Justin’s Japan: NBA D-Leaguer Yuki Togashi
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Originally hailing from Niigata Prefecture, 21-year-old Japanese national basketball team veteran Yuki Togashi joined the Texas Legends of the NBA Development League as a point guard last November after playing in four games with the Dallas Mavericks last year during Summer League.
Togashi made his D-League debut in New York on Jan. 24, shooting a field goal in the third quarter that helped the Legends rise to a 93-92 victory over the Westchester Knicks in their inaugural season.
That same week in January, the New York Times featured a story on Yuta Watanabe, 20, a towering 6-foot-8 point guard for George Washington University. A native of Kagawa Prefecture in Shikoku, the Times dubbed him a “Basketball Ambassador” in the headline, drawing comparisons with the Asian American NBA star (and former New York Knick) Jeremy Lin.
While the 5-foot-7 Togashi could be viewed as a long shot for the NBA (where the average player is at least a foot taller), he follows in the footsteps of players like Yuta Tabuse, the “Michael Jordan of Japan” who was the first Japanese-born basketball player to play in the NBA, appearing in four games with the Phoenix Suns during the 2004-05 NBA season.
As the influence of American basketball continues to captivate Asia, Japanese youth with dreams of turning pro are working hard to take part in this exciting new era.
Justin’s Japan: Nippon in New York — Kawaii Central, Japan Week, Mr. Big, the Last ‘Naruto’
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an exhibition for the whole family that’s perfect for introducing kids to Tokyo life, a big-screen anime farewell to a certain ninja you won’t want to miss, and an annual showcase that brings the sights (and tastes) of Japan to vivid life.
This month’s highlights include:
Now through May 17
Children’s Museum of Manhattan, 212 West 83rd Street
$11 children/adults, $7 seniors
Experience Tokyo’s vibrant culture in a new interactive exhibit! Children will have fun learning about life in present day Japan in this playful, highly immersive environment that transports families to two distinct areas of Tokyo that exist side by side: one serene and exquisite, the other, too cute for words. Kawaii Central is a streetscape inspired by Tokyo’s bustling Harajuku district, bursting with color, trendy shops and cuter than cute styles. Kids sing karaoke, smile for the photo booth camera, serve up a seasonal Japanese meal, and design adorable mascots for their families. Plus, learn more about contemporary Japan through special programs for the public, free with admission.
Jan. 29-31, 7:30 p.m.
Miwa Yanagi Zero Hour: Tokyo Rose’s Last Tape
Japan Society, 333 East 47th Street
$35, $28 Japan Society members
Stranded in Japan during World War II, a young Japanese-American woman was forced to serve as a radio broadcaster for a propaganda program controlled by the Japanese Imperial Army, and was subsequently tried for treason. Seventy years later, this historic incident is brought to life through a visually stunning whodunit, conceived, written and directed by internationally renowned visual artist Miwa Yanagi. Brimming with iconic imagery from her rich body of photographic work, Zero Hour tells the multi-layered story of a woman caught between two nations during the war. This presentation marks Yanagi’s North American debut as a theater artist. Performed in English and Japanese with English subtitles.
Feb. 7-8
Music from Japan: East Asian Vibrancy and Highlights of MFJ Commissions III
Asia Society, 725 Park Avenue
$20-$40
Over two days, Music from Japan’s 40th anniversary will be commemorated with exciting cross-cultural collaborations between musicians from Japan and its neighboring countries, China and Korea. Three internationally acclaimed traditional instrumentalists from Japan, Korea, and China will perform contemporary and classical repertoire on their respective instruments. A series of solo works will be followed by a group improvisation and the world premiere of Unkai (Sea of Clouds), written by MFJ-commissioned composer Ned Rothenberg especially for the occasion. The following afternoon, to celebrate MFJ’s long history of commissioning Japanese and American composers to create new work, two new MFJ commissions will be presented alongside a retrospective of compositions from prior years.
For the complete story, click here.
JQ Magazine: JQ&A with Grammy Winner Arnie Roth on ‘Distant Worlds: Music from Final Fantasy’
By Vlad Baranenko (Saitama-ken, 2000-02) for JQ magazine. Vlad is an avid photographer.
Sephiroth, meet Maestro Roth.
On Jan. 31, the New Jersey Performing Arts Center will hold a double performance marathon of Distant Worlds: Music from Final Fantasy, an official concert program of the beloved video game series, also coming to Boston (April 24) and St. Louis (May 15). Featuring special guest series composer Nobuo Uematsu and featured soloists RIKKI and Susan Calloway, the show will feature game clips playing to the performance of a symphony orchestra, choir and renowned vocal talent, all under the direction of Grammy Award-winning conductor (and Mannheim Steamroller member) Arnie Roth.
Roth’s resume includes a long list of music direction for television, film, and video games. A veteran collaborator on pop, classical, R&B, rock and musical theater, Roth has also worked with some of the world’s greatest ensembles like the Tokyo Philharmonic and with legendary video game composers including Uematsu, Yoko Shimomura (Kingdom Hearts), Akira Yamaoka (Silent Hill), Yuzo Koshiro (Streets of Rage), and Koji Kondo (Super Mario Bros.).
In this JQ exclusive, Roth shares the experience of bringing together 27 years (and counting) of Final Fantasy to the concert stage, working with Uematsu and others in the Japanese game industry, and his all-time favorite Japanese food.
How did you get involved with the Final Fantasy franchise?
In 2004, as music director of the Chicagoland Pops Orchestra, I was researching various possibilities for new and exciting programming for our concerts. A colleague mentioned that concerts of video game music had been taking place in Japan on a very regular basis for many years, since 1999 or maybe even earlier. After checking into Final Fantasy concerts, we decided to try a concert in Chicago in February 2005. That concert was titled Dear Friends: Music from Final Fantasy, and our concert sold out completely. That was my first time meeting Nobuo Uematsu and conducting his music, and we immediately connected. Immediately after that concert, I was engaged to conduct several more of the Dear Friends concerts in North America, and then my relationship with [Final Fantasy publisher] Square Enix (SQEX) and Uematsu grew to be a very important factor, with concerts in Japan for SQEX, and ultimately the development of the Distant Worlds project.
Did you have any exposure to the Final Fantasy games before directing and conducting the Tokyo Philharmonic in 2006?
Yes. See above for my earlier involvement with the FF franchise and SQEX and Uematsu. Another little-known fact was that I worked on the original release of the Halo video game music score, both as a violinist and arranger.
What do you think about Final Fantasy and the musical choices for the games?
The music is stunning! Final Fantasy is a role-playing game, and the combination of this type of game, along with having individual themes or leitmotifs for every character, battle, quest, relationship, and environment, has made the music of this franchise extremely beloved for the players.
Justin’s Japan: Nippon in New York — Akira Toriyama Returns, Final Fantasy, Video Games Live
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Start 2015 off right by heading down to your local concert hall, consulate, or arts center for some fantastic new year’s fare. Whether you enjoy kendo, classic film, or orchestral performances from the greatest video games of all time, treat yourself and catch a break from the cold.
This month’s highlights include:
Tuesday, Jan. 6
$9.99 print/$6.99 digital
Dragon Ball creator Akira Toriyama is back with this quirky new interstellar comedy, collected in English for the first time! Retired scientist Omori lives alone on a deserted island while continuing his research into time travel. His quiet life is interrupted when galactic patrolman Jaco crash lands and decides to move in with him. This agent from space claims to be elite, but sometimes it can be a little hard to believe. Can Jaco get along with the old man long enough to save the earth from a dangerous threat?
Jan. 9-10, 7:30 p.m.
16th Contemporary Dance Showcase: Japan + East Asia
Japan Society, 333 East 47th Street
$28/$25 Japan Society members
This bi-annual favorite, hailed by the the New York Times as “a hot ticket,” returns with a standout line-up of groundbreaking artists from the other side of the globe. This year’s showcase includes from Japan: Nobuyuki Hanabusa’s group enra performing Newton, an out-of-this-world amalgamation of motion graphics and choreography; Mikiko Kawamura’s street style solo Alphard set to a bold soundscape with J-pop and classical music; and Kaori Seki’s quartet Marmont, in which bodies morph into nebulous creature-like positions. From Taiwan: I-Fen Tung’s fresh duo How to Say grapples with communication through words and dance and Shang-Chi Sun’s Traverse, in which graceful martial arts-like movements oscillate between combat speed and tranquility. The Friday, Jan. 9 performance is followed by a MetLife Meet-the-Artists Reception.
Jan. 13-Feb. 12
Views of Kendo: Photographs from Japan
Consulate General of Japan in New York, 299 Park Avenue, 18F
Free
A series of photographs taken on a recent trip to Japan for research by filmmaker Amy Guggenheim, who is currently working on When Night Turns to Day, a fictional story about kendo, the art of the Japanese sword, slated for production late 2015. Although competitive, the purpose of Kendo isn’t winning or losing, but bu, a state of (enlightened) mind. In a dramatic relationship, two people face each other sword to sword, up close and personal, both seemingly immovable. Through these photos—shot in November at the All Nippon Kendo Tournament in Tokyo—witness the exhilarating encounter of first-rate players that captures the spirit in motion as the match unfolds. A special benefit party for the making of the film will be held at the Kitano Hotel on Tuesday, Jan. 13 at 7:00 p.m. Click here for details.
For the complete story, click here.
Justin’s Japan: Nippon in New York — Takashi Murakami, Studio Ghibli Documentary, Japan Society Party
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Now through Jan. 17
Takashi Murakami: In the Land of the Dead, Stepping on the Tail of a Rainbow
Gagosian Gallery, 555 West 24th Street
Free
Since the devastating Great Tōhoku Earthquake of 2011, prolific contemporary visual artist Takashi Murakami has explored Japanese art produced in response to historic natural disasters. Combining classical techniques with the latest technologies, he moves freely within an ever-expanding field of aesthetic issues and cultural inspirations. Mining religious and secular subjects favored by the so-called Japanese “eccentrics” or non-conformist artists of the Early Modern era commonly considered to be counterparts of the Western Romantic tradition, Murakami situates himself within their legacy of bold and lively individualism in a manner that is entirely his own and of his time.
Friday, Nov. 28
The Kingdom of Dreams and Madness
IFC Center, 323 Sixth Avenue
$14
New York premiere! Granted near-unfettered access to the notoriously insular Studio Ghibli, director Mami Sunada follows the three men who are the lifeblood of Ghibli—the eminent director Hayao Miyazaki, the producer Toshio Suzuki, and the elusive and influential “other director” Isao Takahata—over the course of a year as the studio rushes to complete two films, Miyazaki’s The Wind Rises and Takahata’s The Tale of The Princess Kaguya. The result is a rare “fly on the wall” glimpse of the inner workings of one of the world’s most celebrated animation studios, and an insight into the dreams, passion and singular dedication of these remarkable creators.
Wednesday, Dec. 3, 9:00 p.m.
Midnight in the Garden of Unearthy Delights Party
Japan Society, 333 47th Street
$25/$20 Japan Society members (until Dec. 2, $30/$25 afterward)
Japan Society Gallery serves up an exclusive after-dark soirée for patrons to escape into the wildly imaginative virtual gardens of its hit exhibition, Garden of Unearthly Delights: Works by Ikeda, Tenmyouya & teamLab. Sip some wine, beer, or a signature sake cocktail concocted just for Japan Society by JET alum Chris Johnson (Oita-ken, 1992-95), one of the country’s foremost experts on sake; enjoy the swinging sounds of jazz quartet The Red Birds + Francesco Ciniglio followed by the beats of DJ Aki til midnight; dig deep into the Garden with specially themed expert guided tours available all night; satisfy your sweet tooth at our dessert bar featuring tasty treats, fruits, and cheeses; and more! All food and drinks are covered by the cost of admission. Participants must be 21 years old or over.
For the complete story, click here.
JQ Magazine: The 18th Japanese Film Festival — More Films, More Countries
By Eden Law (Fukushima-ken, 2010-11) for JQ magazine. Taking full and outrageous advantage of being a JETAA member, Eden returns again this year to watch and review the 18th Japanese Film Festival, now covering both Australia and New Zealand, with more films than ever. It’s so big that both himself and Rafael Villadiego (Nagasaki-ken, 2010-13) will shoulder the burden of covering this, the biggest and best method of (legally) watching Japanese films outside of Nippon.
The 18th Japanese Film Festival continues in Auckland (6-12 Nov), Sydney (13-23rd Nov) and Melbourne (27 Nov-7 Dec).
The 18th Japanese Film Festival became a pan-Oceanic film festival this year with the inclusion of New Zealand, making it the largest Japanese film festival in the world. The program includes over 60 films, some of which have barely just made it to the movie theatres in Japan, such as Samurai of the Dead, Japan’s action-packed foray into zombie lore, mixed with the historical legend of the Shinsengumi. And speaking of a connection to that famed group, the guaranteed draw card would be the Rurouni Kenshin trilogy, shown in their complete collection for the first time. The live-action adaptation of the manga and anime series about the itinerant samurai hero with a bloody past screened to sold-out venues in some cities.
However, there are other notables this year as well, such as the award-winning Pecoross’ Mother and Her Days, called the best film of 2013 by domestic Japanese film magazines. Watching a parent deal with dementia is not exactly feel-good movie material, but audiences have responded positively to its poignant and lighthearted treatment of the subject, which is based on the best-selling autobiographical manga of the same name. In a less lighthearted tone, Kiyoshi Sasabe returns with two films, one of which is Tokyo Refugees, based on the novel Tokyo Nanmin by Tetsuzo Fukuzawa, and explores the world of the homeless in Tokyo through the life of one character whose life spirals out of control.
No festival like this would be complete without anime entries, and this year sees strong entries from two different generations: from the master Osamu Tezuka (he of Astro Boy fame) comes the second Buddha film in the ongoing adaptation of his epic, 10-year work on the story of Siddharta; and from the brash new generation (with an assist from Akira creator Katsuhiro Otomo), an anthology of four shorts called Short Peace, billed as “reclaiming anime for grown-ups.” Studio Ghibli’s The Tale of the Princess Kaguya (read JQ’s review here) is also showing, although in smaller cities, probably to avoid conflict with the Studio Ghibli mini-festival that overlaps with this event in Sydney, Melbourne and Canberra.
Justin’s Japan: Nippon in New York — ‘Big Hero 6,’ Babymetal, Richie Kotzen, Asa Akira, Perfume
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
From Disney to heavy metal to J-pop, November is just as colorful as the leaves tumbling through the air. Add to that a cutting-edge kimono exhibition, a Shakespearean samurai epic, and the largest event in the USA dedicated to love and sex, and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Tuesday, Nov. 4, 7:00 p.m.
Hammerstein Ballroom, 311 West 34th Street
$49.50
Formed in 2010, Babymetal brings a kawaii blend of traditional schoolgirl J-pop and death metal. Hot off the heels of their debut album released in the U.S. earlier this year, the band has been burning up the charts in Japan, where their live video for “Gimmie Choco!!” (lensed at the legendary Nipon Budokan in Tokyo) has racked up over 17 million views on YouTube to date. Endorsed by shredders like Marty Friedman (Megadeth) and Jeff Walker (Carcass) alike, Babymetal are prepared for a whole new audience on the eve of their Hammerstein debut.
Wednesday, Nov. 5, 7:30 p.m.
B.B. King Blues Club and Grill, 237 West 42nd Street
$28-$32
With guitar styles ranging from rock, blues, jazz and fusion to pop and soul, Richie Kotzen has built a remarkably diverse 25-year career as a guitarist, singer and songwriter. A veteran of numerous groups including the Winery Dogs, Kotzen’s Japan cred is extensive: He wrote the number one song “Shine” as a member of Mr. Big, which was used as the ending theme for the anime series Hellsing, has recorded an entirealbum of music from the anime series Gundam, and toured as the opening act on the Japanese leg of the Rolling Stones’ 2006 tour. The Kotzen Telecaster guitar has repeatedly been the #1 selling signature model guitar for Fender Japan. This special solo show will include selections from The Essential Richie Kotzen, the artist’s latest release, which caps a career of highlights in anticipation for his next studio album coming next year.
Nov. 6-12
Nippon Club Gallery, 145 West 57th Street
Free
Kiyomi Kitagawa, a popular fashion designer and a representative of Atelier Bi-no-Sei, revives stylish and practical design dresses in harmony with modern lifestyle from traditional craftwork, a microcosm of Japanese sensibility that has been shaped by the passing of the “four seasons” since ancient times. These dresses show not only the “craftsman’s spirit” by seasoned artisans, but also her knowledge and experience as a textile garment designer. At this exhibition, 30 pieces of kimono dresses—some using fabric no longer produced—will be displayed with luxurious embroidery and a variety of techniques.
For the complete story, click here.
JQ Magazine Editor Interviewed by FCI News on X Japan at Madison Square Garden
JQ magazine editor/Japanese Culture Examiner Justin Tedaldi (CIR Kobe-shi, 2001-02) was recently interviewed by Alex York of Fujisankei (FCI) News for commentary on X Japan’s debut performance at Madison Square Garden on Oct. 11.
The spectacular three-hour show (see JQ‘s review of the concert here) was X Japan’s first and only American concert in four years, and the first to retain the band’s signature full stage production outside of Japan. Check out the video here or click on the image for Justin’s comments, and read his exclusive interview with X Japan’s leader Yoshiki here.
Direct link: http://www.youtube.com/watch?v=yWptyvtYCXM#t=43
Justin’s Japan: Interview with Yoshiki of X Japan on the Band’s Madison Square Garden Debut
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
For Yoshiki Hayashi, this Saturday (Oct. 11) will go down in J-rock history, as one of the biggest bands in Asia makes their debut at Madison Square Garden. Formed over 30 years ago, X Japan first gained notoriety in the mid-’80s by ushering in the visual kei movement, a style that continues to evolve through other Japanese megastars like L’Arc~en~Ciel (who headlined the World’s Most Famous Arena themselves in 2012).
At the center of it all is X Japan’s founding member, Yoshiki. An equally talented songwriter, heavy metal drummer and classical pianist, he is both the heart and soul of X Japan, and, having lived in Los Angeles for two decades, the ideal mouthpiece for the band’s American tours, which started with a bang in 2010 at Lollapalooza and included a sold-out gig at New York’s now-defunct Roseland Ballroom.
In this exclusive, expansive interview, I spoke with Yoshiki about how the group’s original hopes to play the Garden in 2008 were dashed by personal health and management troubles, his favorite, anime, manga and X Japan songs, and his experience working with legends like Stan Lee, KISS, and the Emperor of Japan.
How did this concert for Madison Square Garden come together? I know there were plans to do this in 2008; can you talk about this history?
Our band reunited around the year 2008. We did our reunion concert in Tokyo Dome, three days or so, I think. At that time, we were also thinking of performing [shows] outside of Japan, and Madison Square Garden was one or two of [the ideas]. But for some reason they didn’t happen, so since then, that venue was always in our minds. A few years ago, we decided to try schedule Madison Square Garden. I think we were kind of confirmed last year.
It’s a long road.
Yes. Well, considering that X Japan was not doing anything—I mean, the band broke up around the end of 1997, so when we reunited we had almost 10 years of a break. We started doing a bunch of arena shows, and then we started touring the world when we went to 16 countries or so. Considering this, the [last] six or seven years have been tours [laughs].
Are there plans for X Japan to play any other concerts for the remainder of the year?
Not now. We just announced our shows in Japan, this place called Yokohama Arena, so we [performed] there Sept. 30 and Oct. 1. It’s kind of like a prelude to Madison Square Garden and a kickoff to [that] show, about 10 days before that. As of now, Madison Square Garden is the only American show, but [depending] on how it goes, we may start another world tour. We’re just talking about it right this moment.
For the complete story, click here.
Justin’s Japan: Nippon in New York — Studio Ghibli, New York Comic Con, X Japan, Hatsune Miku
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.
This month’s highlights include:
Friday, October 3, 6:30 p.m.
IFC Center, 323 Avenue of the Americas
$14
New York premiere! Legendary Studio Ghibli co-founder Isao Takahata (Grave of the Fireflies, Pom Poko) revisits an ancient Japanese folktale in this gorgeous, hand- drawn masterwork decades in the making. Found inside a shining stalk of bamboo by an old bamboo cutter (James Caan) and his wife (Mary Steenburgen), a tiny girl grows into an exquisite young lady (Chloë Grace Moretz). The beautiful princess enthralls all who encounter her—but ultimately she must confront her fate. The film will have a “sneak preview” screening in Japanese at IFC Center on Thursday, Oct. 16 prior to its regular run Oct. 17. Click here for additional showtimes.
Sunday, Oct. 5, 4:00 p.m.
Best Buy Theater, 1515 Broadway
$42
The 10-member Morning Musume ’14, also known as Momusu, are one of the most successful Japanese all-girl idol groups, produced by the famous rock writer-producer Tsunku. Their music style is poppy and upbeat, matched only by their elaborately choreographed dance performances. Their story began in 1997 after a TV audition and they made their major debut in 1998.The following year, their single “Love Machine” was their first to sell over one million units. Morning Musume ’14 have already performed in China, Taiwan, South Korea, France and the USA (Los Angeles), and are poised to make their New York stage debut.
Sunday, Oct. 5, 7:00 p.m.
Peter Jay Sharp Theatre at Symphony Space, 2537 Broadway
$40/$30 members, students and seniors/$22 children
Experience the thunderous rhyhms of the ancestral Japanese taiko drums and the magical sounds of the bamboo flutes, as Taikoza returns with richly authentic performances and colorful Japanese dances. The international touring taiko group, led by Swiss-born director Marco Lienhard, will present new compositions as well as traditional pieces in this unique concert featuring special guest from Japan Ichiro Jishoya, who was recently featured in the documentary film Drum Out the Drum of Happiness – Inclusion. This concert will celebrate the 150 anniversary of the diplomatic relationship between Switzerland and Japan.
For the complete story, click here.
Justin’s Japan: J-Rocktober
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
This October is set to be a landmark month for New York City, as it welcomes to the stage some of the most celebrated Japanese musicians performing today.
Things kick off on Oct. 5 with girl group Morning Musume ’14 at the Best Buy Theater. The forerunner to today’s mega-member pop acts like AKB48, Momusu has been spinning off hits since 1997, launching the career of songwriter-turned-record mogul Tsunku in the process.
On Oct. 11, X Japan, the country’s best-selling rock band of all time, becomes the second Japanese act to headline Madison Square Garden, following L’Arc~en~Ciel’s historic debut there two years ago. Led by the charismatic drummer (and classical pianist) Yoshiki, X Japan has sold out the 55,000 seat Tokyo Dome a record-setting 18 times.
The venerable Tokyo Ska Paradise Orchestra, which has been on the scene since the late 1980s and has collaborated with artists as diverse as Puffy, Shiina Ringo and Shakira, plays Irving Plaza on Oct. 14. If it’s cutting edge you crave, virtual idol superstar Hatsune Miku makes her New York bow at Hammerstein Ballroom on Oct. 17-18 with a special concert featuring 3D projection technology and a live band.
Seeking something heavier? Stadium act Maximum the Hormone, which appeared at Ozzfest Japan last year alongside Black Sabbath, Slipknot and Tool, invades the Best Buy Theater Oct. 27.
WIT Life #274: Air K in U.S. Open Semis!
WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
The U.S. Open, one of tennis’s four Grand Slams held right here in Queens, is one of my favorite annual events. This year’s tournament is even more special due to the advancement of 24-year old Japanese player Kei Nishikori to the semifinals! In doing this he became the first Japanese man to reach the U.S. Open semis in almost a century. Tomorrow afternoon he will face Novak Djokovic in this match, and a win would give him a potential meeting with Roger Federer in the finals (the other semi features Federer vs. Marin Cilic). In less than two days apart, Nishikori played two grueling 5-set matches in both the Round of 16 and the quarterfinals. The former concluded at 2:26 a.m., tying the record for the latest finishing match at the Open!
One would expect Nishikori’s huge total match time to have taken a toll on his fitness, but his energy level still seems to be high, as is his confidence. When recently interviewed by the Japanese press, his comment was along the lines of him saying he’s unbeatable at this point, and I hope his words prove to be true. I wrote here about his showing in previous U.S. Opens, but his chances look the best this year. Ganbare Air K!
Justin’s Japan: Nippon in New York — J-COLLABO Fall Fest, Craft Beer, The Joy of Sake, Akiko Yano
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.
Sunday, Sept. 7, 1:00 p.m.
J-COLLABO Fall Festival feat. Geisha Kikuno
J-LABO Brooklyn, 300 Seventh Street
Suggested donation: $20
The history of the geisha spans over 300 years. Their beauty and grace is legendary as is their exceptional skill in music, dance and entertainment. In spite of a near worldwide fascination, the number of geisha is decreasing year by year. Geisha Kikuno is a unique Geisha from Osaka. She is dedicated to finding new approaches to promote this unique history to the next generation, and will come to New York for two performances to demonstrate this ancient art form in collaboration with multimedia director Kenji Williams.
Friday, Sept. 12, 6:30 p.m.
Kampai! The World of Japanese Beer
Japan Society, 333 East 47th Street
$28, $23 Japan Society members/seniors
Pull up a stool to Japan Society’s annual beer lecture and tasting, featuring unique and rare brews from Japan’s emerging craft beer industry. Mark Meli, professor at Kansai University and author of Craft Beer in Japan: The Essential Guide, delves into the culture, history and innovative brews coming out of Japan’s beer scene during the lecture. At the tasting reception, enjoy the opportunity to sample many unique and hard-to-come-by brews. Must be at least 21 years old.
Sept. 12-Oct. 10
Japan — An Island Nation: 1870-1890
Resobox Gallery, 41-26 27th Street, Long Island City
Free
An exhibition of entrepreneurial class culture from the Burns Archive. Japan — An Island Nation showcase the best of Japanese photographs that were made to show the perceived exotic nature of Japan to the West. Photographers, under government supervision, documented the artisans, shopkeepers and workers that made up the bulk of the Japanese middle and working class entrepreneurial society. It was critical for Japanese “public relations” of the era to put a face on Japan’s people and products, and through international fairs and expositions the world was introduced to Japan. A free opening reception will be held Friday, Sept. 12 from 7:00 p.m.-9:00 p.m.
For the complete story, click here.
Posted by Tom Baker (Chiba, 1989-91)
Claire Dawn-Marie Gittens (Iwate, 2008-2103) will present “Voice-Training: Making your Words Sing,” a two-hour workshop, at the 2014 Japan Writers Conference. The conference is a free event open to all English-language writers. This year, it will be held on Oct. 25-26 in Morioka, Iwate Prefecture. For complete details, visit http://www.japanwritersconference.org. Meanwhile, here’s the official description of Claire’s workshop:
Filled-in plot holes. 3D characters. Realistic settings… But something’s missing. That je-ne-sais-quoi that has puzzled aspiring and accomplished writers alike. Voice. In this workshop, we will examine different voices, define voice in our own words, and hear the thoughts of the experts. Then we will attempt to make our own voices sing.
Before defining voice, we will listen to a few extracts from different types of voices in different genres. We will discuss the feelings and thoughts these voices evoke. Then, with these voices in mind, we will attempt to define voice. After listening to definitions
from our colleagues, we will hear the thoughts of authors of books on writing craft. Finally, we will do a few short writing segments, aiming to embody different voices using the same character, plot, and setting.
Claire Dawn was such an avid reader as a child that she literally would not put down her book. Her piece ‘Ichinichi on the Yamanote’ can be found in TOMO: Friendship through Fiction. Her work has also appeared in magazines, anthologies, and newspapers, including Japan Times Shukan ST. Born in Barbados, her heart also belongs to Ichinohe, Iwate.
Justin’s Japan: Nippon in New York – ‘Dragon Ball Z,’ ‘Naruto,’ ‘Angry Video Game Nerd’ premieres
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into Japanese cultural events, this month offers a diverse selection of film premieres and live music—all in the comfort of indoor air conditioning.
Aug. 5, 9 and 11
Village East Cinema, 181-189 Second Avenue
$14
Stunning animation and epic new villains highlight the first new Dragon Ball Z feature film in seventeen years! After the defeat of Majin Buu, a new power awakens and threatens humanity. Beerus, an ancient and powerful God of Destruction, searches for Goku after hearing rumors of the Saiyan warrior who defeated Frieza. Realizing the threat Beerus poses to their home planet, the Z-fighters must find a way to stop him before it’s too late. An original work from Dragon Ball series creator Akira Toriyama, Battle of Gods is an exciting new adventure for DBZ fans everywhere. Presented in English. Additional screenings will be held on Aug. 5 at AMC Empire 25 and Regal Union Square Stadium 14. Click here for tickets.
Friday, Aug. 8, 3:30 p.m. and 7:30 p.m.
Angry Video Game Nerd: The Movie
Symphony Space, 2537 Broadway
$20
NYC premiere! Based on the hit web series of the same name, the newly released adventure-comedy, Angry Video Game Nerd: The Movie, follows a disgruntled gamer who must overcome his fear of the worst video game of all time in order to save his fans. Hilarity ensues as a simple road trip becomes an extravagant pursuit of the unexpected. Starring James Rolfe. Written and Directed by James Rolfe and Kevin Finn. A Q&A follows the screening with James Rolfe and Special Guests.
James Rolfe and Kevin Finn’s debut feature film, Angry Video Game Nerd: The Movie, follows a disgruntled gamer (Rolfe) who must overcome his fear of the worst video game of all time in order to save his fans. Desperate to disprove a video game urban legend, hilarity ensues as a simple road trip becomes an extravagant pursuit of the unexpected – and the unexpected ultimately proves that what’s in front of you, isn’t always what it appears to be. Blending elements of comedy, science fiction, and horror, Angry Video Game Nerd: The Movie, is an existential journey which, in the end, discovers truth can be found in the most unlikely of places – and one’s greatest weakness is not the hate one has for a game, but the devotion one has in the face of adversity.
Friday, Aug. 8, 6:00 p.m.
Peace Concert “Global Harmony” with Shinji Harada
West Park Presbyterian Church, 165 West 86th Street
$15 suggested donation
Shinji Harada is one of Japan’s most famous recording artists. He has released more than 70 singles in Japan, three of which once hit the top 20 Oricon chart simultaneously. Born in Hiroshima, Shinji was recently recognized by his home town as a Hiroshima Peace Culture Ambassador.
Shinji became a musical sensation in Japan when he released his debut single Teens’ Blues in 1977 when he was just 18 years old. He released two more singles, Candy in November and Shadow Boxer in December the same year. All three singles ranked in the Top 20 Oricon chart simultaneously, which had never happened before in Japanese music history. Through his music Shinji actively works to spread his brief in “Yamato,” the spirit of sharing kindness and loving one another. He will be joined by percussionist Mataro Misawa and bassist Wornell Jones.
Misawa is a member of Masaharu Fukuyama’s band which recently completed the “Human” tour attended by about half a million people in Japan, Taiwan and Hong Kong. ‘Human”, the album, topped the Oricon rock album chart at #1 after it’s release this spring. Mataro has also performed with many other leading Japanese musicians and groups including Southern All Stars and Masashi Sada. Jones, who is based in Tokyo, has performed with Sly and the Family Stone, Koko Taylor, as well as Chage and Aska, Hiromi Go and many other well-known Jazz and popular musicians in the US and Japan.
This is a rare chance to see some of Japan’s most famous musicians perform in NY! (Your donation will support the annual NY Hiroshima-Nagasaki peace memorial gathering.) For more information, call 646-797-7982 or email: tknakagaki[at]gmail.com.
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