JQ Magazine: JQ&A with Merry White on ‘Kissaten: Japanese Cafes Past and Present’
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“Japanese coffee standards are the highest—when there is a new varietal on the market, it is often sent to Japan for testing. If a bean can make it in Japan, it can make it anywhere. The quality tasters are very keen, and there are fewer defective beans permitted than anywhere in the world.” (Courtesy of Merry White)
Brewing Up Something at Japan Society
By Alexis Agliano Sanborn (Shimane-ken, 2009-11) for JQ magazine. Alexis is a graduate of Harvard University’s Regional Studies-East Asia (RSEA) program, and currently works as an executive associate at Asia Society in New York City.
When it comes to notable food and drink of Japan, for many “coffee” is not the first thing that comes to mind. Yet, on May 21, Merry (Corky) White, Professor of Anthropology at Boston University, will teach audiences at Japan Society in New York City just how robust their coffee culture is, and how exacting their measurements are. Get ready for something good at Kissaten: Japanese Cafes, Past and Present.
White’s no newbie to food and Japan—it’s been much of the foundation of her professional work. If you look her up on Amazon, you’ll see that she’s been publishing food-related books since the mid-1970s, and regularly offers contributions to publications the world over. Definitely a foodie—and someone who knows her stuff. When not researching coffee and cafes, she’s active teaching about Japanese society, women in Asia, food and culture, and the anthropology of travel and tourism. Check her out on Twitter, where she regularly posts food- and culture-related content.
To whet your appetite for this program, JQ recently caught up with White to learn more about the coffee world in Japan, and what we can expect to hear from this rich presentation.
At your lecture at Japan Society, what do you hope to teach the audience about Japanese coffee culture?
I hope to surprise at least a few people, who may not yet know that Japanese coffee is a well-rooted, well-developed cultural product with a deep history. The coffee experience is also about cafes, koohii hausu, and kissaten, places with a special meaning that have developed over time in Japan. These places have offered people various distinctive experiences, depending on the era. The first ones, in the Meiji period (1868-1912), gave people a window on Europe, decor, clothing, foods—which continued into the Taisho period (1912-1926) when the flappers and lounge lizards demonstrated a new modernity, and the urban cultures were changing to, for example, give women a place in public, too. It was fine for a young woman of good family in the daytime, anyway, to go to a cafe, though probably she might have a chaperone…
Can you describe an iconic Japanese-style kissaten?
Courtesy of Merry White
Kissaten are now places of memory, as well as ordinary community life. Brown kissa are the “sepia-toned” places where especially middle-aged people (I would say over 60s) like to go for a nice place to sit and get good service and maybe see friends. Young people like them, too, as they often share a love of the past (one they wouldn’t have had themselves) as a retro experience. Kissaten, though, also have more contemporary styles.
“By dramatizing some of the people who were on the receiving end of that racial hatred, I think the book might give a concrete sense of what American power can do when it is unleashed against people in other parts of the world. I hope the experiences of Jiro and Mitsuko make readers think twice about that.” (Louis Templado)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio has had experience working at Ishikawa Prefecture’s New York office while seeking opportunities with publications in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
A Professor Emeritus of Harvard University, Jay Rubin has also served as a distinguished translator of Japanese literature for more than a quarter century, most notably on the works of Haruki Murakami. June 2 marks the release of his debut novel The Sun Gods (Chin Music Press), which is set in Seattle during World War II and explores the relationships between a Seattle-based Japanese national named Mitsuko and her young adopted American toddler, Billy, who are both interned by the U.S. government at the beginning of the war. Years later, Billy begins a journey to newly reconstructed Japan to find his Japanese mother and learn the truth about their shared past.
As part of the book’s launch, Rubin will be making live appearances from coast to coast, starting with Japan Society in New York on May 7 for an event titled The Magical Art of Translation: From Haruki Murakami to Japan’s Latest Storytellers, featuring other guest authors and moderated by JET alum Roland Kelts (Osaka-shi, 1998-99).
In this exclusive interview, Rubin shares with JQ the legacy of the war on his own writing, the attention to historical detail that went into The Sun Gods (with a few liberties taken), and what makes translating Japanese such a liberating experience.
JQ magazine readers are primarily JETs, JET alumni, and others who have worked and resided in Japan or have a strong interest in the country. Could you tell us about what inspired you to study Japanese language and culture and about any time you spent living in Japan?
In my second year at the University of Chicago, I was going to take one course on something non-Western for the fun of it, and one of the courses that happened to be available was an introduction to Japanese literature (in English translation, of course). I was so fascinated by the literature and by the professor’s remarks on the original language that I immediately started studying that language. I sometimes wonder what would have happened if the course I stumbled into happened to be Chinese history. I spent four years studying the language in Chicago before going to the country itself on a Fulbright fellowship. My spoken Japanese was so bad, all I could say to the young woman bartender at the first bar I wandered into was, “Do you realize you just used the word ‘wake‘ (わけ) three times?” I studied in Tokyo for two years, often wish I had made it four. I’m still remarking on how many times people use wake in sentences. I studied mostly Meiji literature while I was in Tokyo, not Noh drama like The Sun Gods’ Bill, though Noh was a side interest, and I did a lot more work on it in later years.
To start off talking about The Sun Gods, how would you describe your new book to potential readers?
This may sound like ad copy, but I’m comfortable with the summary on the book’s front flap:
Opening in the stress-filled years before World War II, The Sun Gods brings together a white minister to a Seattle Japanese Christian church, his motherless young son, and a beautiful new arrival from Japan with a troubled past. The bombing of Pearl Harbor intrudes upon whatever happiness they might have had together, and the combination of race prejudice and war hysteria carry the action from Seattle to the Minidoka Internment Camp in Idaho. Nearly two decades later, the son is ready to graduate from college when memories of Minidoka and of his erstwhile Japanese mother begin to haunt him, and he embarks on a journey that will lead him from Seattle’s International District to war-ravaged Japan in his attempt to discover the truth about his past.
The internment of people of Japanese ancestry in America that occurred during World War II is rarely dwelled on as much as other events of the war, how would you explain the internment and the reasons it warrants further attention to someone unfamiliar with the topic? What is the most important message you hope to get across?
If there’s a “message,” it’s to convey a historical moment, central to which was the fact that our government established concentration camps within its borders in order to lock up members of a particular racial group, and that this was supported by both public opinion and the Supreme Court with no constitutional justification whatsoever. The government has since apologized openly and eloquently, thus making a repeat performance highly unlikely. Japanese-American organizations, it should be noted, were among the most outspoken against anti-Muslim racism following 9/11.
Justin’s Japan: VAMPS, ‘Monkey Business,’ AKB48 at Japan Day @ Central Park
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J-pop superstars AKB48 return for their first New York performance since 2009 at Japan Day @ Central Park May 10. (@AKS)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
As spring continues and the weather continues to warm, New Yorkers can enjoy activities all over the city both indoors and out.
This month’s highlights include:
Friday, May 1, 8:00 p.m.
Best Buy Theater, 1515 Broadway
$35
Japan’s most daring rock band, VAMPS is fronted by vocalist hyde of L’arc~en~Ciel and guitarist K.A.Z of Oblivion Dust. Now touring in support of their latest album, Bloodsuckers (available on iTunes), VAMPS returns to take another bite out of the Big Apple for their first area performance since 2013.
Monday, May 4, 6:30 p.m.
Monkey Business: Japan/America Writers’ Dialogue in Words and Pictures
Asia Society, 725 Park Avenue
$15, $10 Asia Society members, $12 students/seniors
Join this annual conversation between contemporary Japanese and American authors in which Asia Society hosts an international dialogue, curated and moderated by the co-founders and editors of the Tokyo-based literary journal Monkey Business with writers who are featured in the latest edition of Monkey Business (#5), a unique, cutting-edge annual literary journal which showcases newly-translated Japanese as well as contributions from contemporary American and British writers.
Thursday, May 7, 6:30 p.m.
The Magical Art of Translation: From Haruki Murakami to Japan’s Latest Storytellers
Japan Society, 333 East 47th Street
$12, $8 Japan Society members, students/seniors
Since 1989, Jay Rubin has translated many of Haruki Murakami’s most successful and prize-winning novels, including The Wind-Up Bird Chronicle, Norwegian Wood and 1Q84. In this program, he is joined by Ted Goossen, translator of Murakami’s most recent U.S. publications, The Strange Library and Wind/Pinball: Two Early Novels, and co-editor of Monkey Business literary magazine, which showcases the best of contemporary Japanese literature for an international audience. They will discuss the unique challenges of translating modern Japanese literary works into American English, and vice versa. Rubin will also talk about his transition from translator to novelist vis-à-vis his debut novel The Sun Gods. Joining the discussion from Tokyo will be authors Aoko Matsuda and Satoshi Kitamura, and Motoyuki Shibata, friend and translating partner of Murakami. Author Roland Kelts, co-editor of Monkey Business, moderates the discussion. Followed by a reception.
For the complete story, click here.
Justin’s Japan: Hello Hoppy
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Japan is legendary for its social drinking culture, and now fans of its most popular beverage—beer—have a new reason to toast.
Hoppy, a popular 110-year-old beverage that looks and tastes very much like beer, is making its debut in New York. While most beers contain about 5% alcohol content, Hoppy is practically non-alcoholic at 0.8%, and can be mixed with shochu and liqueurs.
Fuko Chubachi, creative director for 3 Day Monk, a local design and promotion business that organized a release party for Hoppy at East Village eatery Wasan on April 9, explains its arrival in America: “Hoppy’s CEO, Mina Ishiwatari, has a very modern approach to what otherwise is a very traditional family business. She wants to see Hoppy expand beyond the boundaries of Japan to break into the international market. And what better place than New York City, with its progressive food and beverage programs, to set the stage!”
Ishiwatari was present at the launch event, as were a throng of guests who enjoyed some custom Wasan cuisines that paired excellently with special Hoppy-based concoctions mixed at the bar.
Natalie Graham, architectural designer for 3 Day Monk, points out Hoppy’s low calorie content and zero purines, which can cause certain metabolic diseases such as gout: “Hoppy is ideal for young people, beer lovers, foodies, and those who care for their health!”
For more information, visit www.facebook.com/HoppyBeverageNewYork
Justin’s Japan: Nippon in New York — ‘Attack on Titan,’ Isamu Noguchi, Mitsuko Uchida, Sakura Matsuri
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Escape from the Walled City, a live team puzzle solving challenge based on Attack on Titan, comes to Richmond County Bank Ballpark April 11. (SCRAP Entertainment Inc.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.
This month’s highlights include:
Now through April 26
Asia Society, 725 Park Avenue
$12/$10 seniors/$7 students; free on Fridays from 6:00 to 9:00 p.m.
Takahiro Iwasaki creates detailed miniature landscapes using towels, toothbrushes, used clothing, and other found and recycled materials. This exhibition is a part of Asia Society Museum’s ongoing In Focus series, which invites contemporary artists to create new works, often in conversation with the Asia Society Museum’s permanent collection of traditional Asian art.
April 5-May 3 11:30 a.m. and 1:30 p.m.
Blue Note Jazz Club, 131 West Third Street
$35
Blue Note Jazz Club and the Japan Foundation present the East Meets West Brunch series to introduce Japanese jazz to New York audiences. This brunch series will take place on five consecutive Sundays this spring, and features food, music and a drink. Performers include Mika Mimura Group (April 5), Hiromi Suda (April 12), Martha Kato Trio (April 19), Sumie Kaneko (April 26), and the Takeshi Ohbayashi Trio (May 3).
Saturday, April 11, 10:30 a.m., 2:30 p.m., 6:30 p.m.
Richmond County Bank Ballpark, 75 Richmond Terrace (Staten Island)
$30, $35 at the door
The titans are coming, and they’re hungry. Based on the manga megahit Attack on Titan, the newest Real Escape Game (REG) takes players to a world inhabited by giant, humanoid creatures that live for no other purpose than to make a snack of all of us. The high walls of the stadium are the only thing keeping you safe…for now. Experience the latest edition of SCRAP’s interactive storytelling and puzzle-solving games on a scale never seen before. Join thousands of other players as you decode clues inside a real stadium! Be warned, though: survival isn’t easy, and teamwork will be essential if you hope to survive. After already hosting over 40,000 players in the U.S. to date, Escape requires participants to use their best detective skills as they race against the clock.
For the complete story, click here.
Justin’s Japan: Nippon in New York — Ghibli Premiere, L’arc~en~Ciel, Steve Aoki, Rinko Kikuchi
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When Marnie Was There, the newest film from Studio Ghibli, premieres in North America Feb. 27 at DGA Theatre. (© 2014 GNDHDDTK)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an unmissable North American anime premiere, a documentary on one of Japan’s hottest acts, and concerts featuring some of the biggest names in electronic music, taiko, and indie rock.
This month’s highlights include:
Friday, Feb. 27, 8:30 p.m.
DGA Theatre, 110 West 57th Street
$16
North American premiere! The newest feature from Japan’s famed Studio Ghibli is a sweeping story of friendship, mystery, and discovery that delivers stirring emotions and breathtaking animation as only Ghibli can. When shy, artistic Anna moves to the seaside to live with her aunt and uncle, she stumbles upon an old mansion surrounded by marshes, and the mysterious young girl, Marnie, who lives there. The two girls instantly form a unique connection and friendship that blurs the lines between fantasy and reality. As the days go by, a nearly magnetic pull draws Anna back to the Marsh House again and again, and she begins to piece together the truth surrounding her strange new friend. Based on the novel by Joan G. Robinson, and directed by Hiromasa Yonebayashi (The Secret World of Arriety), When Marnie Was There has been described as “Ghibli Gothic,” with its moonlit seascapes, glowing orchestral score, and powerful dramatic portrayals that build to a stormy climax. In Japanese with English subtitles.
Sunday, March 1, 3:00 p.m.
Over the L’arc~en~Ciel: Documentary Films “World Tour 2012~”
Anthology Film Archives, 32 Second Avenue
$10
This new documentary follows a legendary rock band who never fear to take challenges on the international stage, when they have already reigned over the domestic music scene. L’Arc~en~Ciel, after celebrating their 20th anniversary, embarked on a massive world tour that no other Japanese rock band had ever done before. From March 3rd to May 31st, 2012, L’Arc~en~Ciel’s 14-city world tour hit Hong Kong, Bangkok, Shanghai, Taipei, New York, London, Paris, Singapore, Jakarta, Seoul, Yokohama, Osaka, Tokyo, and Honolulu with a total attendance of 450,000 people. The band became the first solo Japanese act ever to perform at Madison Square Garden. In Japanese with English subtitles.
Monday, March 9, 7:30 p.m. and 9:30 p.m.
Dizzy’s Club Coca-Cola, 10 Columbus Circle
$25, $15 students
Renowned Japanese pianist Chihiro Yamanaka is one of her native country’s most popular. Luckily for us, she recently moved to New York City. She’s especially well-known for leading trios, and with Jazz at Lincoln Center favorite Yasushi Nakamura on bass and rising star Kush Abadey on drums, this group stands up to those high expectations. On top of virtuosic, light-speed chops, Yamanaka has an irresistible bounce to her playing and writing.
For the complete story, click here.
Justin’s Japan: NBA D-Leaguer Yuki Togashi
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Originally hailing from Niigata Prefecture, 21-year-old Japanese national basketball team veteran Yuki Togashi joined the Texas Legends of the NBA Development League as a point guard last November after playing in four games with the Dallas Mavericks last year during Summer League.
Togashi made his D-League debut in New York on Jan. 24, shooting a field goal in the third quarter that helped the Legends rise to a 93-92 victory over the Westchester Knicks in their inaugural season.
That same week in January, the New York Times featured a story on Yuta Watanabe, 20, a towering 6-foot-8 point guard for George Washington University. A native of Kagawa Prefecture in Shikoku, the Times dubbed him a “Basketball Ambassador” in the headline, drawing comparisons with the Asian American NBA star (and former New York Knick) Jeremy Lin.
While the 5-foot-7 Togashi could be viewed as a long shot for the NBA (where the average player is at least a foot taller), he follows in the footsteps of players like Yuta Tabuse, the “Michael Jordan of Japan” who was the first Japanese-born basketball player to play in the NBA, appearing in four games with the Phoenix Suns during the 2004-05 NBA season.
As the influence of American basketball continues to captivate Asia, Japanese youth with dreams of turning pro are working hard to take part in this exciting new era.
Justin’s Japan: Nippon in New York — Kawaii Central, Japan Week, Mr. Big, the Last ‘Naruto’
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The Last: Naruto the Movie premieres at Village East Cinema Feb. 21. (VIZ Media)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an exhibition for the whole family that’s perfect for introducing kids to Tokyo life, a big-screen anime farewell to a certain ninja you won’t want to miss, and an annual showcase that brings the sights (and tastes) of Japan to vivid life.
This month’s highlights include:
Now through May 17
Children’s Museum of Manhattan, 212 West 83rd Street
$11 children/adults, $7 seniors
Experience Tokyo’s vibrant culture in a new interactive exhibit! Children will have fun learning about life in present day Japan in this playful, highly immersive environment that transports families to two distinct areas of Tokyo that exist side by side: one serene and exquisite, the other, too cute for words. Kawaii Central is a streetscape inspired by Tokyo’s bustling Harajuku district, bursting with color, trendy shops and cuter than cute styles. Kids sing karaoke, smile for the photo booth camera, serve up a seasonal Japanese meal, and design adorable mascots for their families. Plus, learn more about contemporary Japan through special programs for the public, free with admission.
Jan. 29-31, 7:30 p.m.
Miwa Yanagi Zero Hour: Tokyo Rose’s Last Tape
Japan Society, 333 East 47th Street
$35, $28 Japan Society members
Stranded in Japan during World War II, a young Japanese-American woman was forced to serve as a radio broadcaster for a propaganda program controlled by the Japanese Imperial Army, and was subsequently tried for treason. Seventy years later, this historic incident is brought to life through a visually stunning whodunit, conceived, written and directed by internationally renowned visual artist Miwa Yanagi. Brimming with iconic imagery from her rich body of photographic work, Zero Hour tells the multi-layered story of a woman caught between two nations during the war. This presentation marks Yanagi’s North American debut as a theater artist. Performed in English and Japanese with English subtitles.
Feb. 7-8
Music from Japan: East Asian Vibrancy and Highlights of MFJ Commissions III
Asia Society, 725 Park Avenue
$20-$40
Over two days, Music from Japan’s 40th anniversary will be commemorated with exciting cross-cultural collaborations between musicians from Japan and its neighboring countries, China and Korea. Three internationally acclaimed traditional instrumentalists from Japan, Korea, and China will perform contemporary and classical repertoire on their respective instruments. A series of solo works will be followed by a group improvisation and the world premiere of Unkai (Sea of Clouds), written by MFJ-commissioned composer Ned Rothenberg especially for the occasion. The following afternoon, to celebrate MFJ’s long history of commissioning Japanese and American composers to create new work, two new MFJ commissions will be presented alongside a retrospective of compositions from prior years.
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JQ Magazine: JQ&A with Grammy Winner Arnie Roth on ‘Distant Worlds: Music from Final Fantasy’
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“I can honestly say that I currently spend much of my career involved with Japan on so many projects, that I almost cannot imagine what it would be like without all of our Japanese friends and colleagues.” (Courtesy of Attila Glatz Concert Productions)
By Vlad Baranenko (Saitama-ken, 2000-02) for JQ magazine. Vlad is an avid photographer.
Sephiroth, meet Maestro Roth.
On Jan. 31, the New Jersey Performing Arts Center will hold a double performance marathon of Distant Worlds: Music from Final Fantasy, an official concert program of the beloved video game series, also coming to Boston (April 24) and St. Louis (May 15). Featuring special guest series composer Nobuo Uematsu and featured soloists RIKKI and Susan Calloway, the show will feature game clips playing to the performance of a symphony orchestra, choir and renowned vocal talent, all under the direction of Grammy Award-winning conductor (and Mannheim Steamroller member) Arnie Roth.
Roth’s resume includes a long list of music direction for television, film, and video games. A veteran collaborator on pop, classical, R&B, rock and musical theater, Roth has also worked with some of the world’s greatest ensembles like the Tokyo Philharmonic and with legendary video game composers including Uematsu, Yoko Shimomura (Kingdom Hearts), Akira Yamaoka (Silent Hill), Yuzo Koshiro (Streets of Rage), and Koji Kondo (Super Mario Bros.).
In this JQ exclusive, Roth shares the experience of bringing together 27 years (and counting) of Final Fantasy to the concert stage, working with Uematsu and others in the Japanese game industry, and his all-time favorite Japanese food.
How did you get involved with the Final Fantasy franchise?
In 2004, as music director of the Chicagoland Pops Orchestra, I was researching various possibilities for new and exciting programming for our concerts. A colleague mentioned that concerts of video game music had been taking place in Japan on a very regular basis for many years, since 1999 or maybe even earlier. After checking into Final Fantasy concerts, we decided to try a concert in Chicago in February 2005. That concert was titled Dear Friends: Music from Final Fantasy, and our concert sold out completely. That was my first time meeting Nobuo Uematsu and conducting his music, and we immediately connected. Immediately after that concert, I was engaged to conduct several more of the Dear Friends concerts in North America, and then my relationship with [Final Fantasy publisher] Square Enix (SQEX) and Uematsu grew to be a very important factor, with concerts in Japan for SQEX, and ultimately the development of the Distant Worlds project.
Did you have any exposure to the Final Fantasy games before directing and conducting the Tokyo Philharmonic in 2006?
Yes. See above for my earlier involvement with the FF franchise and SQEX and Uematsu. Another little-known fact was that I worked on the original release of the Halo video game music score, both as a violinist and arranger.
What do you think about Final Fantasy and the musical choices for the games?
The music is stunning! Final Fantasy is a role-playing game, and the combination of this type of game, along with having individual themes or leitmotifs for every character, battle, quest, relationship, and environment, has made the music of this franchise extremely beloved for the players.
Justin’s Japan: Nippon in New York — Akira Toriyama Returns, Final Fantasy, Video Games Live
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Jaco the Galactic Patrolman, the latest manga from Dragon Ball creator Akira Toriyama, arrives Jan. 6. (VIZ Media)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Start 2015 off right by heading down to your local concert hall, consulate, or arts center for some fantastic new year’s fare. Whether you enjoy kendo, classic film, or orchestral performances from the greatest video games of all time, treat yourself and catch a break from the cold.
This month’s highlights include:
Tuesday, Jan. 6
$9.99 print/$6.99 digital
Dragon Ball creator Akira Toriyama is back with this quirky new interstellar comedy, collected in English for the first time! Retired scientist Omori lives alone on a deserted island while continuing his research into time travel. His quiet life is interrupted when galactic patrolman Jaco crash lands and decides to move in with him. This agent from space claims to be elite, but sometimes it can be a little hard to believe. Can Jaco get along with the old man long enough to save the earth from a dangerous threat?
Jan. 9-10, 7:30 p.m.
16th Contemporary Dance Showcase: Japan + East Asia
Japan Society, 333 East 47th Street
$28/$25 Japan Society members
This bi-annual favorite, hailed by the the New York Times as “a hot ticket,” returns with a standout line-up of groundbreaking artists from the other side of the globe. This year’s showcase includes from Japan: Nobuyuki Hanabusa’s group enra performing Newton, an out-of-this-world amalgamation of motion graphics and choreography; Mikiko Kawamura’s street style solo Alphard set to a bold soundscape with J-pop and classical music; and Kaori Seki’s quartet Marmont, in which bodies morph into nebulous creature-like positions. From Taiwan: I-Fen Tung’s fresh duo How to Say grapples with communication through words and dance and Shang-Chi Sun’s Traverse, in which graceful martial arts-like movements oscillate between combat speed and tranquility. The Friday, Jan. 9 performance is followed by a MetLife Meet-the-Artists Reception.
Jan. 13-Feb. 12
Views of Kendo: Photographs from Japan
Consulate General of Japan in New York, 299 Park Avenue, 18F
Free
A series of photographs taken on a recent trip to Japan for research by filmmaker Amy Guggenheim, who is currently working on When Night Turns to Day, a fictional story about kendo, the art of the Japanese sword, slated for production late 2015. Although competitive, the purpose of Kendo isn’t winning or losing, but bu, a state of (enlightened) mind. In a dramatic relationship, two people face each other sword to sword, up close and personal, both seemingly immovable. Through these photos—shot in November at the All Nippon Kendo Tournament in Tokyo—witness the exhilarating encounter of first-rate players that captures the spirit in motion as the match unfolds. A special benefit party for the making of the film will be held at the Kitano Hotel on Tuesday, Jan. 13 at 7:00 p.m. Click here for details.
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Justin’s Japan: Nippon in New York — Takashi Murakami, Studio Ghibli Documentary, Japan Society Party
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See Takashi Murakami: In the Land of the Dead, Stepping on the Tail of a Rainbow at the Gagosian Gallery through Jan. 17. (Kaikai Kiki Co., Ltd. All Rights Reserved.)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Now through Jan. 17
Takashi Murakami: In the Land of the Dead, Stepping on the Tail of a Rainbow
Gagosian Gallery, 555 West 24th Street
Free
Since the devastating Great Tōhoku Earthquake of 2011, prolific contemporary visual artist Takashi Murakami has explored Japanese art produced in response to historic natural disasters. Combining classical techniques with the latest technologies, he moves freely within an ever-expanding field of aesthetic issues and cultural inspirations. Mining religious and secular subjects favored by the so-called Japanese “eccentrics” or non-conformist artists of the Early Modern era commonly considered to be counterparts of the Western Romantic tradition, Murakami situates himself within their legacy of bold and lively individualism in a manner that is entirely his own and of his time.
Friday, Nov. 28
The Kingdom of Dreams and Madness
IFC Center, 323 Sixth Avenue
$14
New York premiere! Granted near-unfettered access to the notoriously insular Studio Ghibli, director Mami Sunada follows the three men who are the lifeblood of Ghibli—the eminent director Hayao Miyazaki, the producer Toshio Suzuki, and the elusive and influential “other director” Isao Takahata—over the course of a year as the studio rushes to complete two films, Miyazaki’s The Wind Rises and Takahata’s The Tale of The Princess Kaguya. The result is a rare “fly on the wall” glimpse of the inner workings of one of the world’s most celebrated animation studios, and an insight into the dreams, passion and singular dedication of these remarkable creators.
Wednesday, Dec. 3, 9:00 p.m.
Midnight in the Garden of Unearthy Delights Party
Japan Society, 333 47th Street
$25/$20 Japan Society members (until Dec. 2, $30/$25 afterward)
Japan Society Gallery serves up an exclusive after-dark soirée for patrons to escape into the wildly imaginative virtual gardens of its hit exhibition, Garden of Unearthly Delights: Works by Ikeda, Tenmyouya & teamLab. Sip some wine, beer, or a signature sake cocktail concocted just for Japan Society by JET alum Chris Johnson (Oita-ken, 1992-95), one of the country’s foremost experts on sake; enjoy the swinging sounds of jazz quartet The Red Birds + Francesco Ciniglio followed by the beats of DJ Aki til midnight; dig deep into the Garden with specially themed expert guided tours available all night; satisfy your sweet tooth at our dessert bar featuring tasty treats, fruits, and cheeses; and more! All food and drinks are covered by the cost of admission. Participants must be 21 years old or over.
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JQ Magazine: The 18th Japanese Film Festival — More Films, More Countries
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The 18th Japanese Film Festival. Better than any other Japanese Film Festival in the Northern Hemisphere except Japan. (Courtesy of JFF)
By Eden Law (Fukushima-ken, 2010-11) for JQ magazine. Taking full and outrageous advantage of being a JETAA member, Eden returns again this year to watch and review the 18th Japanese Film Festival, now covering both Australia and New Zealand, with more films than ever. It’s so big that both himself and Rafael Villadiego (Nagasaki-ken, 2010-13) will shoulder the burden of covering this, the biggest and best method of (legally) watching Japanese films outside of Nippon.
The 18th Japanese Film Festival continues in Auckland (6-12 Nov), Sydney (13-23rd Nov) and Melbourne (27 Nov-7 Dec).
The 18th Japanese Film Festival became a pan-Oceanic film festival this year with the inclusion of New Zealand, making it the largest Japanese film festival in the world. The program includes over 60 films, some of which have barely just made it to the movie theatres in Japan, such as Samurai of the Dead, Japan’s action-packed foray into zombie lore, mixed with the historical legend of the Shinsengumi. And speaking of a connection to that famed group, the guaranteed draw card would be the Rurouni Kenshin trilogy, shown in their complete collection for the first time. The live-action adaptation of the manga and anime series about the itinerant samurai hero with a bloody past screened to sold-out venues in some cities.
However, there are other notables this year as well, such as the award-winning Pecoross’ Mother and Her Days, called the best film of 2013 by domestic Japanese film magazines. Watching a parent deal with dementia is not exactly feel-good movie material, but audiences have responded positively to its poignant and lighthearted treatment of the subject, which is based on the best-selling autobiographical manga of the same name. In a less lighthearted tone, Kiyoshi Sasabe returns with two films, one of which is Tokyo Refugees, based on the novel Tokyo Nanmin by Tetsuzo Fukuzawa, and explores the world of the homeless in Tokyo through the life of one character whose life spirals out of control.
No festival like this would be complete without anime entries, and this year sees strong entries from two different generations: from the master Osamu Tezuka (he of Astro Boy fame) comes the second Buddha film in the ongoing adaptation of his epic, 10-year work on the story of Siddharta; and from the brash new generation (with an assist from Akira creator Katsuhiro Otomo), an anthology of four shorts called Short Peace, billed as “reclaiming anime for grown-ups.” Studio Ghibli’s The Tale of the Princess Kaguya (read JQ’s review here) is also showing, although in smaller cities, probably to avoid conflict with the Studio Ghibli mini-festival that overlaps with this event in Sydney, Melbourne and Canberra.
Justin’s Japan: Nippon in New York — ‘Big Hero 6,’ Babymetal, Richie Kotzen, Asa Akira, Perfume
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Babymetal brings their unique brand of “kawaii metal” to Hammerstein Ballroom Nov. 4. (Courtesy of WME Entertainment)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
From Disney to heavy metal to J-pop, November is just as colorful as the leaves tumbling through the air. Add to that a cutting-edge kimono exhibition, a Shakespearean samurai epic, and the largest event in the USA dedicated to love and sex, and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Tuesday, Nov. 4, 7:00 p.m.
Hammerstein Ballroom, 311 West 34th Street
$49.50
Formed in 2010, Babymetal brings a kawaii blend of traditional schoolgirl J-pop and death metal. Hot off the heels of their debut album released in the U.S. earlier this year, the band has been burning up the charts in Japan, where their live video for “Gimmie Choco!!” (lensed at the legendary Nipon Budokan in Tokyo) has racked up over 17 million views on YouTube to date. Endorsed by shredders like Marty Friedman (Megadeth) and Jeff Walker (Carcass) alike, Babymetal are prepared for a whole new audience on the eve of their Hammerstein debut.
Wednesday, Nov. 5, 7:30 p.m.
B.B. King Blues Club and Grill, 237 West 42nd Street
$28-$32
With guitar styles ranging from rock, blues, jazz and fusion to pop and soul, Richie Kotzen has built a remarkably diverse 25-year career as a guitarist, singer and songwriter. A veteran of numerous groups including the Winery Dogs, Kotzen’s Japan cred is extensive: He wrote the number one song “Shine” as a member of Mr. Big, which was used as the ending theme for the anime series Hellsing, has recorded an entirealbum of music from the anime series Gundam, and toured as the opening act on the Japanese leg of the Rolling Stones’ 2006 tour. The Kotzen Telecaster guitar has repeatedly been the #1 selling signature model guitar for Fender Japan. This special solo show will include selections from The Essential Richie Kotzen, the artist’s latest release, which caps a career of highlights in anticipation for his next studio album coming next year.
Nov. 6-12
Nippon Club Gallery, 145 West 57th Street
Free
Kiyomi Kitagawa, a popular fashion designer and a representative of Atelier Bi-no-Sei, revives stylish and practical design dresses in harmony with modern lifestyle from traditional craftwork, a microcosm of Japanese sensibility that has been shaped by the passing of the “four seasons” since ancient times. These dresses show not only the “craftsman’s spirit” by seasoned artisans, but also her knowledge and experience as a textile garment designer. At this exhibition, 30 pieces of kimono dresses—some using fabric no longer produced—will be displayed with luxurious embroidery and a variety of techniques.
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JQ Magazine Editor Interviewed by FCI News on X Japan at Madison Square Garden
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JQ magazine editor Justin Tedaldi talks X Japan outside Madison Square Garden, Oct. 11, 2014. (Courtesy of FCI NY)
JQ magazine editor/Japanese Culture Examiner Justin Tedaldi (CIR Kobe-shi, 2001-02) was recently interviewed by Alex York of Fujisankei (FCI) News for commentary on X Japan’s debut performance at Madison Square Garden on Oct. 11.
The spectacular three-hour show (see JQ‘s review of the concert here) was X Japan’s first and only American concert in four years, and the first to retain the band’s signature full stage production outside of Japan. Check out the video here or click on the image for Justin’s comments, and read his exclusive interview with X Japan’s leader Yoshiki here.
Direct link: http://www.youtube.com/watch?v=yWptyvtYCXM#t=43
Justin’s Japan: Interview with Yoshiki of X Japan on the Band’s Madison Square Garden Debut
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“At an X Japan show, we create a show with the audience—it’s not ‘the band is performing and the audience is just watching,’ so we create the show together. We’re going to try to make Madison Square Garden like a huge club.” (Courtesy of ID PR)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
For Yoshiki Hayashi, this Saturday (Oct. 11) will go down in J-rock history, as one of the biggest bands in Asia makes their debut at Madison Square Garden. Formed over 30 years ago, X Japan first gained notoriety in the mid-’80s by ushering in the visual kei movement, a style that continues to evolve through other Japanese megastars like L’Arc~en~Ciel (who headlined the World’s Most Famous Arena themselves in 2012).
At the center of it all is X Japan’s founding member, Yoshiki. An equally talented songwriter, heavy metal drummer and classical pianist, he is both the heart and soul of X Japan, and, having lived in Los Angeles for two decades, the ideal mouthpiece for the band’s American tours, which started with a bang in 2010 at Lollapalooza and included a sold-out gig at New York’s now-defunct Roseland Ballroom.
In this exclusive, expansive interview, I spoke with Yoshiki about how the group’s original hopes to play the Garden in 2008 were dashed by personal health and management troubles, his favorite, anime, manga and X Japan songs, and his experience working with legends like Stan Lee, KISS, and the Emperor of Japan.
How did this concert for Madison Square Garden come together? I know there were plans to do this in 2008; can you talk about this history?
Our band reunited around the year 2008. We did our reunion concert in Tokyo Dome, three days or so, I think. At that time, we were also thinking of performing [shows] outside of Japan, and Madison Square Garden was one or two of [the ideas]. But for some reason they didn’t happen, so since then, that venue was always in our minds. A few years ago, we decided to try schedule Madison Square Garden. I think we were kind of confirmed last year.
It’s a long road.
Yes. Well, considering that X Japan was not doing anything—I mean, the band broke up around the end of 1997, so when we reunited we had almost 10 years of a break. We started doing a bunch of arena shows, and then we started touring the world when we went to 16 countries or so. Considering this, the [last] six or seven years have been tours [laughs].
Are there plans for X Japan to play any other concerts for the remainder of the year?
Not now. We just announced our shows in Japan, this place called Yokohama Arena, so we [performed] there Sept. 30 and Oct. 1. It’s kind of like a prelude to Madison Square Garden and a kickoff to [that] show, about 10 days before that. As of now, Madison Square Garden is the only American show, but [depending] on how it goes, we may start another world tour. We’re just talking about it right this moment.
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