Tom Baker interviews 2 movie directors, pans one manga
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
He recently interviewed Shane Acker, director of the animated film “9” and Richard Kelly, who most recently directed “The Box,” a thriller starring Cameron Diaz. He also reviewed the manga “Hot Gimmick.” Here are some excerpts:
Shane Acker
[The characters in the movie are all animated dolls with numbers instead of names.] A different personality aspect is dominant in each one. Rigid orthodoxy is represented by leader 1 (voiced by Christopher Plummer), creativity by inventor 2 (Martin Landau), bravery by warrior 7 (Jennifer Connelly) and so on. Elijah Wood does the voice of 9, the truth-seeker of the group, and John C. Reilly voices his timid friend, 5…
The most amusing character is 8 (Fred Tatasciore), who embodies sheer physicality. In one scene, he achieves a moment of strange bliss by stroking his head with a large magnet, an activity that Acker called “degaussing himself.”
“In film school, especially in the days of video, if you had a videotape and you wanted to just wipe it clean, there’s a degaussing machine, which is basically like a supermagnet, and you would wave the videotape over the degausser and it would just take off all the footage that’s on there,” Acker explained. “So that’s the kind of idea, he’s sort of wiping his memory banks. You realize why he’s so dumb.”
Richard Kelly
Imagine that a mysterious stranger has just handed you a wooden box with a red button on top. He explains, rather convincingly, that if you push the button two things will happen: Someone whom you don’t know will die, and you will receive a payment of 1 million dollars…
In writer-director Richard Kelly’s movie The Box, based on a short story by Richard Matheson, the stranger’s name is Arlington Steward (Frank Langella), and he is conducting a high-stakes social experiment by visiting the homes of middle-class American couples and offering them the choice of pushing the button or not.
“Tonally this movie crosses a lot of genres,” Kelly, who previously wrote and directed Donnie Darko (2001) and Southland Tales (2006), told The Daily Yomiuri in a recent phone interview. “It’s a science fiction film, it’s a domestic melodrama, it’s a suspense film, there’s elements of horror in it, and there’s also some black comedy inherent…The conceit of pushing this button on this contraption and someone you don’t know dying is very mischievous. Anyone who would build this contraption and make this offer is smirking when they do it. And Matheson was smirking, I’m sure, when he wrote this short story.”
…[The story is set in the 1970s because] the mysterious stranger is a character type whose day has passed, according to Kelly. “When I set out to write this screenplay, I initially was trying to figure out how to make it work present-day, but when you introduce modern technology and the Internet, social networking sites, Google maps, satellite maps, reality TV, just our media-saturated world that we live in…there is no such thing as a real stranger anymore. Everyone can be found on the Internet. You can find anyone’s house, you can go onto a satellite map with a 360-degree view.”
“Hot Gimmick”
[In this manga, a high school girl’s seriously unhealthy relationships with her would-be boyfriends is presented as perfectly normal.]
For example, the day after one of her suitors is unable to reach her by phone (for reasons that are no one’s fault), he slaps her across the face so hard that bystanders rush to offer first aid. But Hatsumi chases after him to make the following speech, which he receives in stony silence: “I’m sorry. For being so clueless. For…never being able to get your calls…I’m so sorry. I’m really sorry. For not understanding how you feel about me. I’m sorry.”
Later, when one of the boys proposes to her, she thinks, “Maybe if we got married, he’d finally be nice to me.”
She seems unaware of some basic principles of healthy human interaction, such as this simple standard: If a friend arranges for you to be gang-raped, that person is not really your friend.
Tom Baker reviews “Moon,” “Shutter Island” and “The Wolfman”
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
His two latest articles are movie reviews, one of “The Wolfman,” and one that discusses “Moon” and “Shutter Island” together. Here are some excerpts:
THE WOLFMAN
In most werewolf movies nowadays, it is standard to show a person’s nose and jaw elongating into a snaggletoothed lupine muzzle when they transform from human to wolf. [Makeup artist Rick] Baker has done that before, but in this film he pays homage to Lon Chaney Jr.’s furry but still humanoid look in the 1941 film The Wolf Man, on which the new film is based. Then and now, the title monster has modest fangs, a woolly forehead, a beard that goes up to his eyes and a nose that darkens at the tip.
Our first glimpse of Baker’s version of this classic face is literally over in a flash, as we see it illuminated by a pistol shot during a nocturnal battle. (In case you missed it the first time, the scene repeats a moment later, with a larger gun.) Later scenes reveal the monster’s face at greater length.
MOON and SHUTTER ISLAND
Teddy Daniels and Sam Bell are men who love their wives. They are also the respective protagonists of two new movies, Shutter Island and Moon, that take us far enough inside the characters’ heads to see each man passionately embracing his wife in a dream.
But when Teddy awakes, he finds himself trapped on his movie’s titular island, unhappily remembering that his wife has been dead for years. And when Sam awakes, he finds himself trapped on his movie’s titular heavenly body, unhappily remembering that his wife is on Earth, and he has not seen her for many months.
Teddy (Leonardo DiCaprio) is a U.S. marshall investigating the disappearance of an inmate from a prison hospital for the criminally insane on Shutter Island, Mass., in the 1950s. Sam (Sam Rockwell) is the solitary human staffer of a mining facility on the dark side of the moon, possibly in the 2050s.
The settings are very different, but both are ominous, isolated places in which intense psychological drama will unfold. In both movies, the protagonists have high-stakes confrontations with themselves, and with the powers that be.
Read the rest of the review here. The review is deliberately spoiler-free, but you can read Tom’s further comments about the endings of “Moon” here and “Shutter Island” here.
Tom Baker reviews “Sherlock Holmes,” interviews Jon Foo
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Last Friday he had two movie articles in the paper: a review of “Sherlock Holmes,” which you can read here, and an interview with martial artist Jon Foo, who stars in a new movie based on the “Tekken” series of video games. Here is an excerpt:
“My mom, she does judo, and my dad did karate, so I learned a lot from them growing up,” Foo told The Daily Yomiuri in an interview in Tokyo last week. “My mom used to do throws; tomoenage was her favorite. She’d pick me up, kick me in the air and I landed on the bed. And I’d do conditioning. And then I moved on to kung fu, tae kwon do, Muay Thai. Just take the best from each and mix it [considering] whatever suits my body, and I’ll take that and I’ll use that to perform to my best.”
Foo, 27, has had supporting roles in action movies in several countries, but Tekken puts him in the lead for the first time.
He plays Jin Kazama, a young man who makes a living as a fleet-footed courier in a postapocalyptic world ruled by corporations, one of which is Tekken (a name that translates as “iron fist”)…
…Tekken’s top boss, Heihachi Mishima, is an elderly man–but a mean fighter–whose shiny bald dome is framed by an erect ruff of gray hair that looks like a set of tail fins from a 1950s Cadillac. The hair and makeup people did a hilarious job of replicating this look on actor Cary-Hiroyuki Tagawa, but they were more restrained when it came to just hinting at Jin’s swept-back hairstyle with Foo. We’re probably meant to laugh at some parts of this film, but Jin has to hold the audience’s sympathy.
Read the rest of the article here.
Tom Baker reviews “I Love You Phillip Morris”
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games. You can follow Tom’s blog at tokyotombaker.wordpress.com.
He also writes movie reviews. Here is an excerpt from a recent review of “I Love You Phillip Morris,” in which Jim Carrey and Ewan McGregor play Steven and Phillip, the lead characters in a gay romantic-comedy/prison-break film that is based on a true story. It opens March 17 in Britain and April 30 in the United States, but is already playing in Japan.
McGregor’s sweet and naive Phillip is totally believable. Harmlessly meek and far too trusting, yet somehow uttering the lion’s share of the laugh lines, he makes you want to protect him, which is also how Steven feels. “You only see the good in people,” marvels Steven, whose own outlook is far more cynical.
Carrey, who does appear in good movies now and then, is not always as believable in his role, but this is appropriate since he plays a chronic fake who is always trying on new identities and tells lies to everyone he meets. Late in the movie, when Steven tries to prove his love by revealing his true self to Phillip, he can’t really do it.
Steven is a criminal who went to prison because he belonged there. But his scams are amusing because his wealthy victims are entertainingly depicted (fairly or not) as crude, pompous fools. And his various prison escapes are amazing. In one, he uses felt-tip markers and toilet water to dye his prison uniform green, enabling him to walk right out in the guise of a visiting doctor…
Read the rest of the article here.
Jamie Graves: Food translator and waiter at Kajitsu NYC
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By Steven Horowitz (Aichi-ken, 1992-94)
Just wanted to share that I had a really terrific dinner the other night at Kajitsu (www.kajitsunyc.com), a new and very unique Japanese restaurant on E. 9th Street in NYC, thanks to professional translator Jamie Graves (Saitama-ken, 2002-03) who not only waits tables in the intimate establishment but also translates the menu and other texts for Kajitsu and interprets for important clients.
Kajitu's Chef Masato Nishihara
Jamie, who specializes in translations relating to food and cooking, explained to me a few months ago at a JETAA NY gathering that he was working at a restaurant that specializes in shojin cuisine, which as a non-foodie I can best describe as a sort of high-end, vegan kaiseki. The chef, Masato Nishihara, had worked at Kitcho, a very prestigious kaiseki cuisine restaurant in Kyoto before coming to New York to open Kajitsu.
I can’t remember exactly what I ate, but each course did really blow me away in terms of both flavors and creativity. Plus the soba dipping noodles may be the best in NYC. The menu changes every month, so apparently a number of regulars come back each month to sample the new menu.
The fare is not inexpensive. But it’s well worth it if you have a special occasion to celebrate (which I did!) Especially if you get a seat at the counter where you can watch Chef Nishihara prepare each course right front of you, including his zen-like tea ceremony approach to making the macha at the end of the meal. (According to Jamie, all chefs at Kitcho must study tea ceremony.)
From the March "Spring" menu: Clear Soup with Sticky Rice Ball Mugwort, Rice Crackers.
Here’s a little additional background on Kajitsu from it’s website:
Kajitsu – “Fine Day”
Kajitsu means “fine day”, or “day of celebration” in Japanese. We have chosen the name Kajitsu hoping that a visit here will always be a special occasion for our guests.Shojin Cuisine
Shojin cuisine refers to a type of vegetarian cooking that originates in Zen Buddhism. Even though it does not use meat or fish, shojin is regarded as the foundation of all Japanese cuisine, especially kaiseki, the Japanese version of haute cuisine.
If you decide you have your own special occasion, make sure to say hi to Jamie and ask him all of your questions about the restaurant and the food. There’s lots to tell and lots to learn.
Kajitsu (www.kajitsunyc.com) is on E. 9th St between 1st Ave & Avenue A in New York City.
Tom Baker reviews “Uncharted” video games
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Here is his latest video game review, of “Uncharted” and “Uncharted 2” which Sony recently released as a box set in Japan:
My pal Nate is such a great guy that he keeps hanging out with me despite the fact that I’ve gotten him killed hundreds of times, usually by explosions, gunfire or plunges from cliffs. It’s a good thing he’s made out of pixels, or this relationship would be a lot harder on both of us.
Digital though he may be, Nathan Drake, the lead character in the Sony PlayStation 3 video games Uncharted: Drake’s Fortune (2007) and Uncharted 2: Among Thieves (2009), is so lifelike and likeable that it is not unusual for players to think of him as someone who really exists.
The two games, re-released Feb. 18 as a 7,980 yen box set, are swashbuckling adventures from the Indiana Jones school in which our hero and a few friends hunt for treasure in exotic locales while fighting off gangsters and pirates who are also after the loot. And also as in Jones’ world, events take a paranormal turn once the treasure is uncovered…
Read the rest of the review here.
Tom Baker’s review of “Ooku” manga
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. A big part of his beat is the Pop Culture page, which covers manga, anime and video games. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Here is his latest manga review, of Ooku by Fumi Yoshinaga:
With its shrinking population, chronically depressed birthrate and rising average age, Japan is fated for major social changes in the fairly near future. How that will play out remains to be seen, but Fumi Yoshinaga’s manga series Ooku: The Inner Chamber is an example of how popular art can tap
into real-world social anxieties.
Ooku is set in an alternate-history Japan that also faces a demographic crisis, but of a different type. In the 1630s, a mysterious epidemic called Redface Pox kills 75 percent of Japan’s men, while leaving women physically unharmed.
The disease lingers, the gender imbalance never rights itself, and Japanese society comes to resemble a colony of bees or ants, in which the large female majority does every kind of work while the male minority are seen as delicate creatures valued only for their “seed.”
With women forced to share the limited supply of men, the institution of marriage largely disappears, as only a rich woman can keep a husband all to herself. The wealthiest and most powerful woman of all is the shogun, who keeps a crowded male harem in the innermost chambers–the Ooku–of Edo Castle…
Read the rest of the review here.
JQ Magazine’s Winter 2010 “Food and Film” Issue Is Out Now!
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JQ Editor Justin Tedaldi (CIR Kobe-shi, 2001-02) has worked hard to put out another fantastic issue of JETAA NY Quarterly Magazine (aka JQ). O-tsukare sama deshita, Justin-san!
Start the decade off right!JAN/FEB 2010 ISSUE: Click image below for our homepage
Click here to SUBSCRIBE via PayPal
Editor: Justin Tedaldi – magazine@jetaany.org
JAN/FEB 2010 TABLE OF CONTENTS
Page 3……..Letter From the Editor / Letter From the Secretary
Page 4……..Nippon News Blotter / JetWit Baby
Page 5……..Peace Corps Calls Out to JETs by Marea Pariser
Page 6……..Gearing Up for Grad School by Aly Woolfrey
Page 6……..At the ISE Cultural Gallery by Michael Glumac
Page 7……..Harumi Kurihara: The JQ Interview by Yukari Sakamoto
Page 8……..Nihonjin in New York – Featuring Filmmaker Takayuki Tanaka by Stacy Smith
Page 9……..Lisa Katayama on 2-D Love, Japan Pop by Crystal Wong
Page 9……..The Legacy of Tokyo Story by David Kowalsky
Page 10……JETlog – Featuring John Ellis-Guardiola
Page 10……The Language(s) of Love: Wendy Nelson Tokunaga by Nichole Knight
Page 11…….Bridge Building with Filmmaker Aaron Woolfolk by Lyle Sylvander
Page 12……The Funny Page
Roland Kelts’ Japanamerica reviewed by Fan-to-Pro blog
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Here’s a nice review of Japanamerica (by Roland Kelts (Osaka-shi, 1998-99) on the blog Fan-to-Pro: The Blog of Professional Geekery, which describes itself as “a blog about jobs, career and economics for ambitious fans, progeeks, Otariimen and other members of the Modern Literati.”
http://www.fantopro.com/blog/2009/12/book-review-japanamerica.html
Just in time for the holidays, in case you’re looking for that special gift for that special JET friend or Friend of JET!
JET alum and technical writer David Kowalsky has a nice book review on the book Twitterville: How Businesses Can Thrive in the New Global Neighborhoods in the latest edition of Sound Views, the newsletter for the Puget Sound Chapter of the Society for Technical Writers.
Here’s the link: http://bit.ly/3hix5A.
Have a look and feel free to share your thoughts on Twitter as well. Also, you can follow JetWit via Twitter at http://twitter.com/jetwit.
WIT Life #55: 侍への憧れ
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WITLife is a periodic series written by professional Translator/Interpreter/Writer Stacy Smith (Kumamoto-ken, 2000-03). Recently she’s been watching Fujisankei’s newscast in Japanese and sharing some of the interesting tidbits and trends together w
ith her own observations.
Last night I attended the North American premiere of Goemon, a movie portraying this titular folk hero who was known as the Robin Hood of Japan. It takes place during the Warring States period, and some prominent historical figures who appear are Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu. It is interesting to see Eguchi Yosuke, usually seen in lighter fare such as dramas, as the title character of legendary ninja bandit Ishikawa Goemon. Hirosue Ryoko, another drama veteran, is featured in the role of Princess Chacha whom Goemon spent his early years protecting. The movie’s plot is almost entirely fictional, and displays many dazzling special effects in a CGI-enhanced fantasy setting. The director, Kiriya Kazuaki, hails from my JET hometown of Kumamoto and is the former husband of Utada Hikaru.
During the course of the film, Goemon’s attendant talks of his aspirations to become a samurai and steadily working his way up to achieve this recognition. As the title of this post (samurai e no agokare or “longing for samurai“) suggests, the appeal of samurai has not been lost in this modern day and age. Recently various media have been Read More
Roland Kelts reviews “Tears in the Darkness” for BOOKFORUM
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Just found out that Roland Kelts (Osaka-shi, 1998-99), author of Japanamerica, has a review of “Tears in the Darkness,” a capacious, brilliantly narrated account of the Bataan Death March in World War II, featuring interviews with Japanese, American and Filipino veterans/survivors — in this month’s issue of BOOKFORUM. Inhumanity, with novelistic intimacy…
Read the review here: http://www.bookforum.com/inprint/016_03/4339
Japan Times review of Chin Music Press book “Oh!” by Jeff Kingston
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The Japan Times has a nice review of the novel Oh! A mystery of ‘mono no aware’ by Todd Shimoda, and published by JET alum Bruce Rutledge’s Seattle-based publishing company Chin Music Press.
The review describes “an emotionally numb and alienated technical writer” who “suddenly decides to bolt Los Angeles and visit Japan, his ancestral home.” The main character subsequently stumbles into an exploration of teenage suicide clubs as well as “mono no aware” (the pathos of things), one of those Japanese emotional concepts that tend to baffle us gaijin.
Go here for more information about Oh!: http://www.ohthenovel.com
Go here for more information about Bruce Rutledge and Chin Music Press: http://chinmusicpress.com
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From the Summer 2009 “1/4 Cheap Trick” Issue of JQ (JETAA NY Quarterly) Magazine:
Like Japanese Girls? Then You Need This Book
By Rick Ambrosio (Ibaraki-ken, 2006-08)
There I was again, outside my apartment, in the car with Hitomi. Again, at this awkward moment where we both fidget and she puts the Toni Braxton CD in. This is of course, about 10 months ago now, back in Japan. Even after living in Japan for a year and a half, I still had moments like this; social impasses as I liked to call them. We both didn’t know what to say, what to do. Well, in reality, I didn’t know what to say or do. This was before I understood what “nan demo ii” really meant, before I could fully understand all the silent cues. This was before I read David Radtke’s Understanding Japanese Women.
I know I know, you’re thinking, “oh no, not another pick-up line book. Not another cheesy how-to.” It’s what I feared before I started reading it, too. However, I was delightfully surprised that Read More
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JetWit webmaster Lee-Sean Huang (Oita-ken, 2003-06) comments after the jump on The Cove, a new documentary about dolphin hunting in Japan. Please feel free to share your own thoughts regarding this controversial film in the comments section of this post.
