Justin’s Japan: ‘Evangelion: 3.0,’ Stanley Clarke Trio, K-pop Concert Debuts
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Evangelion: 3.0 You Can (Not) Redo makes its New York theatrical debut at Big Cinemas Manhattan Jan. 10. (© khara. Licensed by FUNimation® Productions, Ltd. All Rights Reserved.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Start 2014 off right by heading down to your local concert hall, cinema or arts center for some fantastic new year’s fare. Whether you enjoy cutting edge anime, a performance from Grammy-winning and pop sensations, or a classic film favorite of the legendary Donald Richie, treat yourself and catch a break from the cold.
This month’s highlights include:
Sunday, Jan. 5, 7:00 p.m.
MIKA Samba Jazz Trio
Somethin’ Jazz Club, 212 East 52nd Street, 3rd Floor
$12
Presented by Mar Creation, New York-based samba jazz pianist and recording artist MIKA will have her first concert in 2014 at midtown’s venerable Somethin’ Jazz Club, supported by Rafael Barata (drums) and Eduardo Belo (bass). A native of Rio de Janeiro, Barata brings the bossa nova, Belo brings the bottom, and MIKA knits it all together, evoking the warm, soothing sounds of Ipanema and beyond to kick off the new year in style.
Jan. 8-12
Niwa Gekidan Penino—The Room Nobody Knows
Japan Society, 333 East 47th Street
$28/$22 Japan Society members
North American debut! Two brothers inhabit a mysterious, dreamlike apartment. On the day of the elder’s birthday, the younger, who is supposed to be studying for college entrance exams, is preoccupied with creating unusual objects for the celebration. Meanwhile, in the upper room, the younger brother’s alter egos—derived from his wild imagination and taking the form of two creatures, one with a sheep’s head and another with pig features—help with the party preparations. Written and directed by psychiatrist turned most-talked-about theater artist Kuro Tanino and performed by his company Niwa Gekidan Penino, The Room Nobody Knows lures you into a weird yet funny world hidden deep within the Tokyo metropolis. Performed in Japanese with English subtitles. A MetLife Meet the Artists Reception follows the Jan. 8 performance.
Thursday, Jan. 9, 7:30 p.m.
Best Buy Theater, 1515 Broadway
$50-$180
Forming in their native South Korea in 2008 and big in Japan (where they have toured and released albums since 2011), boy band U-KISS is finally touring America for the very first time! U-KISS (an acronym for Ubiquitous Korean International Super Star) consists of members Kevin, Eli, AJ, Soohyun, Kiseop, and Hoon. The band will kick off a new series of concerts titled “THE HEADLINERS,” which promises to bring spectacular 360-degree content of these rising pop princes.
For the complete story, click here.
JQ Magazine: Tohoku Projects—The TOMODACHI Initiative
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Suzanne Basalla, left, presents The TOMODACHI Generation: Investing in the NEXT Generation of U.S – Japan Relations, Chicago, Oct. 11, 2013. (Sheila Burt)
By Sheila Burt (Toyama-ken, 2010-12) for JQ magazine. As part of an occasional series, Sheila is profiling individuals who are or were in some way involved with rebuilding efforts in the Tohoku region. Her first post was on the writing project 3,000 Letters to Japan. After JET, Burt spent an additional year in Japan working at a private school and translation company. She recently returned to the Chicago area. Read more of her reporting at her blog, Stories from the Inaka.
Having been posted in Tokyo during the disastrous March 11 earthquake and tsunami of 2011, diplomat Suzanne Basalla saw firsthand how quickly Japan changed in a matter of seconds.
As senior advisor to former Ambassador John V. Roos in the Embassy of the United States in Tokyo, Basalla had been living in Japan since March 2010, advising Roos on several economic and foreign policy matters. A few months after 3/11, Basalla visited Tohoku and started thinking of ways to encourage redevelopment in the stricken area, “trying to do what we [could] to create hope and support,” she recalled. Although her post with the embassy ended in March 2012, she realized she wasn’t ready to go back to the Pentagon.
Instead, Basalla and a team of others pooled their efforts to create the TOMODACHI Initiative, a public-private partnership established in the wake of 3/11 with the U.S.-Japan Council in Washington. TOMODACHI helps coordinate educational, business and cultural exchange programs for Japanese youth, particularly students in Tohoku, where development opportunities are still few and far between. Presenting at a Japan American Society of Chicago event last October, Basalla referred to TOMODACHI as “an incredibly important initiative…with a path-breaking paradigm.”
“Part of leadership is getting to know yourself,” said Basalla, who now serves as executive vice president of the U.S.-Japan Council. “TOMODACHI’s initiative is to inspire and empower young Japanese and Americans by giving them experience, skills and confidence to achieve their dreams and contribute to a better world.”
JQ Magazine: Manga Review — ‘Showa 1926-1939: A History of Japan’
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“If you enjoy or are interested in manga, history and yokai, or if you appreciate excellent works such as Barefoot Gen and Maus, then Showa 1926-1939: A History of Japan and the rest of the series is a must-read.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently seeking opportunities with publications in New York. You can follow his enthusiasm for Japan, literature, and board gaming on Twitter @brittlejules.
Shigeru Mizuki is a world-famous manga artist and writer best known for his work on yokai, which deals with Japanese ghosts, monsters and supernatural stories. He is the creator of Ge Ge Ge no Kitaro, his most famous work about yokai, and he is also well known and respected in Japan for his autobiographical work about growing up and serving as as a soldier in World War II-era Japan. He created a well researched historical and autobiographical manga about the Showa period which received the Kodansha Manga Award in 1990 and is now being published in English by Drawn and Quarterly. The first of four volumes, Showa 1926-1939: A History of Japan, was translated by JET alum Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06) and released last November. (For more on Davisson, read our exclusive JQ interview with him here.)
This illustrated history of Japan is praised for its accuracy in portraying the atrocities of the Japanese military during the Pacific War while also showing how the Japanese people themselves suffered on the home front. At 91 years old today, Mizuki has given us a complete and accurate account of an entire age that few alive today remember and that the rest never knew firsthand. The story is an important and valuable resource meant for generations of people who have not experienced the chaos of war and the despair of starvation. The manga is very much meant to educate the next generation of Japanese children about the controversial and darker parts of their history and to serve as a cautionary tale to remember in times of peace. It does not sugarcoat anything, and gives great insight into the tensions between Japan and China, North and South Korea, and other countries in Asia that persist today.
JETAA British Columbia Newsletter – December 2013
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The latest issue of the JETAABC (JETAA British Columbia) Newsletter is now available. In this issue, they talk about a road trip in rural Hokkaido, the JETAA Canada Conference held in Montreal, the Sempai Program mentorship for new JETs, and much more!
- PDF: http://www.jetaabc.ca/wp-content/uploads/2013/01/NewsletterV18N2.pdf
- Online viewer version on Issuu.com at http://issuu.com/jetaabc/docs/newsletterv18n2
JQ Magazine: Hark! The Herald KFC
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Good tidings we bring for you and your kin /
Good tidings for chicken and a happy new year. (Jarrad Skinner)
By Jarrad Skinner (Toyama-ken, 2007-11) for JQ magazine. Jarrad is an instructional designer for interactive online courses in the mental health field. Otherwise, he’s obsessed with game design, comedy, and hip-hop. After being born on Long Island, educated in Manhattan, and confused in Japan, he lives in Brooklyn. You can find him on the dance floor.
It’s Christmas Eve and KFC is out of chicken. This can’t be life. We didn’t make reservations, so we can’t have any chicken. It’s one thing to walk into KFC on Christmas Eve to get a bucket of greasy poultry parts, but it’s a whole other indignity to be told you can’t have any. Biscuits and sides will have to do.
As many of you probably already know, KFC pulled off some kind of unholy cross-cultural coup to convince a good portion of Japan that KFC and Christmas go together like peanut butter and jelly. Well, that is, if you’re American, PB&J go together naturally. And that’s really the point that I had to stubbornly learn again and again in Japan: nothing naturally goes with anything. We make it up as we go and then get used to our inventions. We become so used to them, we call them natural or traditional or don’t call them anything at all because we take them for granted like pizza with tuna fish topping.
If there’s one thing we take for granted more than readily available pairings of foods, it’s family. You might be a jackass today, but you expect family to be there tomorrow anyway. And if there’s one message that’s been drilled into our heads by the seasonal onslaught of holiday songs and shows, it’s “Go home to your family!” Every memory of every sitcom holiday special featuring some selfish oaf learning the lesson that the real present at Christmas is family reminds me that as the holidays approach in Japan I feel…unnatural.
【RocketNews24】10 little-known rules for eating Japanese food
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Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13) is an editor and writer for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Japanese food, called washoku in Japan, has just been registered as a UNESCO Intangible Cultural Heritage, but you didn’t need an official declaration to know that sushi and tempura are absolutely delicious. But while enjoying Japanese food, have you ever mixed wasabi and soy sauce as a dip for your sushi? Or how about using your bowl as a chopstick rest? If so, you’ve committed an etiquette faux pas. Take a look at our list of 10 little-known rules for eating Japanese food and save yourself some embarrassment while enjoying a traditional Japanese meal.
JQ Magazine: The Steady Riser – A Conversation with Tokyo Musician Nelson Babin-Coy
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“The Japanese market is a very unique market; it’s very closed. It is kind of frustrating when I try to introduce Western ideals in my music or introduce how I feel live music should be enjoyed at gigs or live venues. If you want to dance, dance. If you want to move, move.” (Lisa (paint with stars) www.paintwithstars.com)
By Sheila Burt (Toyama-ken, 20010-12) for JQ magazine. Sheila recently returned to America after living in Japan for three years (two years in Namerikawa with JET and one year at a private school in Ehime-ken). She is currently looking for a job and welcomes all leads. View more of her work at www.sheilaburt.com.
The first time Tokyo-based musician Nelson Babin-Coy visited Japan, he was a 15-year-old high school student from the suburbs of L.A. who knew next to nothing about Japan. Interested in learning more about Japanese music during his stay in Gunma Prefecture, he started listening to what other teenagers his age were into, including the idol group Morning Musume. Yet when he first heard one of the band’s songs, he cringed a bit. “I wasn’t disgusted, but I was like, ‘This is music in Japan?’,” he laughs.
Thankfully, his host sister introduced him to the Battle Royale theme song by Dragon Ash, and he was hooked. The two weeks Babin-Coy spent in Gunma were enough to give him a new dream to follow. He wanted to live in Japan, though he had yet to figure out the how and what to do.
“I love Japanese music and lyrics,” he says. “I think Japanese artists are more artistic in the way they form their stories.”
Now 28, Babin-Coy is a rising singer-songwriter who primarily sings in Japanese and works with several native artists trying to break into the Western market. He has toured the mainland three times with his band, nothing ever lasts (currently on hiatus).
Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13) is an editor and writer for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Hollywood films are popular around the world and Japan gets its fair share of dubbed and subtitled blockbusters. But sometimes things get a little mixed up when changing words from English to Japanese. This gives rise to translated titles that come in a wide range of strange from unintended sexual innuendos to spoilertastic summaries.
Let’s take a look at 13 weird Japanese movie titles that make you wonder what the translators were thinking.
JQ Magazine: JQ&A with Manga Translator Zack Davisson on Shigeru Mizuki
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“All of JET is fond memories for me. I loved it. Kansai was the perfect area. Nara, Osaka, and Kyoto were all in easy reach so I had the best of everything. I lived in ancient and traditional Japan, but had wild and modern Japan nearby anytime I wanted. I did everything I could possibly do, went everywhere, tried everything—it changed my life.” (Courtesy of Zack Davisson)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently seeking opportunities with publications in New York. You can follow his enthusiasm for Japan, literature, and board gaming on Twitter @brittlejules.
A scholar, author and translator of Japanese folklore and ghost stories, Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06) joined the JET Program in 2001 with some basic Japanese knowledge and a strong desire to learn much more. After spending five years on the program, he remained in Japan to acquire a master’s degree in Japanese studies while writing freelance and translating for Osaka University.
The theme of Japanese ghosts running through Davisson’s writing and translation dovetails the interests of manga legend Shigeru Mizuki, who is famous for the classic series GeGeGe no Kitaro. Mizuki is equally well known in Japan for his autobiographical works about his experiences as a soldier during World War II. A great fan of Mizuki, Davisson now contributes to publisher Drawn and Quarterly’s English adaptations of Kitaro and is the translator of the first volume of Mizuki’s historical manga Showa 1926-1939: A History of Japan, released last month in North America.
In this exclusive, expansive interview, Davisson discusses his time on JET, the significance of Mizuki’s supernatural and historical works, and the unique methods and madness of manga translation.
How did you first become interested in learning the Japanese language, and how long have you been studying it? For aspiring translators who are still studying, do you have any advice about textbooks, programs, or techniques?
I actually became interested when I was about 10 years old and my mother took me to see Seven Samurai at a local art theater. I was hooked pretty early—if I you look at my class pictures from that time I am wearing ridiculous Japan t-shirts. I took Japanese in high school when it was offered as a foreign language, but there were only four of us in the class, so it was cancelled—no one was interested in learning Japanese back then. This was the ’80s, so there was no “Cool Japan.” That pretty much ended my language studies for a while.
Decades later when I went on JET, I was useless language-wise. I thought I knew more Japanese than I did, but really just the set phrases and greetings. I was determined to leave JET functionally bilingual, so I just studied as hard as I could from day one, eventually getting my master’s degree in Japan.
My only real advice for people is to go to Japan, and talk and read and practice as much as humanly possible. There is no substitute for immersion and experience. I always say I learned more Japanese at my local bar, the 100 Club, than I did doing my MA. Talk, talk, talk. Read, read, read. Use Japanese as a living language, don’t just study it as an abstract. And, of course, marry a Japanese person. That’s a huge advantage!
When and where were you posted for JET? Could you talk a bit about your time there and what you remember fondly?
I started JET in…I think 2001. Crazy to think it was more than 10 years ago, because it doesn’t feel that way. I was unusual in that I was a 5-year JET that worked in two prefectures. I did three years in Nara and then two years in Osaka. I don’t know if they still allow you to do that. I was one of the first in my prefecture to get that contract extension, and even then there were only two of us allowed to do it.
As for fond memories…all of JET is fond memories for me. I loved it. Kansai was the perfect area. Nara, Osaka, and Kyoto were all in easy reach so I had the best of everything. I lived in ancient and traditional Japan, but had wild and modern Japan nearby anytime I wanted. I did everything I could possibly do, went everywhere, tried everything—it changed my life. And my career; I got started in writing and translating doing articles for my prefectural newsletter, then moved on to publishing magazine articles for Kansai Time Out and Japanzine. And now I have my Shigeru Mizuki translations out and my book, Yurei: The Japanese Ghost, coming next year. I owe all that to JET and the people I met on JET.
In what ways did you become involved in your community?
I wasn’t a big community person, other than I threw myself into every matsuri I could. I was fascinated with Shinto festivals, especially the big, loud, and dangerous ones. Anything fueled with alcohol and adrenaline. I did the Okayama Hadaka Matsuri four times and brought the magic sticks out twice. I carried this massive mikoshi in a little village in Nara every year. In Osaka, I carried these giant, flaming torches in the Taimatsu Matsuri for my town. I loved the primal nature of these matsuri, the physicality and closeness to the gods—it’s something we’ve completely lost in the U.S. In our quest for safety and comfort we’ve lost something intangible. Something Joseph Campbell would have recognized and appreciated.
Other than that, I was a regular at a local bar, the 100 Club in Osaka. A different kind of community, but that was another life changer. I’m still friends with my pals from the 100 Club and we even got matching tattoos. Not quite as sweet as volunteering at the local children’s eikaiwa, but there it is.
【RocketNews24】7 things you should know before moving abroad
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Jessica, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
I’ve lived abroad three times in my life. Once was a homestay in France, once was a semester studying in Germany, and now I live and work in Japan. I don’t expect that I will ever move back to the States. I love Japan and have wanted to live abroad almost as long as I can remember. Even so, it has sometimes been challenging for a girl from suburban Arizona who didn’t even get a passport until she was 18, and lately I’ve been wondering what I would tell my younger self to better prepare her for this crazy expat life.
With the help of our globetrotting friends, we’ve come up with this list of seven things you should know before moving abroad.
Kyodo News “Rural JET alumni” series: Elizabeth Gordon (Iwate)
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News agency Kyodo News has recently been publishing monthly articles written by JET alumni who were appointed in rural areas of Japan, as part of promotion for the JET Programme. Below is the English version of the column from November 2013. Posted by Celine Castex (Chiba-ken, 2006-11), currently programme coordinator at CLAIR Tokyo.
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“I discovered through these exchanges that the people with whom I was talking wanted to know as much about me, about Chicago and about America as I wanted to know about them, Iwate and Japan. Through these interactions over the course of two years I began to gain a small understanding of the subtle nuances that were part of the culture in which I was living.”
Originally from Chicago, Elizabeth Gordon (Iwate-ken, Ninohe-shi, 2003-05) holds a Bachelors Degree in Psychology with a minor in Japanese Studies from Northwestern University, IL, and a Master’s degree in East Asian Studies from Columbia University, NY. She spent two years teaching English in rural Iwate before joining the Japan Foundation in New York as a Program Officer. She currently works as the Director of Private Events of the Adler Planetarium in Chicago.
Soba Diplomacy
Noodle making is an art, not to be taken lightly. Only a true master can produce the perfect noodle. After the wooden board is cleaned, the ingredients are kneaded in perfect rhythm until the correct consistency is achieved, and only the master knows for sure when that is. The rolling pin goes back and forth in a circular motion but forms a perfect rectangle, which is folded in half, then in half again, and in half again. Ever so delicately, the master cuts, slice after slice, all exactly the same width. They are cooked for just the right amount of time and then served with a simple dipping sauce sprinkled with scallions. The movements were ingrained in his muscles. I imagine he could have completed the whole process with his eyes closed. There is simplicity in the process, but the flavor is layered and complex.
When I arrived in Ninohe City, Iwate Prefecture in the summer of 2003 as a participant on the JET Program, I did not know a soul, nor had I ever heard of Iwate Prefecture. There was a short orientation in Tokyo, followed by a shorter orientation in Iwate’s capital city of Morioka. It was on the final day of orientation in Morioka that I met my supervisor, Mr. Sato. He picked me up and we drove the one and a half hours through the countryside back to Ninohe City. Mr. Sato did not speak much English and his heavy Iwate dialect was difficult for me to understand. We did, however, find common ground in a little bit of sports but mostly through food. I listed all of my favorite Japanese dishes, and he loved the fact that I could eat with chopsticks. He brought me to the Board of Education office and showed me my desk, which would be my home base for the next two years.
There was no rest for the weary, however. Before I could sit down I was whisked away on a driving tour of the entire city. We stopped at my two junior high schools and one of the eight elementary schools at which I would be teaching. I was asked to give a short self-introduction at each location. We also stopped at city hall to meet the mayor, and at the bank to open an account. Back at the board of education it was suggested that I be taken to the grocery store before I was dropped off at home for the evening. Read More
Justin’s Japan: Nippon in New York—Yayoi Kusama, Taka Kigawa, Taro Hakase, VAMPS
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Yayoi Kusama with Love Is Calling (2013) installed as part of the artist’s inaugural exhibition I Who Have Arrived in Heaven at David Zwirner Gallery, on view through Dec. 21. (Will Ragozzino)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving weekend (and the hopes of eating right) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Now through Saturday, Dec. 21
Yayoi Kusama: I Who Have Arrived in Heaven
David Zwirner Gallery, 525 West 19th Street
Free
In case you missed last year’s retrospectiveat the Whitney featuring the artist’s mega-buzzed about Fireflies on the Water, this current exhibition by Yayoi Kusama features 27 new large-scale paintings and The Souls of Millions of Light Years Away, a new mirrored infinity room made especially for this exhibition and the United States debut of another infinity room, which was recently on view in Tokyo at the Mori Art Museum. Also exhibited is the artist’s video installation, entitled Manhattan Suicide Addict, that draws its title from her first semi-autobiographical novel published in 1978.
Wednesday, Dec. 4, 8:00 p.m.
Three’s Keys feat. Taka Kigawa
Klavierhaus Recital Hall, 211 West 58th Street
$15
As part of its third annual festival entitled Timbre Tantrum, Composers Concordance(“Enterprising new music organization” –New York Times) presents this all-piano production featuring Taka Kigawa (“Extraordinary pianist” –New York Times), Inna Faliks (“Signature blend of grace and raw power” –Lucid Culture) and Carlton Holmes (“Inventive” –Jazziz). Each pianist will present a 20-minute solo set of their own contemporary repertoire, including music by Shchedrin, Zhurbin, Ellington, Palkowski, Monk, and Alexander. The grand finale serves up a triple-piano suite composed by Dan Cooper, Sean Hickey, Debra Kaye, Milica Paranosic, and Gene Pritsker performed on Klavierhaus’ antique instruments, including a 19th century Pleyel.The concert will be followed by a brief reception.
Thursday, Dec. 5, 8:00 p.m.
Town Hall, 123 West 43rd Street
$49.50-$89.50
A violinist since the age of four, contemporary classical and crossover musician Taro Hakase returns to New York as part of his first-ever world tour. Entitled JAPONISM after his latest album, Hakase’s pop-infused compositions and charismatic showmanship are known to get fans dancing at his concerts. First brought to international attention following a collaboration soundtrack and a concert tour with Celine Dion in 1996, Hakase has performed before over two million people and has sold more than six million albums in Japan alone. Along with his eight piece band, Hakase brings his tour to one of New York’s most celebrated stages.
For the complete story, click here.
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Writer, researcher, and ex-JET Matt Leichter (Saitama-ken ’03-’05) will be presenting “College Education: Certain Debt, Uncertain Income” at the Henry George School of Social Science in New York City on Friday, December 20, at 6:30 PM. Here is the abstract:
Soaring costs for education, together with limited job opportunities and stagnant wage growth, place substantial financial and psychological burdens on students.
Noted columnist and researcher Matt Leichter reviews tuition inflation, cuts in public funding and the business of lending to students. Mr. Leichter will also propose reforms to the system of financing college education.
The school is located in Manhattan on East 30th Street between Park Avenue and Lexington Avenue.
JQ Magazine: Book Review – ‘Life in Japan: The First Year’
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“Edison’s artistic talent captures Japan’s essence and his autobiographical account is honest and direct. JET Alumni will be able to follow his story and find many of their own experiences and thoughts represented within his work. From his first encounter ordering a hamburger to his dissatisfaction with being a glorified babysitter, his tone and pace keeps the reader hooked.” (Big Ugly Robot Publishing)
By Lana Kitcher (Yamanashi-ken, 2010-12) for JQ magazine. Lana is the business development associate for Bridges to Japan. To read more about Lana’s adventures in Japan and New York, visit her blog at Kitcher’s Café.
Victor Edison is a young man who remembers always having some Japanese influences present throughout his life. His family hosted a Japanese exchange student during his childhood, and he was fascinated by anime and manga from a young age. After graduation he found himself working a job he didn’t really want that wasn’t really going anywhere. A friend that was working in Japan at the time encouraged him to apply to be an English teacher and all he could respond to this was, “why not?”
Published by Nagoya-based Big Ugly Robot Press, Life in Japan: The First Year is a bilingual graphic novel written and drawn by Edison about his first year working for an English language school in Mie Prefecture. With little previous knowledge of the Japanese language or customs, he travels blindly to his new home armed only with his enthusiasm and determination to succeed, his ultimate goal to one day become a full-time artist.
His first choice was to work in Tokyo, simply because that was all he knew. After his interview with “Noba,” he soon learns that he has been offered a position in Mie, and accepts.
He starts work at an English conversation school located in a semi-rural area. While the majority of the clients were adults and young adults, the teachers often had to “teach” toddler classes as well. Because the school was located in a shopping mall, many parents would drop their kids off at the English school to fit in some uninterrupted shopping time. The teachers quickly learned that the child classes were thinly disguised babysitting sessions.
【RocketNews24】Why does the fifty yen coin have a hole? And other fun facts about Japanese coins
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by Master Blaster, writing team for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
A fun way to get a perspective on another country’s history and culture is by looking at the currency used. The materials and design that go into making them can say a lot about what a country holds dear.
So, why don’t we take a quick look through the modern coins used in Japan and learn a little about why they look the way they do and some other tidbits along the way such as what happens when you microwave a one-yen coin and why you shouldn’t do it.
