JQ Magazine: Nippon in New York — The Joy of Sake, BoroughCon, Kyary Pamyu Pamyu
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate the best of both fine art and pop art.
This month’s highlights include:
Courtesy of Asiasociety.org
June 6-7, 6:30 p.m.
Asia Society, 725 Park Avenue
$12, $10 seniors/students, $8 members
Highlighting some of the most exciting new voices in cinema, New York Japan CineFest is an annual event that features works by emerging Japanese and Japanese American filmmakers. This two-day program of short films includes Sugihara Survivors, a short documentary film about Chiune Sugihara (considered Japan’s Oskar Schindler); Hatis Noit, a glimpse into the music of the titular musician whose experimental vocals recollect memories of snowy Hokkaido; and Dolphin Dreams, a groundbreaking experimental documentary that builds on the communicative power of dance to give audiences an unprecedented visceral experience. The first night’s program is followed by a reception.
© Yow Kobayashi/Yamaha
Thursday, June 7, 7:30 p.m.
Japan Society, 333 East 47th Street
$38, $30 Japan Society members
Celebrated jazz pianist Makoto Ozone, hailed by the New York Times as “thrilling, virtuosic and unabashedly personal,” performs selections from his wide-ranging repertoire, from Gershwin and Bernstein to Piazzolla and Ravel. Known for his large concert hall performances with prestigious philharmonic orchestras and jazz legends such as Gary Burton and Chick Corea, Ozone offers an upbeat, freewheeling and fearless solo in our auditorium.
Bakuretsu Records
Friday, June 8, 7:30 p.m.
Super Chon Bros Tour 2 (featuring Tricot)
PlayStation Theater, 1515 Broadway
$20
Prog rockers Chon and Polyphia have announced a second installment of their Super Chon Bros tour, set to take off this spring with help from TTNG and Kyoto-based Tricot. Rolling Stone calls the latter quartet “adrenalized math rock sped up and given pop’s candy coating.” Their meticulously painted set—complete with shadows and amps brushed into the background—picks up on the Kyoto band’s brilliantly colored math-rock, its hooks popping into view like neon splashes against a canvas.
Justin’s Japan: The World Belongs to Hatsune Miku
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Pop idols are everywhere in Japan, but most of them remain there. One particular idol breaks that tradition, with a notable exception: she’s not human.
Hatsune Miku, whose name means “first sound of the future,” is a Vocaloid (machine-made vocals) digital female avatar and creation of Crypton Future Media who currently has over 100,000 unique songs in her voice, which are synthesized tracks reminiscent of Auto-Tune. In Japan, Miku is massively popular and has appeared in numerous hit video games, music videos and ad campaigns, and her appearances with major artists like Lady Gaga and Pharrell Williams has boosted her international appeal.
Miku returns to the U.S. this summer for Miku Expo 2018, her third American tour. Miku Expo consists of live concerts that feature a range of hits from across her career as well as utilizing the latest holographic projection and voice synthesizing technology to create the ultimate Hatsune Miku experience—green onion-colored glowsticks included. For this year’s edition, fans were invited to sample a 39-day trial version of Hatsune Miku V4X software in English to create a new song, with the winning entry to be performed at every show on the North American tour.
True to its name, Miku Expo also presents an exhibition of Miku fan art by artists from Japan and local areas plus workshops and other events held to complement the concert.
The six-date U.S. tour wraps at New York’s legendary Hammerstein Ballroom on July 14th. After that comes Miku’s second appearance in Mexico City, then it’s off to Europe in December for Miku’s first-ever live concerts in Paris, Cologne, and London. The Paris date is set to coincide with the wider “Japonismes 2018” project celebrating Japanese and French relations throughout the year.
For more info and tickets, visit www.mikuexpo.com.
JQ Magazine: Film Review — ‘Isle of Dogs’
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“Isle of Dogs is a fun film and a stylistic ode to legendary Japanese director Akira Kurosawa about a boy and man’s best friend that’s full of beautiful visuals and is equally enjoyable for both kids and adults.” (Fox Searchlight)
By Andy Shartzer (Shizuoka-ken, 2014-16) for JQ magazine. Andy graduated from the University of Virginia with a degree in chemical engineering, and currently works for JETRO New York. He is also the Community Development Chair for JETAA New York.
Isle of Dogs is director Wes Anderson’s first animated film since 2009’s Fantastic Mr. Fox. While it has received mostly positive reviews (with some reservations), it’s still interesting to see Anderson hone his storytelling skills using a colorful and vibrant world created with stop motion animation. The story opens with a prologue titled “Before the Age of Obedience” that supposedly explains how cats became more prominent in Japan. Fast forwarding to “Japan 20 Years in the Future,” the movie cuts to fictional Megasaki City, its residents, and Mayor Kobayashi (Kunichi Nomura), an authoritarian who declares that all dogs must be banished to nearby Trash Island because of the outbreak of dog flu and snout fever. The first dog that arrives on Trash Island is Spots (Liev Schreiber), the personal guard dog of Atari Kobayashi (Koyu Rankin), the ward and orphaned nephew of the mayor.
Atari soon takes matters into his own hands and flies a propeller plane to Trash Island to find Spots. He unfortunately crash lands on the island (in the meantime getting a piece of the plane stuck in his head, ouch) but is rescued by a pack of five dogs: Chief (Bryan Cranston), Boss (Bill Murray), Rex (Edward Norton), Duke (Jeff Goldblum), and King (Bob Balaban). The dogs—except for Chief, who was a former stray—agree to help Atari find Spots and accompany him on his journey to another part of Trash Island.
Though reluctant at first, Chief decides to join Atari and the other dogs after getting some extra persuasion from Nutmeg (Scarlett Johansson), a female purebred dog. Back in Megasaki City, Mayor Kobayashi orders the extermination of all dogs on Trash Island. Tracy Walker (Greta Gerwig), an American exchange student, gets involved and investigates further.
A couple fun Easter eggs in the film include: Ken Watanabe (The Last Samurai, Inception) as a head surgeon, Yojiro Noda (lead singer of RADWIMPS) as a news anchor, and Yoko Ono (artist, singer, peace activist) as a medical assistant named…Yoko Ono.
JQ Magazine: Book Review — ‘A Girls’ Guide to the Islands’
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“While the book is largely a ‘what we did from beginning to end’ odyssey, Kamata’s vivid accounts of her journey with her daughter put you alongside them as they soak up culture.” (Gemma Open Door)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Exploring local wonders with loved ones can conjure up magical memories—and an enormous sense of satisfaction upon overcoming numerous obstacles.
JET alumna Suzanne Kamata (Tokushima-ken, 1988-90) lived through such experiences, which are recounted in her nonfiction debut, A Girls’ Guide to the Islands. Such a title would indicate a guidebook for female travelers. But a scan of its second paragraph reveals the book is a first person travelogue of the author and her daughter Lilia’s exploration of their corner of Japan. Despite spending most of her life in the countryside, Kamata (author of Gadget Girl and The Beautiful One Has Come) has not just visited some nearby landmarks; she figures playing tourist in several locations would serve as good mother-daughter bonding experiences.
This treats the reader to a journey of art exploration. Lilia loves art and she wants to make a career out of it. Kamata also shares an affinity for art, which makes them perfect travel partners. A Girls’ Guide to the Islands is enhanced by the author’s illumination of the art she sees—such as Yayoi Kusama’s My Eternal Soul, which is painted in vivid colors that are considered unsettling in Japan (the artist’s iconic pumpkin sculpture in the island town of Naoshima also graces the book’s cover)—as well as the works that enthrall her daughter. Fortunately for them (and possibly surprising to some), foreign art from renowned artists was easy to locate in the rural museums they visited. Kamata and Lilia find one of Monet’s most famous paintings and Andy Warhol’s Flowers in Naoshima, as well as other works from other non-Japanese artists.
JQ Magazine: Nippon in New York — Japan Day @ Central Park, Miyavi, In Praise of Natto
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
As spring continues and the weather continues to warm, New Yorkers can enjoy activities all over the city both indoors and out.
This month’s highlights include:
© George Hirose
Sunday, May 6, 11:00 a.m.
Children’s Day Festival: Kodomo no Hi
Japan Society, 333 East 47th Street
$18, $10 Japan Society members, children ages 2 and under free
Hang the koinobori (carp streamers) and don your kabuto (samurai helmet): Children’s Day is on its way! Come join us for Japan’s national holiday where all children are stars and their happiness is celebrated. Enjoy a performance of Peach Boy (Momotaro) featuring storytelling, music, dance, taiko drumming and lots of audience participation. Continue the adventure with other authentic Kodomo no Hi activities!
Courtesy of Sonyhall.com
Sunday, May 6, 8:00 p.m.
Sony Hall, 235 West 46th Street
$34.50, $74.50 VIP
Keiko Matsui’s music speaks to the hearts and souls of fans around the world, transcending borders and building bridges among people who share a common appreciation of honest artistry and cultural exchange. Journey to the Heart, her 27th recording as a leader, marks the 30th anniversary since her recording debut and is her boldest statement yet. On Journey to the Heart, Matsui more than delivers what she has come to be loved for breathtakingly beautiful transcendent melodies that transport the listener. A master storyteller, she crafts passionate and emotive songs with lush harmonies and global rhythms to create timeless musical anthems.
© Connie Ma
Tuesday, May 8, 6:30 p.m.
Cool Tokyo: Harajuku, Akihabara and Beyond
Japan Society, 333 East 47th Street
$14, $11 Japan Society members, seniors and students
From street fashion to street food, kawaii to cosplay, Tokyo is the epicenter of Japan’s latest trends. With so much to explore in this vibrant, fast-paced city, it can be hard to know where to start. At this talk, Sebastian Masuda, visual artist and founder of Harajuku shop 6%DokiDoki, and Abby Denson, comic book artist and author of Cool Tokyo Guide: Adventures in the City of Kawaii Fashion, Train Sushi and Godzilla, help to navigate Tokyo’s vending machines, subway etiquette, hidden treasures, and much more. Followed by a book signing reception.
JQ Magazine: Film Review — ‘Mary and the Witch’s Flower’
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“Director Hiromasa Yonebayashi delivers a film packed with many of the attributes that characterizes Studio Ghibli at its best.” (Universal Pictures Home Entertainment)
By Lyle Sylvander (Yokohama–shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City–based soccer team.
Mary and the Witch’s Flower, the debut feature film from Studio Ponoc, an anime outfit founded by Studio Ghibli veterans Hiromasa Yonebayashi and Yoshiaki Nishimura after Ghibli closed its doors in 2015, starts in medias res, with a violent firestorm engulfing the screen. A small girl with bright red hair escapes the maelstrom by flying away on a broomstick, pursued by dolphin-squid-fighter-jet hybrids. She plunges down through the clouds and crashes into a field, where her stolen cargo of glowing blue flowers scatters, instantly transforming the landscape as trees burst out of the earth to towering heights in the blink of an eye. Who she is, where she is, and why she needs to escape isn’t revealed until the final act.
Director Yonebayashi delivers a film packed with many of the attributes that characterizes Studio Ghibli at its best. In this story (based on The Little Broomstick, a 1971 children’s novel by popular British author Mary Stewart, a young female protagonist journeys through a fantastical world, battling witches on a magical quest. As in the best films of Hayao Miyazaki, the hand-drawn animation (a novelty in the CGI-dominated marketplace) depicts a European fairy tale setting while retaining a unique Japanese otherworldliness. This family-friendly film recalls such Miyazaki masterworks as Howl’s Moving Castle, Spirited Away and Kiki’s Delivery Service. Unlike those films, however, Mary and the Witch’s Flower falls short of being a masterpiece.
The animators invoke worlds upon worlds here: the green woods and mist-filled forests of England rendered in swooning evocative watercolors, and the show-stopping Endor, a psychedelic space from out of a dream or drug trip, packed with strange objects, unexplainable phenomena, students floating by in soap bubbles, fountains morphing into human form, grotesque creatures loping out of the shrubbery, only to disappear just as quickly. Endor is dazzling in an off-putting way (similar to some of the “worlds” presented in Ari Folman’s The Congress, where animated avatars engulf their originals). The action sequences are intricate and thrilling.
JQ Magazine: JQ&A with Jazz Musician Meg Okura
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“Japanese people are open and unafraid of owning music from other cultures. It’s a uniquely Japanese thing to embrace arts from other cultures and perform them at a high level.” (Taka Harkness)
By Allen Wan (Ishikawa-ken, 1990-92) for JQ magazine. Allen works as a foreign correspondent in Shanghai. He is also a lecturer in the executive MBA program at Jiao Tong University and currently serves as president of the Shanghai Foreign Correspondents Club. Allen would like to get in touch with other JET alumni in Shanghai who are interested in setting up a JETAA chapter.
Tokyo native Meg Okura defies convention. While forging a prolific career in music since graduating from Juilliard in the ’90s (working with the likes of Diana Krall and David Bowie to name a few), this Grammy-nominated jazz violinist continues reaching out to new audiences through her “world chamber jazz” that could mean anything from performing the erhu with her Pan Asian Chamber Jazz Ensemble or big band music from Japanese and Jewish composers.
As part of the NPO Trio, Okura recently released Live at the Stone, a collaboration with husband Sam Newsome (soprano saxophone) and Jean-Michel Pilc (piano) that creates a unique sound with hints of familiar melodies including well-known Yiddish songs and even excerpts of John Coltrane. Arriving May 13 is IMA IMA, Okura’s latest studio effort. A reflection on motherhood featuring the Pan Asian Chamber Jazz Ensemble and trumpeter Tom Harrell, this new material will be showcased in an intimate live performance at Dizzy’s Club Coca-Cola in New York on Aug. 20.
In this exclusive interview, Okura discusses her inspirations and also tackles taboo topics like whether the music industry needs its own #MeToo movement and the difficulty of making a living as a musical artist in the age of the internet.
You are known for your eclectic music, getting inspiration from jazz, pop, and all the way to 19th century Yiddish music. Is that a concerted effort to avoid being typecast in any particular genre?
I create music that is true to myself. Different types of music reveal themselves to me whether it sounds like Ose Shalom, J.S. Bach, Piazzolla, Coltrane or even YMO. I just welcome what comes to me. But don’t get me wrong, I am a firm proponent of straight-ahead jazz. I am a jazz musician first and foremost, but I also used to perform Brahms and Ravel, and have toured with Michael Brecker as well as many Jewish bands. So I just stay true to myself and try to accept my whole history and different life experiences.
Has being born and raised in Japan influenced your musical style? Why learn the erhu and not the shamisen, for instance?
Japanese people are open and unafraid of owning music from other cultures. For example, I am very unapologetic about learning the erhu, jazz, and Judaism—things that obviously belong to races, cultures, and traditions different from my own. It’s a uniquely Japanese thing to embrace arts from other cultures and perform them at a high level.
What got you hooked on Yiddish music, and did your husband have any influence on that?
Do you know that I have a big band called J-Orchestra? We play music by Jewish and Japanese composers including works by yours truly, who is both Jewish and Japanese. Not only am I a Jew but I have also studied German and Hebrew, so I always felt connected to the Yiddish melodies—minor melodies with major chords. I always cry every time I play “Oyfn Pripetchik.” My husband, Sam Newsome, on the other hand, is not Jewish. So he is not familiar with these melodies at all, and it works out beautifully keeping our music making fresh and unique.
JQ Magazine: Book Review — New from Tuttle (Spring 2018)
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Tuttle Publishing
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Tuttle Publishing has released another selection of Japan-related books, and the following quartet includes works that touch on Japanese etiquette, language study, Okinawan history, and picturesque Kyoto.
Japan: A Guide to Traditions, Customs and Etiquette
While studying Japanese, I learned the term shikata, which is translated as the “way of doing things.” However, as the late lecturer and writer Boyé Lafayette de Mente thoroughly documents, kata represents a lot more than a translation of “form”: It is a concept present in just about every aspect of Japanese society, whether it be the business world, poetry, or sumo. In essence, kata guides the country’s etiquette.
In Japan, the process of accomplishing a goal is just as significant, if not more significant, than the actual result—a notable contrast to the West. De Mente defines kata as the “way things are supposed to be done,” and he educates readers on how the concept has shaped Japan throughout its history and the present.
The author also touches on other cultural differences between Westerners and Japanese (such as communication styles) and people reading the book will probably nod their heads in agreement as they read certain passages, such as “Foreigners can live a lifetime in Japan and not fully understand how the Japanese system works the way it does” and why Japanese often express amazement at foreigners who can utter the simplest Japanese phrase. Japan: A Guide to Traditions, Customs and Etiquette is really an exploration of the Japanese psyche.
If nothing else, you’ll be amazing at how different Japan seems from the West.
Tuttle Publishing
Beginning Japanese Kanji: Language Practice Pad
Those seeking an introduction to kanji, or just a way to brush up on them, should turn to William Matsuzaki’s work. The pad is an excellent tool for busy people: The 334 kanji it presents lends itself to a simple, one kanji-a-day memorization for those aiming to study at a relaxed pace. Furthermore, each page contains terms utilizing the featured kanji and tips on how to write its strokes.
The kanji appearing in the pad is really nothing out of the ordinary, as you’ll see them in many (if not most) materials geared toward relatively novice Japanese learners. Adding to the book’s appeal, the inclusion of spaces to write the kanji (as well as sample sentences featuring the characters) is most useful for those looking to bolster their knowledge of the language.
JQ Magazine: Manga Review — ‘CITY’
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“If nothing else, CITY is a reminder that big city chaos can be entertaining.” (Vertical Comics)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Work often gets in the way of fun times. But if you incorporate some creativity into your life, that doesn’t have to be the case.
Enter the world of Midori Nagumo, the protagonist of the comedy manga CITY. In this first volume (which began serialization in Japan in September 2016) from creator Keiichi Arawi (Nichijou), Nagumo is a very broke college student whose landlady is constantly hounding her for money. Her roommate Niikura refuses to lend her money when she realizes what Nagumo’s true intention is.
Nagumo has to resort to other avenues to raise money, such as stealing a clay figure with the aim of selling it. But she clumsily drops the object, rendering it shattered. Crazily enough, immediately afterwards she’s offered a job at a restaurant (where the incident happens).
Our protagonist accepts the job but still has issues. It doesn’t help that her landlady has a police officer help “move” (or steal) all of her stuff so she wouldn’t escape (as the stolen items are actually collateral). In the middle of the volume, Nagumo reflects on her life, telling herself that if she could continue to have lots of happy moments, she’d be unbelievably thrilled with her life.
JQ Magazine: New York Adventure Club Offers Urasenke Tea Ceremony
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Guests of the Urasenke Chanoyu Center experienced a setting like this one pictured at the Nippon Business Institute Japanese Cultural Center of Everett Community College in Everett, Washington. (Courtesy of Philip Hafferty/Urasenke Chanoyu Center)
By Aubrey Keene (Hokkaido, 2004-06) for JQ magazine. Aubrey moved to New Jersey from Kentucky to complete a master’s degree in Asian studies from Seton Hall University. This is her first article for JQ.
On Saturday, February 3, the New York Adventure Club offered participants a private tea ceremony demonstration at the Urasenke Chanoyu Center of New York (UCC) in Manhattan. Nearly two dozen participants from the area attended to have their first experience with this iconic Japanese cultural tradition.
Experiences like this are not unique for members of the New York Adventure Club. The group, formed in 2013 by CEO and founder Corey William Schneider, was an effort, he explains, “to get my friends to join me on my random weekend adventures around the city.” For more than a year and a half prior, Schneider had been exploring the city on his own as part of what he calls a “mini-early life crisis” that triggered a desire to do more fulfilling activities in his free time. By founding the group on Facebook, Schneider hoped he could get others to join him: he quickly discovered his idea was a hit when over 100 people showed up for the first event. The group now boasts more than 9,000 members, with activities ranging from trapeze classes to tours of Grant’s Tomb to tea tastings happening almost every day of the week.
On a chilly Upper East Side afternoon, participants gathered in the lobby of the UCC for an introduction by their chado, or way of tea, master Yoshihiro Terazono, who gave an overview of the 140-year old building. Originally a horse carriage house later refitted as an art studio for Mark Rothko, the UCC purchased the building in 1980 and spent two years transforming the space into a tea ceremony center. It now houses three tatami mat rooms of various sizes where students come and practice throughout the week. Each room opens to an outdoor space of a garden area with a view of the windows three stories above. The aesthetics successfully evoked the image of a tea house in Kyoto, the birthplace of Urasenke.
JQ Magazine: Nippon in New York – Hello from Japan, Katsu Album Release, ‘Ponyo’ Turns 10
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, some new anime screenings, and a sake extravaganza you won’t want to miss.
Emily Munro
Now through May 6
Children’s Museum of Manhattan, 212 West 83rd Street
$14 children/adults, $11 seniors
Experience Tokyo’s vibrant culture in a new interactive exhibit! Children will have fun learning about life in present day Japan in this playful, highly immersive environment that transports families to two distinct areas of Tokyo that exist side by side: one serene and exquisite, the other, too cute for words. Kawaii Central is a streetscape inspired by Tokyo’s bustling Harajuku district, bursting with color, trendy shops and cuter than cute styles. Kids sing karaoke, smile for the photo booth camera, serve up a seasonal Japanese meal, and design adorable mascots for their families. Plus, learn more about contemporary Japan through special programs for the public, free with admission.
Courtesy of Eventbrite.com
Saturday, Feb. 3, 3:30 p.m.
Private Japanese Tea Ceremony Demonstration @ The Secret Kyoto Garden
Urasenke Chanoyu Center of New York, 153 East 69th Street
$35 advance, $39 day of event
Experience one of Japan’s oldest traditional tea ceremonies in a secret indoor Japanese garden hidden in the Upper East Side—led by a Tea Master of Urasenke! Join New York Adventure Club for a traditional Japanese tea ceremony demonstration in the style of Urasenke, one of the main schools of Japanese tea ceremony. Established in 1967 to promote the rich cultural tea tradition of Urasenke in New York City, the UCC is a private organization that teaches its members how to master this ancient tradition over the course of 10-15 years. This event also offers an opportunity to consume the best quality sweets and matcha green tea from Kyoto, the birthplace of Urasenke.
Sunday, Feb. 18, 2:00 p.m.
Katsu: Debut Album Release Concert
National Opera Center – OPERA America, 330 Seventh Avenue
$20 suggested donation
Katsu started to perform in public about a month after he started playing the piano when he was the age of 19 by self-learning. He also started composing originals soon after the beginning of the public performances. After performing several times in Japan, He moved to New York. Then in December 2016, he debuted as a composer and a pianist at the Steinway Hall. Now, he has been performing his original tunes as a solo pianist at multiple venues. His music is described as New Age music, classical, Jazz, romantic piano, and more. This intimate performance will feature selections from his recently released debut album, Moon.
GKIDS
March 25-26, 28
E-Walk 42nd Street 13, 247 West 42nd Street / Empire 25, 234 West 42nd Street
$12.50 all ages
For the kickoff of Studio Ghibli Fest 2018, From the legendary Studio Ghibli, creators of Spirited Away and My Neighbor Totoro, and Academy Award-winning director Hayao Miyazaki, comes a heartwarming family adventure. When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea. Miyazaki’s breathtaking, imaginative world is brought to life with an all-star cast, featuring (on the March 25 and March 28 English-language screenings) the voices of Cate Blanchett, Matt Damon, Lily Tomlin, Liam Neeson, and more.
Illustration by Ben Warren © Japan Society; Hideto Iwai © Toru Hiraiwa; Sarah Hughes © Alex Tilney
Monday, March 26, 7:30 p.m.
Japan Society, 333 East 47th Street
$15, $10 Japan Society members, seniors and students
This program is the 13th installment of Japan Society’s annual Play Reading Series, which introduces topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. Written by Hideto Iwai, the winner of the prestigious Kishida Kunio Award for Drama, Manhood follows the twisted turns in the lives of four men as their boyish posse faces the harsh realities of adulthood and old age. Sarah Hughes, a New York local and emerging theater director, leads her gender swapped cast in this off-kilter depiction of Japanese “bro culture.” Playwright Iwai joins in a post-performance Q&A with the audience and director.
Courtesy of Lonelyplanet.com
Friday, March 30, 6:30 p.m.
The Nippon Club, 145 West 57th Street
$10 (materials included), RSVP at jpcourse@jfny.org
Are you planning a trip to Japan in the near future? If so, this workshop is for you! Please join us for our Travel Japanese workshop and learn Japanese vocabulary and basic expressions essential for travel in Japan! Japanese customs and useful travel information will also be introduced. In this workshop, you will be able to order food at a restaurant using simple terms, communicate with a store attendant while doing shopping, tell your destination to a taxi driver or station agent and ask for information, and more!
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Justin’s Japan: JET Programme Alumni Gala Celebrates 30 Years
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Since forming in 1987, the Japan Exchange and Teaching Programme (JET) has become one of the world’s largest international exchange programs, with nearly 65,000 people from 65 countries selected to promote English language learning and teaching in Japan. To commemorate its first three decades, the JET Alumni Association of New York (JETAANY) is hosting an equally ambitious event.
“The main purpose of the JETAANY Gala is to celebrate 30 years of the JET Programme and all we hope it will become,” said JETAANY events chair Andy Shartzer. “JET has helped the grassroots community abroad, and our alumni chapters explore how we can continue its message. Our goal is also to establish JETAANY as a greater presence in the U.S.-Japan community.”
The sold-out gala, which will be held at Brooklyn’s Dumbo Loft on February 3rd, will feature multiple generations of JET participants and community members with ties to Japan, along with a taiko performance, an awards ceremony, and a prize drawing. Donations are from local companies and organizations including publisher Vertical, Inc., Kaoru Watanabe Taiko Center, and the venerable Japan Society of New York.
“Since its inception 30 years ago, the JET Programme has been a unique and outstanding facilitator of grassroots exchange between the U.S. and Japan,” said JETAANY president Wendy Ikemoto. “As one of the largest and most active alumni chapters in the U.S., we’re honored by the overwhelming response received.”
According to Shartzer, JETAANY plans to host similar events in the future, and is delighted to form new partnerships. For sponsorship and donation proposals, email Wendy at president@jetaany.org. For more information on JETAANY, visit http://jetaany.org.
JQ Magazine: Theatre Review — ‘Mugen Noh Othello’
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“In this striking setting, the noh theatrics perfectly capture and complement the emotions and thoughts recurring in Shakespeare’s play.” (Richard Termine)
By Lyle Sylvander (Yokohama–shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City–based soccer team.
From Jan. 11-14, director Satoshi Miyagi and his company Shizuoka Performing Arts Center (SPAC) returned to Japan Society of New York with their sold-out production of Mugen Noh Othello. As with their previous Madea (seen at Japan Society in 2011), Miyagi and company adapt a classic play from the Western canon and infuse it with the stylistic conventions of noh. Specifically, Miyagi and his playwright Sukehiro Hirakawa re-tell the story from the viewpoint of Desdemona’s ghost, a traditional in the mugen (supernatural) style of noh. This style typically involves otherworldly beings, including gods, spirits and ghosts. Time is often depicted as passing in a non-linear fashion, and action may switch between two or more timeframes from moment to moment, including flashbacks.
Noh theatre is considered to be the highest art form among the five classical Japanese forms of theatre: noh, kabuki, bunraku, butoh and kyogen. The art form requires highly trained actors and musicians (Mugen Noh Othello featured a percussion ensemble of six). The actors usually wear masks to signify the characters’ gender, age and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or even nonhuman characters such as demons or animals. Noh also contains a uniquely structured stage with the hashigakari, a narrow bridge that is used for entering. Since Japan Society’s theater contains a more conventional stage (albeit without proscenium), the hashigakari has been approximated. All actors enter through it, as if entering from another space into the new shared theatrical space with the audience. Throughout the performance, the actors chant in unison, further accentuating the otherworldly atmosphere.
JQ Magazine: Nippon in New York — Studio Ghibli, ‘Final Fantasy’ @ 30, ‘Mary and the Witch’s Flower’
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Start 2018 off right by heading down to your local concert hall, cinema, or arts center for some fantastic new year’s fare. Whether you enjoy movies, travel, or orchestral performances classic video games, treat yourself and catch a break from the cold.
This month’s highlights include:
GKIDS
Jan. 1-11
IFC Center, 323 Sixth Avenue
$15 adults, $11 children
In collaboration with GKIDS, IFC Center is pleased to present the return of this smash-hit retrospective of Japan’s famed Studio Ghibli animation house. Don’t miss your chance to see some of the greatest films of all time on the big screen! Titles include the favorites Spirited Away, Nausicaä and My Neighbor Totoro—with select screenings on 35mm prints! All films shown prior to 6 p.m. will be screened in the English-language version; evening shows will be subtitled in English. For a list of all films and dates, click here.
Mugen Noh Othello © Takuma Uchida
Jan. 11-14
Japan Society, 333 East 47th Street
$35, $30 Japan Society members
Following a sold-out run of Medea in 2011, Satoshi Miyagi and his company SPAC return to New York with another literary masterpiece, Othello. Miyagi re-tells Shakespeare’s famed tragedy through noh theater’s most distinct storytelling structure, mugen noh, or a play that features a spirit. Told from the perspective of Othello’s wife Desdemona, who returns as a ghost after her death, Miyagi’s production is replete with stunning masks and costumes as well as powerful live music and chanting. Performed in Japanese with English titles. The Friday, Jan. 12 performance is followed by an artist Q&A.
Courtesy of Ffdistantworlds.com
Saturday, Jan. 13, 2:00 p.m. and 8:00 p.m.
Distant Worlds: Music from Final Fantasy
Carnegie Hall (Stern Auditorium/Perelman Stage), 881 Seventh Avenue
$28-$120
Distant Worlds brings its concert production to one of the world’s most famous orchestral venues. With composer Nobuo Uematsu in attendance, the Distant Worlds Philharmonic Orchestra and the Dessoff Choirs under the direction of Grammy Award-winner Arnie Roth celebrate the 30th anniversary of Final Fantasy. These special performances feature exclusive HD video presentations from Square Enix alongside classic scores and new premieres.
JQ Magazine: Book Review — ‘Zen Gardens and Temples of Kyoto’
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“While Zen Gardens can be challenging to grasp, there is magic to behold.” (Tuttle Publishing)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Kyoto has served as the focal point of Japanese cultural forms such as geisha, noh theater and ikebana. And as John Dougill thoroughly details in Zen Gardens and Temples of Kyoto, the city has played an enormous role in the development of Zen in Japan.
A professor at Kyoto’s largest Buddhist university, Dougill explores the ties between Japan’s former capital and the Buddhist sect in this guide to Kyoto’s most prominent Zen gardens and temple sites. While not the birthplace of Zen in Japan, Kyoto could be considered its soul as the city has long housed renowned temples where visitors and monks have sought serenity.
At first glance, such a book would seem to be a largely visual journal featuring a score of beautiful places. Zen Gardens doesn’t disappoint in that regard as photographer John Einarsen captures the splendor of some very spiritual places. But it’s clear early on that the book will rely primarily on stories to chronicle the story of Zen in Kyoto—not surprising since Dougill has previously written about Japan’s World Heritage Sites and Kyoto’s history.
