Justin’s Japan: The GazettE and BABYMETAL
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Located in the heart of Times Square, the PlayStation Theater will host two popular Japanese rock acts later this spring.
Making their NYC debut April 29 are the GazettE, a Kanagawa-based rock quintet that follows in the footsteps of other Gotham-conquering visual kei acts like X Japan and L’Arc~en~Ciel. Formed in 2002, the band has performed in Europe multiple times since 2007, and will headline its first shows in America this spring in support of its latest album, 2015’s Dogma.
The band’s biggest world tour to date kicks off in Mexico City April 15, and will take them to a total of 11 countries outside of Japan, including stops in Dallas, San Francisco, and Los Angeles in the States. Still completely self-produced, the GazettE continue moving forward, uncompromised in their artistic and unique worldview at home and abroad.
May 4 brings the return of BABYMETAL, a trio of teenage girls who perform a fusion of metal and idol music dubbed kawaii (cute) metal. After playing to a capacity crowd at Hammerstein Ballroom in 2014, the group returns to support its second album “Metal Resistance,” which will be released in Japan and several English-speaking territories in April. After playing venues like the Tokyo Dome and Wembley Arena in London, BABYMETAL is poised to become one of the biggest (and widely known abroad) musical acts in Japan today.
For more information, visit www.playstationtheater.com.
JQ Magazine: Book Review — ‘The Japanese Lover’
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“The Japanese Lover has its ups and downs, but it does serve as an eventful tour of various aspects of 20th century history.” (Atria Books)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
We might be keeping fascinating mementos from our daily lives that if discovered, might stun many people.
Certainly, letters documenting something shocking (well, shocking during a certain period of history) would classify as that. Isabel Allende’s The Japanese Lover highlights one woman’s relationship with a Japanese national during her eventful life.
The story’s protagonist is Alma Belasco, a native of Eastern Europe was sent to live with well-to-do relatives in San Francisco when she was young. During the latter years of Alma’s life, she lives with a caretaker named Irina Bazili, who learns about an important figure who shaped Alma’s life and is described in the title of the book: a man named Ichimei Fukuda. Ichimei could also be described as a secret lover because the two had to keep their romance on the down low as it occurred during the height of World War II when people of Japanese descent were considered a threat to American society. The Japanese Lover also takes a journey not only through Alma’s life, but Irina’s as well as Ichimei’s.
JQ Magazine: JETAA Sakura Sweethearts
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By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. A dusty old fixture of the JET Alumni Association of New York (JETAANY) community, Rick manages projects at a software company by day and sends drafts late into the night as a writer for JQ.
Well, folks, it’s that time of year again. Maybe you have a special someone you’re going out with on Valentine’s Day. Perhaps you’re grabbing a bunch of friends and doing a “singles karaoke night” instead (Like some JETAANY folks are). Maybe you forgot and this is a great reminder to get some flowers and make a dinner reservation ASAP. Either way, you can only hope for the best.
But some people seem to luck out in love, and I have to say I’m happy when it’s people I like. And what kind of people do I often like? JETs. That’s right, folks, we are going to interview some Cupid-conquering JET couples and get to know how they met, where they came from, and maybe a little advice on how to spark a little JET romance of your own. So if you find yourself at that next JET alum enkai thinking “what if…?,” this might be for you.
Chau Wing Lam (Gunma-ken, 2005-07) and John Ciocco (Saga-ken, 2006-07)
At Shofuso Japanese House and Garden, Philadelphia, May 2014.
Did you meet on while on JET? Or after JET through an alumni meeting?
We met during a JETAANY alumni event—a boat cruise on August 20, 2008.
How long have you been together?
We’ve been together since 2008, married in 2014.
Was it your mutual love for Japan that brought you together, or something else?
Mutual love for Japan gave us something to start talking about, then the rest of our conversation filled in from there. We actually got married at the Shofuso Japanese House and Garden here in Philadelphia to commemorate what brought us together.
Have you guys ever had to do the “distance” thing? If so, what was that like?
Yes. When we first met, Chau was living in Hoboken and John was living in South Jersey. The commute was about two hours each way, so we only saw each other on weekends. We had some challenges at first being that far away and with the both of us trying to cultivate a new relationship, but we worked through it. Chau moved to Philly in the fall of 2009, shortening the commute to about half an hour—and now we’re married with a four-and-a-half-month-old baby!
Has being on JET made you a “stronger” couple? If so, how?
It’s a shared history that grounds us and helps us remember the many commonalities we have despite our inherent differences. We both learned to be self-deprecating to try and get our students interested in English, and that is definitely a quality that we love about each other and helps us through arguments that arise. Relationships aren’t easy, but we work at it every day—so yes, in some ways, knowing how far out of our comfort zone we’re able to stretch helps us.
What advice do you have for other budding JET couples?
Always remember to have fun with each other as you did in Japan—ALWAYS. And use your commonalities to help bridge the gap when the divide seems too wide!
Justin’s Japan: Nippon in New York — Kamakura, TAO, Kimono Fashions, Noh, Kyogen
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TAO Drumheart comes to NYU Skirball Center for the Performing Arts Feb. 11-14. (Courtesy of Matt Ross Public Relations)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Stay warm this winter with some hot local events, from an exhibition that will transport you to another time, some cool late night jazz celebrating the best of two different cultures, and a fashion show and traditional performances you won’t want to miss.
This month’s highlights include:
Feb. 5-6, 11:15 p.m.
Patrick Bartley—Parallel Worlds: Japanese and American Music in the 20th Century
Dizzy’s Club Coca-Cola, Broadway and 60th Street, 5th floor
$10, $5 students (Friday); $20, $10 students (Saturday)
Jazz at Lincoln Center’s Late Night Session performances feature some of jazz’s most talented up-and-comers. Following his three nights of Bix and Tram: A Retrospective held earlier in the week, Parallel Worlds offers a brief, yet insightful look at the musical relationship between Japan and America, all performed by talented young musicians. The leader of New York’s own J-MUSIC Ensemble, Bartley (who performed with Jon Batiste and Stay Human on The Late Show with Stephen Colbert in January) will examine the important periods between the earliest recorded music (1920s-30s) and the turning point for all popular music around the world in the 1960s—a story told with jazz as its orator.
Feb. 9-May 8
Kamakura: Realism and Spirituality in the Sculpture of Japan
Asia Society, 725 Park Avenue
$12, $10 seniors, $7 students, free for members and on Fridays 6:00-9:00 p.m.
With over thirty masterpieces from the Kamakura period (1185–1333) from private and museum collections in North America and Europe, Kamakura is the first exhibition to look beyond the aesthetics and technical achievements of these remarkable sculptures, and specifically examine the relationship between realism and the sacred empowerment of these objects. The exhibition explores how sculptures are “brought to life” or “enlivened” by the spiritual connection between exterior form, interior contents, and devotional practice, reflecting the complexity and pluralism of the period. Kamakura marks the first major loan show of Kamakura sculpture in the United States in more than thirty years.
Feb. 11-14
NYU Skirball Center for the Performing Arts, 566 LaGuardia Place
$45-$75
Direct from TAO’s successful, sold-out world premiere run of at the Edinburgh Festival Fringe, TAO comes to tour North America. Their new show, Drumheart—making its world premiere in New York—is their newest show bringing you athletic bodies and contemporary costumes combined with explosive Taiko drumming and innovative choreography. directed by Amon Miyamoto (Pacific Overtures) and featuring costumes by Junko Koshino and stage design by Rumi Matsui (both Tony nominees), TAO has critics raving about their extraordinary precision, energy, and stamina. With hundreds of sold-out shows and more than six million spectators, TAO has proven that modern entertainment based on the timeless, traditional art of Japanese drumming, entertains international audiences again and again.
For the complete story, click here.
JQ Magazine: New York Pledges Allegiance to George Takei at Japan Society
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George Takei (right), with moderator Kermit Roosevelt at Japan Society, New York, Jan. 2016. (Ann Chow)
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City-based soccer team.
On Jan. 25, George Takei participated in a talk at Japan Society in New York. Best known for playing the role of Sulu on the original Star Trek and its movie incarnations, Takei has embarked on a second career as a social rights activist. Takei’s childhood in a pair United States internment camps for people of Japanese descent during World War II provided the focus for the conversation (entitled From Barbed Wire to Broadway), which was moderated by Kermit Roosevelt, a constitutional law scholar at the University of Pennsylvania (and great-great grandson of President Theodore Roosevelt). Takei is also concurrently appearing on Broadway in a musical inspired by his internment experiences called Allegiance (book by Marc Acito, Jay Kuo and Lorenzo Thione; music and lyrics by Jay Kuo). The show, also starring Lea Salonga and Telly Leung, is playing at the Longacre Theatre through February 14.
There is no doubt that Takei’s childhood experiences formalized his worldview and search for justice. He spoke at length of his memories of being forced out of his Los Angeles home at the age of five and relocated to the Rohwer War Relocation Center for Internment in Arkansas, and later, the Tule Lake War Relocation Center in central California. Takei also put his personal experiences within a historical and political context: After the bombing of Pearl Harbor, anti-Japanese paranoia made all U.S. citizens of Japanese heritage suspect. Due process of law was completely suspended as Japanese Americans were forcibly removed from their homes without charge or evidence. Once in the internment camps, the prisoners had to forswear loyalty to the Emperor of Japan and pledge allegiance to the United States.
Justin’s Japan: Mar Creation, Inc.
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
Those who have attended intimate Japanese arts performances in the city—such as last November’s sold-out shows of “IN THE BOX” at the Martha Graham Dance Company featuring Bessie Award winner Miki Orihara—might be familiar with the name Mar Creation, Inc.
Established by Nagoya-born Hiroshi Kono in 2003 as an independent record company with him doubling as label artist, Mar Creation expanded its focus to live events in 2008, and in recent years has been involved with various charitable causes. Some of its popular series include j-Summit NY (which hosted its 27th edition last month at The Bowery Electric featuring Alan Merrill, the original singer and composer of “I Love Rock ‘n’ Roll”), and the annual New York Japan CineFest at Asia Society, which Mar Creation aims to expand this year as part of a national tour that includes Tokyo and several U.S. cities.
A music writer and journalist, Kono says that his other ambitions as a producer include a collaboration with Japanese calligrapher Setsuhi Shiraishi on her upcoming solo exhibition in New York and Washington, D.C. featuring workshop/performance shows with live musicians in multiple cities this summer and fall; Fukushima-related lectures and film screening events; Brazilian music festivals to celebrate the Rio 2016 Olympics; Japanese cherry blossom festivals in springtime; and anime/comic book conventions nationwide and abroad.
For more information, visit www.marcreation.com.
Justin’s Japan: George Takei Comes to Japan Society
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“George Takei: From Barbed Wire to Broadway” comes to Japan Society Jan. 25. (Luke Fontana)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Start 2016 off right by heading down to Japan Society for some fantastic new year’s fare. This month’s events celebrate the power of theater, with productions that examine international relations between East and West, celebrating a century of growing diversity but also spotlighting a stormy past. Treat yourself and catch a break from the cold.
This month’s highlight:
Monday, Jan. 25, 6:30 p.m.
George Takei: From Barbed Wire to Broadway
Japan Society, 333 East 47th Street
SOLD OUT. Limited tickets may be released; please call the box office on January 19 at (212) 715-1258 to check availability.
“Too few people know about that dark chapter of American history,” film and television star, pop culture icon and social media powerhouse George Takei (Star Trek, Heroes) told The Daily Show‘s Jon Stewart in 2014, “when American citizens of Japanese ancestry were summarily rounded up with no charges, no trial no due process—the core pillar of our justice system—and put in barbed wire prison camps simply because we happened to look like the people that bombed Pearl Harbor.” In George Takei: From Barbed Wire to Broadway, Takei shares memories from the troubling chapter of American history when some 120,000 innocent Japanese-Americans were forcibly relocated from their homes.
For the complete story, click here.
JQ Magazine: NHK World, Your 24-Hour Guide to Japan
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Pop singer and model Yun*chi and DJ Taku Takahashi of m-flo with Domo, NHK’s mascot, at Waku Waku +NYC in Brooklyn, Aug. 2015. The performers are frequent guests of NHK World’s J-MELO, Japan’s only music program recorded entirely in English. (Jason DeCrow/AP Images for NHK WORLD TV)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
You surely watched NHK while you were living in Japan. Whether you understood the content was another story, of course. But with the right cable provider, you might be able to enjoy Japan in a way that you were unable to during your JET days, thanks to NHK World.
NHK World serves as the organization’s international broadcast service and features English-language programming devoted to Japanese news, sports, cuisine and culture. Even if your cable provider doesn’t have NHK World, the network streams all of its programming around the clock on its official website, and you can also download their apps to your smartphone or tablet.
What might you see on NHK World? Here are five programs that could tickle your fancy:
Hosted by Ayako Kisa, Sports Japan has profiled not only sports traditionally associated with Japan, such as sumo and kendo—and those not-so-traditionally associated with Japan, like beach soccer and unicycling. Episodes of Sports Japan broadcast highlights from a certain competition in the featured sport while Kisa interviews a journalist or prominent figure in that sport, such as Alexander Bennett (the coach of New Zealand’s national kendo team and editor-in-chief of Kendo World) in a recent episode devoted to kendo. The program is a fascinating look into what sports are practiced in Japan and who could emerge as the country’s next elite athletes.
JQ Magazine: JQ&A with James Rogers on Smart Smart Language Apps
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“Some in government suggest that the path to citizenship includes learning English. What we intend to do is provide all of our apps to these learners, but entirely for free. It is a big dream of mine to give back to society in such a way.” (Courtesy of James Rogers)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
For many of us, our time teaching Japanese people the finer aspects of English was limited to…well, the JET Program. But that hasn’t been the case for James Rogers (Aichi-ken, 2003-06).
As the president of Kyoto JALT and the founder and editor of the Kyoto JALT Review, Rogers has utilized his comprehensive knowledge of English-language education to develop Smart Smart, a series of apps containing materials geared towards Japanese learners of English and vice versa (as well as other language learners). Among their features, the apps contain more than 100,000 words of content, a textbook using modern music to study English, and pronunciation exercises for native Chinese, Korean and Japanese speakers.
To learn more about how Smart Smart has thrived and what’s ahead, JQ caught up with Rogers, who also happens to be a Ph.D. candidate doing corpus linguistics research.
How did your experience as a JET inspire you to launch Smart Smart?
The JET Program certainly was my first foot in the door in regards to English education in Japan—without it, I do not think any of this would have been possible. So, in that regard, I view my experience on JET as an essential aspect to my current successes with Smart Smart and my career teaching English at the university level. I think the JET Program is a wonderful opportunity for foreign teachers and Japanese students.
What inspired you to create Smart Smart?
Well, we really are still just in the beginning stages of really taking advantage of technology in education, and I just looked at what is currently available and realized that I could totally improve upon it drastically. Also, since I am a real teacher/researcher and do not depend on this to make a living, I could provide it for nearly ten times cheaper than some technology that is currently available. For example, over 30 volunteer researchers and translators helped me to create the content for over five years. Just the apps existing and the papers we’ve all published together helps all of our careers, so that is the benefit for the team. In addition, some team members already have tenure and Ph.D.s and just wanted to be part of something that truly had the potential to improve upon English education. Since I didn’t need to pay anyone to create the resources, the price we can sell them at can be kept at the bare minimum. Originally, I intended to actually release everything for free, but then I had the opportunity to collaborate with Ernie Thomason, the creator of the best-selling Flashcards Deluxe, and realized that not only can I provide the best quality content, but also the most cutting edge technology as well for mere pocket change. Without Ernie, none of this could have been possible.
Your apps contain well over 150,000 words of content. How often is the content updated?
We update the apps themselves—in fact, just last week we added a great new feature to the quiz function in the app. But the content, other than finding typos, is fixed. For example, the app 英語マスター１万/English Master 10,000 itself has over 100,000 words of example sentences. Each sentence highlights how to use one of the chunks it teaches (all chunks and sentences have translations as well). My Ph.D. research looked at years’ worth of corpus data from the Corpus of Contemporary American English to identify these chunks. So, basically, these are the high-frequency chunks of English according to the corpus. That’s a fact that doesn’t change, and thus no updating of content is really necessary. You know, chunks like “along those lines,” or “to make a statement,” or “a big deal”…these chunks aren’t going anywhere.
JQ Magazine: Manga Review — ‘Shigeru Mizuki’s Hitler’
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“Hitler is successful at educating us about the danger posed by people who can ride the waves of pain, fear, and anger in others to bring them crashing down onto the world.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio currently keeps the lights on by working at JTB USA while writing freelance in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
Welcome to the most difficult book review I have ever written. Not only am I challenged to write something meaningful about a great artist’s work on a very complicated and rightfully vilified man, but I also bear a burden on my heart as I address the passing of said great artist, Shigeru Mizuki.
Last week, the world lost a much-loved cartoonist. Mizuki brought comics into the world that celebrated the strange and mysterious with unique humor and style. He brought joy to generations, young and old, with his ever popular series GeGeGe no Kitaro. He also challenged us to face and remember atrocities of war in his own country, and others, by bringing to life the war he survived through his historical manga Showa: A History of Japan, an epic work available now in English in four volumes, and a manga examination of the life of Adolf Hitler, released in English just two weeks before his passing.
We have been able to enjoy more of Mizuki’s work in the West thanks to the publishing company Drawn and Quarterly and the herculean efforts of JET Alum (and JQ interviewee) Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), who translated all four parts of Showa as well as Hitler. Davisson, a great fan of Mizuki, maintains a blog on Japanese tales, monsters, and yokai, where you can find his own work and more about the legendary cartoonist.
Justin’s Japan: Kyogen, J-MUSIC Ensemble, Shunzo Ohno, Video Games Live
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A Night of Kyogen with Mansaku Nomura and Mansaku-no-Kai Kyogen Company comes to Japan Society Dec. 10-12. (Shinji Masakawa)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.
This month’s highlights include:
Wednesday, Dec. 2, 10:00 p.m.
Club Bonafide, 212 East 52nd Street
$15
Fresh off the heels of their 2015 SESAC Award-winning album Eternal Monomyth, Gene Ess and Fractal Attraction have been solidifying themselves as one of New York’s premiere collectives featuring original material that explores the use of the voice as an instrument in a chamber group setting. Eternal Monomyth is the riveting companion piece to Fractal Attraction, which was the winner of the SESAC Outstanding Jazz Award in 2010 and peaked at number 3 on the jazz radio charts. Originally from Tokyo, Japan, Ess grew up on a United States Air Force Base on Okinawa. He has performed with Carlos Santana, Archie Shepp, Matt Garrison, Reggie Workman, Ravi Coltrane, and Dave Liebman.
Dec. 10-12, 7:30 p.m.
A Night of Kyogen with Mansaku Nomura and Mansaku-no-Kai Kyogen Company
Japan Society, 333 East 47th Street
$55-$85, $45-$75 Japan Society members
Living National Treasure Mansaku Nomura, together with illustrious members of the Mansaku-no-Kai Kyogen Company, including Mansaku’s son star of stage/film/TV Mansai Nomura and practiced performer Yukio Ishida, return to Japan Society to offers a special evening of kyogen, Japan’s traditional comedic theater that satirizes and embraces human imperfection. Centering around Mansaku’s virtuosic performance of the vigorous solo piece Nasu no Yoichi, based on a serious episode from The Tale of the Heike, the program also includes the dynamic Akutaro, starring Mansai, about a troublemakers unexpected journey to repentance and the popular play Bonsan, which follows a foolish thief with a penchant for bonsai trees. With English supertitles. The Thursday, November 10 performance is followed by a MetLife Meet-the-Artists Reception for ticket holders.
Friday, Dec. 11, 11:00 p.m.
Club Bonafide, 212 East 52nd Street
$10
Racha Fora was formed in 2010 originally as a quartet by two Japanese and two Brazilians in Boston. Racha Fora issued its debut album in 2012, which was focused on group flutist Hiroaki Honshuku’s compositions, and embarked on a tour of Japan, which became an annual affair. They just released their second album from the JazzTokyo label, Racha S’Miles: Racha Fora’s Tribute to Miles, in which Miles Davis standards from the 1950s and 1960s are reborn in the 21st century featuring NEA Jazz Master (and key saxophonist for Davis in the 1970s), Dave Liebman. This intimate late night set features special guest Donny McCaslin on sax.
For the complete story, click here.
JQ Magazine: Book Review — ‘The Inland Sea’
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“Richie’s acerbic humor and wit are coupled with lush scenery and descriptions, offering an intoxicating and wry getaway.” (Stone Bridge Press)
By Alexis Agliano Sanborn (Shimane-ken, 2009-11) for JQ magazine. Alexis is a graduate of Harvard University’s Regional Studies-East Asia (RSEA) program, and currently works as a program coordinator at the U.S.-Asia Law Institute of NYU School of Law.
The Inland Sea by the late Donald Richie is a legendary book in the Japan field. For many, it’s their first foray into the culture. Following Richie as he sets sail across the Seto Naikai, the body of water which spans between the islands of Shikoku, Honshu and Kyushu, The Inland Sea chronicles Richie’s quest for authenticity and escape. There, among the hamlets and fishing villages which dot the coastline, he paints for the readers a sun-drenched and hazy seascape; encapsulating his journeys into a memoir, history, and travel book all at once.
Originally written in the early sixties, published in 1971 and subsequently reprinted over the years, the newest edition by Stone Bridge Press deserves a place of honor on your bookshelf—and in your mind. Richie’s acerbic humor and wit are coupled with lush scenery and descriptions, offering an intoxicating and wry getaway. The book is a solid combination of sardonic and sublime. Written as a series of essays, it’s easy to thumb through the pages, find a spot at random, and pick up at a new leg of the journey with Richie—just as he catches a boat with the tide.
This edition also features photographs by Yoichi Midorikawa, the Japanese photographer renowned for his black and white photographs which highlight the scenic, if not austere, beauty of Japan. These images complement the narrative, helping to conjure up a sense of lonely nostalgia. Despite the wonder of the world Richie paints for us, it is one where undercurrents follow mercurial moods as the author mulls on life, Japanese society, and the ever-worshiped god of “progress.” The first sentence to the book sets the tone: “Kobe, from where I have just come, is indication enough of Japan’s sad future.”
Justin’s Japan: ‘You Look Yummy!’
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Visit his Examiner.com Japanese culture page here for related stories.
For parents of little ones not quite ready for Jurassic World comes You Look Yummy!, a children’s book by Tatsuya Miyanishi and newly published in English by Museyon.
The story of a fearsome Tyrannosaurus (the star of 11 other bestselling titles written by the author) and the baby Ankylosaurus he grows attached to (the tot believes his “daddy” names him “Yummy” after he’s hatched), You Look Yummy!, teaches valuable lessons about the bonds between a parent and child, and how those bonds can remain strong despite mistaken identity.
Museyon
As “father” and “son” grow close, the Ankylosaurus mimics the T-Rex in ramming mountains, cutting down trees and roaring (complete with his own muted sound effects). When the day comes for them to part, readers will be touched by what unfolds.
Children will be instantly attracted to Miyanishi’s illustrations. Throughout its pages, there are artistic touches like a white sky, coloring outside the edges to make the images pop, and hash marks for the dinos that serve as texture 101. Especially effective are scenes of a night sky jam-packed with stars and dotted with some exaggeratedly large ones (think Christmas tree). The result is something that feels like it could have been drawn by a child, but is secretly the work of a seasoned artist—after all, the Tyrannosaurus is a dead ringer for Godzilla.
For more information, visit www.museyon.com.
JQ Magazine: Manga Review — ‘Showa 1953-1989: A History of Japan’
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“Shigeru Mizuki has led a full life of hardship and wonder. At the time of this book’s publication, he is 93 and still bringing laughter to many through his enormous body of award-winning work, which is thankfully becoming more available in English.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio currently keeps the lights on by working at JTB USA while writing freelance in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
Showa 1953-1989: A History of Japan is the fourth and final volume of the English translation of Shigeru Mizuki’s manga history of the Showa period. Translated for the first time into English by JET alum (and JQ interviewee) Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), the release of this book marks the end of a long journey for us readers. Mizuki took great pains to detail significant events of the Showa period and Japan’s role in World War II in order to preserve a comprehensive look at the time from the perspective of someone who had lived it. He intended this manga history to be a gift for all the generations born in a time of peace. As a reader born in the first year of the Heisei period, I was not even alive for any single event I read about, but nevertheless was moved by the power of Mizuki’s personal and historical storytelling and art to think about world history in new ways. The best part of reading something by Mizuki is you’re in for plenty of laughs along the way as well.
As a refresher for those of you who have been with us from the start, and an intro for those just tuning in, the first volume of this illustrated history of the Showa period in Japan covered the years 1926-1939 and highlighted a modernizing Japan and Mizuki as a child fascinated by spirits called yokai, and almost as importantly, a child obsessed with food. The book chronicled a number of incidents in Japan and Asia that took Japan down the road to World War II that come to a head in the second book which featured the years 1939-1944. This volume devotes itself to capturing the massive scale and harrowing death tolls of air-, sea-, and land-based conflicts in the war, and as time passes Mizuki’s own autobiographical narrative weaves in as he serves in the army. The third volume covers 1944-1953 and sees the darkest parts of Japanese history in World War II, and Mizuki’s own experiences are spotlighted, but it is not without the hope and admiration for humanity inspired from Mizuki’s encounter with the natives of Rabaul. This book also covers the Allied occupation of Japan and the beginning of what historians call “Postwar Japan” in which Mizuki starts down the path that will lead him to manga success and Japan becomes a booming economic power.
Interestingly, the last volume covers 1953-1989, which is 36 years of history and among the other volumes is the one that tackles the longest period of time. It’s also the most varied in its content. The same historical approach to events from a variety of perspectives narrated by either Nezumi Otoko or Mizuki himself persists through this volume, but as TV, movies, and popular culture take on an increasingly larger significance in society, so do strange events take on a more significant coloring in history. Mizuki devotes many pages to portraying abnormal events both comical and criminal that preoccupy the public mind by way of showing how times have changed since before the war. For this reason, the fourth volume at times can sometimes feel like a series of short historical episodes told in manga form, but of course presented in a chronological and unified way.
Justin’s Japan: ‘Ghost in the Shell’ returns, ‘Allegiance,’ Jake Shimabukuro
Article/Journalism, Events, Film, Justin's Japan, Music Comments Off on Justin’s Japan: ‘Ghost in the Shell’ returns, ‘Allegiance,’ Jake Shimabukuro
“Allegiance,” a new Broadway musical starring Tony Award winner Lea Salonga (left) and George Takei (second from right) premieres at the Longacre Theatre Nov. 8. (Henry DiRocco)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
From Broadway to anime to J-pop, November is just as colorful as the leaves gliding through the air. Add to that a cutting-edge Noh-inspired stage spectacle, a classical collegium performance and the return of the undisputed ukulele master, and you’ve got an irresistibly epic rundown.
This month’s highlights include:
Oct. 31-Nov. 1, 12:00 p.m.
We Are Perfume: World Tour 3rd Document
Anthology Film Archives, 32 Second Avenue
$18
This new documentary follows the veteran all-girl pop trio on a two-month international live tour (which made a stop at New York’s Hammerstein Ballroom last November). While traveling around the globe to cities across Asia, Europe, and the United States, audiences will see Perfume’s powerful live performances and catch never before seen behind-the-scenes footage. Witness the group’s single-minded approach to their performances – the joy, anguish, and struggles, not only in the music, but also in fashion and pop culture.
Nov. 2 & 8
Village East Cinema, 181-189 Second Avenue
$14
From the creative team behind Anohana, The Anthem of the Heart tells the story of Jun, once a happy young lady with a tenacious personality. Jun has torn her family apart by saying something hurtful, and her ability to speak has been sealed away by the Egg Fairy in order to stop her from hurting others. Now, Jun lives in the shadows and avoids the limelight. But when she is nominated to become the executive member of the Community Outreach Council and appointed as the main lead in the council’s musical, Jun will have to find her voice and the wisdom to temper her words. Presented in Japanese with English subtitles.
Nov. 3, 5-8
BAM Harvey Theater, 651 Fulton Street (Brooklyn)
$25-$70
An angel’s garment, possessed of mysterious powers, falls to a remote island on Earth, where it is found by a poor fisherman. To get it back, the angel offers up her greatest celestial gift: a dance of incomparable beauty. Dance icons and former New York City Ballet principals Wendy Whelan and Jock Soto, contralto Katalin Károlyi and tenor Peter Tantsits, and puppets by Chris Green come together in this inspired reimagining of a Japanese Noh theater classic. With choreography by David Neumann, costumes by Belgian fashion icon Dries Van Noten, and an original score by Nathan Davis—performed live by the International Contemporary Ensemble and Brooklyn Youth Chorus—Hagoromo merges genres to send a stranded spirit back to heaven.
For the complete story, click here.
