WIT Life #265: NY Peace Film Festival
Events, Film, Translating/Interpreting, WIT Life, Writers 
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
This past weekend I had the opportunity to attend the NY Peace Film Festival co-hosted by my lovely friend Yumi Tanaka. This year highlighted 11 films over the course of the weekend, many with Q&As with their directors following the screenings. I was lucky enough to be able to interpret for two of the Japanese filmmakers who were Skyped in from Japan for their Q&As (a first for me!). Saturday night featured the documentaries The Targeted Village by Chie Mikami and X Years Later by Hideki Itoh.
The first film focuses on a small village in Okinawa called Takae, which happens to be situated between two American military bases. Residents are fighting against the construction of new helipads in Takae, being installed in preparation for the deployment of Osprey. Their story embodies U.S. military strategy dating back to the Vietnam War, the blocking of the gates to the Futenma base, and their town’s rage against their state.
Depicted here is one of the main characters profiled in the film, a local farmer and father of 4 who just wants to ensure that his children can continue to live their quiet lives. In one scene his young son asks how they will be able to study at school with all the noise from the Osprey flying overhead. The farmer takes part in protests again the helipad construction, and unbelievably the Japanese government brings a case of “traffic obstruction” against not only him and several other peaceful protesters but his 7-year old daughter who was Read More
WIT Life #264: Campaign
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Yesterday I went to see director Kazuhiro Soda’s documentary Campaign (選挙) at Japan Society, being shown as part of Richie’s Electric Eight: The Bold and the Daring (part 2 of the film series honoring Ritchie that I talked about in a recent post). It came out in 2007 and was screened at the Berlin Film Festival that year, and was loved by Ritchie who introduced it at a preview at Tokyo’s Foreign Correspondents Club of Japan. This fascinating, self-funded film follows Soda’s Tokyo University (東大) classmate Kazuhiko Yamauchi in becoming the LDP candidate in a by-election for a seat on the Kawasaki City Council, after relocating there from Tokyo for that purpose. Campaign tells the story of how Yamauchi is groomed as a promising newcomer for this well-established conservative party. The LDP is killing it with Prime Minister Junichiro Koizumi and his reform platform on the national level, but engaged in a close battle with the DPJ on the local level.
Yamauchi’s education extends to his wife Sayuri, a particularly interesting character in the film. He is instructed to refer to her as his “housewife” (「家内」 or kanai) as opposed to “wife” (「妻」 or tsuma), a term they both take umbrage against but become resigned to using. In addition, Yamauchi’s supporters within the LDP’s well oiled local political machine later encourages her to quit her job to focus on her husband’s political career, an idea that outraged her. Yamauchi urges her to Read More
Let’s Talk Japan is a monthly, interview format podcast covering a wide range of Japan-related topics. Host Nick Harling (Mie-ken, 2001-03) lived in Japan from 2001 until 2005, including two great years as a JET Program participant in Mie-Ken. He practices law in Washington, D.C., and lives with his wife who patiently listens to him talk about Japan . . . a lot.
In this episode, I speak with Ambassador John Malott, President emeritus of the Japan American Society of Washington, DC about the inaugural Cinematsuri Japanese Film Festival (March 23-27). In addition to discussing what it takes to organize such an event, we cover recent trends in Japanese cinematography and introduce some of the best new films from Japan.
Enjoy!
Nick
If you have not already done so, be sure to “Like” the podcast on Facebook, and follow the podcast on Twitter @letstalkjapan. Additionally, please consider leaving a positive rating and/or review in iTunes.
WIT Life #263: Tohoku Earthquake/Tsunami 3-year anniversary
Earthquake Tsunami, Events, Translating/Interpreting, WIT Life, Writers Comments Off on WIT Life #263: Tohoku Earthquake/Tsunami 3-year anniversary
WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Today in Japan (where it is already March 11) marks three years since the earthquake/tsunami hit the Tohoku region. In a nationally televised news conference to commemorate the anniversary, Prime Minister Abe talked about the children who have lived their whole lives only knowing their home as a disaster-stricken area, saying he wanted to invite as many of them as possible to the 2020 Olympics as a “symbol of reconstruction.” Over the last three years recovery has taken place, though not at a pace as fast as some would like. The news this morning reported that out of the “reconstruction housing” that is to be built in the affected prefectures of Iwate, Miyagi and Fukushima, only 3% has been completed. Many of the over 267,000 evacuees are living in temporary housing that has become more permanent than temporary.
In terms of what can be done to help, many speak of the necessity of implementing not only one-time events, but sustainable activities that will serve as a source of both economic and psychological sustenance. Experts on a recent Japanese political talk show agreed that the goal should not be returning the region to what it once was, some even lamenting oft-used terms such as “reconstruction assistance” and “affected area.” They claim that these ways of thinking are not a basis for moving forward, but looking back. They encourage those who want to help to focus their efforts on Read More
WIT Life #262: 梅祭り！
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Over the weekend I had the chance to try the 梅祭り (ume matsuri or plum blossom festival) Prix Fixe at Hi Collar in the East Village. It was my first time going to this cool hole-in-the-wall location, which hasn’t even been open for a year. Hi Collar operates as a coffee shop during the day, offering beverages and desserts, and at night transforms into a sake bar/restaurant. You can see some of the amazing ume offerings in the menu here, and I especially enjoyed the rice that closed the meal (although it lacked yuba which is one of my favorite foods, as they had run out). The cozy bar sits about 10 people (and has little hooks for your bags underneath, so convenient!), and we were there on Saturday night so it was packed. However, there is a turnover as some people just come in for a drink and leave fairly quickly, as opposed to people like my friend and I who lingered over our ume course for hours. At $38 it is amazingly reasonable so if you have a chance to go before the end of the month when the matsuri ends I would highly recommend it…
I also got the accompanying $30 Umeshu Pairing, which was phenomenal. It came with five glasses of various 梅酒 (ume shu or plum wine), not all of which were sweet. I really liked the Kimoto Umeshu from Daishichi Brewery in Fukushima. This sake producer was one of a few highlighted in a recent New York Times article about how the Japan government is using sake to revitalize the economy by Read More
Justin’s Japan: Nippon in New York—Japan Week at Grand Central, Mayday debut, Jake Shimabukuro
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Ukulele hero Jake Shimabukuro returns to Highline Ballroom March 27. (Courtesy of Highline Ballroom)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Tucked between Oscar and cherry blossom season, March offers an unmissable array of concerts, performances and exhibitions, along with a special gathering to mark the three-year anniversary of the Tohoku earthquake and tsunami.
This month’s highlights include:
March 1-2, 2:00 p.m.
Kaleidoscoping Tohoku: Three Years After the Disaster in 2011
J-LABO Brooklyn, 300-302 Seventh Street, Park Slope
Free
Three years have now passed since the tsunami, earthquake and nuclear accident in 2011 rocked Eastern Japan, yet those who have visited since have been enchanted by the rich culture and history of Tohoku, forging relationships with local residents across generations and geographies. Now, various new projects, art works, crafts, and business from the traditional and the contemporary have emerged. Contents of the two-day event include regional progress reports; a silent auction and charity sale; an exhibition featuring a display of local crafts and a documentary film of Fukushima residents; and of course, food and sake!
Monday, March 2, 11:00 a.m./2:00 p.m./4:30 p.m.
Engleman Recital Hall at Baruch Performing Arts Center, 55 Lexington Avenue
$25 advance/$31 day of event at box office
A show for all ages, this celebration of otaku culture displays how total devotion to one’s artistry creates a truly unique and unforgettable performance. With 15 years of experience, Syan is considered one of the top balloon artists of Japan, becoming the first person ever to win the triple crown of Japanese balloon competition the year he turned pro. A graduate of Japan’s only circus school, Saito is an accomplished juggler, acrobat, balloon twister, and award winner best known for his ninja performance, where he showcases his artistry while clad in black.
March 6-8
Vanderbilt Hall at Grand Central Terminal, 89 East 42nd Street
Free
Japan Week’s annual program highlights unique features of Japanese culture from the last 100 years to the present. Delectable regional foods, technology exhibits, and traditional arts and performances will aim to inspire greater understanding of Japan and travel to the country. There’s something for everyone, from the fresh aroma of Kyoto green tea; a new NTT DOCOMO smartphone app that translates spoken Japanese and English; an introduction to Japanese artistry including hand-blown glass house wares, wooden keyboards and USB’s, gold lacquered iPhone cases; and more. Those planning an international trip can head to the Visit Japan booth for in-person info about travel and various regions.
For the complete story, click here.
WIT Life #261: After Life
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Last night Japan Society concluded its Tribute to Donald Richie: Richie’s Fantastic Five with a screening of After Life (「ワンダフルライフ」), my favorite film from my favorite Japanese director, Hirokazu Kore-eda (The second part of the Richie Tribute, Richie’s Electric Eight, will start on March 13). It was released in 1998, and I remember catching it at the local arts cinema in my hometown. I hadn’t seen Kore-eda’s first film, Maboroshi （「幻の光」）, and I was blown away by After Life. Maboroshi was based on a novel by Teru Miyamoto, but After Life is Kore-eda’s original screenplay, one he created after interviewing hundreds regarding recollections of their lives. In the film as well he actually used some of these non-actors to tell their stories.
The movie takes place at a way station where people are sent after they die. They are to reside there for a week, during which time they must pick one memory that they are allowed to take with them into the afterlife. Each counselor is assigned about seven people who they must help make this decision. The style of each employee varies, as does the nature of their clients. We meet elderly deceased who fondly recall their childhoods, as well as young deceased who struggle to find meaning in their short lives. The audience also later learns that the reason Read More
JQ Magazine: JQ&A with Photographer Wei Yuet Wong on ‘The Fukushima Project’
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“Though people have told me no one wants to see disaster photos anymore, I think it’s a good reminder because it’s barely three years, and already people are forgetting. Not only outside Japan, but within Japan itself, people are forgetting. It’s true that people need to move on and rebuild their lives, but there’s still so much more work to be done in Tohoku.” (Courtesy of Wei Yuet Wong)
By Nathalie Ng (Shizuoka-ken, 2010-11) For JQ magazine. A member of JETAA Singapore, Nathalie was an inaka JET and her time in Japan has taught her to appreciate the flowers by the roadside and how to snowboard.
Wei Yuet Wong (Nagano-ken, 2008-10) left his home in Singapore to join JET following a summer homestay in Hiroshima. He went there because of the history as he’d learnt about the devastation during World War II, and he was particularly interested in seeing how the city had progressed since then. The relationship formed with his homestay family inspired him to join JET.
Assigned to three different schools in Ueda City, during his first few months he was often left feeling clueless and dependent on his supervisor due to the language barrier and the office hierarchy, but he soon got better at it by keeping an open mind and adapting. He is particularly proud that he was able to inspire in his students that they didn’t have to speak English with an American accent to be understood, and this has helped them to be more confident, speaking out during and outside of classes. (In fact, one of Wong’s former students even visited him and his family during the Chinese New Year.)
Since returning from Japan Wong has been working as a corporate warrior, but since last year he has finally taken the leap to pursue his photography interests. His work is now on display in a new exhibition called The Fukushima Project, which runs through 14th February at Select Books in Singapore on 51 Armenian Street. Through special postcards available for sale, visitors can write messages to the people of Hisanohama in Iwaki, which will then be collected and sent to them to let them know that their story has not been forgotten.
In this exclusive interview, JQ spoke with Wong about his visits to Fukushima before and after the 2011 Tohoku earthquake and tsunami, and the relationships he’s made with the locals through his numerous community activities.
You were posted to Nagano-ken and you lived there before the quake happened. What was your motivation for this exhibition?
I felt awed and hopeless when I first looked at the videos of the earthquake, perhaps like so many people around the world. Then why Fukushima? I think there may be three explanations. One, I first visited Fukushima in 2009 to visit friends, so I got to see Fukushima before the disaster. It was quite a different place.
Two, I have friends in Fukushima, and they live in Koriyama city, about 45 km away from the Fukushima No. 1 nuclear power plant. I was concerned about them. I was curious to know how they felt on the day of the earthquake, and then during the subsequent confusion about the nuclear power plant. I also wanted to see how they are doing when most other parts of the world, and Japan, starts forgetting about them.
Lastly, I wanted to experience how it would be like to venture into the disaster zone. I have a need to see things for myself. To touch the soil. Walk on the sand. Smell the salty air on the Japanese east coast, and try to imagine how people felt that day.
Why did you choose this particular town of Hisanohama?
It was by chance that I discovered this town. It’s quite a story, one thing leading to another, with some fortunate chance encounters. But, the best summary is: I met a friend at Koriyama Station to listen to her account, and her experiences. After that I wanted to visit the coast, so she told me that Iwaki is where I should go. With my ticket bought, I hopped on the bus for the 1.5 hour journey to Iwaki. Once at Iwaki, I went to the local tourist office, and asked for directions to the coast. The person at the office looked quite surprised, and she pulled out a map, studied it for a moment, and said, “Maybe you shouldn’t go. We used to have nice beaches, shrines, and attractions. But now, nani mo nai (there’s nothing).” I was not put off, and she finally realised that I would still go no matter what, and she suggested why don’t I go to Hisanohama, where I can have a nice walk, and just look around. So, there I went.
In the international media, most people know about Kesennuma, Rikuzentakata and Minamisoma, but Hisanohama remains unknown. So, I think it’s nice that I visited Hisanohama. It’s a town just 31 km south of the Fukushima No. 1 nuclear power plant, along the Pacific Coast, and has suffered great damage in the tsunami.
Justin’s Japan: Nippon in New York — ‘Dragon Ball’ in Color, Lolita Fashions, ONE OK ROCK’s Debut
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Dragon Ball Full Color makes its English-language debut in print and digital Feb. 4. (VIZ Media LLC)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from the debut performance of one of Japan’s most successful live acts, another performance from one of the country’s biggest crossover stars, and an annual showcase that brings the sights (and tastes) of Japan to vivid life.
This month’s highlights include:
Saturday, Feb. 1, 6:00 p.m.
Asia Society, 725 Park Avenue
Free
The final entry of the film series Vengeance Is Shohei Imamura! Yasuko was exposed to black rain, the radioactive fallout from the atomic bomb dropped on Hiroshima. Years later, she and her townsmen continue to rebuild their life and endure the aftermath. At an age ripe for marriage, Yosuko has been rejected by man after man for fear of radiation, even though she has shown no signs of any illness. The film juxtaposes present-day struggles with flashbacks to scenes of wartime devastation. A departure from Imamura’s usual interest in bawdy human behavior, this film brings him closer to his early mentor Ozu, who is known for his restrained and subdued study of quiet dignity and for whom Imamura acted as assistant director.
Tuesday, Feb. 4
Dragon Ball Full Color, Volume 1
$19.99 MSRP
Akira Toriyama’s epic manga series—one of the most popular of all time—makes its English-langage debut in full color, graphic novel-size in print and digital editions! Son Goku is the greatest hero on Earth. Five years after defeating the demon king Piccolo, he’s grown up and has a family. But what is the real reason for Goku’s incredible strength? A visitor from outer space arrives bearing terrible news—Goku is an alien, and the visitor, Raditz, is Goku’s brother! When Raditz turns out to be a ruthless killer, Goku must fight his incredibly strong brother to save his family and the entire human race. A surprising alliance may be Earth’s last hope: Goku will team up with his old enemy Piccolo to save the world!
Tuesday, Feb. 4, 7:30 p.m.
Joe’s Pub, 425 Lafayette Street
$30 reserved, $35 premium
Akiko Yano returns to Joe’s Pub with her longtime New York friends/virtuoso musicians Will Lee and Chris Parker, answering overwhelming demand from the fans who caught their previous go-round in November 2012. See the pop and jazz chanteuse whom Jon Pareles of the New York Times calls “a world class songwriter with a clear, gentle, wide-ranging voice. She is also an accomplished, endearing performer who might be a Japanese Carole King, Joni Mitchell or Meredeith Monk…”
For the complete story, click here.
2014 Sakura Season Kicks Off
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Posted by Benjamin Martin, a JET from 2008-2013 in Okinawa, publisher of the blog MoreThingsJapanese.com and author of Revenge of the Akuma Clan
(Tuttle).
Down in Okinawa the weather has been rather warm this year. This means that along the way we’ve had some great opportunities to view this year’s cherry blossoms as they begin to bloom from southern Okinawa and work their way north. On Kume Island, there are two great spots to see sakura throughout January. During the season’s peak we get lots of bees and mejiro coming to visit the sakura, not to mention tourists.
One of the biggest events surrounding the sakura is the Sakura Festival. Though there are many throughout Japan, Kumejima’s is one of the first in Japan. Visit morethingsjapanese.com for more pictures from the Sakura Festival and for more cherry blossoms!
WIT Life #260: Shohei Imamura Film Festival at Asia Society
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
First of all, a belated 明けましておめでとうございます！ It’s been a busy start to 2014, but I’m happy to be blogging again in the year of the horse (午年 or umadoshi). It being umadoshi is good news for people like me whose animal sign is the horse, as one is said to have good luck when the zodiac sign for the current year is the same as the one from the year when you were born. This makes me what is called a 年女 (toshi onna), and I’m hoping this year of the horse gives me faster feet in the many marathons I run…
In conjunction with the Japan Foundation, the Asia Society is currently featuring the Vengeance is Shohei Imamura film series from January 17-February 1. I have been a fan of Imamura’s ever since seeing The Eel (「うなぎ」, with Yakusho Koji playing a former convict) in 1997, and was glad to have the opportunity to check out some of his other flicks. He was the first Japanese director to win two Palme d’Or awards, one for Unagi, and one for The Ballad of Narayama (「楢山節考」) in 1983, screened this past Saturday night as part of the Imamura film festival.
Set in the 19th century, the movie takes place in a small rural Japanese village where they have Read More
JQ Magazine: North American Alumni Regional Conference Advances JETAA Initiative
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Delegates to the 2014 JETAA Regional Conference at the Edwin O. Reischauer Institute of Japanese Studies at Harvard University, Jan. 2014. (Courtesy of Tim Ogino)
By Tim Ogino (Akita-ken, 2011-13) for JQ magazine. Tim returned from Japan last summer and immediately became involved in NEJETAA as communications coordinator/webmaster. After spending two wonderful years in Tohoku, he returned to Boston to attend graduate school and is excited to remain involved with the Japanese community, looking forward to the day he can return to the land of festivals, kiritampo, and karaoke.
With New Year’s goals and resolutions firmly prepared, 34 JETAA delegates from 15 chapters across North America gathered for the 2014 JETAA Regional Conference at the Edwin O. Reischauer Institute of Japanese Studies at Harvard University in Cambridge, MA from Jan. 10-12 to discuss ways to improve their JETAA chapters. The New England JETAA chapter played host to this year’s conference and organized a series of discussions, workshops, and seminars under the theme of “Membership Management.”
The week preceding the conference was filled with anticipation about not only the content of the seminars and workshops, but also the weather in Boston. Stories about the week’s now infamous “polar-vortex” surely were intimidating to JET Alumni from warmer climates. Luckily, the temperatures recovered just in time for a comfortable and productive weekend for all in attendance.
The conference began on Friday night with a welcome reception graciously hosted by the Consul General of Japan in Boston, Akira Muto, which featured special guests Museum of Fine Arts Curator Dr. Anne Nishimura Morse and founding JETAA member Professor Ian Condry (Miyagi-ken, 1988-89) of MIT. Their kind remarks emphasized the importance of membership in JETAA as well as the presence of Japanese culture and art in America, setting an ambitious tone for the rest of the weekend.
*****
Writer, researcher, and JET alumnus Matt Leichter (Saitama-ken ’03-’05) will give an encore performance of his lecture, “College Education: Certain Debt, Uncertain Income.” It will again be hosted by the Henry George School of Social Science in New York City. The event date is Wednesday, January 29, at 6:30 PM. The location is not the school’s normal address; instead it will be at:
NYC Seminar and Conference Center
71 West 23rd Street (corner of 6th Ave.)
New York, NY 10010
Here is the lecture’s abstract:
Soaring costs for education, together with limited job opportunities and stagnant wage growth, place substantial financial and psychological burdens on students.
Noted columnist and researcher Matt Leichter reviews tuition inflation, cuts in public funding and the business of lending to students. Mr. Leichter will also propose reforms to the system of financing college education.
Space is limited; please register to attend by emailing hgs.billy@gmail.com.
JET Talks: Temple by Temple Sneak Peek
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JET Talks is JETAADC’s speaker series modeled after TED Talks that features dynamic and interesting individuals to inspire innovative ideas and conversation on Japan within the DC community.
Chelsea is from Guam. Elayna is from Michigan. In 2009, they both moved to Japan with the JET Programme to teach English in Ehime Prefecture. While there, they traveled the 900-mile pilgrimage route in Shikoku visiting 88 temples in 15 days. With so many stories from the trip, they began looking for a way to combine their talents (Elayna illustrates; Chelsea writes) to tell these stories. Using Kickstarter, they successfully funded their project and returned to Shikoku to travel the pilgrimage route once more — this time creating illustrated hand-bound books, postcards, bracelets and more for the 270 donors that made their trip possible.
On Wed., Jan. 29, Chelsea Reidy and Elayna Snyder of bigricefield.com will make a TED Talks-style presentation at Georgetown University in Washington, DC (register today!) telling their story — from their time on JET through their book project, crowdfunding, and the relationships they built along the way. Until then, Chelsea and Elayna have shared some pictures from their journey…
Coming down from temple 24 we found a cat curled up on our packs.
Chelsea paused on the way down from temple 60. After biking up numerous hills, the road became to steep and we had to leave our bikes and finish the trek on foot.
This illustration was inspired by all of the help we received along the way. Here, a woman offers the girl fresh spring water.
You can find more pictures of their journey and illustrations from their book on the JETAADC blog.
JETAA Ottawa Newsletter – December 2013
Anecdote Article, Article/Journalism, Events, Interview/Profile, JETAA Chapters, Notable JET Alums, Writers Comments Off on JETAA Ottawa Newsletter – December 2013
Via JETAA Ottawa. Posted by Gemma Villanueva (Fukushima 2008-11), the past editor for the JETAA Ottawa Newsletter.
The latest digital issue of the JETAA Ottawa Newsletter can be viewed here: http://us4.campaign-archive2.com/?u=4d0d4aa436ad87ff44921adec&id=80f9a73363
What’s in this issue?
Download past issues here:
http://us4.campaignarchive2.com/home/?u=4d0d4aa436ad87ff4492
1adec&id=13d4251245
