JQ Magazine: Art Review – ‘Fiber Futures: Japan’s Textile Pioneers’ at Japan Society
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From left to right: 'Feel the Wind' (2010), by Fuminori Ono; 'Birth' (2011) by Hitomi Nagai; 'Su no hana' (Nest Flowers) (2011) by Takaaki Tanaka. (Vlad Baranenko)
By Vlad Baranenko (Saitama-ken, 2000-02) for JQ magazine. Vlad is an avid photographer.
Opening this week at New York’s Japan Society is the exhibit Fiber Futures: Japan’s Textile Pioneers, which showcases the works of Japanese textile masters and explores the ever evolving relationship between traditional fabric manufacturing and the uses of unconventional technology and materials to create awe-inspiring works of art. To commemorate the opening of the gallery and the designation of the Japan Society building as a city landmark, a special preview event was held on Sept. 14 with many of the artists in attendance along with an exhibition walkthrough from gallery director Joe Earle.
Originally conceived in 2007, the project received approval following this year’s devastation in Japan, and is jointly presented by Japan Society and the International Textile Network Japan in collaboration with Tama University. According to Japan Society, the collection of 35 works on display was thoroughly selected by a special committee to showcase the work of 30 contemporary masters of a movement originally envisioned in the 1950s to “reflect the fecundity of the Japanese artistic tradition and ingenuity.” Since many of the pieces had to make a long journey from Japan to New York, unique containers had to be meticulously designed for each piece to preserve the artist’s intended presentation and allow the viewer to fully appreciate each work.
To simply describe the collection as a stunning example of creativity and the profound Japanese insight into the coexistence of nature and man would not be enough to credit the artists on display. The exhibition explores such themes as the passage of time and seasons just to name a few. While many of the works are composed of traditional materials such as silk and washi paper, modern materials such as stainless steel, vacuum deposited aluminum, and complex chemical dyes are also added to create three-dimensional enchanting expressions.
JQ Magazine: Photos from the 2011 JETAANY Softball Tournament
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Team JETAANY, ready for some softball. (Photos courtesy of Monica Yuki)
By Monica Yuki (Saitama-ken, 2002-04) and Pam Kavalam (Shiga-ken, 2007-09), the JET Alumni Association of New York (JETAANY)’s President and Secretary, for JQ magazine.
On Saturday, Sept. 10, The JET Alumni Association of New York (JETAANY) hosted its Annual Softball Tournament in Red Hook, Brooklyn. Joining the JETs for some friendly competition were Amnet, Docomo, Kintetsu, Mitsubishi, TV Japan, Quick USA, and Yusen. Despite some ominous looking clouds, the 175+ players and spectators enjoyed beautiful, rain-free weather. The daylong tournament was filled with many spectacular plays and great hits, and the event finished with an award ceremony and BBQ at a local bar to celebrate this year’s champion, Yusen. A big thank you to all the teams for coming out and for the tournament’s organizer (and JETAANY President) Monica Yuki!
View the tournament’s Picasa album here.
From the Kahoku Online Network:
震災で犠牲の米国人ＡＬＴ 志文庫に託す 遺族が絵本寄贈
http://www.kahoku.co.jp/news/2011/09/20110907t15011.htm
東日本大震災で亡くなった宮城県石巻市の女性外国語指導助手（ＡＬＴ）テイラー・アンダーソンさん＝当時（２４）、米国出身＝の遺族が６日、アンダーソンさんが子ども時代に読んだ本を「テイラー文庫」として市内の小中学校などに寄贈した。
同市万石浦小で行われた贈呈式には、震災当日に授業を受けた６年生（当時５年生）６４人が出席。父親のアンディさん（５３）が「本を読んで、夢を持って生きてくれたら幸せです」とあいさつした。授業を受けた阿部萌香さん（１２）は「先生は優しかった。本は大切に読みたい」と話した。
寄贈されたのは、アンディさんらが新たに購入した英語の児童文学や絵本など約４０冊。東松島市の仮設住宅で暮らす地元の木工作家遠藤伸一さん（４２）が製作した本棚に収められている。
遠藤さんは子ども３人を津波で失い、長男と次女の２人が同市渡波小でアンダーソンさんの指導を受けていた。
遠藤さんは「明るく、元気なアンダーソンさんをイメージして作った。この仕事を機に、自分も前を向いて生きていこうと思った」と話した。
アンダーソンさんは２００８年に来日し、石巻市では万石浦小のほか、市内の幼稚園１カ所と小中学校計５校で英語を指導。「テイラー文庫」はこれらの幼稚園、小中学校にも寄贈される。
アンダーソンさんは震災当日、万石浦小から近くの万石浦中に児童を避難させた後、自転車で帰宅する途中に津波にのまれたとみられている。
2011年09月07日水曜日
And here’s a very rough summary in English:
“American ALT, lost in the disaster, is memorialized in a library; Family donates picture books”
The reading corner / library contains copies of books that Taylor read growing up. The dedication ceremony was held at Mangokuura Elementary, with 64 of Taylor’s former 5th grade students attending. There are 40 books in the shelves, which were built by Endo-san, a woodworker who lost his three children to the tsunami – two of whom were Taylor’s students at Watanoha Elementary School. Endo-san said that he built the shelves thinking about how bright and genki Taylor was, and that this project helped him to move forward with his own life, too. Andy Anderson told the students that he will be happy if they read books and hold on to their dreams in life.
Slate.com series: “Can Japan Recover?”
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There’s an excellent ongoing series on Slate.com titled “Can Japan Recover?” by Daisann McLane as she travels through various areas of Tohoku. McLane is traveling and writing about Japan as a guest of the Japan National Tourism Organization (JNTO).
“I’m exploring recovering Japan as a guest of the Japan National Tourism Organization. Tourism here dropped through the floor in the first three months after what’s now being called the “Triple Disaster”—earthquake, tsunami, Fukushima. The tourism board was so eager for upbeat stories they offered to send me anywhere I wanted over the course of a week. I emailed them a decidedly non-upbeat itinerary: Sendai, Fukushima, Tokyo. To my surprise, and to their credit, they said no problem. A few weeks later, in July, I was on a Shinkansenspeeding north from Tokyo to Sendai.”
To read more of McLane’s writing about Japan on her travel blog, go to www.therealtravelblog.com.
JQ Magazine: DVD Review — ‘Live from Tokyo’ Explores Music’s Japanification
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"What makes this film so unique is how the visuals compliment the subject matter. The music becomes more visceral when scenes from Tokyo’s fluorescent nightlife are flashing on the screen." (Good Charamel Records)
By Sam Frank, an ALT who taught English in Hiraizumi-Cho, Iwate-ken, from 2002-04 and worked in Shirahama-cho, Wakayama-ken as a JET from 2004-06, for JQ magazine. He currently manages the New York division of UnRated magazine and works as a project manager/Web producer at Arrow Root Media.
When it comes to cultural diversity, Japan has always been a borrower. Their entire writing system, known as kanji, is made up of Chinese characters; the country’s most popular sport is baseball, America’s pastime; and South Korean television dramas get all the top ratings. Japan’s music scene is no different. In Live from Tokyo, American director Lewis Rapkin takes us on a kaleidoscopic journey through Tokyo’s bustling underground music scene. Set within the backdrop of the modern Japanese megalopolis, the film explores Tokyo’s eccentric music culture, and how a combination of global information, media-saturated urban areas, and cutting edge innovation has impacted it.
“Since the 2000s, when the Internet became widely used, the number of people listening to underground music has been growing,” explains Murata, lead singer of the band Kuruucrew, during one of the film’s many fascinating interviews. There are many facets to Japan’s underground music scene, and Rapkin captures them beautifully. Early on in the film we learn how MP3s and digital downloads have altered Japan’s musical landscape. TokyoGigGuide.com’s Craig Eaton describes how you can now “get albums online, whereas in the past you’d have to wait until it came to your country or order it, and wait for it to come in the mail.” With a simple click, you can now access Japanese underground artists such as Shugo Tokumaru, Sexy-Synthesizer, and Sajjanu.
When we’re not learning about the underground scene through band interviews, Rapkin gives us an all-access pass to the bands as they perform on stage. Juxtaposed with time lapses of Shibuya’s nightlife, first person views from train lines, and kaitenzushi conveyor belts, we hear punk rock, J-pop, heavy metal, traditional Japanese music, and various synthesizer-based experiments.
For the complete story, click here.
Sake World e-Newsletter by John Gauntner (August – September 2011)
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The August – September 2011 issue of the Sake World e-newsletter by JET alum and the leading non-Japanese sake expert in the world, John Gauntner (a.k.a. “The Sake Guy”), is now available online.
Go to John’s Sake World website for more information as well: www.sake-world.com
“A Perspective on Helping Japan Disaster Victims” by ex-JET Jeannie McKinney
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This article titled “A Perspective on Helping Japan Disaster Victims“ recently appeared on the CleanEnergy.org website, written by Jeannie McKinney (Hokkaido, 2010-11) who is currently doing an internship for the Knoxville, TN office of the Southern Alliance for Clean Energy (SACE).
Link to original post: http://blog.cleanenergy.org/2011/08/30/helping-japan-disaster-victims/
Here’s an excerpt:
“Post-March 11th, the amount of willingness and enthusiasm, good will and generosity that came from abroad as well as at home, was honestly overwhelming. I was living in a small town in Hokkaido, the northernmost island and prefecture of Japan, at the time of the disaster, in an area that experienced nothing but a few tremors and shakes. But somehow, my community of 13,000 generated so many donation packages within the first few weeks after the disaster that our three little post offices had trouble handling the increased mail traffic. Instead, postal workers had to set out collection bins in their lobbies for the Japan Red Cross to come and pick up on their own.”
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“The problem is that there is only so much individuals can do on their own, without any direction or instruction from organized groups – especially without advice from the country’s government. Post-Katrina, the biggest complaints here in the U.S. were the slow reactions of the local and federal government to respond. Though nonprofits and volunteer groups were first on the scene, there was only so much they could do without bureaucratic support.”
“The same can be said for Japan right now, both in disaster areas as well as radiation areas.”
Latest Newsletter from Councilman Anthony Bianchi
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Here’s the newest newsletter from JET alum and Inuyama City Council Member Anthony Bianchi (Aichi-ken, Inuyama-shi, 1988-89):
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***Page 2***
CLICK HERE for more JETwit posts about Anthony Bianchi.
Show off your translating skills! An English translation or summary of some or all of the above would be great if any readers are up for it. Full credit will be given!
Happy time in a happi coat. (Rashaad Jorden)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
It was the best of times. It was the worst of times.
Those two sentences are a lot more than the beginning of A Tale of Two Cities. The former could best describe my time in the JET Program (with a couple of exceptions), while the latter is an accurate description of my post-JET time.
I was disappointed and sad to leave Yamagata Prefecture last year, but the old saying “when one door closes, another one opens” came to my mind. As much as I enjoyed Japan, I was eager to launch my new life in the U.S.
Since I had talked myself out of grad school for the time being, I figured I ought to put something worthwhile on my resume before commencing the serious job hunt. As my resume included mostly teaching English abroad (France and Japan), I figured I might as well do something related to what I eventually want to do: something editorial related.
Currently, I am seeking an editorial assistant/copy editor/proofreading position. But I would also open to working for cultural exchange programs and in positions that utilize French ability (I am fluent in the language due to having and worked in France).
JET alum James Kennedy reviews “Super Mario” for WSJ Book Review
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James Kennedy (Nara-ken, 2004-06), author of the acclaimed young adult novel The Order of Odd-Fish, just did a Wall Street Journal book review of SUPER MARIO, Jeff Ryan’s history of Nintendo.
In the article, James apparently also had the chance to correct some bad Japanese in his book. (Who says the JET program doesn’t teach marketable skills?)
“Errors crop up. Speculating on the name of Mario’s evil twin, Wario, Mr. Ryan claims that “in Japanese, wariu means bad.” Actually, the Japanese is warui.”
The book review was in Friday’s print WSJ, and here it is online: http://on.wsj.com/paNu5f
Another Canadian JET to visit Tohoku via the MOFA program
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Turns out the Ottowa Citizen article was not entirely correct about Brent Stirling (Fukushima-ken, Fukushima-shi, 2006-10) being the only Canadian among the 20 ex-JETs selected for the MOFA program to go back to their town/city in Tohoku, help with volunteering and write about and share their experience.
But the post on JETwit about the article did help generate a response from Toronto-based JET alum Tanya Gardecky (Miyagi-ken, Shiogama-shi) who will also be participating and whose travel blog you can follow here: http://www.travelblog.org/Bloggers/ShiogamaJET/
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Here are a few JET-related articles and radio piece written and produced in the past month by JET Alum Bluegrass Subchapter member Graham Shelby (Fukushima-ken). (Thanks to Graham for sharing the info.)
- Graham went to Nashville at the end of July to interview some of the new JETs about to depart from the consulate there. Here’s a radio piece he produced that aired this past week on the public radio station here in Louisville. (It’s short.)
http://www.wfpl.org/2011/08/15/audio-new-teachers-prepare-for-life-in-japan/
- Graham also put together a quick piece focusing on one of new JETs who happens to be headed to Fukushima. It aired a few times on NPR’s national newscasts during Morning Edition on August 1. They don’t archive the newscasts online, the newscaster’s intro sounded something like this:
“While many people are struggling to find jobs, hundreds of Americans, many of them recent college graduates, have found an employer eager to hire them – in Japan. From member station WFPL, Graham Shelby has more.”
- Lastly, Graham did another short piece that was Kentucky-specific that was picked up by a few stations here.http://www.wfpl.org/2011/07/30/kentuckians-prepare-for-japanese-teaching-assignments/
As Graham’s work demonstrates, there are clearly opportunities to find and tell compelling stories from the world of JETs and former JETs. If you have any ideas, angles, upcoming events or possible outlets in mind, please feel free to contact Graham gshelby3 [at] gmail.com.
All Hands volunteers and 3M workers take a break from tearing down drywall to enjoy a delicious bento lunch. All Hands executive director and founder David Campbell, center, T.R., second row, far right. (Eric Zdenek)
By T.R. Pearson (Shiga-ken, 2004-06) for JQ magazine. T.R. currently works in the Admission Office at Riverdale Country School in the Bronx, New York. This was his third deployment with All Hands after volunteering in Indonesia in 2006 and Bangladesh in 2008. If you’d like more information on All Hands, he can be reached at theodoreroyce[at]gmail.com.
I’m sure most JETs remember the influx of e-mails after every typhoon or earthquake in Japan. It didn’t matter if you lived hundreds of miles away on a different island, family members and friends wanted to know you were safe. With the exception of a couple rumbles and some violent windstorms, my time as an ALT in Nagahama, Shiga-ken was relatively peaceful. While earthquakes in Japan are always a concern, the scale of devastation that occurred on March 11, 2011 was unimaginable and unpredictable. Watching coverage from my home in New York, I was now the worried person sending e-mails to friends and researching ways I could help. I found my answer on March 14 when I received a message from the international disaster relief organization All Hands entitled “Japan Tsunami Assessment.”
Three days after the quake, executive director David Campbell and international operations director Marc Young, were on the ground surveying the damage and meeting with local governments to discuss possible response projects. As Marc said in his e-mail, “the best way to really understand the situation is to be there on the ground, and make important decisions from that perspective.” After encountering some refusal for assistance in certain areas, the mayors of Ofunato and Rikuzentakata in Iwate-ken graciously opened their arms and their cities to All Hands to coordinate relief efforts, recruit volunteers, and distribute fresh food through a partnership with Second Harvest Japan. A month after All Hands launched Project Tohoku, they received over 4,000 applications from eager volunteers. Initially, the organization requested people with Japanese language skills and cultural knowledge to expedite the work that needed to be done. This made JET alums and current expats living in Japan perfect candidates to get involved.
Much like the JET Program, All Hands attracts people from all over the world at different stages in their lives. To date, All Hands has brought in over 539 volunteers from 28 countries. When I was there in June, I worked alongside college students on summer break, backpackers who rearranged their travel schedules, mid-career professionals who quit unfulfilling jobs, nurses with extensive international experience, and of course, JET alumni. Certain aspects of the JET Program mirrored this experience as we navigated an unfamiliar landscape, discussed Japanese culture, talked about our hometowns, sang our hearts out in karaoke booths, shopped at the grocery store, and lived in a community as if it were our own.
Tsunami: JET alum Harvard professor Ian Miller’s NY Times article
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Harvard history professor Ian Miller (Miyagi-ken, Miyako-shi)
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Thanks to a recent conversation with Peter Kelley, President of the National Association of Japan-America Societies, I just learned of this New York Times article by Harvard history professor and JET alum Ian Miller (Miyagi-ken, Miyako-shi) which ran March 19, 2011.
Bitter Legacy, Injured Coast
http://www.nytimes.com/2011/03/20/opinion/20miller.html?_r=1&pagewanted=1
By IAN JARED MILLER
Cambridge, Mass.
THE rugged Sanriku Coast of northeastern Japan is among the most beautiful places in the country. The white stone islands outside the port town of Miyako are magnificent. The Buddhist monk Reikyo could think of nothing but paradise when he first saw them in the 17th century. “It is the shore of the pure land,” he is said to have uttered in wonder, citing the common name for nirvana.
Reikyo’s name for the place stuck. Jodogahama, or Pure Land Beach, is the main gateway to the Rikuchu Kaigan National Park, a crenellated seashore of spectacular rock pillars, sheer cliffs, deep inlets and narrow river valleys that covers 100 miles of rural coastline. It is a region much like Down East Maine, full of small, tight-knit communities of hardworking people who earn their livelihoods from tourism and fishing. Sushi chefs around the country prize Sanriku abalone, cuttlefish and sea urchin.
Today that coast is at the center of one of the worst disasters in Japanese history. Despite the investment of billions of yen in disaster mitigation technology and the institution of robust building codes, entire villages have been swept out to sea. In some places little remains but piles of anonymous debris and concrete foundations.
I taught school in Miyako for more than two years in the 1990s, and it was while hiking in the mountains above one of those picturesque fishing villages that I came across my first material reminder of the intricate relationship between the area’s breathtaking geography, its people — generous and direct — and powerful seismic forces.
On a hot summer day a group of middle-school boys set out to introduce me to their town, a hamlet just north of Pure Land Beach. While I started up the steep mountainside the children bounced ahead of me, teasing me that I moved slowly for someone so tall. “Are you as tall as Michael Jordan, Miller-sensei?” yelled one boy as he shot past me up the trail.
“Not quite,” I told him, pausing on a spot of level ground to look out over the neat collection of tile roofs and gardens that filled the back of a narrow, high-walled bay.
“What is this?” I asked, pointing to a mossy stone marker that occupied the rest of the brief plateau. A chorus of young voices told me that it was the high-water mark for the area’s biggest tsunami: more than 50 feet above the valley floor.
“When was that?” I asked, but the boys couldn’t say. Read More
The official trailer for Naoko Ogigami’s Toilet, screened at Japan Society July 2011.
By Stacy Smith (Kumamoto-ken CIR, 2000-03) for JQ magazine. Stacy is a professional writer/interpreter/translator. She starts her day by watching Fujisankei’s newscast in Japanese, and shares some of the interesting tidbits and trends together with her own observation in the periodic series WITLife.
I was able to catch Naoko Ogigami’s Megane (Glasses) when it was shown in March 2009 as part of the ContemporAsian film exhibition at New York’s Museum of Modern Art, so I was glad to see her newest film Toilet was being screened at Japan Society’s recent JAPAN CUTS film festival. I appreciated the simplicity and quirkiness of this first feature, but I liked the second one even better for its humor.
Both star Ogigami staple Masako Motai, an actress whose presence always greatly enhances whatever work she is in. Because Toilet is almost entirely in English, it is palatable for those who want to see a foreign movie without dealing with those pesky subtitles. It is supposedly set in the U.S., but it was actually produced in Toronto (Ogigami studied film at USC and in Canada).
Toilet opens with the death of the matriarch of a family of three adult siblings, Ray, Maury and Lisa. The movie’s center is Ray, an emotionless engineer with a fondness for plastic models. A fire in his apartment forces him (toy collection in tow) to move home with Maury and Lisa, who live in the house they grew up in. The audience finds out that shortly before she passed away, their mother went to Japan to bring her mother back with her. Their grandmother Baa-chan doesn’t speak any English and leads a silent existence, despite them all living together. Initially the family member with whom she seems to get along best is the household cat, Sensei.
