Justin’s Japan: Kyogen, J-MUSIC Ensemble, Shunzo Ohno, Video Games Live
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A Night of Kyogen with Mansaku Nomura and Mansaku-no-Kai Kyogen Company comes to Japan Society Dec. 10-12. (Shinji Masakawa)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Wednesday, Dec. 2, 10:00 p.m.
Club Bonafide, 212 East 52nd Street
$15
Fresh off the heels of their 2015 SESAC Award-winning album Eternal Monomyth, Gene Ess and Fractal Attraction have been solidifying themselves as one of New York’s premiere collectives featuring original material that explores the use of the voice as an instrument in a chamber group setting. Eternal Monomyth is the riveting companion piece to Fractal Attraction, which was the winner of the SESAC Outstanding Jazz Award in 2010 and peaked at number 3 on the jazz radio charts. Originally from Tokyo, Japan, Ess grew up on a United States Air Force Base on Okinawa. He has performed with Carlos Santana, Archie Shepp, Matt Garrison, Reggie Workman, Ravi Coltrane, and Dave Liebman.
Dec. 10-12, 7:30 p.m.
A Night of Kyogen with Mansaku Nomura and Mansaku-no-Kai Kyogen Company
Japan Society, 333 East 47th Street
$55-$85, $45-$75 Japan Society members
Living National Treasure Mansaku Nomura, together with illustrious members of the Mansaku-no-Kai Kyogen Company, including Mansaku’s son star of stage/film/TV Mansai Nomura and practiced performer Yukio Ishida, return to Japan Society to offers a special evening of kyogen, Japan’s traditional comedic theater that satirizes and embraces human imperfection. Centering around Mansaku’s virtuosic performance of the vigorous solo piece Nasu no Yoichi, based on a serious episode from The Tale of the Heike, the program also includes the dynamic Akutaro, starring Mansai, about a troublemakers unexpected journey to repentance and the popular play Bonsan, which follows a foolish thief with a penchant for bonsai trees. With English supertitles. The Thursday, November 10 performance is followed by a MetLife Meet-the-Artists Reception for ticket holders.
Friday, Dec. 11, 11:00 p.m.
Club Bonafide, 212 East 52nd Street
$10
Racha Fora was formed in 2010 originally as a quartet by two Japanese and two Brazilians in Boston. Racha Fora issued its debut album in 2012, which was focused on group flutist Hiroaki Honshuku’s compositions, and embarked on a tour of Japan, which became an annual affair. They just released their second album from the JazzTokyo label, Racha S’Miles: Racha Fora’s Tribute to Miles, in which Miles Davis standards from the 1950s and 1960s are reborn in the 21st century featuring NEA Jazz Master (and key saxophonist for Davis in the 1970s), Dave Liebman. This intimate late night set features special guest Donny McCaslin on sax.
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JQ Magazine: Book Review — ‘The Inland Sea’
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“Richie’s acerbic humor and wit are coupled with lush scenery and descriptions, offering an intoxicating and wry getaway.” (Stone Bridge Press)
By Alexis Agliano Sanborn (Shimane-ken, 2009-11) for JQ magazine. Alexis is a graduate of Harvard University’s Regional Studies-East Asia (RSEA) program, and currently works as a program coordinator at the U.S.-Asia Law Institute of NYU School of Law.
The Inland Sea by the late Donald Richie is a legendary book in the Japan field. For many, it’s their first foray into the culture. Following Richie as he sets sail across the Seto Naikai, the body of water which spans between the islands of Shikoku, Honshu and Kyushu, The Inland Sea chronicles Richie’s quest for authenticity and escape. There, among the hamlets and fishing villages which dot the coastline, he paints for the readers a sun-drenched and hazy seascape; encapsulating his journeys into a memoir, history, and travel book all at once.
Originally written in the early sixties, published in 1971 and subsequently reprinted over the years, the newest edition by Stone Bridge Press deserves a place of honor on your bookshelf—and in your mind. Richie’s acerbic humor and wit are coupled with lush scenery and descriptions, offering an intoxicating and wry getaway. The book is a solid combination of sardonic and sublime. Written as a series of essays, it’s easy to thumb through the pages, find a spot at random, and pick up at a new leg of the journey with Richie—just as he catches a boat with the tide.
This edition also features photographs by Yoichi Midorikawa, the Japanese photographer renowned for his black and white photographs which highlight the scenic, if not austere, beauty of Japan. These images complement the narrative, helping to conjure up a sense of lonely nostalgia. Despite the wonder of the world Richie paints for us, it is one where undercurrents follow mercurial moods as the author mulls on life, Japanese society, and the ever-worshiped god of “progress.” The first sentence to the book sets the tone: “Kobe, from where I have just come, is indication enough of Japan’s sad future.”
Justin’s Japan: ‘You Look Yummy!’
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
For parents of little ones not quite ready for Jurassic World comes You Look Yummy!, a children’s book by Tatsuya Miyanishi and newly published in English by Museyon.
The story of a fearsome Tyrannosaurus (the star of 11 other bestselling titles written by the author) and the baby Ankylosaurus he grows attached to (the tot believes his “daddy” names him “Yummy” after he’s hatched), You Look Yummy!, teaches valuable lessons about the bonds between a parent and child, and how those bonds can remain strong despite mistaken identity.
Museyon
As “father” and “son” grow close, the Ankylosaurus mimics the T-Rex in ramming mountains, cutting down trees and roaring (complete with his own muted sound effects). When the day comes for them to part, readers will be touched by what unfolds.
Children will be instantly attracted to Miyanishi’s illustrations. Throughout its pages, there are artistic touches like a white sky, coloring outside the edges to make the images pop, and hash marks for the dinos that serve as texture 101. Especially effective are scenes of a night sky jam-packed with stars and dotted with some exaggeratedly large ones (think Christmas tree). The result is something that feels like it could have been drawn by a child, but is secretly the work of a seasoned artist—after all, the Tyrannosaurus is a dead ringer for Godzilla.
For more information, visit www.museyon.com.
JQ Magazine: Manga Review — ‘Showa 1953-1989: A History of Japan’
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“Shigeru Mizuki has led a full life of hardship and wonder. At the time of this book’s publication, he is 93 and still bringing laughter to many through his enormous body of award-winning work, which is thankfully becoming more available in English.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio currently keeps the lights on by working at JTB USA while writing freelance in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
Showa 1953-1989: A History of Japan is the fourth and final volume of the English translation of Shigeru Mizuki’s manga history of the Showa period. Translated for the first time into English by JET alum (and JQ interviewee) Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), the release of this book marks the end of a long journey for us readers. Mizuki took great pains to detail significant events of the Showa period and Japan’s role in World War II in order to preserve a comprehensive look at the time from the perspective of someone who had lived it. He intended this manga history to be a gift for all the generations born in a time of peace. As a reader born in the first year of the Heisei period, I was not even alive for any single event I read about, but nevertheless was moved by the power of Mizuki’s personal and historical storytelling and art to think about world history in new ways. The best part of reading something by Mizuki is you’re in for plenty of laughs along the way as well.
As a refresher for those of you who have been with us from the start, and an intro for those just tuning in, the first volume of this illustrated history of the Showa period in Japan covered the years 1926-1939 and highlighted a modernizing Japan and Mizuki as a child fascinated by spirits called yokai, and almost as importantly, a child obsessed with food. The book chronicled a number of incidents in Japan and Asia that took Japan down the road to World War II that come to a head in the second book which featured the years 1939-1944. This volume devotes itself to capturing the massive scale and harrowing death tolls of air-, sea-, and land-based conflicts in the war, and as time passes Mizuki’s own autobiographical narrative weaves in as he serves in the army. The third volume covers 1944-1953 and sees the darkest parts of Japanese history in World War II, and Mizuki’s own experiences are spotlighted, but it is not without the hope and admiration for humanity inspired from Mizuki’s encounter with the natives of Rabaul. This book also covers the Allied occupation of Japan and the beginning of what historians call “Postwar Japan” in which Mizuki starts down the path that will lead him to manga success and Japan becomes a booming economic power.
Interestingly, the last volume covers 1953-1989, which is 36 years of history and among the other volumes is the one that tackles the longest period of time. It’s also the most varied in its content. The same historical approach to events from a variety of perspectives narrated by either Nezumi Otoko or Mizuki himself persists through this volume, but as TV, movies, and popular culture take on an increasingly larger significance in society, so do strange events take on a more significant coloring in history. Mizuki devotes many pages to portraying abnormal events both comical and criminal that preoccupy the public mind by way of showing how times have changed since before the war. For this reason, the fourth volume at times can sometimes feel like a series of short historical episodes told in manga form, but of course presented in a chronological and unified way.
Justin’s Japan: ‘Ghost in the Shell’ returns, ‘Allegiance,’ Jake Shimabukuro
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“Allegiance,” a new Broadway musical starring Tony Award winner Lea Salonga (left) and George Takei (second from right) premieres at the Longacre Theatre Nov. 8. (Henry DiRocco)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
From Broadway to anime to J-pop, November is just as colorful as the leaves gliding through the air. Add to that a cutting-edge Noh-inspired stage spectacle, a classical collegium performance and the return of the undisputed ukulele master, and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Oct. 31-Nov. 1, 12:00 p.m.
We Are Perfume: World Tour 3rd Document
Anthology Film Archives, 32 Second Avenue
$18
This new documentary follows the veteran all-girl pop trio on a two-month international live tour (which made a stop at New York’s Hammerstein Ballroom last November). While traveling around the globe to cities across Asia, Europe, and the United States, audiences will see Perfume’s powerful live performances and catch never before seen behind-the-scenes footage. Witness the group’s single-minded approach to their performances – the joy, anguish, and struggles, not only in the music, but also in fashion and pop culture.
Nov. 2 & 8
Village East Cinema, 181-189 Second Avenue
$14
From the creative team behind Anohana, The Anthem of the Heart tells the story of Jun, once a happy young lady with a tenacious personality. Jun has torn her family apart by saying something hurtful, and her ability to speak has been sealed away by the Egg Fairy in order to stop her from hurting others. Now, Jun lives in the shadows and avoids the limelight. But when she is nominated to become the executive member of the Community Outreach Council and appointed as the main lead in the council’s musical, Jun will have to find her voice and the wisdom to temper her words. Presented in Japanese with English subtitles.
Nov. 3, 5-8
BAM Harvey Theater, 651 Fulton Street (Brooklyn)
$25-$70
An angel’s garment, possessed of mysterious powers, falls to a remote island on Earth, where it is found by a poor fisherman. To get it back, the angel offers up her greatest celestial gift: a dance of incomparable beauty. Dance icons and former New York City Ballet principals Wendy Whelan and Jock Soto, contralto Katalin Károlyi and tenor Peter Tantsits, and puppets by Chris Green come together in this inspired reimagining of a Japanese Noh theater classic. With choreography by David Neumann, costumes by Belgian fashion icon Dries Van Noten, and an original score by Nathan Davis—performed live by the International Contemporary Ensemble and Brooklyn Youth Chorus—Hagoromo merges genres to send a stranded spirit back to heaven.
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Justin’s Japan: ‘Naruto’ takes Comic Con, ‘Legend of Zelda,’ L’Arc~en~Ciel
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Naruto creator Masashi Kishimoto makes his first-ever appearances outside of Japan in New York Oct. 7-10. (Courtesy of ForeverWorld)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.
This month’s highlights include:
Oct. 8-11
Jacob K. Javits Convention Center, 655 West 34th Street
Limited tickets available
The East Coast’s biggest gathering for fans of comics, film, anime and manga, New York Comic Con returns with its biggest roster of Hollywood talent to date, including the first-ever appearance outside of Japan of Naruto creator Masashi Kishimoto, on hand for an exclusive Q&A panel (Oct. 8, 5:30 p.m.) as well as the North American theatrical debut (Oct. 10, 11:30 a.m. at Hammerstein Ballroom) of Boruto: Naruto the Movie! In addition, Kishimoto will also make live appearances at Apple Store SoHo (Oct. 7, 7:00 p.m.), Kinokuniya Book Store (Oct. 9, 8:30 p.m.) and Barnes and Noble Tribeca (Oct. 10, 3:30 p.m.). Don’t miss this chance to meet one of Japan’s most popular contemporary manga artists!
Oct. 9-Jan. 10
For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979 Japan Society Gallery, 333 East 47th Street
$12 students and seniors, $10, Japan Society members. Free on Friday nights, 6:00-9:00 p.m.
In the wake of the social and political upheaval of the late 1960s, Japanese artists and photographers began crafting a new visual language for an age of uncertainty. Their embrace of camera-based experiments would alter the cultural landscape and lay the foundations for contemporary art in Japan. For a New World to Come is the first comprehensive exhibition to spotlight this radical break with the past. With some 200 works by such luminaries as Ishiuchi Miyako, Daidō Moriyama, Jirō Takamatsu, and Shōmei Tōmatsu, the exhibition charts the stunning diversity of photographic practices during this pivotal era, from conceptual series situated squarely within global artistic currents, to visually arresting meditations on time, place, and self.
Oct. 10, 12, 13, 17, 19, 21
Village East Cinema, 181-189 2nd Ave.
$15
See the next generation of Naruto on the big screen! With Naruto as the Seventh Hokage, Hidden Leaf Village is planning to host the Chunin Exams to train new shinobi. Among the entrants are Sasuke’s daughter, Sarada, who adores Naruto, Mitsuki, an exceptionally talented yet mysterious shinobi, and Boruto, Naruto’s son who shows great potential, but despises his father. Sasuke, who’s been on a mission in another dimension, appears before Naruto to warn of a strange impending danger he has sensed. An inconceivable foe lies in wait as Sasuke, the Five Kage, and Boruto charge into another dimension!Presented in Japanese with English subtitles.
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JET alum Bruce Feiler a CNN commentator during Pope’s visit
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Bruce Feiler (Tochigi-ken, 1989-90), author of Learning to Bow as well as several books on religion including Walking the Bible, Abraham and Where God Was Born along with other popular books including The Council of Dads, and, most recently, The Secrets of Happy Family, can now add CNN commentator to his resume. He has been providing religion-related perspectives in live conversations with Anderson Cooper, Wolf Blitzer and others.
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To read prior JETwit posts about Bruce Feiler, please click here.
For more regular updates, follow Bruce on Facebook: www.facebook.com/brucefeilerauthor.
And Twitter: www.twitter.com/brucefeiler.
Nippon in New York: ‘Attack on Titan,’ Taylor Anderson Memorial, Luckyrice Fest
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The live-action film debut of Attack on Titan premieres at Village East Cinema Sept. 30. (Courtesy of FUNimation)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.
This month’s highlights include:
Tuesday, Sept. 8, 6:30 p.m.
Japanese Design Today: Unique, Evolving, Borderless
UL105, University Center, The New School, 63 Fifth Ave.
Free (click here to register)
Japanese design has been proven capable of transcending language barriers and fostering communication and understanding between cultures, enthusiastically embracing elements of other cultures while developing and retaining its own unique sense of design aesthetic, which today is recognized and appreciated throughout the world. But as Japanese society has transformed socially, geopolitically, and economically, so has Japanese design transformed to accommodate these changes which has given way to a new era. Hiroshi Kashiwagi, professor at Musashino Art University, and architect/ furniture designer Yoshifumi Nakamura will each discuss the evolution, distinguishing characteristics, and current state of Japanese design today. A Q&A session will follow the presentations.
Friday, Sept. 11, 7:00 p.m.
The Concert Hall — New York Society for Ethical Culture, 2 West 64th Street
$20
Celebrating its eighth annual concert, this year Circle Wind will give tribute to Taylor Anderson, an American victim of the the Great East Japan Earthquake/Tsunami on March 11, 2011. Anderson was dispatched to Ishinomaki under The Japan Exchange and Teaching (JET) Program in 2008 and was teaching English to schoolchildren there. The newly formed “Never Give Up Taylor’s Choir” from the Ishinomaki/Higashi-Matsushima area will perform an original piece symbolizing their appreciation for the American people’s support to recover from the devastation in 2011. Maestro Gregory Singer and his Manhattan Symphonie Orchestra also returns to perform some tribute songs for Taylor together with koto soloist Masayo Ishigure and other prominent artists. Hosted by New York’s choral harmony group Tomo.
Saturday, Sept. 12
Double feature: Live Your Dream and Dream Beyond 400 Years
Nippon Club of New York, Rose Room, 145 West 57th Street
$10 per film (at 5:00 p.m. and 6:45 p.m.)
Live Your Dream is a story about the courage and sacrifice of Taylor Anderson and for all the young people who travel the world trying to make a difference. Taylor was an extraordinary American who on the JET Program dedicated herself to teaching Japanese children, living her dream right up to the disaster of March 11, 2011. In the New York premiere of Dream Beyond 400 Years, local choir Tomo took a journey to Coria Del Rio in Spain, representing a journey going beyond 400 years. In this town, they met “Japón-san,” the descendants of Japanese travelers to Spain 400 years ago. The members of Tomo and Japón-san form a lifelong friendship in this touching real-life story. An after-screening reception featuring Circle Wind Concert participants and members of Taylor Anderson’s family will be held at 7:30 p.m. ($40).
For the complete story, click here.
Justin’s Japan: ‘Attack on Titan’ Storms U.S. Theaters
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Attack on Titan is the upcoming live-action feature film from Studio Toho and director Shinji Higuchi, which will be released in two parts in the U.S. by FUNimation Entertainment this fall. Part One hits select theaters for three days beginning Sept. 30, with Part Two following Oct. 20.
Originally created by manga artist Hajime Isayama in 2009 and currently published by Kodansha Comics in the U.S., Attack on Titan has over 50 million copies in print, as well a 25-episode anime series, also produced by FUNimation for American audiences. The series is so popular that a special Titan-themed attraction opened at Universal Studios Japan earlier this year.
The film’s official U.S. release comes swiftly after Part One’s world premiere at the Egyptian Theater in Los Angeles on July 14 and its Japanese release on Aug. 1. Written by Yusuke Watanabe, the films star Haruma Miura and Kiko Mizuhara as two young soldiers living in a deadly post-apocalyptic land where humans fight man-eating Titans for their very survival.
“FUNimation is honored to host the world premiere of Attack on Titan here in the United States with Toho,” said FUNimation president and CEO Gen Fukunaga in a press release. “Attack on Titan is truly a worldwide phenomenon and we are excited to bring the live-action movie to theaters.”
For more information, visit http://attackontitanthemovie.com.
JQ Magazine: Book Review — ‘Mashi’
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“JETs reading Mashi will relate to the story because just as many of us had support systems of friendly faces outside of the workplace, Murakami was fortunate that members of the Japanese American community in both Fresno and San Francisco provided a helping hand when he needed it.” (University of Nebraska Press)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
During your JET experience, you probably heard about Japanese baseball icons such as Ichiro, Daisuke Matsuzaka, Hideki Matsui and Yu Darvish excelling in Major League Baseball. However, well before all of them were instilling pride in their countrymen through their feats on American diamonds, one southpaw from rural Yamanashi Prefecture was setting the big leagues on fire.
Baseball historian Robert K. Fitts introduces fans of the sport to Masanori Murakami in Mashi: The Unfulfilled Baseball Dreams of Masanori Murakami, the First Japanese Major Leaguer. The biography documents how Murakami went from a run-of-the mill relief pitcher for the Nankai Hawks to a major contributor to the San Francisco Giants in the mid-1960s that nearly punched a ticket to the World Series—all while being the subject of a fierce tug-of-war between the two organizations.
Piercing together information he obtained from interviews with Murakami, the pitcher’s close friends and experts on Japanese baseball, Kitts explores Murakami’s improbable journey to baseball stardom. Murakami was actually uninterested in baseball as a child and when he did develop a deep love for the sport, his father Kiyoshi objected to his son’s new passion. But Kiyoshi relented when he realized his son could earn a scholarship to an elite Tokyo-area high school.
Despite being a high school starter, a pro career was really not on the cards for Murakami, as his main focus was on attending college (and possibly pitching at that level). However, his success at Hosei II High School made him an attractive pro prospect and representatives from several NPB (Nippon Professional Baseball) teams offered him contracts. One of those teams was the Nankai Hawks, and they offered him something more than solely the opportunity to make a lot of money: the possibility of going to the United States to improve his craft, an idea that intrigued him.
Justin’s Japan: Nippon in New York—‘Dragon Ball Z,’ Liberty City Anime Con, Waku Waku NYC
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Dragon Ball Z: Resurrection ‘F’ premieres the week of Aug. 3 at three Manhattan-area locations. (FUNimation)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into Japanese cultural events, this month offers a diverse selection of film premieres and live music—all in the comfort of indoor air conditioning.
This month’s highlights include:
Aug. 4, 5, 7, 8 & 11
Dragon Ball Z: Resurrection ‘F’
AMC Empire 25, 234 West 42nd Street
Chelsea Cinemas, 260 West 23rd Street
Village East Cinema 7, 181-189 2nd Avenue
$15
Hot on the heels of last year’s summer blockbuster, Battle of Gods, Resurrection ‘F’ is the second film personally supervised byDBZ creator himself, Akira Toriyama. The new movie showcases the return of Frieza, the galaxy’s most evil overlord. After years in spiritual purgatory, Frieza has been resurrected and plans to take his revenge on the Z-Fighters of Earth. Facing off against Frieza’s powerful new form and his army of 1,000 soldiers, Goku and Vegeta must reach new levels of strength in order to protect Earth from their vengeful nemesis. English dub version.
Friday, Aug. 28, 6:00 p.m.
Always: Sunset on Third Street 3
Japan Information Center Gallery, Consulate General of Japan in New York
299 Park Avenue, 18th floor
Free (email RSVP to kanako_shirasaki[at]jfny.org; photo ID required upon entry)
A special screening of the third film in the wildly popular series! In 1964, novelist Ryunosuke Chagawa (Hidetaka Yoshioka) has married Hiromi (Koyuki), and the two now share a happy life with Junnosuke (Kenta Suga), the young boy he had taken in during the first film, who is now in high school. Hiromi is also pregnant, and the family prepares to welcome a new addition to their household. One day, Hiromi discovers a telegram that Chagawa had hidden. Who sent this telegram? What is the surprising identity of this new, rival writer? And what future awaits the people of Third Street? Presented in Japanese with English subtitles.
Aug. 28-30
Crowne Plaza White Plains, 66 Hale Avenue
$50 for weekend pass
The best three-day anime convention (just north of) New York City, the inaugural Liberty City Anime Con features over 100 events and panels, a dozen guests and entertainers, three days of cosplay, game tournaments and anime screenings, and concerts, balls and dances. Guest performers include idol singer Reni Mimura, female J-pop group Starberry, and New Jersey-based anime, video game and J-pop cover band Moshi Moshi.
For the complete story, click here.
Justin’s Japan: Nippon in New York—JAPAN CUTS, Kishi Bashi, ‘Kafka on the Shore,’ Keiko Matsui
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HIBI ROCK: Puke Afro and the Pop Star kicks off this year’s JAPAN CUTS film festival at Japan Society July 9. (© 2014 HIBI ROCK Film Partners)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
After you’ve seen the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s catching one of 28 films premiering at Japan Society’s annual festival, enjoying the new sounds of electronic and jazz veterans, or witnessing an all-new retelling of the work of contemporary Japan’s most influential novelist.
This month’s highlights include:
July 9-19
Japan Society, 333 East 47th Street
$13, $10 Japan Society members, seniors and students (most screenings)
North America’s largest festival of new Japanese film, the ninth annual edition of JAPAN CUTS is proud to present actress Sakura Ando with the CUT ABOVE Award for Outstanding Performance in Film, presenting her latest great performances in two new films for the festival’s Centerpiece Presentation. Shingo Wakagi’s elegant Banana Yoshimoto adaptation Asleep makes its North American premiere, and Masaharu Take’s fantastic slacker-to-boxer pathos-drenched comedy 100 Yen Love is presented in its North American premiere, followed by the PUNCH LOVE Party. The festival’s Closing Film is perhaps one of the most memorable Japanese titles of the decade: Juichiro Yamasaki’s Sanchu Uprising: Voices at Dawn, being shown for the first time outside of Japan. Director Yamasaki appears at the festival to present this remarkable independent period film, which offers a valuable fable for the political consciousness of the contemporary moment.
Monday, July 20, 7:00 p.m.
$40
Having collaborated and toured with of Montreal, Regina Spektor, and now Guster, singer, violinist, and composer K Ishibashi (aka Kishi Bashi) embarks on an epic orchestral solo project. His solo live show is a dazzling array of looping and vocal/violin gymnastics. Bright and soaring avant-pop songs are prevalent, as are Eastern-tinged arrangements, gentle ballads, Philip Glass-inspired improvisations, and more than a few moments that flirt with ‘70s prog (in the tradition of ELO or Yes). Jarringly kaleidoscopic, but it works.
July 21-23
High Line at the Rail Yards, West 30th Street and Eleventh Avenue
Free
Aki Sasamoto presents Food Rental, a new performance for which she will bring a custom-built food cart to the High Line’s newest section. From her perch inside the cart, the artist will offer visitors an à la carte selection of micro performances and playful narrative demonstrations. Like an off-kilter life hacking workshop, Food Rental will continue Sasamoto’s history of performances that engage visitors with sneakily shifting stage sets and unruly props.
For the complete story, click here.
Justin’s Japan: Wismettac Wows at Japanese Food Fest
Article/Journalism, Events, Food & Drink, Justin's Japan Comments Off on Justin’s Japan: Wismettac Wows at Japanese Food Fest
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Lovers of Japanese food and drink gathered at 230 Fifth in Midtown Manhattan on June 20 for the Wismettac Asian Foods 2015 NY Premium Sake and Shochu Tasting Event, an annual business-to-business gathering that served up a foodie’s paradise.
Formerly known as Nishimoto Trading Co., Ltd. USA, Wismettac Asian Foods, Inc. was established in Kobe in 1912, and is one of the oldest importers, wholesalers and distributors of Asian food products in North America. It is well known in the U.S. for its Shirakiku brand food products, which include rice, noodles, and seafood.
Now in its eighth year, the event featured around 25 different Japanese sake and shochu companies and 15 different food manufacturers. It’s a place where one can enjoy piping hot savory katsudon curry rice followed by chocolate mochi ice cream with freshly sliced strawberries, finishing with a crisp, refreshing selection of daiginjo sake.
“Participating in this event is a great opportunity, because I can introduce Japanese culture and it’s a great way to introduce how to use Japanese ingredients properly to make a delicious dish,” said Hideko Lilley, a sales associate for Wismettac attending the New York event for her third year.
For more on Wismettac, visit www.ntcltdusa.com.
JQ Magazine: Book Review — ‘Marathon Japan’
Article/Journalism, Books, JQ Magazine, Reviews Comments Off on JQ Magazine: Book Review — ‘Marathon Japan’
“The running boom in Japan shows no signs of slowing. Marathon Japan explains why as it marvelously highlights a growing and evolving sport.” (University of Hawai’i Press)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad graduated from Leeds Beckett University with a Master’s degree in Responsible Tourism Management (for more on his life in the U.K., visit his blog at www.gettingpounded.wordpress.com). While in Japan, Rashaad completed the 2010 Tokyo Marathon, ran two half marathons in Yamagata Prefecture, was a part of an ekiden club, and finished fourth in the 2009 Ishidan Marathon (a race up the steps of Mount Haguro).
Hopefully, your JET experience included you busting out your running shoes and joining your prefecture (or village) in a road race. It did for me on several occasions. But if you never got around to working up a sweat over 10 kilometers (or maybe even 21), you might remember your school being enthralled by its annual ekiden, or frequently seeing races televised on Sunday mornings.
So why have such events become an integral part of Japanese sporting culture? Thomas R.H. Havens examines why in Marathon Japan, the first comprehensive English-language book about the history of marathons and ekiden in the country.
Long before Kenya emerged as the world’s elite marathon nation, Japan could make a serious claim to producing the world’s best at 42.195 km. Marathon Japan illustrates the periods when Japanese marathoners dished out most of the world’s fastest times—such as the 1930s (In 1934, nine of the world’s ten fastest times were run by Japanese), the 1960s (1965 alone saw the Japanese record fifteen of the world’s top twenty marathon times), and the 1980s (during which Toshihiko Seko won ten of the fifteen marathons he completed in). And to top it off on the women’s side, in 2004, three Japanese finished among the world’s top eight marathoners.
JQ Magazine: Book Review — ‘Monkey Business Volume 5’
Article/Journalism, Books, JQ Magazine, Reviews Comments Off on JQ Magazine: Book Review — ‘Monkey Business Volume 5’
“Monkey Business is a magnetic force that attracts writers who can create magical kingdoms in a single page.” (A Public Space)
By Brett Rawson (Akita-ken, 2007-09) for JQ magazine. Brett is a writer, translator, and Ramen Runner. He has an MFA in Creative Writing Non-Fiction from The New School, and his writing has appeared in Narratively and Nowhere magazine. He is also co-founder of the quarterly publication The Seventh Wave and founder of Handwritten, a place in space for pen and paper.
After reading Monkey Business Volume 5, the image of a blender might pop into your mind. Perhaps this is because it is almost summer and you have recently begun making smoothies in the early morning. Or perhaps this is because you came across the description Monkey Business as genre-defying, which made you think of cross-genre, blending boundaries, and thereafter, the physical image of the object itself: the blender.
But most likely, this is because you read the opening vignette to Monkey Business, “Photographs Are Images,” by rising Japanese writer Aoko Matsuda, which ends as such:
Everything you’ve read up to this point has been images. […] These strings of letters are images. These chains of words are images. Stories are images. The story you’re reading this very minute is an image.
Carefully selected as the opener to Volume 5, this year’s Monkey Business is all about ways of seeing, and perceiving, images and the imagination, and objects and subjects.
