2013 Kume Island Ha-ri-
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Posted by Benjamin Martin, a JET from 2008-2013 in Okinawa, publisher of the blog MoreThingsJapanese.com and author of the award-winning YA fantasy series Samurai Awakening (Tuttle).
The Ha-ri- races are a yearly event on Kume Island. This year they took place on June 12 at three locations around the island. This year I stuck to the Maja area where locals and students gathered together for a day of races and fun in the water.
While the races are the primary attraction, there is also generally a ball-toss game for the nursery school children and a tug-of-war. There are numerous races from both locals and school participants. At the Maja area, students from the local Nakazato Junior High, Misaki and Nakazato elementary schools, and students from Kumeshima High School all joined together in mixed and separate races.
This year I broke out my gopro to give you a closer look at participating in the Ha-ri- races. Thanks to a few friends and students who wore the camera along the way. Of course with plenty of water a few bucket wars broke out among the high school students, and not all of the boats made it back without a little extra water. Check out the video and pictures below, then come join us next year for this great event.
For more photos and video from this special event visit MoreThingsJapanese.com
Justin’s Japan: Nippon in New York – Heritage at Citi Field, Hatsune Miku and the Joy of Sake
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The Japanese Folk Dance Institute of New York will perform at Citi Field’s fourth annual Japanese Heritage Night Aug. 28. (Courtesy of blog.janm.org)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
As the summer winds fade to fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed both before and after Labor Day.
This month’s highlights include:
Wednesday, Aug. 28, 6:30 p.m.
New York Mets Fourth Annual Japanese Heritage Night
Citi Field, 123-01 Roosevelt Ave.
$23 Promenade Reserved/$37 Pepsi Porch/$63 Baseline Box Silver
Watch the Mets take on the Philadelphia Phillies with a special Japanese Heritage Night pre-game show featuring the Japanese Folk Dance Institute of New York, the Japanese Men’s Choir, taiko and fue master Kaoru Watanabe, and the Spirit Award presentations to important members of the community. Look for fun Japanese activities and games throughout the evening at the special Japanese Heritage Night tables! A portion of the proceeds of all ticket sales made through the special JHN ticket window and through online sales will be given to the Japanese American Association’s Committee on Aging Issues.
Saturday, Aug. 31, 2:00 p.m.
Hatsune Miku Magical Mirai 2013 premiere
Anthology Film Archives, 32 Second Avenue
$20 general admission
In Japan, Hatsune Miku is a phenomenally successful virtual idol that grew out of fan-created songs. With a name meaning “first sound of the future,” she is based on an innovative singing synthesizer software character. This special theatrical release—her first in the U.S. in nearly two years—celebrates the pop Vocaloid’s sixth birthday of by capturing a special commemorative live concert at the Yokohama Area simulcast in both New York and Los Angeles. (For this Examiner’s review of Miku’s previous live film screening in Times Square, click here.)
Sunday, Sept. 1, 5:30 p.m.
J-Summit New York Benefit Concert
The Bowery Electric, 327 Bowery
$15 advance/$18 day of show
Offering a welcoming environment to enjoy music, dance, performance and fashion for all fans and artists, j-Summit New York has created a community focused on the connections and cultural exchanges between New York and Japan through electrifying events. Proceeds for this special benefit concert will contribute to the 2011 earthquake and tsunami relief fund. Bands for the night include Aki, Lust, Red, Iri, Nicole Oliva, Nafsi Groove, and Yuri Bear.
For the complete story, click here.
JETAA UK Networking Reception in the Midlands (UK)
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Via JETAA UK. Posted by Kim ‘Kay’ Monroe (Miyazaki-shi, 1995 -97). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Amegoui – Praying for Rain
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Posted by Benjamin Martin, a JET from 2008-2013 in Okinawa, publisher of the blog MoreThingsJapanese.com and author of the award-winning YA fantasy series Samurai Awakening (Tuttle).
Since the end of the rainy season early this year, the weather on Kume Island has been full of clear sunny days. While it makes for great sight-seeing and beach-going, it has been a hard year for farmers, with little or no rain to sustain critical crops. For the first time in 15 years, the island locals returned to their roots, asking for the help of the Chinbei, the name of the high priestess from the old Ryukyu Kingdom to come and pray for rain.
This rare ceremony began early on August 11th. The Chinbei and other priestesses (noro) met at Chinbei Dunchi on Kume Island. There, a sacred rock was encircled by rope to signify the presence of a kami. After offerings of rice, fruit, and sake, the noro poured water onto the rock while the Chinbei and other local representatives prayed. The Chinbei poured sake from a small cup, repeating the process until she felt the kami was satisfied.
Afterward, all the attendees were asked to participate in a tug-o-war competition outside the grounds. In addition to the physical offerings of sake, rice, and fruit, the offering of effort and strength signified by the competition was in offering to local kami. While competing, locals were sprayed and doused with water, and afterward danced in the simulated rain.
From Chinbei Dunchi, the priestesses and local leaders made offerings at two other shrines in the area. These shrines date back hundreds of years. One was a natural rock formation where a kami is thought to reside. The other was hidden away near the airport grounds where a concrete structure enclosed the sacred home of another kami. At both sites, offerings of rice, sake, fruit and prayers were put forth.
Immediately after the prayers ended, it began to rain. A tornado was even spotted, though it did not touch down. The farmers and local representatives happily returned to Chinebei-dun, the parched ground sated with the first short downpour in a very long time.
For more photos from this special event visit MoreThingsJapanese.com
WIT Life #242: End of Japan Cuts 2013
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Author with the venerable Tatsuya Nakadai at a recent screening of Ran
Yesterday Japan Cuts 2013 came to a successful close, with a jam-packed schedule of four films in a row. I only caught the middle two, Japan’s Tragedy and Dearest, both of which deal with the theme of death (like the earlier screened I’M FLASH, and they all do this deftly in their own unique ways). Japan’s Tragedy stars the amazing Tatsuya Nakadai, an 80-year old actor who I had the honor to interpret for at an event last month at the Museum of the Modern Image when his film Ran (directed by Akira Kurosawa) was featured and he participated in a Q&A following the film.
Nakadai’s downtrodden character in Japan’s Tragedy is in direct contrast to his genkiness in real life. The father he plays has recently lost his wife and has also been diagnosed with lung cancer on the morning of 3/11. After going through one operation he decides that he doesn’t want any more treatment, and furthermore that he will board himself up in his room and die beside the altar for his late wife. His son who is living with him since leaving his wife and daughter, as well as his job, is surviving on his father’s pension and taking care of him. Unsure of how to react to his father’s pronouncement, he initially tries to Read More
JQ Magazine: Citizens of the Bay Area, Film Buffs, and Lovers of All Things Japanese, Lend Me Your Ears!
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Catch the U.S. premiere of Evangelion 3.0: You Can (Not) Redo as part of NEW PEOPLE’s fifth annual J-POP Summit beginning July 27. (© khara. Licensed by FUNimation Productions, Ltd. All Rights Reserved.)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston received a BA in English literature with an emphasis in creative writing and a minor in Japanese at the University of California, Davis. After spending an amazing year on JET in Yamanashi, he spent a year writing and interning with book publishing companies in New York. He currently lives in Marin County, where he continues to cover local Japan-related stories for JQ, and teaches English as a second language at an international school in San Francisco.
Mark your calendars for the weekend of July 27 when NEW PEOPLE and the San Francisco Japantown Merchants Association kick off the fifth annual J-POP Summit. With a special thematic focus on the kawaii phenomenon, this extravaganza promises to be bigger and better than the last one (not unlike the stages of an RPG boss fight).
“Each year we strive to present a comprehensive cross-section of the latest in hot J-POP trends across fashion, film, art, music, anime/manga and pop culture that are happening in Japan NOW!” says event publicist Erik Jansen, who has been promoting the event since the beginning.
The weekend at NEW PEOPLE and Union Square promises a spectacular showcase of live music. In addition to performances by iconic pop star Kyary Pamyu Pamyu and LoVendoR, the new band featuring former Morning Musume star Reina Tanaka, you’ll also have the chance to hear Kylee, an American-born teenage singer whose stock has been rising steadily in the pop music scene. In case you’re worried if all that cutesy music is going to turn your brain to pudding, rest assured that a punk rock show by the Akabane Vulgars and Daichi’s beat boxing and vocal mix mastery will sculpt it back to its normal Jell-O consistency.
And if music isn’t your thing? “We always receive a wide variety of attendees, from ages 7 to 75 and from across all walks of life,” Jansen promises, and this year there will also be an array of other events, including a Harajuku-inspired fashion show, a Pop Gourmet food festival, a sake tasting hosted by the Japanese Consul General of San Francisco, a rebooted edition of the Real Escape Game, the Vocaloid Dance Contest and a full lineup of special guests including guest of honor Katsuya Terada, one of Japan’s greatest illustrators, who will be doing freehand drawings and signing autographs to promote his new art book at the Kinokuniya bookstore.
Justin’s Japan: Japan Society Serves Up Summer Film Festival
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Summer’s here, and that means a new season of JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema, running at Japan Society from July 11-21.
Now in its seventh year, JAPAN CUTS offers 25 titles, all of which are a mix of New York, U.S. and International premieres. Highlights include the smash-hit samurai blockbuster Rurouni Kenshin, the multi-Japan Academy Prize-winning The Kirishima Thing, and the latest horror film from Takashi Miike, Lesson of the Evil.
“In contrast with the past few years, the selection of titles for JAPAN CUTS is much leaner, and more focused on art house productions and film oddities, though there is still a number of ‘mainstream’ crowd-pleasers in the lineup,” says Japan Society’s chief film programmer Samuel Jamier. “Rather than a ‘best-of’ list, this year’s crop brings a block of dark matter, and provides an unblinking look at the dark side of Japan.”
Co-presented with the New York Asian Film Festival (which itself is now in its 12th year), JAPAN CUTS has attracted over 30,000 filmgoers and presented over 150 feature films—many never before seen in the U.S.—as well as a number of panels, post-screening parties, and exclusive Q&As with filmmakers and actors. Past guests have included Koji Yakusho, Masami Nagasawa, and Sora Aoi.
For a complete listing of films and appearances, visit www.japansociety.org/japan-cuts-2013.
WIT Life #241: The Ravine of Goodbye
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Last night’s Japan Cuts feature film was Tatsushi Omori’s The Ravine of Goodbye, which just received the Special Jury Prize at the Moscow International Film Festival. This movie is based on the book by Shuichi Yoshida (who also wrote the chilling Villain, later made into a 2010 movie), and depicts the life of a couple whose next door neighbor’s young son was found murdered. As the police begin their investigation and reporters start gathering facts for their stories, it becomes revealed that the husband was involved in a gruesome gang rape when he was a college student. As more information is found, the deeper layers are peeled back to reveal the truth of the incident’s aftermath.
There were several scenes that were left a bit vague and I had some unanswered questions while watching, though I have a hunch they could be cleared up by reading the original source material. I thought the movie was really engaging in the first half, but later on as the truth was being uncovered things seemed to slow down almost uncomfortably. I found Omori’s work reminiscent of the recent Sundance miniseries “Top of the Lake,” both theme and pacing wise. Although much of Ravine was disturbing, it is without a doubt a polarizing film that will lead to much discussion, as I heard many disparate reactions from viewers exiting the theater. And for that alone, perhaps it is worth seeing.
WIT Life #240: Japan Cuts 2013: Week 2
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
The amazing lineup at Japan Society’s Japan Cuts 2013 continues, and last night I had the chance to catch two films with the themes of loneliness and love. The first movie was I Have to Buy New Shoes, which is set in Paris and features a three-day romance between the main characters Aoi and Sen. The film’s title comes from their initial encounter, in which Aoi tripping over Sen’s passport causes the heel to come off her shoe and his passport to be ripped. She is a longtime resident of France, and he is visiting for the first time with his sister (who has abandoned him to find her boyfriend who is living there). Reminiscent of Celine and Jesse from Richard Linklater’s Before trilogy, Aoi and Sen fall into an easy rhythm as they find themselves spending all their moments together.
But with Sen’s departure three days away, there is a deadline to their relationship. Over this short period of time, they become close enough to confide in each other about Read More
WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Director Toshiaki Toyoda (center) with Japan Society Senior Film Program Officer Samuel Jamier (left).
Japan’s Society fabulous film festival Japan Cuts is back and better than ever! The 2013 lineup includes 24 films, some new and some older, all depicting Japanese society in the way that only Japanese cinema can. This year’s festival kicked off last Thursday night with the movie I’M FLASH from Japan Cuts favorite Toshiaki Toyoda. This director has attended previous festivals (2010’s Hanging Garden, 2012’s Monster’s Ball), and he was on hand this year as well to receive an award from Japan Society Senior Film Program Officer, Samuel Jamier (who announced this will be his last year with the festival. His unique, witty introductions to each film will be missed).
Toyoda’s film stars Tatsuya Fujiwara, who appeared in the film Parade featured at Japan Cuts 2010, as the leader Rui of a religious sect called “Life is Beautiful.” Rui has inherited the family business but is becoming disenchanted with it, and his bad behavior leads to a wild night with grave consequences. The film takes place in Okinawa, and the presence of the sea is so prominent that it is almost an additional character. Aside from Rui, we get to know Read More
Justin’s Japan: Nippon in New York — JAPAN CUTS, Lincoln Center and Aerosmith Rock the Rising Sun
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Live Your Dream: The Taylor Anderson Story premieres at Japan Society in New York July 16 as part of their annual JAPAN CUTS summer film festival. (© 2012 Global Film Network. All rights reserved.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
After you’ve seen the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s catching one of 20 films in Japan Society‘s annual festival or firing up the newest home video release from Aerosmith that documents the band’s triumphant return to Japan following the 2011 Tohoku earthquake and tsunami.
This month’s highlights include:
July 11-21
Japan Society, 333 East 47th Street
$12 general/$9 Japan Society members, seniors and students. I’M FLASH! prices $15 general/$12 Japan Society members
Now in its seventh season, with 10 days of screenings and over 20 titles, JAPAN CUTS 2013 presents the roughest, sharpest, and smoothest of today’s cutting-edge Japanese film scene, encompassing bigger-than-life blockbusters, high-concept art house titles, moving and provoking documentaries, delirious rom-coms, refined melodramas and a handful of UFOs—unidentified film objects. Dovetailing with the New York Asian Film Festival, this year’s highlights include the smash-hit samurai blockbuster Rurouni Kenshin; Eiki Takahashi’s absorbing glimpse into the glitzy world of Japanese pop music, DOCUMENTARY OF AKB48: Show Must Go On; the winner of the 36th Japan Academy Prize for Best Picture and Best Director, The Kirishima Thing; plus the new film from the wildly prolific auteur Takashi Miike, the psycho killer-teacher horror film Lesson of the Evil, a return to the director’s signature gonzo schlockmeister approach.
July 18-20
Lincoln Center Festival presents Matsukaze
Gerald W. Lynch Theater, 524 West 59th Street
$35-$75
Harmonious sounds and haunting songs converge in this exquisite production of Matsukaze (Japanese for “wind in the pines”). Inspired by a popular 15th-century play crafted in part by Noh master Zeami, the opera features a spare, ethereal score by Toshio Hosokawa, one of Japan’s most prominent living composers of contemporary classical music. Matsukaze tells the story of two sisters, two lingering spirits, who wander the porous boundary of the living and the dead in hopes of being freed from a former mortal lover. John Kennedy conducts the Talea Ensemble and a cast of soloists and chorus in this arresting, dreamlike performance set in the shadowy place where the wall between the ephemeral and the corporeal disappears. Sung in German with English supertitles.
For the complete story, click here.
JQ Magazine: Annual Japanese Summer Festival Heats Up Tampa
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New JETs, JET alumni, and Consul Hayato Nakamura and family at Natsu Matsuri, Tampa, June 2013. (Amanda Bailey)
By Bahia Simons-Lane (Gunma-ken, 2005-07) for JQ magazine. Bahia is the president of the Florida JET Alumni Association.
Summer is a time when those of us who lived in Japan begin to feel nostalgic for the matsuri of our adopted home. In spite of the heat, the summer festivals of Japan were perfect little Japanese moments—just thinking about them brings the taste of yakisoba and takoyaki to your tongue. Sadly, these memories are fleeting.
It’s right around this time of year that the annual Tampa Natsu Matsuri is scheduled, which is why for the past three years I have packed up my car in Miami and embarked on the four hour drive north to help out. Tampa’s Natsu Matsuri provides a chance for newly recruited JETs, JET alumni, friends of JET, and members of the Japanese community in Florida to get together and enjoy the traditional Japanese summer festival experience, while also sharing Japanese culture with Florida residents who may not know much about Japan.
As the brainchild of Florida JETAA’s Tampa regional representative John McGee (Nagano-ken, 2004-05), the festival launched in 2006. Now attracting hundreds of people, Tampa Natsu Matsuri grows annually, with more booths and attendees each year. For this summer’s event, which was held on June 15, I was very excited about our new location at Christ the King Catholic Church, which gives the festival more space to grow, and provides an outdoor area with covering and lights in case of inclement weather. The festival itself features Japanese games for kids, such as kingyo sukui (goldfish scoop), Japanese culture demonstrations, and sales of Japanese food and goods. The okonomiyaki is always a hit, and this year a few food trucks even joined us for the event.
The festival is usually held in June or July. If you’re in Tampa next summer, I hope you’ll come relive your memories of Japanese summers.
To participate in or receive emails about Tampa Natsu Matsui, please email tampa@floridajetaa.org. For John McGee’s June 2012 JQ article about the history of the festival, click here.
World’s Only 50kw OTEC Plant in Okinawa
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Posted by Benjamin Martin, a 5th year JET on Kume Island in Okinawa, publisher of the blog MoreThingsJapanese.com and author of the award-winning YA fantasy series Samurai Awakening (Tuttle).
June 16th marked the beginning of power generation at Kume Island‘s Ocean Thermal Energy Conversion Power Plant with a ceremony and visiting dignitaries from around Japan and the world. The newly completed OTEC power plant will be able to generate up to 50kWs of electricity from a turbine driven by the difference in warm surface sea water and cold deep sea water.
This station is the only power generating OTEC facility of its kind in the world. While OTEC is not a new idea and different countries are now studying its possibilities, this is the first step towards creating an effective market for the future. In addition to power, the mineral rich deep-sea waters used by the plant can be used in a variety of industries, making the entire process more efficient and beneficial. The station is part of the Okinawa Prefecture Deep Sea Water Research Institute, and as the goal of the institute is to research the deep-sea water, the power plant’s primary role will be as a research and educational tool. Its construction has been part of a continuing dialog on clean energy between Kume Island, Okinawa, and the National Energy Laboratory of Hawaii Authority and their OTEC project, but was designed and built under advisement from Saga University’s Institute of Ocean Energy.
The ceremony marked the official start of power generation after initial testing and the first power generated in March of this year. Starting at ten in the morning, visitors were invited to the Research Institute Grounds to view the OTEC plant, sample some of the many products made with deep-sea water, and enjoy entertainment by artists from local to abroad. The open fair was followed by a half-hour ceremony with speeches and messages that ended with the pushing of the ‘start’ button. Special guests included:
- Aiko Shimajiri – Parliamentary Secretary of Cabinet Office and Ministry of Reconstruction from the House of Councilors
- Akikazu Shimoji – Okinawa Commerce and Labor Department Industrial Development Supervising Officer
- Yoshihisa Kawakami – The Okinawan Vice-Governor
- Alfred Mageleby – Consul General form the American Consulate General Naha
- Nonaka Tomoyo – Director of the Gaia Initiative
- Mark McGuffie – Managing Director of Enterprise Honolulu
- Gregory Barbour – Executive Director of NELHA
These guests were all involved in different aspects of promoting the OTEC project on Kume Island in communicating with the Hawaii OTEC program. This historic achievement will have an important role in the local economy and development of Kume Island and will be a key test of this clean energy technology for institutions around the world.
The official events ended with a reception before the nearby visitor’s center where more performances took place and several speakers were invited to share their thoughts on the OTEC start and future of the program. Keynote speaker Nonaka Tomoyo surprised Kume Island Mayor Taira with a proposal for creating free WiFi on the island, which the mayor was just able to avoid commenting on. Though it was a positive proposal, the Mayor is limited in the ways he can promote growth on the small island. Luckily, organizations like Gaia Initiative and the sister-city partnership with Hawaii County are providing knowledge and political support to help Kume Island grow technologically and economically.
The celebration will continue Monday with talks by people involved with OTEC. The continued dialog between interested parties promotes new ideas and the sharing of vital information.
For the future, project supporters hope that the power plant will justify the creation of a new deep water pipeline and expanded capacity generators which will allow for more industries and power. Both Hawaii and Kume Island will continue to communicate and share information that will help the different projects create new opportunities for efficient use of the deep-sea water and OTEC power.
Visit MoreThingsJapanese.com for more pictures from the event and more on OTEC power.
Justin’s Japan: Nippon in New York — Hot Films, Magic Gardens and Cool Jazz
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Catch the 2013 New York Japan CineFest at Asia Society June 7-8. (Courtesy of Mar Creation, Inc.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate both the sunny and the dark side of life and nature.
June 8
Asia Society, 725 Park Avenue
$7 members, $9 students/seniors, $11 nonmembers
Returning for its second annual event at Asia Society and co-presented with Mar Creation, Inc, The New York Japan CineFest (NYJCF) will screen more than a dozen independent films in two days, kicking off Friday (June 7) with eight short films by U.S. based filmmakers with a reception to follow sponsored by Sapporo Beer. “New York Japan CineFest is the first independent Japan-themed film festival in New York,” says Hiroshi Kono, owner of Mar Creation. “It’ll soon be a trend that non-Japanese film directors make films with Japanese cast in Japanese language just like sushi and ramen became the world nations’ daily meals.”
Culture Project, 45 Bleecker Street
$30 (use promo code TNCHTT25 for $25 tickets while supplies last)
Following a sold-out run produced by the Epic Theatre Ensemble in November, writer Jeanne Sakata and director Lisa Rothe’s one-man show returns to close out 10th annual soloNOVA Arts Festival. 2013 Drama Desk nominee Joel de la Fuente stars in the real-life story of first-generation Japanese American Gordon Hirabayashi, who posthumously received a Medal of Freedom, the nation’s highest civilian honor, in May 2012. During World War II in Seattle, University of Washington student Hirabayashi agonizes over U.S. government orders to forcibly remove and imprison all people of Japanese ancestry on the West Coast.
For the complete story, click here.
WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Last night I saw a concert at Carnegie Hall given by the Hearts and Eyes Choir ( ゆきわりそう合唱団 or Yukiwariso gasshoudan). This choir was established in 1990 by founder Hiroyo Ubayama, who was on hand to offer her greetings to the audience. It is composed of members with physical and mental disabilities, and the origin of its name is because the choir “shares its dreams and expresses its joy with its hearts and eyes.” They travel the world performing with the motto “we will all be sisters and brothers.” This was their second time on stage at Carnegie Hall, following their debut performance back in 2000.
They were joined by local choral groups as well as featured singers, and the pieces chosen were Rhapsody for Orchestra, Four Seasons of Old Home and Beethoven’s Symphony No. 9 in D Minor. Happy Doll founder Nozomi Terao was the MC, and during intermission collections Read More
