alum and current editor of the webmagazine, Dipika Soni (Ishikawa-ken, 2003-06). To subscribe to the Embassy of Japan’s monthly webmagazine, email webmagazine@ld.mofa.go.jp with the subject ‘subscribe’.
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Feature article:
Spotlight on… Captain Minami
Other articles this month:
POSTCARDS FROM JAPAN – A Message from Tohoku Artists
Films at the Embassy of Japan: Always – Sunset on Third Street 2
UK-Japan Music Society 20th Anniversary Christmas Concert
Tohoku students play at Wembley!
Japanese Food: Interview with award-winning chef Asuka Kobayashi
Japanese representatives visit London ahead of the 2012 London Olympics
New Centre for Japanese Studies at the University of East Anglia
Tokyo: “What is the city but the people” by Simon Wright
Supporting Tohoku through volunteering and tourism
JQ Magazine: Georgia JETs’ Ganbare Tohoku Shows Social Media Savvy
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JET alumni Emily Duncan and Mellissa Takeuchi presenting at Georgia’s annual JapanFest, Sept. 17, 2011.
By Emily Duncan (Hyogo-ken, 2005-08) for JQ magazine. Emily is a graduate of the Lamar Dodd School of Art at the University of Georgia.
When I was a JET, I worked at Himeji Nishi Senior High School and enjoyed my time there immensely. I would love to return to Japan, if only for a visit.
Since a transcontinental, transpacific trip is a bit too much of a stretch for my wallet right now, I, like many of you, have an application essay ready for the day that JNTO begins their campaign for the 10,000 free flights to Japan (should the Diet rethink approving this plan for next spring, of course).
On March 11, 2011, I was asleep when the massive earthquake struck northeastern Japan (after all, it was about 1 a.m. in Atlanta). When I awoke, there was an e-mail news alert on my phone. I spent a chunk of time that morning trying to call friends in the Himeji area, but everyone was fine as they live about an hour west of Osaka. Plenty of room between them and disaster.
The rest of the day—the rest of the weekend, really—I spent occasionally checking in on the progression of events in Japan through news sources online. I reached out to the JETAASE and the Japan-America Society of Georgia with fundraising ideas. But neither group had decided upon a plan of action.
Impatient, I called my friend, Mellissa Takeuchi, fellow Hyogo-ken JET alum, to brainstorm. We thought of ideas for fundraising, but the one immediate and tangible takeaway from the conversation was that we should establish a Facebook page to catalogue the ongoing narrative of the Tohoku Earthquake, the tsunami disaster and the ensuing recovery effort.
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Time truly flies, as I can’t believe it has been so long since I’ve been here. At any rate, tadaima!
Although almost nine months have passed since the earthquake/tsunami in Fukushima, and I am glad to say that the recoverｙ effort is still on people’s minds. Last night I went to the Artist Showcase and Fundraiser for Japan held at Ambassador Shigeyuki Hiroki’s Residence. The event featured a reception honoring a visiting Fukushima prefectural government delegation to New York, along with artwork (some from JET alumni!) available for silent auction purchase.
Ambassador Hiroki offered his comments, and a representative of the Fukushima prefectural governor read a letter from him on his behalf. On display were Fukushima goods, and guests partook of Fukushima sake as well as Read More
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JETAANY held its annual Career Forum/Welcome Back Reception on Saturday at the Nippon Club in NYC. And in addition to the usual combination of useful advice, networking, natsukashii talk and reconnecting in general, this year’s Welcome Back Reception was notable for one other reason: It was attended by approximately 25 participants in Japan’s new Japan-U.S. Training Training and Exchange Program for English Language Teachers (JUSTE) program, sometimes referred to as the “Reverse JET” program.
The program selected 96 Japanese teachers of English to spend 6 months in the U.S. studying ESL teaching methodology–in English–at 6 different universities across the U.S.: Rutgers University (NJ), University of Delaware, University of Michigan, University of Texas, University of Iowa, UC Irvine and UC Davis. The teachers are in turn supposed to bring back their learning and share it with their respective school systems as part of an effort to improve English ability of Japanese students.
The Reverse JETs attending on Saturday came up from Rutgers and the University of Delaware. It was a terrific opportunity to get to know them and learn more about the program. Following a brief intro by all of the returning JETs, the Reverse JETs were asked to do the same. And as they said their names and prefectures, there was an almost instant connection as JET alums from various prefectures cheered when the Reverse JETs called out their own home prefecture.
It was also apparent that these were top rate teachers–the really genki, creative and engaged teachers you remember from your JET days. (We all were fortunate to have had at least one of these if not more.) This was made rather apparent when the Delaware contingency decided to forego the traditional introduction style and instead go with a teaching game they had all learned in class the day before. (See video below.)
Throughout the reception and the nijikai at Faces & Names, JET alumni found the Reverse JETs extremely friendly and easy to talk to. And it was interesting to hear about their situations and the parallels with our own first time experiences in Japan. For example:
- While the Rutgers participants are all living on campus in a dormitory for foreign students, the Delaware participants are all living with homestay families and generally need to rely on them for transportation to and from the campus (as they’re not permitted to drive while in the U.S.)
- Most participants were surprised to have been selected for the program. That’s because most of them hadn’t even known of the program’s existence until their principals called them into their offices and asked them if they’d like to go to the U.S. for 6 months. In same cases, participants only had hours to contact their spouse and decide whether to say yes. Though in everyone’s eyes, this was too good an opportunity to pass up, not to mention a terrific honor. They realized they had been 1 of 96 selected out of a total pool of 50,000 English teachers in Japan. It sounds like each prefecture is permitted to select a few school systems, and then the Board of Ed in those school systems chooses the teacher. Interestingly, some schools apparently passed on the opportunity because they didn’t feel they could afford to be without one of their top teachers for 6 months. And in some prefectures, the selection process is different and teachers can actually apply to be a participant.
- The teachers seemed to be aware of the costs involved in sending them to the U.S. and expressed a strong sense of obligation to study hard and share their learning upon return. Though one confessed to worrying about maintaining a delicate balance of sharing knowledge while also not wanting to be the nail that sticks up.
- And perhaps most interesting of all, in talking with one of the participants from Aichi (my JET prefecture), I learned that she grew up in Inuyama City and had JET alum and Inuyama City Council Member Anthony Bianchi (Aichi-ken, Inuyama-shi, 1988-89) as her ALT when she was a student! Now that’s full circle. (If anyone knows a good Japanese kotowaza for that idea, please share.)
Hopefully, the Reverse JETs through the U.S. will be able to find JET alumni in their area. And it would be really terrific if JETAA chapters as well as the JET alumni community in general could do its best to reach out to the participants wherever they are. They truly appreciate getting to spend time with the New York JET alumni on Saturday. Imagine how great it must feel to be from Tottori-ken and find an American who is also familiar with Tottori.
Unfortunately, they’re only here through January. So now is the time to reach out. In addition to meeting some great people, you’ll also be helping to support a very unique Japanese education program that we hope will continue in the future and grow to meet the English learning needs of Japan’s society.
“Fiber Futures: Japan’s Textile Pioneers” and “Postcards from Japan: Messages from Tohoku Artists” @ Japan Society until 12/18/2011
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Carolyn Brooks (Ishikawa-ken, Kanazawa, 2006-11) is co-author of the blog MadSilence–a cross-cultural blog written with her father–and a current culture/education related job-seeker in the NY area available for full-time or consulting work.
Yesterday I had the opportunity to visit the Japan Society in NYC. Hidden behind an outwardly unassuming facade across the street from the United Nations, The Japan Society has been promoting Japanese-American relations since 1907. Inside, the Society shows its true character as the indoor gardens, water features, and shoji-inspired walkways wow visitors as much as the broad range of classes, exhibitions, and lectures they hold each year.
"W-Orbit" by Akio Hamatani
Currently showing (until December 18th) is “Fiber Futures: Japan’s Textile Pioneers.” It’s a collaboration between The Japan Society and Textile Network Japan along with Tama Art University Museum. As you enter the exhibit, you walk through the first piece of art! The doorway is covered with a noren, or traditional door curtain, made of space-age materials that look like watered silk and gold leaf. It was one great example of how the 30 artists who contributed pieces combined traditional techniques and modern materials to show the versatility and beauty of textiles….
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Kirsten Phillips strikes a Yosakoi pose.
By Sierra Soleil (Fukushima-ken, 2000-02) for JQ magazine. Sierra works at an ESL school in Manhattan. He enjoys teaching, writing, and riding his bike.
The first weekend of November marked the ninth annual Japan Arts Matsuri (JAM) in New York, this year at the Theater for the New City in the East Village. With about 30 volunteers and a handful of business sponsors, JAM put on an excellent show for roughly a thousand people over the three exciting days.
The entryway and lobby of the theater was crammed with tables selling everything from okashi and yakisoba to clothes and handicrafts, though most people in the know went directly for the Sendai miso cream puffs, and for good reason. There were even two carnival games: a simple one involving throwing a plastic katana at prizes, and an incomprehensible one where people poked little cookies with needles for some reason. Nearly every table was also raising money for earthquake/tsunami relief.
Every day of the three-day matsuri had music and dance performances, but Saturday was Talent Night, where performers could compete for a special invitation to perform at next year’s JAM. I wasn’t sure what to expect from Talent Night, which was good, because it was as wildly erratic as any cross-section of modern Japanese music and dance should be. The first act I caught was Robin’s Egg Blue, a cheerful acoustic pop group. They were followed by a band called Firesign, which was meant to be metal, though any spell they cast dissipated immediately when, as they left the stage, one of the emcees decided to reassure us that they were all very polite in person. After that there were modern and traditional dances, a gospel singer, a karaoke cover of Cee Lo Green’s smash hit (the “Forget You” version, of course), and a fascinating collaboration between a belly dancer and a beatboxer.
The show was billed as being like Amateur Night at the Apollo, and there was some resemblance. The acts were short, and before each intermission the audience chose their favorite via applause. Looking at the lineup, it occurred to me that JAM’s offering was a lot more diverse than anything I’ve seen at Amateur Night. One of the matsuri’s goals is to share Japanese culture with Americans, and the lesson to take from Talent Night is that culturally, the Japanese really are into everything. It also occurred to me that the power to vote by cheering for a performer we liked meant a lot less without the power to impeach them by booing.
I came to Talent Night specifically to meet with JET alumna Kirsten Phillips (Niigata-ken, 2005-08), a member of the Yosakoi Dance Project 10tecomai. The first impression she makes is everything a JET is supposed to be: energetic, cheerful, with a kind of wide-eyed enunciation that makes everything sound exciting. She went directly from teaching in Japan to teaching special education in New York, and it immediately seems like she would be good at it.
