Emily Metzgar’s op-ed: “The JET Program and the US-Japan Relationship”
Academic, Article/Journalism, Notable JET Alums, Return on JET-vestment 
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A great summary of the long-term value of the JET Program (i.e., Return on JET-vestment) by University of Indiana journalism professor (and JET alum) Emily Metzgar:
The JET Program and the US-Japan Relationship: Alumni of the Japan Exchange and Teaching Program are an important part of bilateral ties.
As official Washington prepares for the late April visit of Japanese Prime Minister Shinzo Abe and his scheduled address to a joint session of Congress, many aspects of the bilateral relationship between the United States and Japan will rightly be feted, including a robust strategic alliance and significant economic ties between the two nations. The visit also presents an opportunity to consider a less discussed but increasingly important aspect of the U.S.-Japan relationship writ large: The extensive – and growing – network of American alumni of Japan’s long-standing Japan Exchange and Teaching (JET) Program.
Click here to read the rest of the op-ed: http://thediplomat.com/2015/04/the-jet-program-and-the-us-japan-relationship/
JQ Magazine: JQ&A with Chin Music Press Owner Bruce Rutledge
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“JETs have a special bond, somewhat like people who go to the same university, and I think returning JETs can exploit that connection to open a few doors. JETs and MEFs are in all sorts of powerful positions these days at multinationals, news agencies, nonprofits, and government jobs. Use that network!” (Courtesy of Bruce Rutledge)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
After spending a few years in Chiba doing teaching and promotional work that would be all too familiar to JET ALTs and CIRs, Bruce Rutledge went on to work as an editor and writer in Japan for over 15 years. Today, he is the owner of Chin Music Press, a publishing company in Seattle with strong ties to Japan.
In this exclusive interview, Rutledge discusses his time as a Monbusho English Fellow (MEF), which was in some ways a precursor to the JET Program, and shares some of his experiences in a variety of media positions in Japan along with the origin and direction of Chin Music Press.
Since most of our readers are JET alumni, they’re probably already wondering about your connection to JET. Would you mind telling us a bit about the Monbusho English Fellowship you participated in? Why were you drawn to that program? Where in Japan were you placed, and how would you describe your activities as a Monbusho English Fellow? Also, how would you connect MEF with JET and compare it to what JET eventually became?
I was an MEF from 1985 to 1987 in Funabashi, Chiba, I think my job was sort of a combination of a CIR and a teaching assistant. I spent every Monday in the city hall doing PR work for Funabashi, whose slogan was “We More Sports.” I talked to them about this thing called a verb and how their slogan needed one, but my intervention was too late. Tuesday through Friday, I would teach in the schools. I taught a whole year at one high school and spent the rest of the time rotating from middle school to middle school with an occasional elementary school visit thrown in. It was a memorable period of my life. I loved my time there.
Are there any special anecdotes you would like to share from your time in Japan?
Perhaps the time a neighborhood kid of five or six broke into my apartment by climbing through an open window. The little burglar left his shoes on the windowsill. It was just the sort of juxtaposition I love about Japan.
When you finished with MEF, what was your next job? At that time, what direction did you see your life taking, and how did the your path end up differing?
After MEF life, I moved about 15 stops down the Sobu Line to Suidobashi and took a job with Universal News Japan. I was an editor and had planned to have a career in journalism. That plan worked out for nearly 15 years, until the Internet changed everything and I started longing to work in a longer form.
You seem to have had many media-related positions, mostly involving Japan or Asia. How would you describe the kind of work you did post-MEF? During those times, were you living primarily in Japan or somewhere else? How did that impact your performance in those jobs?
I lived in Japan for 15+ years. I never lived in another Asian country. I was a Louis L’Amour of white-collar jobs, doing a little bit of everything. I even did a 15-minute shortwave radio newscast from the bowels of NHK headquarters that aired at 2 a.m. Japan time. We would sleep in bunk beds from 2:30 to 5:00, then do another broadcast at around 5:30. That was the weirdest job I had.
Justin’s Japan: Nippon in New York — ‘Attack on Titan,’ Isamu Noguchi, Mitsuko Uchida, Sakura Matsuri
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Escape from the Walled City, a live team puzzle solving challenge based on Attack on Titan, comes to Richmond County Bank Ballpark April 11. (SCRAP Entertainment Inc.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.
This month’s highlights include:
Now through April 26
Asia Society, 725 Park Avenue
$12/$10 seniors/$7 students; free on Fridays from 6:00 to 9:00 p.m.
Takahiro Iwasaki creates detailed miniature landscapes using towels, toothbrushes, used clothing, and other found and recycled materials. This exhibition is a part of Asia Society Museum’s ongoing In Focus series, which invites contemporary artists to create new works, often in conversation with the Asia Society Museum’s permanent collection of traditional Asian art.
April 5-May 3 11:30 a.m. and 1:30 p.m.
Blue Note Jazz Club, 131 West Third Street
$35
Blue Note Jazz Club and the Japan Foundation present the East Meets West Brunch series to introduce Japanese jazz to New York audiences. This brunch series will take place on five consecutive Sundays this spring, and features food, music and a drink. Performers include Mika Mimura Group (April 5), Hiromi Suda (April 12), Martha Kato Trio (April 19), Sumie Kaneko (April 26), and the Takeshi Ohbayashi Trio (May 3).
Saturday, April 11, 10:30 a.m., 2:30 p.m., 6:30 p.m.
Richmond County Bank Ballpark, 75 Richmond Terrace (Staten Island)
$30, $35 at the door
The titans are coming, and they’re hungry. Based on the manga megahit Attack on Titan, the newest Real Escape Game (REG) takes players to a world inhabited by giant, humanoid creatures that live for no other purpose than to make a snack of all of us. The high walls of the stadium are the only thing keeping you safe…for now. Experience the latest edition of SCRAP’s interactive storytelling and puzzle-solving games on a scale never seen before. Join thousands of other players as you decode clues inside a real stadium! Be warned, though: survival isn’t easy, and teamwork will be essential if you hope to survive. After already hosting over 40,000 players in the U.S. to date, Escape requires participants to use their best detective skills as they race against the clock.
For the complete story, click here.
JQ Magazine: Book Review — ‘Blade’s Edge’
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“While Blade’s Edge features challenges for not just the characters, it is fun to see imagination used to create fantasy in an ancient Japan from long, long ago.” (Artemis Dingo Productions)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
A lot of people (former JETs included) probably feel a lot of things take place in Japan because “that’s the way they have always been.”
So it’s not surprising that mindset would permeate throughout a fictionalized version of the country. Virginia McClain takes readers through such a place in her new novel, Blade’s Edge. Although Japan is blessed with a ridiculously long and rich history that many of us are somewhat aware of, 12th century Japan is probably a complete mystery to even most Japanophiles, but that shouldn’t stop us from imagining what it would have been like. Fortunately, McClain lets her creative and imaginary juices flow, providing readers with a glimpse of a fantasy Japan she created, inspired by her experiences living in Yamagata Prefecture and learning about the country’s history and culture.
The main characters of Blade’s Edge are two young girls named Mishi and Taka. They both reside in Gensokai, the kingdom that serves as the story’s setting (the word “Gensokai”—created from the Japanese terms for element and world—was actually coined for the purpose of the story) in addition to being a territory ruled for more than a thousand years by the Kisōshi, an elite group of warriors…who happen to be all-male.
JQ Magazine: ‘Life of Cats’ Showcases Frisky Furballs at Japan Society
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By A.A. Sanborn (Shimane-ken, 2009-11) for JQ magazine. A.A. is a graduate of Harvard University’s Regional Studies-East Asia (RSEA) program, and currently works as an executive associate at Asia Society in New York City.
It’s no surprise that, in an age where Cats of Istagram reign over our feed with a lofty air, Japan Society in New York’s new art exhibition Life of Cats: Selections from the Hiraki Ukiyo-e Collection is garnering serious buzz. Presenting 86 drawings, paintings, woodblock prints and decorative objects dating from the 17th to the early 20th century, this latest showcase taps into cat fancying for the digital age.
Without a doubt, Life of Cats is a work of heart: it’s made by people who love cats, for cat lovers. Chief among the cat fanciers at Japan Society is Miwako Tezuka, Japan Society Gallery director and curator of the exhibition. To put this display together, she studied over 6,000 prints from Hiraki Ukiyo-e Collection, as well as private American collections. Publications like Forbes, The Guardian and The New York Times have already sung this exhibition’s praises, and why not? Love ’em or hate ’em, you can’t deny that cats are in a category all their own—straddling the intersection of elegant, comical and vicious. And you get to see all their many guises in this dynamic display, which is already drawing substantial crowds.
Believe it or not, this type of exhibition already has precedence back in Japan. Cats have never been hotter, no matter what side of the Pacific you reside. In 2006, the Hiraki Foundation led the way for this new type of cat-themed exhibition in Tokyo, which has now become a national trend in its own right. As quoted from The Guardian, Tezuka said, “People are really crazy about cats in Japan….We thought a New York version of this exhibition would be a great way to introduce Japanese art to a wider audience.” Indeed, looking at the repertoire of recent Japan Society exhibits, they certainly have been hard at work drawing new types of crowds—not simply geared toward the art historian or otaku, exhibitions run the gamut from Japanese Art Deco to interactive digital art, reeling in hipsters and techies alike.
Justin’s Japan: Nippon in New York — Ghibli Premiere, L’arc~en~Ciel, Steve Aoki, Rinko Kikuchi
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When Marnie Was There, the newest film from Studio Ghibli, premieres in North America Feb. 27 at DGA Theatre. (© 2014 GNDHDDTK)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an unmissable North American anime premiere, a documentary on one of Japan’s hottest acts, and concerts featuring some of the biggest names in electronic music, taiko, and indie rock.
This month’s highlights include:
Friday, Feb. 27, 8:30 p.m.
DGA Theatre, 110 West 57th Street
$16
North American premiere! The newest feature from Japan’s famed Studio Ghibli is a sweeping story of friendship, mystery, and discovery that delivers stirring emotions and breathtaking animation as only Ghibli can. When shy, artistic Anna moves to the seaside to live with her aunt and uncle, she stumbles upon an old mansion surrounded by marshes, and the mysterious young girl, Marnie, who lives there. The two girls instantly form a unique connection and friendship that blurs the lines between fantasy and reality. As the days go by, a nearly magnetic pull draws Anna back to the Marsh House again and again, and she begins to piece together the truth surrounding her strange new friend. Based on the novel by Joan G. Robinson, and directed by Hiromasa Yonebayashi (The Secret World of Arriety), When Marnie Was There has been described as “Ghibli Gothic,” with its moonlit seascapes, glowing orchestral score, and powerful dramatic portrayals that build to a stormy climax. In Japanese with English subtitles.
Sunday, March 1, 3:00 p.m.
Over the L’arc~en~Ciel: Documentary Films “World Tour 2012~”
Anthology Film Archives, 32 Second Avenue
$10
This new documentary follows a legendary rock band who never fear to take challenges on the international stage, when they have already reigned over the domestic music scene. L’Arc~en~Ciel, after celebrating their 20th anniversary, embarked on a massive world tour that no other Japanese rock band had ever done before. From March 3rd to May 31st, 2012, L’Arc~en~Ciel’s 14-city world tour hit Hong Kong, Bangkok, Shanghai, Taipei, New York, London, Paris, Singapore, Jakarta, Seoul, Yokohama, Osaka, Tokyo, and Honolulu with a total attendance of 450,000 people. The band became the first solo Japanese act ever to perform at Madison Square Garden. In Japanese with English subtitles.
Monday, March 9, 7:30 p.m. and 9:30 p.m.
Dizzy’s Club Coca-Cola, 10 Columbus Circle
$25, $15 students
Renowned Japanese pianist Chihiro Yamanaka is one of her native country’s most popular. Luckily for us, she recently moved to New York City. She’s especially well-known for leading trios, and with Jazz at Lincoln Center favorite Yasushi Nakamura on bass and rising star Kush Abadey on drums, this group stands up to those high expectations. On top of virtuosic, light-speed chops, Yamanaka has an irresistible bounce to her playing and writing.
For the complete story, click here.
JQ Magazine: Book Review — ‘Dreaming Spies’
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“King sets up an intriguing mystery, with myriad characters with distinctive personalities coming and going, and the conclusion has satisfying twists to keep the formula from being stale.” (Bantam House)
Are detective stories your thing? What about something involving an iconic figure of literature, ninjas, and Japan? Eden Law (Fukushima-ken, 2010-11) of JETAA New South Wales reviews the new mystery novel Dreaming Spies by Laurie R. King, the latest in her Mary Russell-Sherlock Holmes series, which is partially set in Japan and delves into Japanese culture quite a bit.
Picking up another person’s work is never easy, especially if you’re continuing a series of stories long after the original, canonical work ended, and in the time since then has become so popular and well-known that it forms part of modern pop culture. This practice is nothing new and is constantly ongoing—after all, witness the prevalence and popularity (or notoriety?) of fan fiction.
A few years back, a mash-up of high and low culture saw the creation of Pride and Prejudice and Zombies, which kicked off a whole slew of other entries such as Sense and Sensibility and Sea Monsters and Android Karenina…which shows that one way of resurrecting (pun fully intended) a story would be in the vein of a parody. However, rather than an attempt to create something interestingly imaginative (for example, repositioning the Bennet girls from helpless female chattel to arse-kicking women warriors), this genre is more cynically derivative and an attempt to cash into the zeitgeist of the lurching undead—Pride and Prejudice and Zombies, for example, will very soon be out in cinemas. Yay?
I haven’t read any of the other mash-up novels, so Dreaming Spies will be the first I’ve tackled of this growing (sub?)genre. Dreaming Spies isn’t a parody by any means, and its legendary figure of choice is one Sherlock Holmes, although the main master sleuth character here is Mary Russell, who in this story universe is the young wife of a decidedly older Holmes. Probably a wise choice, as tackling a character like Holmes would be like dating someone that just come out of a long-term relationship (i.e., someone that comes with a whole lot of baggage).
Justin’s Japan: NBA D-Leaguer Yuki Togashi
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Originally hailing from Niigata Prefecture, 21-year-old Japanese national basketball team veteran Yuki Togashi joined the Texas Legends of the NBA Development League as a point guard last November after playing in four games with the Dallas Mavericks last year during Summer League.
Togashi made his D-League debut in New York on Jan. 24, shooting a field goal in the third quarter that helped the Legends rise to a 93-92 victory over the Westchester Knicks in their inaugural season.
That same week in January, the New York Times featured a story on Yuta Watanabe, 20, a towering 6-foot-8 point guard for George Washington University. A native of Kagawa Prefecture in Shikoku, the Times dubbed him a “Basketball Ambassador” in the headline, drawing comparisons with the Asian American NBA star (and former New York Knick) Jeremy Lin.
While the 5-foot-7 Togashi could be viewed as a long shot for the NBA (where the average player is at least a foot taller), he follows in the footsteps of players like Yuta Tabuse, the “Michael Jordan of Japan” who was the first Japanese-born basketball player to play in the NBA, appearing in four games with the Phoenix Suns during the 2004-05 NBA season.
As the influence of American basketball continues to captivate Asia, Japanese youth with dreams of turning pro are working hard to take part in this exciting new era.
Justin’s Japan: Nippon in New York — Kawaii Central, Japan Week, Mr. Big, the Last ‘Naruto’
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The Last: Naruto the Movie premieres at Village East Cinema Feb. 21. (VIZ Media)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an exhibition for the whole family that’s perfect for introducing kids to Tokyo life, a big-screen anime farewell to a certain ninja you won’t want to miss, and an annual showcase that brings the sights (and tastes) of Japan to vivid life.
This month’s highlights include:
Now through May 17
Children’s Museum of Manhattan, 212 West 83rd Street
$11 children/adults, $7 seniors
Experience Tokyo’s vibrant culture in a new interactive exhibit! Children will have fun learning about life in present day Japan in this playful, highly immersive environment that transports families to two distinct areas of Tokyo that exist side by side: one serene and exquisite, the other, too cute for words. Kawaii Central is a streetscape inspired by Tokyo’s bustling Harajuku district, bursting with color, trendy shops and cuter than cute styles. Kids sing karaoke, smile for the photo booth camera, serve up a seasonal Japanese meal, and design adorable mascots for their families. Plus, learn more about contemporary Japan through special programs for the public, free with admission.
Jan. 29-31, 7:30 p.m.
Miwa Yanagi Zero Hour: Tokyo Rose’s Last Tape
Japan Society, 333 East 47th Street
$35, $28 Japan Society members
Stranded in Japan during World War II, a young Japanese-American woman was forced to serve as a radio broadcaster for a propaganda program controlled by the Japanese Imperial Army, and was subsequently tried for treason. Seventy years later, this historic incident is brought to life through a visually stunning whodunit, conceived, written and directed by internationally renowned visual artist Miwa Yanagi. Brimming with iconic imagery from her rich body of photographic work, Zero Hour tells the multi-layered story of a woman caught between two nations during the war. This presentation marks Yanagi’s North American debut as a theater artist. Performed in English and Japanese with English subtitles.
Feb. 7-8
Music from Japan: East Asian Vibrancy and Highlights of MFJ Commissions III
Asia Society, 725 Park Avenue
$20-$40
Over two days, Music from Japan’s 40th anniversary will be commemorated with exciting cross-cultural collaborations between musicians from Japan and its neighboring countries, China and Korea. Three internationally acclaimed traditional instrumentalists from Japan, Korea, and China will perform contemporary and classical repertoire on their respective instruments. A series of solo works will be followed by a group improvisation and the world premiere of Unkai (Sea of Clouds), written by MFJ-commissioned composer Ned Rothenberg especially for the occasion. The following afternoon, to celebrate MFJ’s long history of commissioning Japanese and American composers to create new work, two new MFJ commissions will be presented alongside a retrospective of compositions from prior years.
For the complete story, click here.
JQ Magazine: Book Review — ‘Halfway Home: Drawing My Way Through Japan’
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“Through reading her travelogue, Inzer comes across as a writer who would make an excellent travel blogger, as she gives prospective visitors to Japan fascinating tidbits about the country’s culture and attractions.” (Naruhodo Press)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
You may remember being treated to “What I did during my summer vacation” tales in elementary school. Well, Christine Mari Inzer spent a memorable summer vacation visiting family in Japan and she documents those travels in a largely visual journey titled Halfway Home: Drawing My Way Through Japan.
Halfway Home—so-titled because Inzer, the daughter of a Japanese mother and American father, describes herself as being half at home in the United States and half at home in Japan—summarizes her travels through a collection of photos, illustrations (all self-drawn), and anecdotes. Geared toward young adults (the author is currently a high school senior in Connecticut), Inzer details the ups and downs of travel while humorously detailing some moments of aggravation, such as her frustration with the shyness of Japanese boys.
For young people interested in eventually visiting Japan, Halfway Home provides an introduction to several of the country’s landmarks (the Daibustu in Nara, Kinkaku-ji, in Kyoto, etc.), cultural aspects, and quirks (such as the ubiquity of vending machines). Through reading her travelogue, Inzer comes across as a writer who would make an excellent travel blogger, as she gives prospective visitors to Japan fascinating tidbits about the country’s culture and attractions.
While the journal might have been enhanced a bit with the inclusion of a couple of other aspects of Japanese culture (if Inzer spent a summer in Japan, you would think she surely had to have experienced a hanabi taikai), you don’t have to be a teen to enjoy Halfway Home. Reading about her journey through Japan will surely evoke natsukashii moments for anyone who has spent a lot of time in the country.
Visit Christine’s homepage at http://christinemari.com. For more JQ magazine book reviews, click here.
【RocketNews24】Are you smarter than a (Japanese) 5th grader? Take this mind-bending test and find out!
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Posted by Michelle Lynn Dinh (Shimane-ken, Chibu-mura, 2010–13), editor and writer for RocketNews24. The following article was written by KK Miller, a writer and translator for RocketNews24, a Japan-based site dedicated to bringing fun and quirky news from Asia to English speaking audiences.
Pretty much everyone enjoys being able to help their younger siblings or kids with their elementary school homework. It’s a little piece of joy to pass on what you’ve learned and prove how cool of a mom/dad or big brother/sister you are. You impart some simple knowledge and see the little light bulb turn on in their head as they begin to understand. Then you can sit back and watch with confidence as they interact with the world around them.
But what do you do when the homework is a question that even you can’t answer? This brainteaser had everyone in one Japanese family stumped for over an hour, so they turned to Twitter for help. And then much of the Internet was stumped too. Take a look at these riddles and see how many you can get playing: What Prefecture is This?
Some brain teasers never make you feel good, and you just need to get the answer however you can. That’s probably why one girl recently tweeted her sister’s elementary school homework. But we kind of agree with her: how is this elementary school homework?!?
Are you up for the challenge? Let’s try it ourselves!
Highlight to reveal answer: Nagasaki (長崎)
Yes, that row of hiragana characters is supposed be a hint at the name of a Japanese prefecture. Any ideas?
Just as there is an order for the alphabet, there is an order for the Japanese syllabary. All characters are placed in rows by their vowels sounds in the order: [a], [i], [u], [e], [o]. In the picture above, however, the hiragana characters begin from “i”, reading: ni (に),nu (ぬ), ne (ね), no (の), with na (な) all the way at the end. To any native Japanese person, this should seem seriously strange since, as the little arrow tells us, na should be at the front! Or, in Japanese: “Na ga saki ni.” Clever!
Didn’t get this first one correct? Check out the rest of the quiz at RocketNews24!
JQ Magazine: JQ&A with Grammy Winner Arnie Roth on ‘Distant Worlds: Music from Final Fantasy’
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“I can honestly say that I currently spend much of my career involved with Japan on so many projects, that I almost cannot imagine what it would be like without all of our Japanese friends and colleagues.” (Courtesy of Attila Glatz Concert Productions)
By Vlad Baranenko (Saitama-ken, 2000-02) for JQ magazine. Vlad is an avid photographer.
Sephiroth, meet Maestro Roth.
On Jan. 31, the New Jersey Performing Arts Center will hold a double performance marathon of Distant Worlds: Music from Final Fantasy, an official concert program of the beloved video game series, also coming to Boston (April 24) and St. Louis (May 15). Featuring special guest series composer Nobuo Uematsu and featured soloists RIKKI and Susan Calloway, the show will feature game clips playing to the performance of a symphony orchestra, choir and renowned vocal talent, all under the direction of Grammy Award-winning conductor (and Mannheim Steamroller member) Arnie Roth.
Roth’s resume includes a long list of music direction for television, film, and video games. A veteran collaborator on pop, classical, R&B, rock and musical theater, Roth has also worked with some of the world’s greatest ensembles like the Tokyo Philharmonic and with legendary video game composers including Uematsu, Yoko Shimomura (Kingdom Hearts), Akira Yamaoka (Silent Hill), Yuzo Koshiro (Streets of Rage), and Koji Kondo (Super Mario Bros.).
In this JQ exclusive, Roth shares the experience of bringing together 27 years (and counting) of Final Fantasy to the concert stage, working with Uematsu and others in the Japanese game industry, and his all-time favorite Japanese food.
How did you get involved with the Final Fantasy franchise?
In 2004, as music director of the Chicagoland Pops Orchestra, I was researching various possibilities for new and exciting programming for our concerts. A colleague mentioned that concerts of video game music had been taking place in Japan on a very regular basis for many years, since 1999 or maybe even earlier. After checking into Final Fantasy concerts, we decided to try a concert in Chicago in February 2005. That concert was titled Dear Friends: Music from Final Fantasy, and our concert sold out completely. That was my first time meeting Nobuo Uematsu and conducting his music, and we immediately connected. Immediately after that concert, I was engaged to conduct several more of the Dear Friends concerts in North America, and then my relationship with [Final Fantasy publisher] Square Enix (SQEX) and Uematsu grew to be a very important factor, with concerts in Japan for SQEX, and ultimately the development of the Distant Worlds project.
Did you have any exposure to the Final Fantasy games before directing and conducting the Tokyo Philharmonic in 2006?
Yes. See above for my earlier involvement with the FF franchise and SQEX and Uematsu. Another little-known fact was that I worked on the original release of the Halo video game music score, both as a violinist and arranger.
What do you think about Final Fantasy and the musical choices for the games?
The music is stunning! Final Fantasy is a role-playing game, and the combination of this type of game, along with having individual themes or leitmotifs for every character, battle, quest, relationship, and environment, has made the music of this franchise extremely beloved for the players.
Justin’s Japan: Nippon in New York — Akira Toriyama Returns, Final Fantasy, Video Games Live
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Jaco the Galactic Patrolman, the latest manga from Dragon Ball creator Akira Toriyama, arrives Jan. 6. (VIZ Media)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Start 2015 off right by heading down to your local concert hall, consulate, or arts center for some fantastic new year’s fare. Whether you enjoy kendo, classic film, or orchestral performances from the greatest video games of all time, treat yourself and catch a break from the cold.
This month’s highlights include:
Tuesday, Jan. 6
$9.99 print/$6.99 digital
Dragon Ball creator Akira Toriyama is back with this quirky new interstellar comedy, collected in English for the first time! Retired scientist Omori lives alone on a deserted island while continuing his research into time travel. His quiet life is interrupted when galactic patrolman Jaco crash lands and decides to move in with him. This agent from space claims to be elite, but sometimes it can be a little hard to believe. Can Jaco get along with the old man long enough to save the earth from a dangerous threat?
Jan. 9-10, 7:30 p.m.
16th Contemporary Dance Showcase: Japan + East Asia
Japan Society, 333 East 47th Street
$28/$25 Japan Society members
This bi-annual favorite, hailed by the the New York Times as “a hot ticket,” returns with a standout line-up of groundbreaking artists from the other side of the globe. This year’s showcase includes from Japan: Nobuyuki Hanabusa’s group enra performing Newton, an out-of-this-world amalgamation of motion graphics and choreography; Mikiko Kawamura’s street style solo Alphard set to a bold soundscape with J-pop and classical music; and Kaori Seki’s quartet Marmont, in which bodies morph into nebulous creature-like positions. From Taiwan: I-Fen Tung’s fresh duo How to Say grapples with communication through words and dance and Shang-Chi Sun’s Traverse, in which graceful martial arts-like movements oscillate between combat speed and tranquility. The Friday, Jan. 9 performance is followed by a MetLife Meet-the-Artists Reception.
Jan. 13-Feb. 12
Views of Kendo: Photographs from Japan
Consulate General of Japan in New York, 299 Park Avenue, 18F
Free
A series of photographs taken on a recent trip to Japan for research by filmmaker Amy Guggenheim, who is currently working on When Night Turns to Day, a fictional story about kendo, the art of the Japanese sword, slated for production late 2015. Although competitive, the purpose of Kendo isn’t winning or losing, but bu, a state of (enlightened) mind. In a dramatic relationship, two people face each other sword to sword, up close and personal, both seemingly immovable. Through these photos—shot in November at the All Nippon Kendo Tournament in Tokyo—witness the exhilarating encounter of first-rate players that captures the spirit in motion as the match unfolds. A special benefit party for the making of the film will be held at the Kitano Hotel on Tuesday, Jan. 13 at 7:00 p.m. Click here for details.
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From JET to NPR: An Interview (and Playlist) from Producer Robin Hilton
Article/Journalism, JQ Magazine, Music, Notable JET Alums Comments Off on From JET to NPR: An Interview (and Playlist) from Producer Robin Hilton
“The best you can do is be fearless and open. If you find yourself avoiding a possible career path because you’re afraid of something, stop. Take a deep breath and jump into it. You can’t expect to grow or get anywhere by playing it safe.” (Courtesy of Robin Hilton)
By Sheila Burt (Toyama-ken, 2010-2012) for JQ magazine. Sheila is a grant proposal writer at the Center for Bionic Medicine at the Rehabilitation Institute of Chicago. Read more of her reporting and writing at her blog.
Robin Hilton (Aichi-ken, 1996-99) is a radio producer and co-host of NPR’s music program All Songs Considered. In this JQ exclusive, Hilton shares his experiences on the JET Program in the late 1990s and his radio documentary Big in Japan, a comical and poignant reflection on his daily life as an English teacher in Japan.
Growing up in the small town of Abilene in central Kansas, Hilton never imagined living or working in Japan. But around the same time he graduated from the University of Kansas in 1992, Abilene initiated a sister city and exchange program with Minori, Japan (now Omitama) in Ibaraki-ken. At the encouragement of the program’s director, Hilton applied for a job teaching English more than 6,000 miles away from his hometown, as he was excited to begin a new endeavor outside of his comfort zone and experience a different culture. Yet Hilton would still have to wait a few years before his new adventure in Japan could begin.
“I didn’t get [the position],” Hilton recalls, “but it planted the seed in me, so a few years later I decided to try for the JET Program. I didn’t grow up with a deep fascination with or love of the country. But it ended up being one of the greatest things I’ve ever done with my life, and I certainly have that deep love for Japan now.”
JQ Magazine: Manga Review — ‘Showa 1944-1953: A History of Japan’
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“If you enjoy or are interested in manga and history, or if you appreciate such excellent works as Maus, Persepolis or Barefoot Gen, then this series is a must-read.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio is currently working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
Showa 1944-1953: A History of Japan is the third volume in a four-part manga history of the Showa period by eminent manga artist Shigeru Mizuki. (If you’re new to this series, check out JQ’s reviews of the first and second volumes here.)
Since I have already sung the praises of Mizuki’s excellent blending of realistic and comical art and storytelling as well as the top-notch translation by JET alum (and JQ interviewee) Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), I have decided to focus this review more on unpacking some of the contents of volume three and providing you with additional resources to look into if you wish to expand your knowledge about any of the topics that appear in the manga, including several wartime tragedies and the postwar occupation of Japan by the Allied Forces.
This volume focuses primarily on the grim latter years of World War II in the Pacific Theater. Despite the fact that Japan’s resources are running far past thin, the government and military persisted in continuing the conflict. This manga puts the spotlight on the plight of soldiers who have become the least important resource to the Japanese government, “Human life is the least valuable resource in the Japanese Army,” Mizuki writes. “Any suggestion that soldiers’ lives have meaning is tantamount to cowardice and treason. Soldiers are tools to be used. And the command’s greatest fear is that soldiers will flee from the enemy—or worse, surrender. They need them more afraid of dishonor than death.”
