Job: Director of International Student Life, University of Georgia (Athens, GA)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Director of International Student Life
Posted by: University of Georgia
Location: Athens, GA
The position will close on January 10, 2014
Overview:
The Director of International Student Life reports to the Assistant Vice President for Student Affairs and serves as the unit manager responsible for supervising the ISL staff, developing the vision for programs and services established by the office, and managing all fiscal, human capital and other resources. The Director oversees and facilitates the development, advising, implementation and evaluation of a variety of cross-cultural and international programs that ensure developmental and academic growth, promote the success and retention of UGA’s undergraduate and graduate international/multinational student population, and educate the larger campus and community.
Job: Program Associate for Africa, ISEP (Arlington, VA)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Program Associate for AFrica
Posted by: ISEP
Location: Arlington, VA
Overview:
ISEP is currently seeking a full-time Program Associate for Africa located in our central office in Arlington, VA (10 minutes from Washington DC). Founded in 1979, ISEP is a nonprofit membership organization with over 300 partner institutions in 50 countries around the world. ISEP provides exchange and study abroad opportunities to over 3,400 students annually.
Position Summary:
Under the general supervision of the Director of Africa and Middle East Programs, the Program Associate for Africa serves as program assistant for both the Africa and Asia Pacific Regional teams and provides administrative support for the placement process and program implementation including data entry and processing and mailing of application materials. The Program Associate for Africa works jointly with the Regional Director in administering student exchanges between U.S. ISEP member institutions and member institutions in Africa and implementing the Africa Region Strategic Plan. The Program Associate for Africa serves as principal liaison for members in Africa and also an Alternate Responsible Officer (ARO) for SEVIS.
Job: University Relations and Campus Outreach Specialist, Boston University (MA)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: University Relations and Campus Outreach Specialist
Posted by: Boston University
Location: Boston, MA
Overview:
Under the direction of the Associate Director, the University Relations and Campus Outreach Specialist will assist in the development and implementation of Boston University Study Abroads (BUSAs) communications and recruitment strategies for off-campus and on-campus recruiting. Provide leadership in the planning and facilitation of special events. Represent BU Study Abroad to students, advisors, faculty members and administrators of multiple schools around the United States with a view of direct recruitment of students to BU programs, and of the maintenance and development of BUs relationships with the institutions visited.
Requirements:
B.A./B.S., proficiency in Microsoft Word, Excel, PowerPoint and Outlook, organized, detail-oriented with excellent communications skills and experience in public speaking and formal presentations. Media relations, public relations, and social media skills strongly preferred. A second language and experience living or studying abroad highly desirable. Minimum of two years of experience in marketing and advertising strategies. Study abroad recruitment or other international education recruitment experience preferred. Previous experience with event planning and outreach to professors, student organizations, and administrators preferred. Ability to travel 30-50% domestically.
For more information, please visit the job listing.
Job: Administrative Assistant – Columbia Univeristy (NYC)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Administrative Assistant
Posted by: The Office of Global Programs at Columbia University
Location: New York, NY
Basic Function:
Reporting to the Dean of Undergraduate Global Programs/Assistant VP for International Education the incumbent provides high-level administrative, clerical,and organizational support for the Office of Global Programs.
Duties:
- The incumbent will act as first point of contact supporting the front office by greeting visitors and managing the telephones and e-mail traffic in a busy global programs office which includes study abroad, exchanges, and fellowships. The incumbent will answer general questions related to fellowships, exchanges and study abroad as well as direct students to the appropriate advisors and other University officials.
- Assists with the operations of the office including liaising with tech support, phone support, facilities, and other University offices. This includes the handling of the mail, maintaining and purchasing supplies, and coordinating student worker projects. Acts as back up to the Dean’s assistant as necessary.
- Maintains and reconciles the department purchasing card and petty cash. Maintains records and creates reports from office databases.
- Provides administrative support for all units within the office including, but not limited to, collecting application materials and uploading documents into the student database, following up with students to ensure completion of their application, and assisting in coordinating the Columbia study abroad fair and other OGP events as needed.
- The incumbent will be responsible for organizing logistical support for meetings and international visitors. Organize files and storage including discarding outdated material.
- Other related duties as assigned.
Additional Information:
https://jobs.columbia.edu/applicants/Central?quickFind=139316
Job: Coordinator of Students in Transition, Spring Hill College (Mobile, Alabama)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Coordinator of Students in Transition
Posted by: Spring Hill College
Location: Mobile, Alabama
Overview:
Under the supervision of the Director of Student Academic Services, the Coordinator is responsible for transfer student services: pre-enrollment through first semester; coordinates early warning withdrawal system and assesses students referred to the office by the faculty and staff in categories such as excessive classroom absence, dropping below full-time status and withdrawal/exit interviews. Assists with academic advising of freshmen and transfers, especially at-risk students. The Coordinator assists with career services particularly with undecided students.
Main Duties:
This position coordinates transfer student academic services from orientation, initial registration through a first semester transfer seminar; works with a team of freshmen advisors particularly during summer orientations, serves as an academic and career advisor for at-risk and undecided students; coordinates international students orientation and updates SEVIS records. Coordinates the early warning referral system campus wide and conducts exit interviews.
Requirements:
Position requires three to five years of experience in higher education, and an earned master’s degree in Education, Student Personnel, or related field. Academic advising and teaching experience preferred in a liberal arts college preferred.
Additional Information:
Send cover letter, resume, list of three work-related references with phone numbers (direct supervisor included) to Personnel Office, Spring Hill College, 4000 Dauphin Street, Mobile, AL 36608. E-mail: pdavis@shc.edu
For more information, please visit the job listing.
Kyodo News “Rural JET alumni” series: Nic Klar (Niigata)
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News agency Kyodo News has recently been publishing monthly articles written by JET alumni who were appointed in rural areas of Japan, as part of promotion for the JET Programme. Below is the English version of the column from October 2013. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
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Originally from Australia, Nicholas Klar (Niigata-ken, Itoigawa-shi, 1995-97) wrote the book “My Mother is a Tractor” about his life as an ALT in Omi, Itoigawa, Niigata-ken. After JET he worked for many years as a college counsellor and History teacher in international schools before returning to Japan to live. He now runs a small business in the Japan Alps, “Explore the Heart of Japan” as well as a popular travel website (http://myoko-nagano.com).
Ghosts of the Blue Sea
Remember that here all is enchantment, – that you have fallen under the spell of the dead, – that the lights and the colours and the voices must fade away at last into emptiness and silence. –Lafcadio Hearn
It was a stark winter’s day as usual in Niigata-ken, grey like sodden blanket. Not one that I had set out on seeking ghosts, but it suited the mood. As I changed trains in Naoetsu for Ōmi the old tempura stand I had been hoping for a snack at was still there, but today it was closed. It seems even the sturdy yukiguni could not stand the sort of weather that was being hurled at them this winter from across the Japan Sea. I settled into my seat, its soft orange covers familiar like an old friend, and waited for the delayed departure. I scrubbed the mist from the brown streaked windows with my hand as the motor idled and the minutes slipped by. Outside schoolboys in their traditional Prussian kit seem oblivious to the biting gusts of artic-like snow. Eventually with the sound of the station attendants whistle the doors snapped shut and the blue and white carriage groaned away from the platform.
As we crossed over the dark frigid waters of the Himegawa almost an hour later I grew excited. I hadn’t been back to the haunts of my old town for years. It was an unplanned visit and no-one really knew I was coming. I looked over for the local chugakko as the train passed by, obscured now by the construction of the new Hokuriku shinkansen. Framed behind those were the mountains I had loved so much. So many times I had taken my bike up into those North Alps making new discoveries, getting lost in the awesome beauty of its nature. Days of sunshine, days of rain. How I missed them. And the ghosts that inhabited them.
To the right there was a slight glimpse of my former apartment block. Not mine anymore, not for many years. In fact I think it now lays empty, apart from maybe a ghost or two, as the town depopulates. Tall, grey, forbidding – once referred to by a friend as, “…classic 1950’s communist Romanian style architecture”. The memory of that remark brought a brief smile to my face. Yet, it is the only place I will ever live in that has a sea view at the front and the mountains at the back. Grand views of God’s great vista on tap.
When the doors clunked open at Ōmi eki it was if nothing had changed. The chimes rang the same they had all those years ago and the black asphalt platform lay several centimetres thick with windswept snow. It felt soft under my feet as I began my ascent up the cold cement stairs. Standing in his post was my first metaphorical ghost – Watanabe-san the station master in the same blue-clad uniform, looking not a whit older than when we had last met a few years ago. He didn’t recognise me of course, even though I had taught his daughter at Ōmi chugakko. During my stay many of the station attendants had greeted me by name each time I passed through the gate. The inside of the station was a time capsule still painted the same green, apart from a more modern poster here and there, populated by even more ghosts of my memories. Local oba-chan in the waiting room still sat chatting on wooden bench seats around the kerosene heater behind glass doors. The three old shuttered-up ticket windows still existed – a sad reminder from the more grandiose boom days of Ōmi. Perhaps they were stubbornly retained in the forlorn hope that those times may yet return once again. Read More
“Reunion” – Film Review from Australia’s 17th Japanese Film Festival
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Australia’s 17th Japanese Film Festival is soon embarking on its last city tour in Melbourne, the capital of the southern state of Victoria, after being shown around Australia in the first ever national film festival administered by the Japan Foundation. Eden Law (Fukushima-ken ALT 2010-2011, current JETAA NSW committee member) got to see some of what’s on offer during its recent run in Sydney. This one’s for you, Melbournites! Don’t say we don’t do anything for you south of the border.
If you can’t feel anything watching this, you are probably dead inside.
It has been almost three years since the disaster that devastated the north of Japan. There have since been a handful of films on the event, on the nation and it’s people as they resolutely look forward to “revival” and reconstruction. However, few of those films, I suspect, would have dealt quite so starkly and closely on the subject of death quite like “Reunion”.
“Reunion” is a dramatization of Itai: Shinsai, Tsunami no Hate ni (遺体―震災、津波の果てに?, “The Bodies at the End of the Earthquake and Tsunami”), a reportage of the events by Kota Ishii in the days immediately following the earthquake and tsunami of March 11. A brief snapshot of the normal, mundane lives around town in the beginning, contrasts sharply the aftermath, showing how unprepared and ill-equipped the small town’s public servants were, as bodies kept coming into the temporary morgue set up in the old high school gymnasium, and distraught relatives plead for information and support. Horrified by the disorganization and haphazard treatment of the dead, Aiba (played by Toshiyuki Nishida), a retired funeral home director, volunteers to oversee the proper administration of the morgue. He shows the exhausted and numbed workers how to massage limbs stiffened by rigor mortis until they became pliant again for proper positioning, and how to counsel and deal with the grieving and traumatized people who come to identify the deceased. And slowly, people carry on with their jobs, because there is very little other choice.
This will be the most heart-breaking film you’ll ever watch this year. I’ve never cried at the movies before (if there’s anybody watching), but looks like there’s the first time for everything. While the subject matter itself is undeniably powerful and emotional, “Reunion” is actually quite simple, a recounting of the events and the personal tragedies of those who survived. Music is used sparingly in this film, the silence heightening the solemnity and noises that included the constant squelching of the mud-logged boots and the sobs of the bereaved, background sounds as described in the book. Director Ryoichi Kimizuka makes sure that the deceased is an all-pervasive presence, as the cast of characters work with them and around them, uncovering their blackened swollen faces, identifying them and saying prayers for their souls. Thanks to Aiba’s character, not only are the workers brought around to empathise with the dead, as their names and personal stories are revealed, but the audience also becomes involved. Little wonder then, that at many events where this film has been screened, audiences have been emotionally devastated.
In this film where multiple stories and tragedies play out, the cast work marvellously well together. There are very little histrionics or hysteria, just numbed helplessness, as many at first wander confusedly about before being given direction by Aiba. Performances are muted and restrained, which make the break-down moments even more heart-wrenching, for everyone has their trigger, be it the discovery of a loved one’s body while carrying out work, or the tragedy of a young child, unclaimed by any surviving relatives. There are no questions of morality, no “why did this happen to us”, soul-searching, condemnation or religious debate to be had that can be adequate. From Aiba’s point of view however, the answer is to never forget one’s humanity, which can be even more precious than food, in order to survive the unrelenting horror and sorrow of the situation. And that in the end, ultimately provides a glimmer of positivity in this film, as well as in life.
Reunion (Itai: Shinsai, Tsunami no Hate ni) by Ryoichi Kimizuka, released in Japan February 23 2013, starring Toshiyuki Nishida, Naoto Ogata, Ryo Katsuji, Jun Kunimura, Wakana Sakai, Tsuneo Aiba, Kenichi Domon, Yuta Oikawa, Yoshito Shibata, Takae Oshita, Koichi Sato, Shiro Sano, Ikki Sawamura, Mirai Shida, Michitaka Tsutsui, Michio Shimoizumi, Takeshi Yamaguchi, Nobutsugu Matsuda, Yuko Terui, Daisuke Hiraga, Toshiro Yanagiba
Job: Study Abroad Coordinator – Sam Houston State University (Huntsville, TX)
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Posted by Jayme Tsutsuse (Kyoto-fu, 2013-Present), organizer of Cross-Cultural Kansai. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Study Abroad Coordinator
Posted by: Sam Houston State University
Location: Huntsville, TX
Type: full-time
Educational Experience Requirement:
Bachelor’s degree with at least one year of related experience. Experience with international travel and college level interaction with students desired. A combination of experience, training and education that would produce the required knowledge and abilities could be considered.
Nature and Purpose of Position:
To provide administrative and coordination responsibilities for the development, growth and maintenance of Sam Houston State University’s Study Abroad Program and short-term one month program for language and cultural training.
Primary Responsibilities:
Coordination of the Study Abroad program, including advising potential students and conducting workshops to promote study abroad opportunities. Coordinates one-month short-term program to include activities and host family interaction, language instruction coordination and related paperwork. Performs other related duties as assigned.
Other Specifications:
Position involves contact with students, staff, faculty, administration, parents, public officials and general public.
For more information and to apply, please visit the job listing.
“Brain Man” – Film Review from Australia’s Japanese Film Festival
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Australia’s 17th Japanese Film Festival is soon embarking on its last city tour in Melbourne, the capital of the southern state of Victoria, after being shown around Australia in the first ever national film festival administered by the Japan Foundation. Eden Law (Fukushima-ken ALT 2010-2011, current JETAA NSW committee member) got to see some of what’s on offer during its recent run in Sydney. This one’s for you, Melbournites! Don’t say we don’t do anything for you south of the border.
Doumo arigatou Mr Roboto
At times graphically brutal and sadistic, “Brain Man” moves at a brisk pace, frequently keeping the audience off-balance with unsettling scenes and stylistic ideas that are reminiscent of other films in the genre. An adaptation of the novel “No Otoko” by Urio Shudo, the novel itself won the 2000 Edogawa Rampo Award for newcomers to crime fiction. In it, a series of sadistic murders and explosions pressures the police lead by Detective Chaya (Yosuke Eguchi, who must be channelling every crusty, grouchy detective character ever to exist in film) to find the culprits responsible, and soon enough Ichiro (Toma Ikuta) is apprehended as the prime suspect. However, things are rather decidedly odd about Ichiro, who is more like a robot than a human, going like clockwork to… go, unable to feel pain or emotion. Although in peak physical condition (via an establishing shot as the camera lingers over Toma’s skinny yet hard-bodied torso, which is itself inhumanly bereft of fat), he is clearly a special psychiatric case, which is where Dr Washiya (Yasuko Matsuyuki), a brilliant psychiatrist, comes in to help with police investigation. Although like other characters in the film, she herself carries a trauma, that fuels her determination to investigate and uncover the truth about Ichiro, and ultimately the case.
This film calls for a certain suspension of disbelief – probably more than usual, with the number of implausibilities it has. This is not a film that is completely grounded in reality, even given the premise of a serial-bomber-Saw-wannabe and a man-bot. However, that’s not to say it’s done badly. Director Tomoyuki Takimoto excels at creating a tense, unsettling atmosphere, typically using lots of dark cold colours that’s grim and claustrophobic, even in the day scenes. There are unexpected shocks punctuating the film at a brisk pace, creating a sense of dangerous unpredictability for the characters. Takimoto doesn’t shy away from being graphic either, what with body parts being ripped, stabbed, shredded or sliced merrily in some form or another, in sadistically creative ways. Some of the characters and baddies are suitably over the top (especially Fumi Nikaido and Rina Ohta as Noriko and Yuria, in deliciously scenery-chewing performances), though are a little obscure in their motivation. But whatever man, they’re totes cray-cray – who can understand why they do the things they do.
But that sort of unreality element can work against it, especially when the film, in the form of Dr Washiya, seems to be exploring more serious and unexpectedly philosophical issues: can a person be rehabilitated, or their basic nature changed? In the beginning of the film, Dr Washiya advocates a new form of “narrative” therapy to habilitate hardened criminals, contrary to the accepted methods of the establishment. It’s a theme that surfaces once in a while throughout the film, although largely overwhelmed by the more exciting and visceral violence and terror. But during those moments, Matsuyuki (as the doctor) does really well in giving her character the right mix of toughness and vulnerability, and her interaction with a “cured” patient, brings a totally different kind of disturbing creepiness thanks in no small part to Shota Sometani who plays Shimura, the patient in question. But these differences seem out of place in a film that’s usually more thrills and spills, in a world where a grizzled no-nonsense detective has long hair and the living coin-operated boy somehow has access to a great hair stylist and chic clothes.
However, as mentioned, “Brain Man” is still done well and is highly enjoyable to watch, especially if you’re a fan of the thriller/crime/mystery genre. As Ichiro, Toma Ikuta’s highly restrained acting, communicating only through subtle body language and stares, is quite absorbing. And “Brain Man” manages to deliver right to the end, as a final emotional shock is revealed.
PS: Bonus points for the ending credit song: “21st Century Schizoid Man” by King Crimson!
Brain Man (No Otoko) by Tomoyuki Takimoto, released in Japan February 9 2013, starring Toma Ikuta, Yasuko Matsuyuki, Yosuke Iguchi, Fumi Nikaido and Rina Ohta.
CLAIR Magazine “JET Plaza” series: Anthony Bianchi (Aichi)
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Each month, current and former JET participants are featured in the “JET Plaza” section of the CLAIR Forum magazine. The November 2013 edition includes an article by JET alumn Anthony Bianchi. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
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“Once you are in the programme, you are in the programme for life. As an Italian kid from the streets of Brooklyn, I get that. Like they say, when you’re a JET you’re a JET all the way, from your first cup of tea to your last hanami.”
A native of Brooklyn, New York, Anthony Bianchi (Aichi-ken, Kiyosu City, 1989-91), graduated from New York University with a degree in film making. After working on a number of television programs in Hollywood, he joined the JET Programme and spent two years working as an ALT in rural Aichi. A few years later, after overcoming many difficulties, he started the Native English Teacher (NET) Program, a teachers programme tailored for Inuyama City. Feeling there was a wall between the citizens and the city hall, he decided to run for the office and was voted into the city council of Inuyama City, Aichi Prefecture in April 2003. Anthony is currently serving his third term.
JET Generations
As anyone who has done so knows, living and working overseas in a different culture has a profound effect on all sides.
I have written before about how being on the JET Programme changed my life. To make a long story short, I would definitely not be here in Inuyama doing what I am doing had I not been involved in JET. Sometimes it still amazes me how things worked out. I mean, sometimes while I am making an argument on the council floor about some very local issue I still think, “How in the world did I end up here?” Conversely, I wonder at times what I would be doing if I had not joined JET some 25 years ago. Definitely something very different and most likely not as rewarding.
But the JET experience is certainly not only about what you get out of it, as I mentioned at the top, it is about the effect it has on all sides. As time passes I realize more and more that being a JET alumnus is a living thing that goes on after your contractual duties end. I still meet people involved with the programme that leads to great relationships and opportunities. Especially opportunities to give others even a small glimpse into another culture like the one we had by being part of the JET Programme. I am always impressed by the willingness of JET alumni to give back. A couple of summers ago I was asked to be on a panel at a national conference in Washington DC. Of course, there again, I met many outstanding alumni who are doing great things to promote cultural exchange and understanding between Japan and their home country. But I also realized that there is something about meeting former JET participants that has a camaraderie that is different and,in many ways, surpasses any other alumni association that I have known. I include in this group also Japanese staff and officials who have worked on the programme.
I would like to talk about a recent example. Out of my office, we run an exchange program called B. Bridges. We are a volunteer exchange group in our tenth year of existence. The idea for the group was seeded at an event the Brooklyn Borough President,Marty Markowitz, held for me at Borough Hall after my first election in 2003. There I was reacquainted with the administration of Xaverian High School. On that same trip I visited the school before returning to Japan. During that visit we decided to hold some kind of exchange.
I’ll Make It Myself!: Japan-Friendly Thanksgiving Recipe Ideas
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Leah Zoller (CIR Ishikawa-ken, Anamizu, 2009-11) is the editor of The Ishikawa JET Kitchen: Cooking in Japan Without a Fight. She works in international student exchange; writes I’ll Make It Myself!, a blog about food culture in Japan and the US; curates The Rice Cooker Chronicles, a series of essays by JETs and JET alumni on the theme of cooking/eating and being alone in Japan; and admins The JET Alumni Culinary Group on LinkedIn.
Hosting two Thanksgivings in Japan taught me to love the holiday and its food again. My friends are amazing cooks, and the sheer sense of community, of getting together to remake a tradition in our own way really made the holiday feel special.
Last year, I did a recipe-roundup of our meal. This year, I’d like to offer more recipes and suggestions for making Thanksgiving special in Japan or wherever you are.
Senso-ji in Tokyo
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Posted by Benjamin Martin, a JET from 2008-2013 in Okinawa, publisher of the blog MoreThingsJapanese.com and author of Revenge of the Akuma Clan
(Tuttle).
After visiting Tokyo Skytree during my two-day trip to Tokyo I worked my way down to the new train station to work my way back into town. Many people had suggested the Asakusa area so I got off at the Asakusa station, just a few stops from the tower. I didn’t have any specific plans or maps but I quickly found my way to a highly populated area before the Senso Temple grounds.
Between the Kaminari (lightning) Gate and the Hozo Gate is a long street sided by stalls of small shops offering a wide variety of gifts and souvenirs. From the small train station I arrived at I ended up in the middle of the street. Despite the lack of special events there were tons of tourists and other visitors packing the small way. The reason for this oldest temple in Tokyo’s popularity was clear when the Hozo Gate and the main hall came into view just beyond.
The temple’s grounds are large and expansive, offering the traditional views most Buddhist temples offer, but with a variety of interesting things that make a visit there unique. Unfortunately, while I was visiting the skies were overcast, but I managed to snap a few photos while wandering the grounds. Before going I did no research or planning which made the exploration a bit more fun, even though I was quite tired after an entire day walking Tokyo.
One of the most interesting views was from just beyond Hozo Gate. There, you can glimpse Tokyo Skytree paired with the giant fiber sandals attached to the back of the gate. I found it an interesting mix of new and old. I definitely think a trip to Senso-ji is worth the time if you’re visiting Tokyo.
For more pictures from the trip visit MoreThingsJapanese.com
WIT Life #254: Denver’s Japanese influence
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own 
observations.
My interpreting travels bring me again to Denver, and earlier in the fall I posted here about the city’s amazing History Colorado Center, currently showing an exhibit about Japanese American internment during the war. It is still running, so make sure to check it out if you are in town! My clients and I spent the first week of our three-week journey in DC, as these Department of State programs always do. There I spent some time at the Memorial to Japanese-American Patriotism in World War II. It features two Japanese cranes caught in barbed wire on top of a tall marble pedestal, and it was created by Japanese-American sculptor Nina Akamu in 2000. It sits in a landscaped plaza surrounded by a granite wall with inscriptions of the battles that Japanese Americans fought in, as well as the names of Read More
JQ Magazine: 2013 JETAA Oceania National Conference Spotlights Sister City Relationships
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Hiromi Hakuta, assistant director of CLAIR Sydney, addresses alumni at the JETAA Oceania National Conference, Brisbane, Nov. 2013. (Courtesy of Hiromi Hakuta)
By Eden Law (Fukushima-ken, 2010-11). After the JET Programme more than fulfilled its promise of “an experience of a lifetime,” Eden returned to Sydney, Australia, where he joined the JETAA New South Wales chapter to take advantage of the network and connections available to undertake projects such as an uchiwa design competition for the Sydney Japan Festival. He also maintains the JETAANSW website and social media. Other than that, he’s a web designer and a poet, gentlemen and raconteur.
One of the best things about being a member of JETAA is the community, and over the weekend of 15-17 of November, the Oceania community of JETAA got together for our annual antipodean regional conference. For those of you up north who don’t know, JETAA Oceania comprises of five Australian chapters (the state chapters of Queensland, New South Wales, Canberra, the uber-chapter of South Australia-Victoria-Tasmania, Western Australia) and three New Zealand chapters (South Island, Auckland and Wellington). Representatives from Sydney’s CLAIR office (Tsuyoshi Ito, Hiromi Hakuta and Julien Ansart) attended as observers of the proceedings. This year, JETAA Queensland played host in Brisbane, the northern capital that looks to Asia and is close to the Gold Coast, a favoured destination for young Japanese looking for sun, surf and sand. Appropriately, we had our first lunch meet on Friday at MOS Burger, the famous Japanese fast food chain whose only non-Asian presence internationally is right in Brisbane.
JETAA Oceania was invited to attend the Welcome Back Reception for returning JETs at the Japanese Consul General’s home in Brisbane on the Friday night, a chance of course for us to network and hobnob with the cream of Brisbane’s Japanese cultural community. And after the reception finished (early, predictably), JETAA kicked on in town for a night out (hint: it’ll always involve karaoke—usually lots of obscure Japanese songs sung by that one quiet serious person who turns into a blurry, hip-thrusting maniac).
The first day of the conference began on Saturday, early (for some, too early) at our hotel and Laura Tasharofi, president of JETAA Qld, began proceedings by explaining the theme of this year: Australia-Japan sister-city relationships. As explained by Hakuta-san, of all countries, Japan has the most links in Oceania, with 108 sister city relationships in Australia and 44 in New Zealand. Therefore, the potential for JETAA to get involved is great, and the conference’s objective is to find ways to participate and be more prominent in our local communities. To start discussions and provide ideas and examples, two guest speakers, Ross Humphreys and Barry Hancock, were invited who are respected members of the Brisbane community and its influential sister city relationships.
Job: Summer 2014 Leaders for The Experiment in International Living (VT)
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Maura Walsh contacted JETAANY with this interesting opportunity at the suggestion of a JET alum who also works for the organization. Posted by blogger and podcaster Jon Dao (Toyama-ken, 2009-12). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Position: Group Leader
Type: Temporary
Location: Battleboro, Vermont
Overview:
Each Experiment group is accompanied by two adult leaders, and The Experiment is currently hiring individuals to serve as summer 2014 group leaders. The Experiment is looking for leaders who have a demonstrated interest in intercultural and experiential learning, in-depth experience living abroad, competency in the language of the host culture, and experience working with young people. Read More
