Video: Panel discussion with JET alums Anthony Bianchi, Laurel Lukaszewski and Jim Gannon
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Thanks to JET alum and Inuyama City Council Member Anthony Bianchi (Aichi-ken, Inuyama-shi, 1988-89) for sharing the video below (in four parts) taken by his son Matthew of a panel discussion from the JETAA USA National Conference held in Washington, D.C. July 14-17.
The panel featured Bianchi along with fellow JET alums Laurel Lukaszewski (Kagoshima-ken, 1990-92) (sculptor artist and former Executive Director of the Japan-America Society of Washington, D.C. as well as former President of Pacific Northwest JETAA) and Jim Gannon (Ehime-ken, 1992-94), Executive Director of the Japan Center for International Exchange (JCIE/USA), and was moderated by JETwit publisher Steven Horowitz (Aichi-ken, Kariya-shi, 1992-94).
Part 1
Part 2
Part 3
Part 4
JET alum Congressional candidate to assume post at Mansfield Foundation previously held by JET alum
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The below announcement was recently sent out by JET alum David Boling, former U.S. Attorney who ran for Congress in Arkansas in the Democratic primary in the last election. David will be the new Deputy Executive Director of the Maureen and Mike Mansfield Foundation which, among other things, manages the Mike Mansfield Fellowship Program, a Congressionally established professional exchange for mid-level federal government employees.
Notably, the position was previously held for 16 years by JET alum Paige Cottingham-Streater who recently was appointed Executive Director of the Japan-US Friendship Commission, a federal agency that provides grants for research, training and exchange with Japan. Paige, who was one of the founders of the JET Alumni Association in 1989, also recently spoke at the JETAA USA National Conference in Washington, D.C. on a panel moderated by former Monbusho English Fellow (i.e., pre-JET) Michael Green who previously served as special assistant to the president for national security affairs and senior director for Asian affairs at the National Security Council (NSC) from January 2004 to December 2005.
Here’s the announcement:
Dear Friends
First, I want to tell you how much I appreciate your support for my race for Congress in 2010. Your friendship and trust is something I treasure. I truly love Arkansas and want to do all that I can to serve the great people of Arkansas.
As you know I have been considering another run for U.S. Congress in 2012. It would have been a difficult race, but I believe that I could have won. I believe that the Second District is winnable for the Democratic Party in 2012. Another opportunity, however, has been offered to me that I feel is right for me and my family at this time.
Today I am excited to tell you that I have accepted a position with the Maureen and Mike Mansfield Foundation as Deputy Executive Director. The Foundation, based in Washington DC, is a nonprofit organization that promotes understanding and cooperation among the nations and peoples of Asia and the U.S. One of my responsibilities will be to oversee the Mansfield Fellows. You may remember that I was a Mansfield Fellow earlier in my career.
During my campaign for Congress at one of the candidate debates I was asked to name my political hero. I responded that two people are my political heroes: Vic Snyder and Mike Mansfield. Everyone knew Vic Snyder. Fewer knew Mike Mansfield.
Mike Mansfield was a miner from Montana who after serving in World War II finished high school and then college. With the support of his wonderful wife,
Maureen, he went on to serve in the U.S. Congress and U.S. Senate. He was the Senate Majority Leader from 1961-1977 and was U.S. Ambassador to Japan for both Presidents Carter and Reagan. He died in 2001 at the age of 98.I had the good fortune to work for Vic Snyder for nearly three years and now I am delighted to have the chance to work for the foundation that honors Maureen and Mike Mansfield’s legacy.
My family and I are embarking on a new adventure in our lives. We promise to stay in touch and we ask that you do the same.
Thank you again for everything.
All the best,
David
Justin’s Japan: Interview with Billy Sheehan of Mr. Big on Touring Tohoku
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Billy Sheehan, right, with Mr. Big: "We had raised about $100,000 for the earthquake relief, and there’s still more to be raised, too. In the end, we raised a bunch of money, and we got a special letter from the Japanese Embassy in Washington, D.C. thanking us for being there." (William Hames)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his page here for related stories.
One of the most respected bassists and gentlemen in the music world, Billy Sheehan is back with Mr. Big, the Los Angeles-based rock band he formed in 1988 best known for the hit ballad “To Be with You,” which shot to number one in 15 countries, including the U.S., in 1992. After splitting a decade later, in 2009 the original lineup reformed, followed by the release of What If…, the first album in 15 years from the original lineup.
Now, American fans are finally going to get a chance to see Billy, Paul Gilbert, Eric Martin and Pat Torpey together on stage since their ’90s heyday for a month-long American tour beginning Saturday (July 30) at San Diego’s 4th & B. In this exclusive interview, I spoke with Billy on Mr. Big’s current jaunt around the world, their triumphant return to Japan (where the band is revered), and the possibility of another album from the guys.
So far this year Mr. Big has played all over Europe, Asia and South America. What have your highlights been?
Japan is always amazing. The most difficult thing about touring is getting to and from the gigs…once we’re onstage, there’s no trouble at all, and in Japan, it’s just a breeze. We don’t fly in much, and take a lot of bullet trains, which are super convenient and easy and clean and safe and fast and everything. So Japan is always easy. The rest of Southeast Asia was actually pretty cool, too. We were supposed to do two shows in China, but the Shanghai show got cancelled because the promoters had the wrong visa for us. The shows in Korea, Taiwan and the Philippines were unbelievable, and in Taiwan we actually had to speed away from the venue in a van with literally crowds of people chasing after us (laughs). It was hilarious.
Mr. Big toured Japan less than one month after the earthquake and tsunami, and even did gigs in Iwate and Miyagi Prefectures, the areas most affected by the devastation. What was that experience like?
Really touching. There was a [camera] crew meeting us at the airport and then following us around, and we didn’t know, but they went out in the crowd and interviewed a lot of people, so later on we saw that they had interviewed a guy…I think he was from Sendai. They interviewed him for television, and we didn’t see it until we saw the show. He’d lost everything, and a couple of friends and family, and he’d lost his entire Mr. Big collection, so he actually came to the show to start his collection over again. And I’m telling you, it was so touching, this poor guy, that in his life, the important thing was to come and get his music back together again, really amazing. We had raised about $100,000 for the earthquake relief, and there’s still more to be raised, too—I just saw another $22,000, and I have to see what the figures are for the downloads of the special song we did [“The World Is on the Way”], also, so there’s a bunch more, too.
In the end, we raised a bunch of money, and we got a special letter from the Japanese Embassy in Washington, D.C. [signed by Ambassador Ichiro Fujisaki] thanking us for being there. We didn’t know how it would go when we went there, was it too soon or not, but [remember] after 9/11, where after the dust cleared, all the playhouses and restaurants were going out of business because nobody was going to New York City, so what helped was that going to see a show and having dinner to help the economy rolling again, so we were hoping to get that idea happening. We heard from saké dealers that were going out of business because nobody was drinking because they were all in mourning, you know? It’s a shame that so many lives were lost, but one of the most important things after anything like that is to get back up on your feet again. So I think we helped a bit—I’m cautiously optimistic to say I think we helped a bit. And from the tone of the e-mails and speaking with people after the show, we’re very pleased. So it all ended good.
Was there any hesitation at all about playing those gigs because of the radiation?
For me, no. A couple of the guys in the band were a little concerned about it. I fly transoceanic all the time [across] the Pacific, and you get a dose of radiation every time you do that. I think it’s equivalent to—I forget the figure—one, two or three chest X-rays just by flying over the ocean. And I do know that radiation, to incite fear in people, is almost second to none, you know? It’s invisible, and you don’t know it’s there and the next thing you know, you’ve got a problem. So I knew that there was probably some elevated degree of danger, but I also know that most things of that nature are over-exaggerated, in my experience with my own personal catastrophes of earthquakes and whatever else. They really do overblow it.
So I wasn’t worried personally, but we were more concerned for the fans, and I know that the Japanese government is very conscientious with their safety and rules. I remember I was in Tokyo one time, and there was a typhoon warning for everyone to stay inside. This was years ago, and I was out with a friend of mine, we were walking around, and the streets were deserted; there was nobody anywhere…the people in Japan are really in tune with the warnings and such. And I found out the government wouldn’t have allowed [us] to go on if we were to put a crowd of people in danger, so there was that factor, as well. So a couple of the guys in the band were a little worried about it, but I was okay with it, and in the end, all of us are glad we did it.
For the complete interview, click here.
For Justin’s February 2011 interview with Billy, click here.
JQ Magazine: Four Cups of Sake, ‘Three☆Points,’ Two Beers, and One Night with Sora Aoi
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Sora Aoi at New York's Japan Society for the ‘Three☆Points’ premiere, July 15, 2011. (Justin Tedaldi)
By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. Rick manages the JET Alumni Association of New York (JETAANY)’s Twitter page and is the creator of the JETwit column Tadaima!
So I’m here to give you my Three☆Points review. I’m sure you’ll find it somewhere down there. I mean I could just write you about the movie. but that would be unfair, it would be out of context, it would be devoid of what makes this process fun. You see, New York’s Japan Society once again pulled out all the stops for their JAPAN CUTS film festival, and tonight was its apex; the American Premiere of Three☆Points, with a Q&A from actress Sora Aoi and director Blah Blah something Japanese. Not to mention an after party with a DJ, food, and all the beer you can drink. Reviewing things has its perks. If for some reason you don’t know who Sora Aoi is, please, by all means, look her up, Google her. Try doing it at work, under unfiltered pictures. Have your boss and co-workers gather around. It’ll be totally appropriate.
But anyways, there I am at Megu, the uber-fancy restaurant in the Trump World Tower next door to Japan Society. It was Restaurant Week in NYC, so two friends of mine and my girlfriend accompanied me there for a pre-show meal. Little did I know the dinner would be so light on “meal” and heavy on sake-tasting. It was supposed to only be three sakes but they messed up and gave us four. Not so much a problem, but at a place where a single person can easily drop $200 on a meal, going for Restaurant Week and only paying $35 a person results in a curtailed dining experience, no matter how delicious.
So after demolishing a breaded asparagus, a smattering of fresh sushi and a fantastic green tea crepe, I stumbled over to Japan Society ready for my date with destiny. Of course, that would need a moment, since four sakes meant I needed to use the men’s room. The line was out the door, though. People had come out en masse to see Ms. Aoi. I waved to a couple of the volunteers I knew as I jogged down the stairs towards the bathroom. My girlfriend was along for the fun as well, and she darted into the women’s room.
On exiting I lingered, waiting for my girlfriend. I watched where the serpentine line ended; at the opening to the 300-plus seat, meticulously clean theater in Japan Society. I knew both the ticket takers. I debated in my head as to if I should attempt to cut all the eager people in line with a high five to score good seats and impress my girlfriend. My “don’t be a douche” motto rendered this plan a bad idea, and instead just patiently, drunkenly waited for the poor girl who got stuck dating me.
JQ Magazine: Theatre Review – Amon Miyamoto’s ‘The Temple of the Golden Pavilion’
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Go Morita in a scene from 'The Temple of the Golden Pavilion' at New York's Lincoln Center Festival. (Stephanie Berger)
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ magazine. Lyle is entering a master’s program at the School of International and Public Affairs at Columbia University (MIA 2013) and has been writing for the JET Alumni Association since 2004. He is also the goalkeeper for FC Japan, a NYC-based soccer team.
In 1950, a young Buddhist monk committed a notorious act of arson and destroyed the ancient Kinkakuji Temple in Kyoto, Japan. Yukio Mishima, Japan’s preeminent novelist at the time, fictionalized the events in Kinkakuji, published in 1956 and translated into English as The Temple of the Golden Pavilion in 1959. While the actual arsonist was diagnosed with paranoid schizophrenia, Mishima presented an elaborately detailed psychological study of a disturbed man, incorporating elements of Buddhist and ancient Greek philosophical reflections on the impermanence of beauty and the conflicts between idealism and reality. The novel helped cement Mishima’s worldwide literary reputation and inspired numerous adaptations, including an opera, a modern dance ballet and two film versions.
Now, the director Amon Miyamoto, previously represented in New York by his production of Stephen Sondheim’s Pacific Overtures, has adapted the story into a full-fledged theatrical production. Having premiered last year at Miyamoto’s Kanagawa Arts Theatre (KAAT) in Yokohama, the production was presented intact by the annual Lincoln Center Festival in New York from July 21-24 with its original cast, led by J-pop star Go Morita of the boy band V6.
In presenting his version of the story, Miyamoto (who co-wrote the script with Chihiro Ito) relies on an arsenal of visual conventions, from multimedia projections to Western theatrical blocking to Japanese austerity. Most of the play is presented on a wooden stage suggestive of an old classroom, a fitting visual component of the temple grounds’ claustrophobic enclave. Mizoguchi, the monk’s name in Mishima’s version, is played by Morita as an awkward stutterer who creates a vibrant interior world at odds with his disappointing reality.
Congressman to resign seat contested by JET alum
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You may have seen the news about Congressman David Wu (D-Oregon) resigning amid allegations of inappropriate sexual behavior. You may not have realized, however, that a JET alum, Rob Cornilles, ran on the Republican ticket and lost to Wu in the last election.
Stay tuned to see if Cornilles is able to vie for the open seat. Or better yet, let JETwit know if you hear anything.
Japan Times: JETs fresh from the U.S. eager to help nation recover from March 11
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Via the Japan Times:
Wednesday, July 27, 2011
JETs fresh from the U.S. eager to help nation recover from March 11
http://search.japantimes.co.jp/cgi-bin/nn20110727a5.html#.Ti8SL3nLQFg.twitter
By TAKAHIRO FUKADA
Staff writer
Young Americans who will teach English at schools here on an international exchange and teaching program said Tuesday they want to help Japan recover from the March catastrophe.
According to the U.S. Embassy and an organizer of the Japan Exchange and Teaching Program, around 700 are coming from the U.S. this summer. About 400 of them arrived Sunday.
In total, some 1,600 JETs from 27 nations will come to Japan this summer.
Many of the young Americans attended an orientation session held by the U.S. Embassy at a Tokyo hotel Tuesday evening.
Asked whether she was afraid of any natural calamity and the nuclear disaster, Anni Pullagura, 23, from Georgia said “no, not at all.”
“This is the best time to show that Americans support the Japanese people,” she said after attending the session.
Meghan Koester, 23, from the state of Washington, also said she isn’t scared.
“I’m very excited to help Japan recover from this,” she said. “The world recognizes Japan’s efforts for recovery and we really support it. We want to help.”
During the orientation, U.S. Ambassador John Roos welcomed and thanked the new teachers for coming to Japan and representing their home country “at really, a very incredible, important time.”
He stressed the importance of enhancing grassroots relations between the two nations.
“Each of you going out in all of the different areas of Japan will continue to work with the Japanese as they continue to confront the aftermath of March 11,” Roos said. “So, your role is particularly important at this time.”
JET alum works with Japan-America Society of Hawaii to run camp program for Tohoku students
Cultural Outreach, Earthquake Tsunami, Japan Society Round-up, Notable JET Alums, Return on JET-vestment, Travel/Tourism Comments Off on JET alum works with Japan-America Society of Hawaii to run camp program for Tohoku students
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I recently learned that former JETAA Hawaii President Kelsey Soma Turek (Fukuoka-ken, 2005-07), who by day is an Education Program Director at the Japan-America Society of Hawaii, is involved in the implementation of a program in Hawaii aimed at helping out students from Tohoku. In Kelsey’s words:
“The Rainbow for Japan Kids project is aimed at providing positive educational and cultural experiences for children in Iwate, Miyagi, and Fukushima prefectures who have experienced some sort of trauma/devastation/loss from the Great East Earthquake in March. The organization at which I work (Japan-America Society of Hawaii) is responsible for planning this project, working with supporters in Japan and Hawaii.
As Educational Program Director, I am personally in charge of arranging many of the activities (team development courses at Kualoa Ranch, Camp Erdman on Oahu’s North Shore, Kilauea Military Camp on the Big Island of Hawaii) for the 20 middle school students during their 10-day stay beginning tomorrow.
Generous donations make this project possible. We hope to do this quarterly over the next year. More info can be found at http://jashawaii.org/jpnaid3.asp.”
Do you know of a JET alum working for the benefit of the Tohoku region through the organization where they work? E-mail jetwit [at] jetwit.com to share their story for posting on JETwit.
Jen Wang (Miyagi, 2008-09) is a lab tech in Dallas and a staff writer for the Japanese music website Purple SKY. Her love of cosplay and her junior high school students inspired the name for her own Japanese pop culture blog, Hibari-sensei’s Classroom.
Since there have been a couple posts here about JAPAN CUTS film festival in New York, I thought I would write about a Japanese movie I saw at the Asian Film Festival of Dallas last week. The festival was in its 10th year and ran from July 14-21. Among the Japanese films screened was the 2010 live-action adaptation of the popular shoujo manga series, Kimi ni Todoke (in English, From Me to You).
Haruma Miura as Shota Kazehaya and Mikako Tabe as Sawako Kuronuma
Filled with a young actors, the movie seemed like a typical high school romance in which shy loner Sawako Kuronuma, who is made fun of for her resemblance to Sadako of The Ring, catches the eye of class heartthrob Shota Kazehaya. However, it is more a story about Sawako coming out of her shell and forging tight bonds with the people who reach out to her. The muted colors and leisurely pace make the film light and gentle, yet there are moments that remind us that adolescence years can contain heartache. More importantly, Kimi ni Todoke reminds us that a little kindness can go a long way.
For a complete review of the film, click here.
JETAA NY: Looking for New JETAANY Subchapter Reps (NJ, Philly, NY State)!
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Via JETAANY:
Do you wish you could go to JETAA events, but live outside of the NYC metropolitan area? Then help us bolster our subchapters! We currently have an active chapter in Pittsburgh, but we’re looking for JET alums in New Jersey, Philly and New York State to help organize events.
If you are interested in becoming a representative, offering ideas, or even simply in hearing about events outside of NYC, let us know by emailing Pam Kavalam at secretary [at] jetaany.org.
Volunteering in Tohoku – message from a JET alum
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This helpful info was recently posted to the Nagasaki JET yahoogroup by a JET alum for the benefit of current JETs, though it contains a great deal of potentially helpful info and perspective for the JET alum community as well. Have a comment or perspective on volunteering in Tohoku to share? Post to the comments section:
Hi. My name is Andrew Morris and I was an ALT in Sonogi, Nagasaki prefecture from 07-09. After that I moved up to Kyoto for two years and then I just moved back to the U.S..
However, the reason for this email is that just before I made the fabled journey “home” this month, I was able to free up enough time in my schedule to allow myself to take two separate volunteer trips up to the Ishinomaki City area in Miyagi Prefecture, which was amongst the hardest hit areas by the tsunami/quake in March. The part where I did most of my work was on the Oshika Peninsula, which was actually the very area that was featured in the great short movie (http://vimeo. com/24037794) made by Mark Flanigan another former JET.
My experiences up there were both just as I thought and completely different. I shoveled an insane amount of mud, I hauled debris of all varieties for days, I crawled through mounds of fly infested ropes trying to salvage buoys, and I sang drunken karaoke with the local fisherman when it was all done. It was an experience I will carry with me forever and in that short time I met some of the most amazing people I ever have and made connections that will last a lifetime. I can assure you that my experience was not unique.
The reason I have for wanting to tell you about my experiences, though, is that I want to encourage each and every one of you to seriously consider going up there to try to do the same. As I’m sure you’re well aware, summer vacation is nearly here, and you may still be considering how to spend yours. I know sitting in the office figuring out new and interesting ways to stay busy sounds like fun now but… Who knows, if you’re industrious enough, you may even be able to put together a project out of taking a trip up there help out and convince your school you should be able to do it without taking nenkyu. Worth a shot at least right? Even if you have to take vacation, it would be much more meaningful in a lifelong sense then lounging on a beach somewhere (though no offense if you’ve already got your tickets to do that). Trust me, if you do it your stature in the shokuinshitsu will increase 100 fold.
To see pictures from my trip please visit – anmorris.photoblog.com
Further to my encouragement, I’d like to offer some information about going up there and hopefully dispel a few myths that I myself was quite worried about before heading up there.
- Transportation myth – It’s hard to get there. Reality = It’s not. I mean, it’s far but trains and buses to Sendai are in full working order. In fact I found it quite cheap. Turns out there’s a ¥6,000 night bus from Kyoto to Sendai. Or if you have access to a car you could even make it into an epic road trip. It would also definitely benefit you to have personal transport while up there, although not essential. From Sendai City there’s a ¥800 highway bus (bus stop 33) that takes you directly to Senshu University, which is the volunteer basecamp for Ishinomaki. Downtown Sendai itself barely looks like it even suffered any damage really.
- Lack of volunteer groups myth – It’s not easy to join a volunteer group. Reality = Depends on the group. Some of the bigger groups like peace boat, while great, require volunteers to attend an orientation in Tokyo before going which can be a huge hassle if you’re not from there. However, there are a bunch of other smaller groups doing great work in the area that need all the help they can get. Contact Robert Mangold and he can put you in touch with a bunch (idrojapan [at] gmail. com)
- Food myth – It’s hard to get so you have to bring it all up with you. Reality = It’s not hard at all to get it and the people there have more than they need. In fact volunteers are fed off of left over food from the shelters, and sometimes there is even more than they can eat. Plus there are supermarkets and convenience stores open in the town you can use. Even down on the peninsula the konbini‘s are starting to open up. Water is pretty much the same issue, and drinks of all varieties are now readily available, which is going to be especially important in the coming summer months.
- Work myth – It’s all really hard manual labor. Reality = That is available in spades, but so are any number of other jobs. Some people help cook food for the shelters. People go and spend time with the kids or do performances at the shelters. Some people give massages or acupuncture to people who suffer from physical issues or stress (obviously licensing or some professional experience is highly valued in such a case). Some people work cleaning photos found in the rubble for display so that the owners might find them again. If you have any sort of applicable skill or an idea for a project that might be useful in this sort of situation I’m sure they’d love to hear about it. Heck, you could probably just go and offer free “English Conversation” and they’d love it!
- Gear myth – You have to go out and buy tons of gear before you go like boots, a helmet, gloves, masks, etc. which can cost a lot of ¥¥¥. Reality = Unless you sign up with a volunteer group that requires you to have these things, or unless you go up with a whole herd of volunteers then it’s probably not necessary. The group I volunteered with had plenty of that equipment for me and all the other volunteers. Especially if you aren’t going to be doing the nitty gritty work, you won’t need any of that type of equipment. However, one thing I would suggest bringing if you do plan to do debris cleanup is steel insoles for boots. There’re lots of nails and other sharp things all around as you can imagine so they can really save you a very painful experience. Also, if you have “outsized” feet or hands, etc. it may be good to bring your own gear.
- Sadness myth – The overwhelming sadness of the situation will leave you depressed. Reality = Well, obviously this is entirely an individual issue, and everyone reacts differently to these situations. However I will just say that although the destruction you encounter there is just entirely unbelievable, and the people you meet there have often been through absolutely devastating experiences, in general, I found both the locals and the volunteers to be in incredibly high spirits. The positive energy they displayed in taking on this massive project of putting their lives and communities in order was nothing short of inspirational. I dare say that a good portion of the time I was having… fun (see drunken karaoke above).
Some words of caution:
-All that said, it is a difficult, trying experience and should not be undertaken on a whim.
-As was pointed out in a previous email from CLAIR, it is extremely important to think about “Volunteering Responsibility.” It is not a vacation, and you should do your very best to make sure that you do not need to be taken care of.
-Some of the jobs are quite dangerous (although every precaution is taken) and you should consider which role you can play safely.
Some words of advice:
-Speaking Japanese is not entirely essential, but it is extremely beneficial. This goes in the “making sure you’re not a burden” section. Try to go up there with someone who can communicate well so you can receive instructions and know what’s going on if possible.
-As you’re well aware it’s going to be bloody hot. They told me it’s cooler along the coast than many places thanks to the cool breeze, but still, it’s Japan in July/August… Be prepared. That means lots of fluids, and buckets of sunscreen.
Feel free to contact me with any questions too (anmorris [at] gmail. com). Good luck with whatever you do and enjoy your remaining time in that wonderful wonderful country!
Ganbaro Nippon!
Job: News Assistant/Staff Reporter at Asahi Shimbun (DC)
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Via JET alum Marc Hitzig of the Japan America Society in DC. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika has recently moved back to London and is currently looking for new work opportunities related to Japan, translation, or other fields.
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***Note: If you apply for this position, please let them know you learned of it from JETwit. Thanks.***
Job Position: News Assistant/Staff Reporter at Asahi Shimbun (DC)
Job Details:
Position: News Assistant / Staff Reporter
Job Status: Full-time
Salary: $32,000 to $36,000
The Asahi Shimbun is Japan’s leading national daily newspaper. Based in Tokyo, it has a circulation of more than eight million. Its North American bureaus are located in New York, Los Angeles, and Washington, D.C.
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Job: Project Manager – Shire Pharmaceuticals (Lexington, MA)
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Via former JETAA Philly Rep Therese Stephens who works for Shire Pharmaceuticals. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika has recently moved back to London and is currently looking for new work opportunities related to Japan, translation, or other fields.
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***Note: If you apply for this position, please let them know you learned of it from JETwit. Thanks.***
Job Position: Project Manager – Shire Pharmaceuticals (Lexington, MA)
Job Details:
The focus of this role will be on project management of APAC commercial activities.
Key areas of responsibility of this role are:
Job: Assistant Dean, Director for International Affairs (Fordham Business School – NYC)
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Via idealist.org. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika has recently moved back to London and is currently looking for new work opportunities related to Japan, translation, or other fields.
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***Note: If you apply for this position, please let them know you learned of it from JETwit. Thanks.***
Job Position: Assistant Dean, Director for International Affairs (Fordham Business School – NYC)
Job Details:
Fordham’s Gabelli School of Business, located at our Rose Hill campus in the Bronx, is seeking an Assistant Dean for International Programs to be responsible for all aspects of global business education, including study tours, study abroad, curriculum, and advising. The Assistant Dean will help to create a vision that coordinates the various aspects of the program and increases its offerings.
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Job: Program Manager & Accounting Manager at US-Japan Council (DC)
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Via the US-Japan Council in DC. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika has recently moved back to London and is currently looking for new work opportunities related to Japan, translation, or other fields.
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Job Position: Program Manager & Accounting Manager at US-Japan Council (DC)
Job Details:
1. Program Manager – The U.S.-Japan Council (Full-time, Washington, DC)
We are looking for an applicant who is committed to the goals of the organization and can bring experience in developing interesting programs that educate and engage audiences who are interested in U.S.-Japan relations.
The program manager will be involved in developing and implementing programs with U.S.-Japan issues in areas such as economic cooperation, new technology and academic exchange. Hands-on event management and execution is required, and he or she must be able to multitask and work efficiently in engaging various resources. This position offers an opportunity to make impact in a fast-growing small, non-profit and an opportunity to network with prominent leaders at the forefront of U.S.-Japan relations. Fluency in English and Japanese is desirable.
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