By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.

This month’s highlights include:

Oct. 30-31, Nov. 1-2

Spirited Away

Various locations/prices

The final film selected for this year’s Studio Ghibli Fest! Winner of the Academy Award for Best Animated Feature, Hayao Miyazaki’s wondrous fantasy adventure is a dazzling masterpiece from one of the most celebrated filmmakers in the history of animation. Chihiro’s family is moving to a new house, but when they stop on the way to explore an abandoned village, her parents undergo a mysterious transformation and Chihiro is whisked into a world of fantastical spirits ruled over by the sorceress Yubaba. Overflowing with imaginative creatures and thrilling storytelling, Spirited Away became a beloved hit worldwide, and is one the most critically acclaimed films of all time. The October 30 and November 1 screenings are dubbed in English, and the October 31 and November 2 screenings are presented in Japanese with English subtitles.

Opens Nov. 3

One Piece Film: Red

Various locations; for Village East by Angelika Screenings, click here

$8-$16

The spotlight shines on the 15th feature film of Eiichiro Oda’s enduring manga and anime smash, which is a massive box office hit (already in the top 10 highest grossing films released in Japan since its debut last August)! Luffy and his crew are about to attend an eagerly awaited music festival. The most popular singer in the world, Uta, will take the stage for the first time. The one who is none other than the daughter of the legendary pirate Shanks Le Roux will reveal the exceptional power of her voice which could well change the world… Presented in both Japanese with English subtitles and English dubbed options.

Thursday, Nov. 10, 6:30 p.m.

Behind-the-Scenes of My Neighbour Totoro

Japan Society, 333 East 47th Street

$20, $16 members

Puppet artist extraordinaire Basil Twist sits down to talk about his creative role in Joe Hisaishi and the Royal Shakespeare Company’s staging of the beloved Studio Ghibli animated feature film My Neighbour Totoro in collaboration with Improbable and Nippon TV. Twist is known for surprising audiences with his infinite creativity, from 88 magical Japanese screen doors (Dogugaeshi) and dancing fabrics in an onstage water tank (Symphonie Fantastique) to a gigantic rock creature in his most recent work (Book of Mountains & Seas). In this event, Twist will share backstage images and describe the process of creating real-life versions of the film’s fantastical creatures for the live staging of Totoro at London’s Barbican this fall. A special 35mm presentation of the original film will be screened at Japan Society on Friday, Nov. 4 at 7:00 p.m.; click here for tickets.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed all through Halloween.

This month’s highlights include:

Sept. 25-28

Howl’s Moving Castle

Various locations/prices

The penultimate pick for this year’s Studio Ghibli Fest is an Academy Award-nominated fantasy adventure for the whole family from acclaimed director Hayao Miyazaki (Spirited Away). Sophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a curse on Sophie and turns her into a 90-year-old woman. On a quest to break the spell, Sophie climbs aboard Howl’s magnificent moving castle and into a new life of wonder and adventure. The Sept. 25, 27 and 28th screenings are dubbed in English, and the Sept. 26 screening is presented in Japanese with English subtitles.

Friday, Sept. 30, 7:30 p.m.

ONE OK ROCK

Hammerstein Ballroom at Manhattan Center, 311 West 34th Street

$60-$132.50

Beloved at home in Japan and worldwide, Fueled By Ramen band ONE OK ROCK have released their anxiously awaited new full-length album, Luxury Disease (stream it HERE). Featuring the lead single “Save Yourself” (see the Tanu Muino-directed video on the band’s YouTube channel), additional album highlights include “Let Me Let You Go,” and “Vandalize,” which will serve as the ending theme for SEGA’s upcoming game Sonic Frontiers, releasing on November 8. Produced by Rob Cavallo (Linkin Park, My Chemical Romance), Luxury Diseasefinds ONE OK ROCK embarking on a North American headline tour which will see the group returning to stages in the U.S. and Canada for the first time in over three years.

Saturday, Oct. 8, 7:30 p.m.

MIYAVI

Le Poisson Rouge, 158 Bleecker Street

$30-$100

Celebrating his 20th year in the music industry, MIYAVI embarks on a 20-city tour across the U.S. and Canada. In this intimate venue, the samurai guitarist known for his unconventional style of guitar playing—performing not with a pick, but with his fingers in a method dubbed “slap style”— plans to perform fan-favorite tracks, material from last year’s Imaginary LP, and new music he will be debuting live for the first time!

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into both cutting-edge and classic anime, this month offers a diverse trio of theatrical premieres—all in the comfort of indoor air conditioning.

This month’s highlights include:

Opens Aug. 12

Inu-oh

For Village East by Angelika screenings, click here

From visionary director Masaaki Yuasa (Mind Game, Ride Your Wave), hailed by IndieWire as “one of the most creatively unbridled minds in all of modern animation,” comes a revisionist rock opera about a 14th-century superstar whose dance moves take Japan by storm. Born to an esteemed family, Inu-oh is afflicted with an ancient curse that has left him on the margins of society. When he meets the blind musician Tomona, a young biwa priest haunted by his past, Inu-oh discovers a captivating ability to dance. The pair quickly become business partners and inseparable friends as crowds flock to their electric, larger-than-life concerts. But when those in power threaten to break up the band, Inu-oh and Tomona must dance and sing to uncover the truth behind their creative gifts. Featuring character creation by Taiyo Matsumoto (Tekkonkinkreet, “Ping Pong the Animation”) and awe-inspiring vocals by Avu-chan (Queen Bee) and Mirai Moriyama, Inu-oh is a glam-rock ode to the power of music and a forceful statement on artistic freedom from one of animation’s singular talents. All screenings are presented in Japanese with English subtitles.

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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

A beverage that can be paired with foods as diverse as sushi, chocolate and even pizza, American sake lovers are eagerly awaiting the return of The Joy of Sake, the world’s largest sake tasting outside Japan, which returns to New York’s Metropolitan Pavilion in Chelsea on August 4 with the biggest sake celebration in the city’s history.

After a hiatus due to the pandemic, this year’s event will feature a record 576 competition-level sakes (up from 513 in 2019) and top restaurants serving sake-inspired appetizers.

Now in its 21st year, The Joy of Sake celebrates the ancient art of sake-brewing. It features hundreds of premium daiginjo, ginjo and junmai labels from every sake-brewing region in Japan, including over 300 sakes not available in the U.S. “After such a challenging time for everyone,” said Joy of Sake founder Chris Pearce, “we wanted to bring this celebration back better than ever and support both the sake makers and New York’s resilient restaurant scene.”

Read more at JQ magazine.

By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

A longtime partner of classic and current theatrical anime releases, Fathom Events is showcasing two enormously influential films in theaters nationwide this month that were first screened in the U.S. a generation ago.

Kicking things off as a capper to this year’s Studio Ghibli Fest 2021, My Neighbor Totoro returns to the big screen Dec. 5, 6 and 9. Directed by Academy Award-winning legend Hayao Miyazaki, the titular Totoro is a gigantic but gentle forest spirit who can only be seen by children. When the young Satuski and her sister Mei move to a new home in the countryside with their father, Totoro and his friends introduce the girls to a series of adventures, including a ride in the extraordinary Cat Bus!

Originally released in U.S. theaters in 1993, this edition features exclusive bonus content. The 2005 English-language dub screenings on Dec. 5 and 9 feature the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning. With over $1 billion from licensed merchandise sales worldwide and a top spot on many “best animated film ever” lists, don’t miss your chance to catch this unforgettable tale of magic an adventure for the whole family!

From the past to the not-too-distant future comes Macross Plus Movie Edition, a theatrical sequel to the groundbreaking Macross (Robotech in the U.S.) 1980s TV staple. Originially released a four-part video series in the mid-’90s, Macross Plus features a Who’s Who of anime talent: Directed by series creator Shoji Kawamori and Shinichiro Watanabe (Cowboy Bebop), music by the legendary Yoko Kanno (Ghost in the Shell: Stand Alone Complex), and the vocal talent of Megumi Hayashibara (too many to mention), among others.

In this one-night-only (Dec. 14, subtitled) theatrical event, viewers will be transported to the year 2040 on the distant planet Eden, where former childhood friends Isamu Dyson and Guld Bowman face off in both love and war as mecha fighters and potential suitors for Myung Fang Lone, who has returned as the manager of Sharon Apple, an artificial intelligence pop star and the galaxy’s biggest singing sensation—which becomes self-aware and takes control of the Macross battle fortress itself!

For all upcoming Fathom Events anime screenings and tickets, visit www.fathomevents.com/categories/anime.

By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Live gatherings are back, and over 50,000 fans are expected to attend Anime NYC later this month, a three-day showcase of the best of Japanese pop culture, exclusive screenings, talks with iconic creators and industry leaders, Japanese games, and incredible live concerts.

Highlights from this year’s programming include:

FRIDAY, NOV. 19

• Funimation Presents Attack on Titan Final Season (4:30-5:30PM)
  Celebrate the end of Attack on Titan with two lead cast members on stage. Join Bryce Papenbrook (English voice of Eren Jaeger) and Jason Liebrecht (English voice of Zeke Jaeger) as they discuss their characters and their complex relationship, particularly during Attack on Titan Final Season Part 1 and the upcoming Attack on Titan Final Season Part 2.

• Shinji Aramaki Panel (5:00-5:45PM)

Shinji Aramaki is a film director and mechanical designer who will be conducting a rare live appearance. He has been directing anime films since the 1980s and is currently working on the CG anime series Blade Runner: Black Lotus (co-directed with Kenji Kamiyama) which will appear on Adult Swim and Crunchyroll.

SATURDAY, NOV. 20

• Demon Slayer: Kimetsu no Yaiba Special Event (12:00-1:30PM)
  Aniplex of America is proud to present all three lead voice actors on a stage for the first time this year! Join special guests Zach Aguilar (Tanjiro Kamado), Aleks Le (Zenitsu Agatsuma), and Bryce Papenbrook (Inouske Hashibira) and look back on the TV series and Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train, plus the new Demon Slayer -Kimetsu no Yaiba- The Hinokami Chronicles game.

• Lupin the 3rd: Prison of the Past (3:30-5:30PM)

Celebrate the 50th anniversary of the gentleman thief Lupin’s first animated series with a trivia contest hosted by the dub cast along with awesome prizes and a world premiere screening.

SUNDAY, NOV. 21

• Pompo The Cinephile (12:00-1:30PM)

East Coast premiere! A rollicking, exuberant ode to the power of the movies and the joys and heartbreak of the creative process, as a new director and his team devote their lives to the pursuit of a “masterpiece.”

• BELLE (2:30- 5:00PM)

See a special advance screening of Mamoru Hosoda’s biggest film ever, BELLE, before it hits theaters early next year. When shy, everyday high school student Suzu enters “U,” a massive virtual world, she escapes into her online persona as popular idol singer Belle. When a mysterious “beast” enters her world, she embarks on an emotional quest to discover its identity—and her true self in the process.

Anime NYC takes place at Javits Center, 655 West 34th Street, Nov. 19-21. Click here for a complete list of programming. For tickets and more information, visit https://animenyc.com.

By Rashaad Jorden (Yamagata–ken, 2008-10; Kochi-ken, 2018-2020) for JQ magazine. A former head of JETAA Philadelphia’s Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Before the advent of the JET Program, there were Westerners who taught English in Japan. Joe Palermo was one of them, and he tells his story in No Pianos, Pets or Foreigners!: My Life in Japan in the ’80s.

Palermo arrived in Gunma Prefecture in 1982 as a Mombusho English Fellow (a precursor to modern-day JETs) and his book—whose title was inspired by a phrase he often saw in ads while looking for an apartment—is obviously a walk down memory lane, as well as a collection of “what I did in Japan” stories.

The book could best be described as a score of tales best told over a beer or two (like when he realized he left his shoes in a supermarket parking lot during heavy rain). Some of the anecdotes Palermo shares are products of their time, such as his self-introduction to students, “I am E.T.: English Teacher.” Much of No Pianos, Pets or Foreigners contains tidbits that might really only interest Palermo’s close friends (like the appearance of his house). However, the author excels with his observations of life in Japan, such as illuminating things you may not have been aware of or had totally forgotten, like the tendency of Japanese to rarely go to the dentist.

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By Rashaad Jorden (Yamagata-ken, 2008-10; Kochi-ken, 2018-2020) for JQ magazine. A former head of JETAA Philadelphia’s Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

There are gaikokujin whose journey to Japan is quite an adventure. One of them is Karen Hill Anton. She takes readers on a tour of her unconventional life in The View from Breast Pocket Mountain: A Memoir (the mountain is the translated name of the area home of her and her husband’s farmhouse). This is a life that sees her become a columnist for two Japanese newspapers as part of a 45-year (and counting) history with her adoptive country.

Anton’s story starts in New York City, where she grew up in a tenement apartment. The author spends most of the early chapters telling stories of life in the city. Her father often struggled to find work (but did so occasionally as a presser) while her mother was institutionalized. View really takes off when Anton details the period when she traveled outside the United States for the first time. Her adventures took her around Europe (often getting around the Old Continent by sticking her thumb out), where she hung out with a cast of colorful characters, including Swedish painter and textile artist Moki Karlsson, the mother of Swedish music star Neneh Cherry.

The European portion of the book includes more than anecdotes involving interesting figures she met. Anton adroitly captures the vibe of not just a bygone era, but apparently a different planet from the United States—writing that it’s “common sense” in Denmark (where she gave birth to her first child) to put babies outside. You get the sense that she’s completely in tune with her surroundings there as she includes other fascinating tidbits about the Scandinavian country. Through her writing, she comes across as someone who can feel at home almost anywhere.

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By Rashaad Jorden (Yamagata–ken, 2008-10; Kochi-ken, 2018-2020) for JQ magazine. A former head of JETAA Philadelphia’s Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Maybe it’s a bit too strong for your liking. Or maybe it contributed to an unpleasant hangover. But it’s quite possible it was a part of your JET experience.

I’m talking about sake. Anyone curious about what they might have been sipping at an enkai would do well to pick up The Japanese Sake Bible. Compiled by Kotaku Senior Contributing Editor Brian Ashcraft, this comprehensive work examines the world of sake—most notably its origins, its rise to becoming “Japan’s National bBeverage” (coincidentally the title of the first chapter), and tips on how to make the drink yourself. 

True to its name, Ashcraft creates a book heavy on history. It’s clear upon looking at the first page of the aforementioned first chapter that this Bible will be more or less Sake 101 (oddly enough, the origins of sake were addressed not at the beginning of the book, but in chapter five). Although the author presents a lot of facts that will probably go over readers’ heads, he excels at thoroughly explaining in detail topics like the definition of sake, which is legally defined as being filtered from fermented rice, koji and water, and the differences between sake, wine and beer.

Although the book is in large part an introduction to the drink, it also serves as a guide for aspiring, if not full-fledged, sake connoisseurs. Ashcraft (also the author of Japanese Whisky) presents to readers more categories of sake than one might have thought actually existed: there’s well-polished sake, sparkling sake, and raw and unprocessed sake. Also, niche sake that might not be easy to find. 

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By Rashaad Jorden (Yamagata–ken, 2008-10; Kochi-ken, 2018-2020) for JQ magazine. A former head of JETAA Philadelphia’s Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Nintendo, karaoke, Miyazaki, manga, Pokémon. Those names resonate with so many people all over the world as Japanese pop culture, which has become a significant tool in promoting the country. After all, many people feel like they know Japan through what they’ve seen on TV, in the movies, etc. They can also enrich and add joy to our lives.

But how did Japanese pop culture become such a dominant force across the globe? Tokyo-based writer, translator and reporter Matt Alt answers that question and more in Pure Invention: How Japan’s Pop Culture Conquered the World by illuminating brands and names that have seemingly made Japan an epicenter of coolness.

Of course, seemingly everything in Japan has a long history, so why would various forms of pop culture be any different? Unsurprisingly, chapter one of Pure Invention is devoted to the very first manufactured item to emerge from the ashes of World War II, which was a toy jeep. It’s fascinating to read about the backstory of the toy’s creator (Matsuzo Kosuge) and creation, as “jeep” was one of the first English words that Japanese kids mastered in the postwar years. Despite this influence, it is the story of a product that, in Alt’s words, was largely forgotten. 

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By Rashaad Jorden (Yamagata–ken, 2008-10; Kochi-ken, 2018-2020) for JQ magazine. A former head of JETAA Philadelphia’s Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

Modern Japan is a huge market for sex.

That statement probably isn’t surprising to those who have spent a night out in certain parts of Tokyo. But this is a reality for people who devote a lot of time to sex work.

Gabriele Koch tackles that statement and more in her examination of Japanese sex workers in Healing Labor: Japanese Sex Work in the Gendered Economy. Koch, an assistant professor of anthropology at Yale-NUS College, conducted 21 months of ethnographic fieldwork in Tokyo from 2008 to 2013 (she also gathered information from additional trips to the metropolis in 2016 and 2017). During her fieldwork, the author explored sites connected to the sex industry as well as diverse groups of people involved in it. Koch would seemingly have had plenty of opportunities to do so: according to research she cited in the book, roughly 22,000 legal sex industry businesses are in operation in Japan.  

The information in Healing Labor (a term used to illustrate the view many sex workers have of the reparative aspects of their care since it’s ostensibly vital to any success in the male-gendered economy) is largely qualitative, so Koch doesn’t heavily rely on statistics. But she does use numbers to illustrate the risks for sex workers at Tokyo deriheru (an escort business in which a sex worker is sent to a hotel, rental room or private residence): mainly, in that instance, the relatively low condom use by male patrons.

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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

With live events still on hold, the weeks ahead are serving up some solid post-summer reading, ready to be enjoyed at home or on the go.

This month’s highlights include:

Available Sept. 15

A Rumiko Takahashi Classic Returns

Maison Ikkoku Collector’s Edition, Vol. 1

344 pp, $24.99

For the first time in more than a decade comes a new expanded edition of the fan favorite romantic comedy about finding your path in life from Rumiko Takahashi, the legendary creator of Ranma 1/2 and Inuyasha! Twenty-year-old Yusaku Godai didn’t get accepted into college on the first try, so he’s studying to retake the entrance exams. However, living in a dilapidated building full of eccentric and noisy (to put it mildly) tenants is making it hard for him to achieve his goals. Now that the beautiful Kyoko Otonashi has moved in to become the new resident manager, Godai is driven to distraction!

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By Rashaad Jorden (Yamagata-ken, 2008-10; Kochi-ken, 2018-present) for JQ magazine. A former head of JETAA Philadelphia’s Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.

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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, some new anime screenings, and a rock showcase you won’t want to miss.

This month’s highlights include:

Thursday, March 5, 8:00 p.m.

Dai Fujikura: Composer Portrait

Miller Theatre, 2960 Broadway

$7-$30

The works of Osaka-born Dai Fujikura are performed with regularity by conductors such as Gustavo Dudamel and by some of the most acclaimed orchestras and ensembles in the world. As one of the leading voices of his generation, his signature “high octane instrumental writing” (The Guardian) will be exhibited in this Portrait featuring International Contemporary Ensemble, longtime champions of Fujikura. A selection of recent chamber works provide a glimpse into his unique soundworld, including Minina—inspired by the birth of his daughter—and abandoned time, written for electric guitar and ensemble.

March 6-7, 7:30 p.m.

Fruits borne out of rust

Japan Society, 333 Easy 47th Street

$32, $25 members

Isolation, contagion and instability: Fruits borne out of rust, conceived of and directed by internationally known Japanese visual artist Tabaimo, uses drawings, video installations and live music to probe these unsettling themes that lurk beneath daily existence. Her intricate animations transform the stage into a wood floor apartment, a large birdcage that traps the dancer with a dove, and a line of tatami mats that swallows the dancer whole. Tabaimo’s collaborator, award-winning choreographer Maki Morishita, mischievously blends the subtle movements of the dancer’s fingers and toes with the dynamic drive of her limbs and torso, enhancing Tabaimo’s peculiar and introspective world. The March 6 performance is followed by a MetLife Meet-the-Artists Reception. The March 7 performance is followed by an Artist Q&A.

March 9 & 11, 7:00 p.m.

Tokyo Godfathers

Regal E-Walk 42nd Street 13, 247 West 43nd Street

AMC Empire 25, 234 West 42nd Street

AMC Kips Bay 15, 570 Second Avenue

$14-$20

Tokyo Godfathers, the acclaimed holiday classic from master director Satoshi Kon (Paprika, Perfect Blue), returns to theaters in a brand-new restoration. In modern-day Tokyo, three homeless people’s lives are changed forever when they discover a baby girl at a garbage dump on Christmas Eve. As the New Year fast approaches, these three forgotten members of society band together to solve the mystery of the abandoned child and the fate of her parents. Along the way, encounters with seemingly unrelated events and people force them to confront their own haunted pasts, as they learn to face their future, together. Co-written by Keiko Nobumoto (Cowboy Bebop) and featuring a whimsical score by Keiichi Suzuki, Tokyo Godfathers is a masterpiece by turns heartfelt, hilarious and highly original, a tale of hope and redemption in the face of seemingly insurmountable odds. The March 9 screening is presented in Japanese with English subtitles, with the March 11 screening presented in English.

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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, some new anime screenings, and a theatrical performance you won’t want to miss. This month’s highlights include:

Wednesday, Feb. 19, 7:00 p.m.

Ride Your Wave

Various locations and prices

From visionary director Masaaki Yuasa (The Night is Short, Walk on Girl, Devilman Crybaby) comes a deeply emotional new film that applies his trademark visual ingenuity to a tale of romance, grief and self-discovery. Hinako is a surf-loving college student who has just moved to a small seaside town. When a sudden fire breaks out at her apartment building, she is rescued by Minato, a handsome firefighter, and the two soon fall in love. Just as they become inseparable, Minato loses his life in an accident at sea. Hinako is so distraught that she can no longer even look at the ocean, but one day she sings a song that reminds her of their time together, and Minato appears in the water. From then on, she can summon him in any watery surface as soon as she sings their song, but can the two really remain together forever? And what is the real reason for Minato’s sudden reappearance?

Thursday, Feb. 20, 7:00 p.m.

Nourishing Japan: Food Education & School Lunch in Japan

MOFAD (Museum of Food and Drink), 62 Bayard Street (Brooklyn)

$25

Embark on a delicious journey from farmer’s field to school classroom that celebrates how one country has re-imagined school lunch and food education. At the heart of Japan’s 2005 Food Education Law are the incredible people whose daily work nourishes the next generation’s relationship to food, the earth, and one another. Join documentary filmmaker (and JET alumna) Alexis Agliano Sanborn (Shimane-ken, 2009-11) for the public premiere of this film. After the screening, Alexis will be joined in conversation with Yoriko Okamoto and Susan McCormac of JapanCultureNYC. Opening remarks will be given by Jennifer L. Pomeranz, Assistant Professor of Public Health Policy and Management at NYU. Reception with sake courtesy of SOTO and bites courtesy of Bessou and Kokoro Care Packages to follow.

Friday, Feb. 21, 6:30 p.m.

Children of the Sea

SVA Theatre, 333 West 23rd Street

New York International Children’s Film Festival

Various locations

$17.50

East Coast premiere for the New York International Children’s Film Festival! Adapted from the acclaimed manga comes this visually dazzling, mind-bending aquatic mystery. Ruka’s dad is so absorbed in his studies at the aquarium that he hardly notices when she befriends Umi and Sora. Like Ruka, the mysterious duo has the unique ability to hear the call of the sea and its endangered creatures. Together, can they save them?

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