Justin’s Japan: ‘Tokio Confidential,’ ‘Our Planet’ Premiere Next Week
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Mel Maghuyop and Manna Nichols in rehearsals for ‘Tokio Confidential,’ playing Feb. 5-19 at the Atlantic Theater Stage 2. (Philip Smith)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Words, music and the history of the world collide next week with the new theatrical presentation of Tokio Confidential at Atlantic Theater Stage 2 from Feb. 5-19 and Our Planet at Japan Society for one night only on Feb. 6.
A new musical penned entirely by Eric Schorr and helmed by Joanna McKeon (the associate director of the Broadway and national tour editions of Green Day’s American Idiot), Tokio Confidential (a Richard Rogers Award finalist) is set in 1879 the hidden pleasure quarters of Meiji era Japan.
Isabella Archer, a young American war widow, crosses an ocean in search of a lost love—and is about to cross a line from which she can never return. When Isabella falls in love with a renowned Japanese tattoo artist, she enters a world of extreme beauty, becoming an object of unexpected desire—in a realm of unspeakable danger. It’s a journey across the boundaries between pleasure and pain, art and artifice, the secrets of the flesh and the sins of the heart.
#188: Happy New Year and Meeting Yoko K. in DC!
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
ちょっと遅くなりましたが、明けましておめでとうございます！ I hope that your 2012 has gotten off to a good start, and that the year of the dragon is a fortuitous one for everyone.
I’m down in DC with a new group of International Visitors invited by the State Department to study U.S. energy policy. In light of the Fukushima accident nuclear is obviously a big focus, but we are also looking at renewable energy options like solar and wind (as well as geothermal which will take us to a plant on the Big Island of Hawaii!). As part of our cultural activities outside of the professional program, the other night we attended Millennium Stage at the Kennedy Center where a Japanese artist was featured.
Her name is Yoko K. and she hails from Nagano, and she is an electronic musician, producer, engineer and vocalist. I was not very familiar with that genre of music, but her performance kept me entertained throughout. She incorporates various tools in her sound creation, and you can see Read More
Justin’s Japan: Roland Kelts Joins Famed Musicians, Writers for The Global Salon
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Author Roland Kelts and musician Keiko Matsui join Akiko Yano and Ian Buruma for The Global Salon: Cities in Japan at The Greene Space on Jan. 19. (Kaz, Bobby Quillard)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
JET alum and half Japanese American writer, editor and lecturer Roland Kelts (Osaka-shi, 1998-99) will appear with acclaimed musicians and writers connected to Japan for an intimate talk and performance called The Global Salon: Cities in Japan at The Greene Space in New York on Jan. 19.
Kelts, who lives half of each year in Tokyo and New York, is the author of Japanamerica: How Japanese Pop Culture has Invaded the U.S. and writes about contemporary Japan for several publications in the U.S. and Japan. He is a frequent commentator on Japan for National Public Radio and the BBC.
Hosted by WNYC News host Eddie Robinson and presented in cooperation with the Consulate General of Japan, The Global Salon: Cities in Japan presents compelling stories of courage and resiliency, while the country continues to face unprecedented hardships of increased suicidal rates and unemployment, before and after the 2011 earthquake and tsunami. Robinson will engage the audience and esteemed guests through captivating dialogue and enchanting musical themes about the country’s economic future, advances in technology, and the preservation of its remarkable culture.
For the complete story, click here.
WIT Life #187: Norwegian Wood
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
This week I attended the Japan Society’s member screening of Norwegian Wood, the film version of this Haruki Murakami novel. I haven’t read the book, but the movie was quite moving. It takes place in the late 1960’s with student riots as a backdrop. It is a love story centering on the university student Toru Watanabe, who is torn between his first love from his hometown, Naoko, and a new women he meets at school, Midori. His relationship with Naoko is complicated as their mutual best friend (and Naoko’s boyfriend) committed suicide when they were in high school. They share this bond, but it is also the source of Naoko’s mental instability. Midori is a bit of a brighter character, though her life has been overshadowed by family members’ untimely deaths. The film is quite tender in its exploration of these relationships and the direction Toru’s future will take.
The movie was made in 2010 by the French-Vietnamese director Anh Hung Tran, who was on hand at the screening along with Rinko Kikuchi who plays Naoko (pictured above with Kenichi Matsuyama who plays Toru). They offered some behind the scenes stories, such as how Read More
Embassy of Japan in the UK Webmagazine (December 2011)
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Embassy of Japan in the UK Webmagazine round-up. Posted by JET alum and current editor of the webmagazine, Dipika Soni (Ishikawa-ken, 2003-06). To subscribe to the Embassy of Japan’s monthly webmagazine, email webmagazine@ld.mofa.go.jp with the subject ‘subscribe’.
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Feature article:
Spotlight on… Captain Minami
Other articles this month:
POSTCARDS FROM JAPAN – A Message from Tohoku Artists
Films at the Embassy of Japan: Always – Sunset on Third Street 2
UK-Japan Music Society 20th Anniversary Christmas Concert
Tohoku students play at Wembley!
Japanese Food: Interview with award-winning chef Asuka Kobayashi
Japanese representatives visit London ahead of the 2012 London Olympics
New Centre for Japanese Studies at the University of East Anglia
Tokyo: “What is the city but the people” by Simon Wright
Supporting Tohoku through volunteering and tourism
JQ Magazine: Georgia JETs’ Ganbare Tohoku Shows Social Media Savvy
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JET alumni Emily Duncan and Mellissa Takeuchi presenting at Georgia’s annual JapanFest, Sept. 17, 2011.
By Emily Duncan (Hyogo-ken, 2005-08) for JQ magazine. Emily is a graduate of the Lamar Dodd School of Art at the University of Georgia.
When I was a JET, I worked at Himeji Nishi Senior High School and enjoyed my time there immensely. I would love to return to Japan, if only for a visit.
Since a transcontinental, transpacific trip is a bit too much of a stretch for my wallet right now, I, like many of you, have an application essay ready for the day that JNTO begins their campaign for the 10,000 free flights to Japan (should the Diet rethink approving this plan for next spring, of course).
On March 11, 2011, I was asleep when the massive earthquake struck northeastern Japan (after all, it was about 1 a.m. in Atlanta). When I awoke, there was an e-mail news alert on my phone. I spent a chunk of time that morning trying to call friends in the Himeji area, but everyone was fine as they live about an hour west of Osaka. Plenty of room between them and disaster.
The rest of the day—the rest of the weekend, really—I spent occasionally checking in on the progression of events in Japan through news sources online. I reached out to the JETAASE and the Japan-America Society of Georgia with fundraising ideas. But neither group had decided upon a plan of action.
Impatient, I called my friend, Mellissa Takeuchi, fellow Hyogo-ken JET alum, to brainstorm. We thought of ideas for fundraising, but the one immediate and tangible takeaway from the conversation was that we should establish a Facebook page to catalogue the ongoing narrative of the Tohoku Earthquake, the tsunami disaster and the ensuing recovery effort.
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Time truly flies, as I can’t believe it has been so long since I’ve been here. At any rate, tadaima!
Although almost nine months have passed since the earthquake/tsunami in Fukushima, and I am glad to say that the recoverｙ effort is still on people’s minds. Last night I went to the Artist Showcase and Fundraiser for Japan held at Ambassador Shigeyuki Hiroki’s Residence. The event featured a reception honoring a visiting Fukushima prefectural government delegation to New York, along with artwork (some from JET alumni!) available for silent auction purchase.
Ambassador Hiroki offered his comments, and a representative of the Fukushima prefectural governor read a letter from him on his behalf. On display were Fukushima goods, and guests partook of Fukushima sake as well as Read More
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JETAANY held its annual Career Forum/Welcome Back Reception on Saturday at the Nippon Club in NYC. And in addition to the usual combination of useful advice, networking, natsukashii talk and reconnecting in general, this year’s Welcome Back Reception was notable for one other reason: It was attended by approximately 25 participants in Japan’s new Japan-U.S. Training Training and Exchange Program for English Language Teachers (JUSTE) program, sometimes referred to as the “Reverse JET” program.
The program selected 96 Japanese teachers of English to spend 6 months in the U.S. studying ESL teaching methodology–in English–at 6 different universities across the U.S.: Rutgers University (NJ), University of Delaware, University of Michigan, University of Texas, University of Iowa, UC Irvine and UC Davis. The teachers are in turn supposed to bring back their learning and share it with their respective school systems as part of an effort to improve English ability of Japanese students.
The Reverse JETs attending on Saturday came up from Rutgers and the University of Delaware. It was a terrific opportunity to get to know them and learn more about the program. Following a brief intro by all of the returning JETs, the Reverse JETs were asked to do the same. And as they said their names and prefectures, there was an almost instant connection as JET alums from various prefectures cheered when the Reverse JETs called out their own home prefecture.
It was also apparent that these were top rate teachers–the really genki, creative and engaged teachers you remember from your JET days. (We all were fortunate to have had at least one of these if not more.) This was made rather apparent when the Delaware contingency decided to forego the traditional introduction style and instead go with a teaching game they had all learned in class the day before. (See video below.)
Throughout the reception and the nijikai at Faces & Names, JET alumni found the Reverse JETs extremely friendly and easy to talk to. And it was interesting to hear about their situations and the parallels with our own first time experiences in Japan. For example:
- While the Rutgers participants are all living on campus in a dormitory for foreign students, the Delaware participants are all living with homestay families and generally need to rely on them for transportation to and from the campus (as they’re not permitted to drive while in the U.S.)
- Most participants were surprised to have been selected for the program. That’s because most of them hadn’t even known of the program’s existence until their principals called them into their offices and asked them if they’d like to go to the U.S. for 6 months. In same cases, participants only had hours to contact their spouse and decide whether to say yes. Though in everyone’s eyes, this was too good an opportunity to pass up, not to mention a terrific honor. They realized they had been 1 of 96 selected out of a total pool of 50,000 English teachers in Japan. It sounds like each prefecture is permitted to select a few school systems, and then the Board of Ed in those school systems chooses the teacher. Interestingly, some schools apparently passed on the opportunity because they didn’t feel they could afford to be without one of their top teachers for 6 months. And in some prefectures, the selection process is different and teachers can actually apply to be a participant.
- The teachers seemed to be aware of the costs involved in sending them to the U.S. and expressed a strong sense of obligation to study hard and share their learning upon return. Though one confessed to worrying about maintaining a delicate balance of sharing knowledge while also not wanting to be the nail that sticks up.
- And perhaps most interesting of all, in talking with one of the participants from Aichi (my JET prefecture), I learned that she grew up in Inuyama City and had JET alum and Inuyama City Council Member Anthony Bianchi (Aichi-ken, Inuyama-shi, 1988-89) as her ALT when she was a student! Now that’s full circle. (If anyone knows a good Japanese kotowaza for that idea, please share.)
Hopefully, the Reverse JETs through the U.S. will be able to find JET alumni in their area. And it would be really terrific if JETAA chapters as well as the JET alumni community in general could do its best to reach out to the participants wherever they are. They truly appreciate getting to spend time with the New York JET alumni on Saturday. Imagine how great it must feel to be from Tottori-ken and find an American who is also familiar with Tottori.
Unfortunately, they’re only here through January. So now is the time to reach out. In addition to meeting some great people, you’ll also be helping to support a very unique Japanese education program that we hope will continue in the future and grow to meet the English learning needs of Japan’s society.
“Fiber Futures: Japan’s Textile Pioneers” and “Postcards from Japan: Messages from Tohoku Artists” @ Japan Society until 12/18/2011
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Carolyn Brooks (Ishikawa-ken, Kanazawa, 2006-11) is co-author of the blog MadSilence–a cross-cultural blog written with her father–and a current culture/education related job-seeker in the NY area available for full-time or consulting work.
Yesterday I had the opportunity to visit the Japan Society in NYC. Hidden behind an outwardly unassuming facade across the street from the United Nations, The Japan Society has been promoting Japanese-American relations since 1907. Inside, the Society shows its true character as the indoor gardens, water features, and shoji-inspired walkways wow visitors as much as the broad range of classes, exhibitions, and lectures they hold each year.
"W-Orbit" by Akio Hamatani
Currently showing (until December 18th) is “Fiber Futures: Japan’s Textile Pioneers.” It’s a collaboration between The Japan Society and Textile Network Japan along with Tama Art University Museum. As you enter the exhibit, you walk through the first piece of art! The doorway is covered with a noren, or traditional door curtain, made of space-age materials that look like watered silk and gold leaf. It was one great example of how the 30 artists who contributed pieces combined traditional techniques and modern materials to show the versatility and beauty of textiles….
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Kirsten Phillips strikes a Yosakoi pose.
By Sierra Soleil (Fukushima-ken, 2000-02) for JQ magazine. Sierra works at an ESL school in Manhattan. He enjoys teaching, writing, and riding his bike.
The first weekend of November marked the ninth annual Japan Arts Matsuri (JAM) in New York, this year at the Theater for the New City in the East Village. With about 30 volunteers and a handful of business sponsors, JAM put on an excellent show for roughly a thousand people over the three exciting days.
The entryway and lobby of the theater was crammed with tables selling everything from okashi and yakisoba to clothes and handicrafts, though most people in the know went directly for the Sendai miso cream puffs, and for good reason. There were even two carnival games: a simple one involving throwing a plastic katana at prizes, and an incomprehensible one where people poked little cookies with needles for some reason. Nearly every table was also raising money for earthquake/tsunami relief.
Every day of the three-day matsuri had music and dance performances, but Saturday was Talent Night, where performers could compete for a special invitation to perform at next year’s JAM. I wasn’t sure what to expect from Talent Night, which was good, because it was as wildly erratic as any cross-section of modern Japanese music and dance should be. The first act I caught was Robin’s Egg Blue, a cheerful acoustic pop group. They were followed by a band called Firesign, which was meant to be metal, though any spell they cast dissipated immediately when, as they left the stage, one of the emcees decided to reassure us that they were all very polite in person. After that there were modern and traditional dances, a gospel singer, a karaoke cover of Cee Lo Green’s smash hit (the “Forget You” version, of course), and a fascinating collaboration between a belly dancer and a beatboxer.
The show was billed as being like Amateur Night at the Apollo, and there was some resemblance. The acts were short, and before each intermission the audience chose their favorite via applause. Looking at the lineup, it occurred to me that JAM’s offering was a lot more diverse than anything I’ve seen at Amateur Night. One of the matsuri’s goals is to share Japanese culture with Americans, and the lesson to take from Talent Night is that culturally, the Japanese really are into everything. It also occurred to me that the power to vote by cheering for a performer we liked meant a lot less without the power to impeach them by booing.
I came to Talent Night specifically to meet with JET alumna Kirsten Phillips (Niigata-ken, 2005-08), a member of the Yosakoi Dance Project 10tecomai. The first impression she makes is everything a JET is supposed to be: energetic, cheerful, with a kind of wide-eyed enunciation that makes everything sound exciting. She went directly from teaching in Japan to teaching special education in New York, and it immediately seems like she would be good at it.
Hibari-sensei: THE LAST DAYBREAK by exist†trace
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Jen Wang (Miyagi, 2008-09) is a lab tech in Dallas and a staff writer for the Japanese music website Purple SKY. Her love of cosplay and her junior high school students inspired the name for her own Japanese pop culture blog, Hibari-sensei’s Classroom.
Recently I wrote a review of THE LAST DAYBREAK, the latest EP by exist†trace, for Purple SKY. The all-female J-rock band made their major label debut this past June and are now gearing up for a U.S. tour. They will play in Boston, New York, and Philadelphia, as well as Tekkoshocon in Pittsburg, in March.
THE LAST DAYBREAK opens with a primal call from Jyou, but instead of singing in her trademark growling alto, she keeps her voice light and clear in “Daybreak ~Jyusan gatsu no shikisai.” Unexpected moves like these are the highlight of exist†trace’s new album.
Read the rest of the review here.
JETAA Chicago Job and Networking Fair – Saturday Nov 5
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Thanks to JETAA Chicago’s Elizabeth Gordon (Iwate-ken 2003-05) for sharing this info:
JETAA Chicago will host its annual Job and Networking Fair on Saturday, November 5th from 1pm to 5pm at the Japan Information Center in downtown Chicago.
This is a great opportunity for JETs that have recently returned from Japan, current JET Alumni, friends of JETs as well as professionals looking for new networking and career opportunities.
A lot of JETs return from Japan looking for ways to maintain and even build upon the experiences they made while living abroad and we hope to provide support in helping you reach those goals. This is also a wonderful opportunity for individuals that are interested in pursuing a new career and would like some guidance from current Alumni or other established professionals.
There will be an open table top session with booths from various Chicagoland companies and organizations as well as a wine and cheese reception. We are also planning on having a speaker to kick off the event so please stay tuned as there will be more specific information to follow!
If you have any questions, please feel free to email our Social Activities Officer, Daniel Martin: social@jetaachicago.com
Location: Consulate General of Japan at Chicago (JIC – Japan Information Center), 737. North Michigan Ave., Chicago, IL (map it)
Justin’s Japan: Japan Arts Matsuri 2011 presents amateur night, guest stars, charity showcase
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Japan Arts Matsuri 2011 runs Nov. 4-6 at Manhattan's Theater for the New City. (Kenji Mori)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his page here for related stories.
For every Japanese artist and entertainer in New York with a dream to make it big, the ninth annual Japan Art Matsuri (JAM) is the place for their star to shine. Held this year from Nov. 4-6 at the Theater for the New Cityin Manhattan’s East Village, this year JAM 2011 offers its biggest and most diverse lineup to date.
Hosted by Yoshi Amao and Saori Goda and presented by JaNet in association with Faune Dance Troupe, JAM 2011 has established itself as one of America’s largest Japanese art and music festivals, presenting Japan and its unique culture with performances by Japanese artists, musicians and entertainers in a true matsuri (festival)-style atmosphere, and to enhance friendship and communication among New York City’s cultural communities.
More than 1,000 people are expected to attend the three-day event that features, in addition to live entertainment, a variety of street stall-style shops in the theater lobby that sell everything from Japanese food and drinks to artworks and traditional goods. There will also be charity booths to help those in Japan devastated by the 3/11 Tohoku earthquake and tsunami disaster.
For the complete story, click here.
Ghibli’s 借りぐらしのアリエッティ (aka “The Secret World of Arrietty”) being released in US Feb 2012!
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Carolyn Brooks (Ishikawa-ken, Kanazawa, 2006-11) is co-author of the blog MadSilence–a cross-cultural blog written with her father–and a current culture/education related job-seeker in the NY area available for full-time or consulting work.
I was so excited when I saw a friend post on Facebook this morning that the most recent Hayao Miyazaki and Studio Ghibli film, “The Secret World of Arrietty” will be in theaters in the US in February of 2012! I was lucky enough to see it in theaters in July of 2010, and I was blown away. You can watch the Japanese trailer here.
The story is based off the classic children’s novel “The Borrowers” by Mary Norton. Essentially, the Borrowers are kobito, literally “tiny people,” who live by borrowing the things they need from humans. They live under the floorboards or close to human’s houses so they can sneak in when no-one’s around to borrow what they need. The main characters are Arrietty and her family, the last remaining Borrower family in their area. One day, while borrowing sugar from the house, Arrietty is seen by the sick boy who’s come to visit the house for the summer. What will happen now that a human has seen her? The adventure begins!
Studio Ghibli films are always beautifully produced, but I thought that Arrietty was even a step above their normal production. The scenery from the garden around the house was exquisite… every leaf, flower and dew drop was so fresh and colorful that when you watch it on the big screen you truly feel you are the size of a Borrower, walking though the jungle of an overgrown garden. The soundtrack was equally amazing – ethereal and quirky, performed by the immensely talented French singer and harpist Cecile Corbel. I’m not one for buying movie soundtracks, but after I saw the movie I immediately went to the closest Tower Records and bought the “Kari-gurashi SONGBOOK” soundtrack, which has all of the best themes and songs from the movie on it. Check out the main theme here.
Disney will be releasing Arrietty in February. Although I’m a die-hard subtitle fan, I’ve been really impressed by Disney’s translation and dubbing for the other Ghibli movies. They bring in top-notch actors and really smooth out the dialogue while keeping close to the original meaning and feeling of the Japanese. Translation of movies has got to be one of the hardest jobs ever – it’s not just language but a whole different set of cultural cues that you’re translating for another audience. Arrietty will be voiced by Bridget Mendler and supported by a great cast including Carol Burnett, Amy Poehler, and Will Arnet.
I know that most of us have seen or heard of Miyazaki’s movies before – perhaps Studio Ghibli’s movies are part of what drew us to Japan. Movies, anime, and traditional artwork were the things that got me interested in Japan in the first place! What are some of your favorite Ghibli movies? Mine include:
Porco Rosso (紅の豚 Kurenai no Buta), the Casablanca-esque story of a mysteriously enchanted pig-cum-bounty hunter who swoops around the Adriatic saving school children and the hearts of beautiful cafe owners…
My Neighbor Totoro (となりのトトロ Tonari no Totoro), a story of two little girls who move to a new house in the country with their father. Strangely enough, the house is inhabited by an amazing array or spirits that can only be seen by children, including the large, fuzzy, and toothy monster called Totoro and his friend the Cat Bus.
Howl’s Moving Castle (ハウルの動く城 Hauru no Ugoku Shiro), based on the Diana Wynne Jones YA book of the same name, is a light tale of love and magic with a twist of Miyazaki’s anti-war messages…
Miyagi JET alums organize Hong Kong fundraiser
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Thanks to Osaka JET Cailin Arena for letting us know about this:
From Miyagi JET alum Monique Moloney: “Here is the press release (and photos) for the fundraiser in Hong Kong on April 16. It was a great way to connect with the Japanese community in Hong Kong and to put our energy towards a positive outcome for Miyagi.”
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FOR IMMEDIATE RELEASE
Former Miyagi Residents Raise Funds Through Hong Kong Event
Hong Kong – 25th April, 2011
Two former residents of Miyagi Prefecture have pooled the creative expertise of five photographers in a silent photographic auction in Hong Kong to raise money for the March 11 earthquake and tsunami relief efforts.
The event entitled “Kampai for Sendai” was held on Saturday, April 16 at Shore Restaurant and Bar and was attended by approximately 180 people. The silent auction of distinctly Japanese photographs including 13 original mounts and three canvassed photographs, was the main focus of the evening. Additional funds were raised through the live auction of Simone Legno autographed Tokidoki merchandise and the sale of raffle tickets.
The total amount raised from the event was HK$30697 (US$3950). 100% of these funds were be donated to Peace Winds Japan andShine Humanity, two non-government organisations that have been highly visible in Miyagi Prefecture and are committed to using all designated funds for the Japan relief effort.
The event organizers, Monique Moloney and Matt Jones, both Australian nationals living in Hong Kong, were Assistant Language Teachers on the JET Programme in Miyagi Prefecture between 2003-2006. Having maintained strong connections with their former home, they were deeply affected by the devastation and suffering in communities where they’d often visited and fondly remembered. Their reaction was to organise an event that could raise awareness and funds in a meaningful way.
Through online groups, Monique found photographers who were willing to contribute their work to the cause. She also connected with other former JET participants who were living in Hong Kong. These people helped promote the event and attended to show their support.
“We may have moved on but we haven’t forgotten our friends in Miyagi Prefecture. It was our turn to give back for the kindness and good will we were shown during our time there.”
For more information, please contact Monique Moloney at mnqmlny@gmail.com or phone +852 90300243
