Australian JET alum Pepi Ronalds (Miyagi-ken, Sendai Shi, 2010-11) recently published an essay on Amazon titled “After Shock: Experiencing the 2011 Japanese Earthquake.” Below is a bit of context from Ronalds along with an extract from the essay:
About Pepi
Pepi is a freelance writer, ghostwriter and researcher based in Melbourne, Australia. On any given day she is found writing, researching and craving sakuranbo soft-cream from the Omiyage shop below Yamadera. While working as an ALT in Sendai Shi, Miyagi prefecture she experienced the Great East Japan Earthquake first hand. She writes about the experience in her long-form article After Shock: Experiencing the 2011 Japanese Earthquake, which can be downloaded via Amazon or Pepi’s website http://www.pepironalds.com.
“After finishing JET I returned to the freelance writing career that I had begun in late 2009. As a writer of non-fiction, I was keen to write about my experience of the triple disaster in Sendai. I knew that many people outside of Japan had a limited understanding of what had happened. – Yes, I was caught up in a natural disaster as a foreigner, and yes it was scary. But there was (and continues to be) so much more to my experience (and those of my fellow JETs and gaijins). I was astounded by the incredible generosity of my Japanese friends and colleagues, and the work they’ve done (and are doing) to rebuild.”
As publishing paradigms change, I there are fewer venues for long-form articles like mine. So in publishing this article I made my first foray into ‘entrepreneurial journalism’. That is, I am selling direct to readers. Below is an extract. If you want to read the whole thing (6,500 words) you can either download the article via Amazon, or buy direct from me using Paypal.”
Extract from After Shock: Experiencing the 2011 Japanese Earthquake
“We started the heaters,” my friend Yuriko writes, “but we are trying not to use them often to save them in case of an emergency.” I know the school in Sendai to which she refers. Winter is marked by a meter of snow on the baseball field. It’s sustained by snowflakes the size of marshmallows that seem to fall horizontally. The winds wheeze and rattle at loose windows. When I was there last year, I was constantly dabbing my nose with a tissue. And when my friend writes this from Sendai eight months after the earthquake, winter in Japan has barely begun.
I read her email and think back to that frigid Friday, March 11, 2011. My students and I were decorating the walls of the school with a mosaic of origami-paper blossoms. It was so cold in the unheated hallway that my fingers seemed to move in slow motion. We worked with a feeling of purpose and excitement. Then there was a long, deep, foreboding yawp. An announcement from the earth beneath us that everything was about to change. Read More
JQ Magazine: JQ&A with JET Alum Kalu ‘Kaz’ Obuka of Meta-Culture
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"My time on JET bolstered my thinking that we need better institutions and processes for dealing with difference. To its credit, the prefecture I worked in was definitely ahead of the curve."
By Renay Loper (Iwate-ken, 2006-07) for JQ magazine. Renay is a freelance writer and associate program officer at the Japan Foundation Center for Global Partnership. Visit her blog at Atlas in Her Hand.
Originally from London, Kalu “Kaz” Obuka (Saitama-ken, 2005-08) is currently working as a conflict resolution specialist at Meta-Culture, a conflict resolution NGO in Bangalore, India. Having a unique career fueled by his graduate studies in Coexistence and Conflict at Brandeis University paired with his time on JET, Kaz spent a little time with us to share more.
How did your time on JET influence your decision to take up your particular course of study?
My time on JET bolstered my thinking that we need better institutions and processes for dealing with difference. I think it was seeing the way that the institutions I worked with were absolutely out of their depth when, for example, it came to dealing with pupils with migratory backgrounds. To its credit, the prefecture I worked in was definitely ahead of the curve, and was actively looking to develop mechanisms and services for immigrants to help them navigate what, in some cases, would be a very alien cultural landscape.
Aside from immigration, it was seeing the way politics played out, especially the posturing with which the Japanese and their neighbors engaged one another, and their history.
How did your JET experience help you to secure your position at Meta-Culture?
I think my JET experience helped me to the extent that it bolstered my desire to enter the conflict resolution and consensus building field.
What fields did you work in prior to JET?
Prior to JET I dabbled in the NGO sector with an organization that worked to empower disadvantaged youth in London, as well as PR and some professional modeling.
"The author's final thoughts about his stay in Japan struck a chord with me. Though many people seek adventures in foreign lands, if they stay in one place long enough, they often find it's the people they befriended that end up meaning the most to them upon their departure." (Baka Books)
By Tim Martin (Fukui-ken, 2006-08) for JQ magazine. Tim works as a research assistant in a neuroscience lab, and is an avid swing and blues dancer in New York City. He runs a humanist/atheist blog, The Floating Lantern, and is looking for ways to make a difference in people’s lives.
Fukui is a rural, out-of-the-way prefecture, relatively unfamiliar even to the Japanese. It boasts the largest number of nuclear reactors in the country, but only a single Starbucks. It’s home to a Buddha statue larger than the one in Nara, which, curiously, very few tourists come to visit. Fukui also has an amusing reputation for getting terrible reviews from authors who’ve passed through—in his book Hitching Rides with Buddha (aka Hokkaido Highway Blues), fellow JET alumni author Will Ferguson (Nagasaki-ken, 1991-94) describes it, only half-jokingly, as “a hole.”
So it’s an interesting place.
It’s also where Sam Baldwin (Fukui-ken, 2004-06) ended up when he applied to teach English in Japan as a member of the JET Program. In For Fukui’s Sake, Baldwin recounts tales from his two-year stay in this quirky rural backwater, weaving together the varied strands of his experience to form a continuous narrative of adventure and personal growth.
While working a monotonous job as a “research lab technician” in the UK, Baldwin decided he needed to broaden his horizons. Looking to discover what else life could offer, he set his sights on Japan, which, according to a friend who had visited, was a place where Baldwin could indulge in his love of snow and mountains. This may be a casual way to make the decision to start a new job in a strange country, but the required spontaneity and openness to new experiences may be what ultimately allowed the author to glean so much from his time in Japan.
JQ Magazine: Life after JET – The Employment Conundrum
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Geneva enjoying hanami in Hakusan Kouen, Niigata, 2009.
By Geneva Marie (Niigata-ken, 2008-09) for JQ magazine. Geneva works as an account manager in the vast Great Plains a.k.a. Omaha, Nebraska and is a (sometimes) contributor to JETwit. Contact Geneva at geneva [dot] sarni [at] gmail [dot] com and visit her on LinkedIn.
It’s 8 a.m. on a chilly morning in December and I’m sitting at my desk in a thoroughly nondescript building located on the edge of Omaha, Nebraska’s suburban sprawl. I’m checking my interoffice e-mail and yielding phone calls—typical cube-rat chores. I’ve got my coffee and my Spotify, and oh right, I’m writing this article during my downtime. When I think about my daily routine, I realize that it’s a far cry from what I was doing two and a half years ago when I was teaching English to elementary and middle school students in rural northern Japan on the JET Program.
Like everyone who returns from living abroad, I found myself suffering from the typical culture shock and malaise. However, the readjustment to regular life, a regular job, and a regular me—the life I had before my time on JET—has been a continuous uphill battle. It’s been a very trying two years, a strange journey that has somehow left me feeling isolated and worlds away from my former home in Japan, taking me to a place I never thought I’d end up in. Not to mention feeling like I will never get the chance to work in a Japan-related field anytime soon.
My story begins in the frozen metropolis of Minneapolis, where as a 24-year-old, non-traditional student I reenrolled in college at the University of Minnesota as an Asian studies major (emphasis in Japanese, of course). Admittedly, I wasn’t the best Japanese student. I was older than most of my peers and thus (I felt), at a disadvantage. I struggled through two years of language learning before deciding at 26 to embark on my first trip out of the country—a study abroad in Tokyo. It was a life-altering experience for me and probably the most expensive thing I have ever done. It was so life-changing that I often look back at life in my twenties as “before and after Japan.”
Justin’s Japan: April in New York Attracts Japan-Centric Music, Performing Arts
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Ximena Garnica performs in ‘Floating Point Waves’ at New York's HERE April 6-14. (Shige Moriya)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Examiner.com page here for related stories.
As the sakura (cherry trees) blossom in the Big Apple, so does the sheer amount of Japanese talent in music and performing arts coming to Manhattan this month. Here are some highlights guaranteed to appeal to audiophiles of all stripes.
April 6-14, 8:30 p.m.
‘Floating Point Waves’
A performance experience of dance, real-time video, live electronic music, kinetic sculptures and meditative stillness, Floating Point Waves unveils the relationship between the human body and natural elements. This HERE Artist Residency Program (HARP) production plays for 8 performances
Conceived and designed by Ximena Garnica (a Colombia-born graduate of the Akira Kasai Tenshikan Dance Institute in Tokyo) and Shige Moriya (a Japanese-born video and installation artist) in collaboration with Jeremy D. Slater and Solomon Weisbard, Floating Point Waves stars Garnica in a place where movement, water, and light respond to one another as an organic causal chain unfolds, echoing that of our own natural world. Startling performance and exquisite design reverberate through the space, framing a landscape where beauty coexists with darkness.
April 10, 8:00 and 10:30 p.m.
Hiromi
Nearly a decade after her Telarc debut album Another Mind (which won the Recording Industry Association of Japan’s Jazz Album of the Year Award), global superstar pianist Hiromi Uehara has been enchanting New York audiences ever since, with high profile appearances at the Blue Note Jazz Club, Highline Ballroom and Carnegie Hall. At 33 and with nearly a decade of tremendous accolades to her name, the Hamamatsu native stands at the threshold of limitless possibility.
Article: Yamabushi Onsen Yupoka in Tsuruoka
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JETAA Philadelphia Subchapter rep Rashaad Jorden wrote the following article for the Japan Tourist website (a great example of JETs helping to promote “local” tourism for Japan):
Most people feel tired after climbing Mount Haguro, one of the Three Mountains of Dewa (also known as Dewa Sanzan). However, a short drive away, Haguro (the village where Mount Haguro is located) offers a nice place where you can relax your body and mind—and have a beer or two.
Yamabushi Onsen Yupoka—better known as simply Yupoka—is a popular gathering spot for locals and some yamabushi, Japan’s mountain ascetics, who come to Dewa Sanzan to embark on a mountain pilgrimage and venerate their deities.
Yupoka is an insider’s tip as there is no mention of the place in the English-language tourism brochure of Haguro but those who find it will be treated to a majestic setting for a dip in hot water, which is what most people come to Yupoka for.
Perspectives: “A Glass Half Full: Japan’s Disaster Response at One Year” by James Gannon
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The below article by Jim Gannon (Ehime-ken, 1992-94), Executive Director of the Japan Center for International Exchange (JCIE/USA), appeared originally on Smart Assets: The New York Philanthropy Blog.
“A Glass Half Full: Japan’s Disaster Response at One Year”
Here’s an excerpt:
One constant refrain in the disaster zone is the need for more effective mental health interventions. Women who lost family members, men who are ashamed that they can no longer support their families, and children traumatized by the disaster are all grappling with psychological trauma. In response, numerous Japanese nonprofits have established salons and other kokoro no kea (literally, “caring for the heart”) programs to give survivors opportunities to socialize, but these tend be rudimentary in nature, with little input from experienced mental health professionals, and they often fail to engage people at risk who are unlikely to seek out support on their own. Overseas funders can make a difference by encouraging and supporting more specialized and nuanced approaches.
Greater support is also needed for economic revitalization. A number of innovative programs have been launched to jumpstart local economies. In Kamaishi, for instance, the Fuji Social Welfare Council has started renting food trucks to unemployed chefs who lost their restaurants so they can get back on their feet. The trucks also help stimulate economic activity by gathering where new shops are opening in order to attract local residents. Meanwhile, numerous groups are pioneering new methods for small donor support of fisheries and oyster farmers in return for promised portions of future harvests. However, these efforts are only a drop in the bucket, and much greater investment is required.
A third area where funding from the United States and elsewhere can have a particularly significant impact is non-governmental organization (NGO) capacity building. Hundreds of small nonprofits have been established in the wake of the disaster, and while many will eventually fail, others have the potential to prosper and produce the next generation of Japan’s nonprofit leaders. However, the nonprofit sector can only live up to its potential if it becomes more professionalized and if the infrastructure that supports it is strengthened.
JQ Magazine: Concert Review – L’Arc~en~Ciel Take Madison Square Garden by Storm
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L'Arc~en~Ciel frontman hyde at the band's historic Madison Square Garden show, March 25, 2012. (Courtesy of BAM! Marketing, Publicity & Promotions)
By Sam Frank, an ALT who taught English in Hiraizumi-Cho, Iwate-ken, from 2002-04 and worked in Shirahama-cho, Wakayama-ken as a JET from 2004-06, for JQ magazine. He currently manages the New York division of UnRated magazine and works as a project manager/Web producer at Arrow Root Media.
A few years ago I went to the MTV Video Music Awards in Japan, and noticed something interesting. Whenever categories came up where American artists went against Japanese artists, nine out of ten times, the American would win, and not even be in attendance to accept the award. It seemed so unfair to compare American artists to their Japanese counterparts when you think about how many American bands have sold out stadiums in Tokyo while most Japanese bands that tour America have a hard time filling up mid-size venues such as Roseland Ballroom and Irving Plaza in Manhattan. That comparison doesn’t seem quite so unfair after watching L’Arc~en~Ciel (French for rainbow), a band formed in Osaka, cement its name in rock history as the first Japanese band to perform at New York City’s famed Madison Square Garden on March 25.
In celebration of the band’s 20th anniversary making music together, hyde (lead vocals), tetsuya (bass), ken (guitar), and yukihiro (drums) have taken their dynamic visual spectacle around the globe to thank fans in true rock star fashion. The show got underway with an epic opening video displaying the band members’ names carved in platinum scrolling across the screen before showing a beautiful butterfly landing in Hyde’s glove-clad palm.
As the excited crowd eagerly waved their florescent glow sticks in anticipation, L’Arc~en~Ciel stormed the stage backed by the enchanting piano intro to “Ibara no Namida” (いばらの涙). The instant the spotlight dropped on hyde, the Garden erupted into a surge of screams and cheers for the international superstar. Juxtaposing band members with various computer generated ethereal images, songs like “Good Luck My Way,” the theme song to 2011′s FullMetal Alchemist The Movie: The Sacred Star of Milos, “My Heart Draws a Dream,” and “Honey” all came to life in a fresh and exciting way. The visual narratives added another level of interactivity to each song, which is why concertgoers who might not be familiar with songs like 1999′s “Driver’s High” will remember it as the song that opened with a revving engine sound, pyrotechnics, and images of white smoke spreading across the three gigantic LED screens.
For the complete story, click here.
JQ Magazine: Book Review – ‘Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories’
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“Reading ‘Tomo’ is a reminder that even in the most desperate straits, friendship and personal relationships have the power to nourish and sustain us.” (Stone Bridge Press)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
If you could know your future cause of death, would you choose to know? This is the question posed by “Yamada-san’s Toaster,” one of the short stories in the new fiction anthology Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories. As the title suggests, the collection is geared toward adolescents and dedicated to the youth of Tohoku, though it undoubtedly has— in the parlance of publishing— tremendous crossover appeal. There is plenty for adults to enjoy here, too. Edited and with a foreword by Holly Thompson, this collection features 36 stories—including 10 in translation—contributed by several JET alums from around the world, all of whom share a connection to Japan. Proceeds from its sale will go directly to the continued relief efforts.
In Kelly Luce (Kawasaki/Tokushima, 2002-04)’s story, Yamada-san’s toaster burns into each slice of bread a Chinese character supposedly predicting one’s cause of death. The tale’s young narrator observes the effects of the toaster on the townspeople as news spreads and they become stirred into a ridiculous pandemonium. There’s a great element of humor to the story though it also reveals a universal human folly: the vulnerability towards superstition. People try desperately to find order and make sense of a chaotic and random world, even if it means looking for burnt kanji of the toast on a breakfast plate.
The stories are grouped thematically, represented by “Shocks and Tremors,” Friends and Enemies,” “Ghosts and Spirits,” Powers and Feats,” Talents and Curses,” Insiders and Outsiders” and “Families and Connections.” (The final story, the poignant “Peace on Earth,” is penned by Suzanne Kamata (Tokushima-ken, 1988-90), whose own book of short stories, The Beautiful One Has Come, was released last year.
Huffington Post article by Rikuzentakata JET alum Sarah Ruddy
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Former Rikuzentakata JET Sarah Ruddy, a web producer for New York Magazine, was recently by Huffington Post to write an article in connection with the one-year anniversary of the 3/11 Tohoku earthquake and tsunami. (On a side note, I noticed that Sarah mentions another JET alum in the article, author/humor writer Will Ferguson who wrote Hitching Rides With Buddha among other books.)
View from where Sarah's desk used to be in the Board of Education in Rikuzentakata
Here’s the article:
After The Tohoku Earthquake: ‘I Gave Up My Family For Dead’
http://www.huffingtonpost.com/sarah-ruddy/after-the-tohoku-earthqua_b_1335092.html#s770689
Here’s an excerpt:
My decision to go back was not about whether I should but how soon I could. I was determined to do whatever I could to help. I was often asked if I was afraid of another earthquake and tsunami occurring or how the radiation would effect me. There are plenty of dangers in the world that we can’t predict or prevent. They shouldn’t stop us from experiencing life.
I ended up going last November, seven months after the tsunami hit. I was welcomed by friends and generously offered a place to stay. I heard their stories of that day and the seven months that followed. The improvements made in that time were incredible.
I volunteered in Rikuzentakata and Ofunato, the city immediately north, and returned to my former schools to help out with classes. The people I volunteered with were from all over Japan, including students who were on break, retired couples who had free time and curious people who wondered how anyone could have survived. I spent long hours digging through fields of sediment and debris.
Justin’s Japan: Interview with Jin Akanishi on ‘Japonicana’ and His American Tour
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"The word ‘Japonicana’ comes from Japan, America and Spain. The ‘a’ sound is for the females, so my album is a girl. There’s more than one genre—dance, pop, hip-hop, and R&B. It’s like my baby, because I created it from scratch." (Courtesy of PLAN C Agency)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Examiner.com page here for related stories.
In his native Japan, Jin Akanishi is a superstar. Since his early teens, he’s achieved fame as a pop idol, singer-songwriter (with the groups KAT-TUN and LANDS), actor, and radio host. After launching a successful American tour in 2010 to sold out (and screaming) crowds, Jin is back in the U.S. supporting his hotly anticipated English-language debut album, Japonicana. Released earlier this month, the disc features production by Grammy Award-nominated trio the Stereotypes (Far East Movement, Ne-Yo) and platinum hit maker Static Revenger (Madonna, Shakira).
Jin takes Manhattan at New York’s Best Buy Theater tonight (March 15) and hits San Francisco’s Regency Ballroom on March 17. In this exclusive interview, I spoke with the 27-year-old about the tour, the making of the album, his love for hip-hop, and hanging out with Justin Bieber.
How would you describe the new album?
The word “Japonicana” comes from Japan, America and Spain. The “a” sound is for the females, so my album is a girl. There’s more than one genre—dance, pop, hip-hop, and R&B. It’s like my baby, because I created it from scratch.
How has the tour been going?
It’s really great. The crowds are great, good energy, dancers, and a lot of drinks (laughs).
What can fans expect at the shows this time? What’s different?
It’s a totally different concert. Everything’s different.
Is there a highlight you can tell us about?
Crazy lights and dancing. All the songs are from Japonicana.
You mentioned that the title represents all the places that influence you—Japan, America and Spain. How have they influenced you?
I’m Japanese, obviously. And America, my mom loves American music and used to listen to it when I was little. I kind of grew up with it. My best friend’s mom is Spanish, and she taught me a lot about the culture. So that’s how I got influenced.
For the complete story, click here.
JET alum journalist Graham Shelby’s latest article on Fukushima 03.11.12
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Graham Shelby (Fukushima-ken, Ishikawa-shi, 1994-97) has published a thoughtful piece on Fukushima, this one on Kentucky news site, Kentucky.com, in addition to previous radio and written pieces he has done for NPR and other news outlets.
“Quake, tsunami a year ago refreshed Kentuckian’s memories of time in Japan”
By Graham Shelby – contributing write
Posted: 12:00 AM on March 11, 2012
Twenty-three years old and eager to get out of my hometown, I left Lexington for Japan. In the summer of 1994, I took a job teaching English in Ishikawa, a small town surrounded by rice fields and forested hills in Fukushima Prefecture, about 100 miles north of Tokyo.
Click here to read the full article: http://www.kentucky.com/2012/03/11/2104978/quake-tsunami-a-year-ago-refreshed.html#storylink=misearch
Justin’s Japan: New York Marches Into Spring with Gagaku, Kabuki Masters
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Nishizaki Emino, left, and Bando Kotoji, right, perform at Japan Society's Kabuki Dance March 29-31. (Toshio Kiyofuji)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Japanese culture page on Examiner.com here for related stories.
As winter gives way to spring, New York will host special performances of the traditional Japanese performing arts of gagaku and kabuki for a modern audience.
At Highline Ballroom on March 28 is Hideki Togi with Iwao Furusawa. Known as the flame keeper of gagaku (ancient Japanese court music), Togi embodies a proud 1,400-year legacy. Furusawa is a multi-award-winning violinist who has collaborated with Togi for over 15 years, drawing 20,000 people every year in their joint annual national tour. The music drawn from different streams of tradition—Togi from the East and Furusawa from the West—transcends the boundaries of music and art.
As part of its Sakura — Spring Renews, Beauty Blooms festivities (which mark the 100th anniversary of the gift of cherry trees from the Land of the Rising Sun to New York and Washington), Japan Society will host three nights of Kabuki Dance from March 29-31. Led by master dancer Bando Kotoji and a dozen other performers to the accompaniment of live music, visitors will be treated to the elegant and refined art form of nihon buyo, centuries-old Japanese dance.
Using traditional kabuki dance techniques while incorporating the individual expression associated with Western “high-art,” nihon buyo performers have built a repertoire that now consists of popular sections from famous kabuki plays as well as pieces inspired by classical noh plays and old folk tales. They have also integrated musical elements from kabuki and bunraku such as shamisen and storytelling chanters.
JQ Magazine: On Japanese Winters and Well Endowed Snowmen
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Preston with his cool creation.
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
On JET it may be true that everyone’s situation is different, but I’d bet my left dango that each of us, for whatever extenuating circumstance, suffered a few restless nights without heat in our rooms. My bone-chilling tale of refrigery and woe took place when 2010 was newly born, in the sweeping valleys of Yamanashi Prefecture. I lived in Kofu’s International Exchange Center, a westernized building converted from an old motel with all the comforts of home: shower, central heating, high speed Internet, furnished everything—which is to say I’d gotten used to a very comfortable lifestyle. I was overdue for a slice of humble sashimi.
I should mention that Kofu is not a cold place. It usually gets one storm where the snow sticks, and even that only lasts a few days. But that means nothing to a California boy. The moment my room dropped below its usual 72 degrees of moderation I knew I was in for it and got my building supervisor on the phone. He showed up a few minutes later, a shrunken old man who’d apparently won the battle against time, for indeed time had already done its worst and still the man was up and (very gradually) at ’em.
“A couple of days,” he told me after examining the fuses. “You’ll have to hang in there until then.” I looked out my window where the sky was semi-busy dropping the one good bit of snowfall we’d have that year. By now I imagined the temperature inside had dipped into the upper 60s and the first stages of hypothermia couldn’t be far off. Neither could the epic hissy fit I was about to throw.
Embassy of Japan in the UK Webmagazine (March 2012)
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Embassy of Japan in the UK Webmagazine round-up. Posted by JET alum and current editor of the webmagazine, Dipika Soni (Ishikawa-ken, 2003-06). To subscribe to the Embassy of Japan’s monthly webmagazine, email webmagazine@ld.mofa.go.jp with the subject ‘subscribe’.
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Embassy of Japan in the UK Webmagazine: March 2012
Ambassador’s blog
One year on
Featured article
ONE YEAR ON: SCENES OF RECONSTRUCTION & PICTURES DRAWN BY THE CHILDREN OF TOHOKU
Other articles:
Events around the country as the UK remembers “One year on…”
The Tsunami and the Cherry Blossom
One year on: A JET perspective
Films at the Embassy: Bloom in the Moonlight
Films at the Embassy: Tohoku Special Film Show
JAPAN-UK Events Calendar
