Justin’s Japan: Interview with Tera Patrick at Exxxotica Leads to ‘Happy Ending’
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“My first modeling job at the age of 13 was in Omotesando in Tokyo. So I’ve always been obsessed with Japanese culture, and I usually spend one month of the year in Japan. I love everything about Japan.” (Courtesy of Justin Tedaldi)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Interview conducted by Rick Ambrosio (Ibaraki-ken, 2006-08). A staple of the JET Alumni Association of New York (JETAANY) community, Rick manages their Twitter page and is an up-for-anything writer for JQ magazine.
From porn to Playboy to parenthood, Tera Patrick describes herself these days as a “Betty Crocker Rocker Mompreneur.” Suitably following Hurricane Sandy at this year’s Exxxotica Expo in New Jersey—the nation’s biggest event devoted to love and sex—this multi-award-winning force of nature attended the three-day fest from Nov. 9-11 to press the flesh with fans and read from her best-selling autobiography, 2010’s Sinner Takes All.
But here’s something you might not know: Patrick’s been a diehard fan of Japanese culture since her days in Tokyo as a teen model. In this exclusive interview, the Montana native dishes on Harajuku girls and yakuza tats, the controversial Measure B that could forever change the adult industry, and the upcoming sequel to Sinner Takes All.
How are you enjoying Exxxotica?
I’m enjoying Exxxotica a lot—it was really important for me to come back. This is my first time at the show; I haven’t been back here since 2009. And in light of Sandy, it was really important to give back and boost morale and donate Tera items. I’m doing care packages for veterans tomorrow.
Last month you were a special guest at New York Comic Con. How did that end up happening?
You know what’s funny? I always say guys like three things: they like porn, comics and chicks. So it wasn’t too farfetched for me to be there; I actually debuted my first show at Comic Con in 2007 when I appeared in the video game Saints Row. So I’ve been in video games, I’ve had the privilege of being on Adult Swim and Aqua Teen Hunger Force, I’ve done adult. I do a lot of different things—I’m an author now. My first memoir was Sinner Takes All; my second follow-up memoir comes out February 2013.
We heard that for Halloween your outfit was a Harajuku girl. Is that true?
Yes. I’m actually very fascinated by Japanese culture. In my memoir Sinner Takes All, my first modeling job at the age of 13 was in Omotesando in Tokyo. So I’ve always been obsessed with Japanese culture, and I usually spend one month of the year in Japan.
Japan still is my favorite country to visit. I love Japanese food. I’m Thai—my mother’s from Thailand—but I love Japanese food, Japanese culture. I love everything about Japan, so I’m really excited to take my family there for the first time in December. So I’ve been a bit selfish, and I always spend a lot of time in Japan. I’ve been tattooed in Japan; I’ve only been tattooed in Japan.
For the complete interview, click here.
Maynard Plant, second from left: “I really do think it is important to learn more than one language. Not only for the obvious convenience of communication, but for the enrichment of understanding of other cultures as well. Language really is the only gateway into understanding another person’s psyche and culture.” (Courtesy of Edward Entertainment Group)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
Multinational pop rockers Monkey Majik are teaming up with shamisen heroes the Yoshida Brothers, the duo known for their traditional sound and pluck, for a three-date North American tour that kicks off Nov. 14 at Manhattan’s Marlin Room at Webster Hall, followed by the Mod Club in Toronto Nov. 18 and the National Arts Centre in Ottawa Nov. 20.
Monkey Majik was founded by Maynard Plant (Aomori-ken, 1997-2000), a native of Ottawa, Canada, while he was teaching English in Sendai on the JET Program. Known for a having a fun and versatile style of music, the band first earned mainstream attention in 2006 for their singles “Fly” and “Around the World,” and have since collaborated with other Japanese groups like SEAMO, m-flo, Bennie K, and the Yoshida Brothers.
In this exclusive JQ interview, the versatile vocalist and guitarist discusses the band’s origins, his own relationship with music, and his sense of home and community in Sendai, which is still recovering from the devastation caused by the 3/11 earthquake and tsunami.
Which came first: the love of music or Japanese culture, and how has the one influenced and supported the other since you came to Japan?
I probably first took interest in Japan when I was about 10 years old or so when I visited Expo 86 in Vancouver, Canada. My interest in music also started at an early age. Most of my family is musical, so it always came natural. Certainly since arriving in Japan about 15 years ago, my musical interests have changed. The Japanese music scene is incredibly diverse and different from the Western scene. The sound is very unique and [it] has had a deep effect on our music.
It’s funny, many ALTs in Japan feel like rock stars, but you actually became a rock star. What was it like going from small time notoriety and fame at your school, to becoming famous on a national level for your musicianship?
It didn’t happen overnight, so I suppose I never took notice. It’s a lot like learning Japanese—you don’t just wake up fluent one day. Success is born out of hard work and commitment. Regardless of where you live, the same elements come into play.
How did the current band members come together? Were you friends before you started collaborating professionally? How have each of you influenced Monkey Majik’s sound, style, and group dynamic?
I put the current band together after most of the original members quit in 2000. I first called my younger brother Blaise, and within a couple of months we found Tax (Kikuchi Takuya). It was around 2005 that our original bassist Misao Urushizaka quit. We then recruited Dick (Hideki Mori). It’s difficult to say if the friendship came before membership, but one thing is certain now: we wouldn’t be doing this if we hadn’t become best friends. We have a lot of respect for each other and all [band] decisions are made together.
Justin’s Japan: NYC Gives B’z an A at Best Buy Theater
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Koshi Inaba, left, and Tak Matsumoto of B’z played a sold out show at New York’s Best Buy Theater Sept. 30, 2012. (Justin Tedaldi)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
“You’re not going to stand there the whole time, are you?” a thirtysomething asks me in Japanese from behind the photo pit barrier.
I tell her that I wouldn’t be much of a rock photographer if I stood still the whole time.
“Good,” she says, her face all business. “Because we lined up for this from yesterday morning. So please try to keep your head down, because it’s in my way.”
Welcome to the Best Buy Theater in Manhattan, which drew a sold out Sunday crowd of over 2,000 on Sept. 30 for the New York concert debut of B’z, Japan’s all-time biggest band. Since 1988, Tak Matsumoto and Koshi Inaba have sold over 80 million records, and hold an untouchable record for consecutive number one singles in their native land (46 and counting). A colossal achievement in music, to be sure, but how would the rockers be received on this, their first-ever coast to coast North American tour?
For the complete story, click here.
For Justin’s September 2012 interview with Tak and Koshi, click here.
Justin’s Japan: Interview with Tak Matsumoto and Koshi Inaba of B’z on the Live-Gym 2012 Tour
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Tak Matsumoto, left: “This tour is going to be the fourth tour in the U.S. for B’z. I always love to play in the U.S., and I felt we should release English songs for the American audiences. The show will be a mix of both Japanese and English.” (Vermillion)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
The most successful group in Japanese history, B’z have sold 80 million records since their 1988 debut, and also have released a staggering 46 consecutive number one singles. Comprised of Grammy-winning guitarist Tak Matsumoto and ace vocalist Koshi Inaba, the rock duo has flirted with American success in the past, launching three of their Live-Gym West Coast tours in the last decade.
Now, B’z is ready for a full-scale American invasion, launching their first-ever national tour beginning in San Francisco Sept. 17 and hitting New York’s Best Buy Theater Sept. 30. At the same time, the band is promoting its debut English-language digital EP entitled B’z, which features five of the stadium act’s biggest hits made for a whole new audience.
In this exclusive interview, I caught up with Tak and Koshi on why the band waited until now to do a coast-to-coast tour, their experience working with other rock luminaries like Aerosmith and Linkin Park, and the plans in motion for the band’s 25th anniversary next year.
Let’s start with the basics. How did the band get its name?
Tak: I don’t remember exactly. We probably thought we needed to have a simple name that was easy to memorize.
Koshi: We wanted a short name—like a code. At first, it was AZ, which came from an A to Z kind of meaning, but we didn’t like how it was pronounced. Then we changed it to B to Z, and liked how it sounded.
Why has B’z decided to finally play New York now?
Tak: I don’t know exactly why it took so long, but I’ve been waiting to perform there. I’m really looking forward to it.
Koshi: When we started performing in the U.S., most of our dates were on the West Coast. We weren’t familiar enough with New York to have a show there.
Tell us about the other musicians you’re performing with on this tour.
Tak: Takanobu Masuda is on keyboards. He’s my old friend, and has been performing with B’z for 20 years. Shane Gaalaas is on drums. He’s played with Michael Schenker, Yngwie Malmsteen and many others. He also has his own band, Cosmosquad. Barry Sparks is on bass. He also played with Michael and Yngwie, along with Ted Nugent, UFO and the Scorpions as well. Yoshinobu Ohga is on guitar. He was on our last tour of the U.S. I’m supported by his perfect harmony.
Koshi: Ohga joined last year. Everyone else has been touring with B’z for a long time, and they’re all great.
What can we look forward to at these shows?
Tak: We are going to the East Coast for the first time, but this tour is going to be the fourth tour in the U.S. for B’z. I always love to play in the U.S., and I felt we should release English songs for the American audiences. The show will be a mix of both Japanese and English.
Koshi: We’re looking forward to the U.S. audience hearing our new English songs. You might sweat a lot at our show, but you’ll enjoy it!
Is this new EP part of a plan to release a full English-language album in the future?
Tak: I hope so.
For the complete interview, click here.
Justin’s Japan: Interview with Minoru Niihara of Loudness on ‘Eve to Dawn’
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“Compared to the ‘80s, record labels, media and music industry are totally different now, but rock bands’ success has been always written on the stage. I believe that rock bands should live on the stage and that’s the most legitimate way to do our job.” (Courtesy of FrostByte Media)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
In the beginning, there was Loudness. Formed in 1981 in Osaka, the Japanese quartet started out as a successful hard rock and metal outfit and expanded their fanbase to America four years later with an international album deal and hit single “Crazy Night.”
History is now repeating itself. Twenty-five years after the release of original frontman Minoru Niihara’s last album with the group during their ’80s heyday, Loudness has now inked a new global record deal with FrostByte Media to reintroduce them to a new audience outside of Japan. First up is the newly released studio album Eve to Dawn—their 26th overall—and a fall North American tour is in the works.
In this exclusiveinterview, I caught up Loudness’ charismatic vocalist to discuss opening for Mötley Crüe at Madison Square Garden, the similarities between Japanese and American groupies, and which heavy metal movie makes him cry.
Eve to Dawn was released last year in Japan. Are there any differences between the original version and the American release?
I don’t have a copy here yet, but I don’t think there’s any difference between the two.
Are there any plans for your new label to release your most recent album, 2012, which also just came out inJapan?
It’ll be released next year.
For those unfamiliar with the band, how would you describe Loudness’ sound and lyrical themes?
It’s a very unique hard, heavy and explosive, Asian metal rock band. The most recent album has lots of songs with positive and encouraging messages because of the quake in 2011.
What made you want to become a rock singer?
When I was about 15, there is a cool singer named Masaki Ueda in Osaka, and because I really liked him, I got interested in singing. After a while I found joy in singing when I learned that people loved to listen to me sing. I became a pro, one synchronicity after another.
In a recent interview with New York’s own Chopsticks magazine, the band mentioned that its main goal now is to become a success in the U.S. What plans do you have to achieve this?
There is nothing but touring and doing lots of live performances, I guess. I believe that rock bands should live on the stage and that’s the most legitimate way to do our job. That’s our policy!
For the complete story, click here.
NY Times reviews “Triburbia” by JET alum Karl Taro Greenfeld
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JET alum Karl Taro Greenfeld (Kanagawa-ken, 1988-89), author of Speed Tribes: Days and Nights With Japan’s Next Generation), has a new book out titled Triburbia: A Novel which was recently reviewed by the New York Times (“Bobos in Paradise“). Here’s the link to the review: http://www.nytimes.com/2012/08/05/books/review/triburbia-by-karl-taro-greenfeld.html?_r=1&pagewanted=all
- For more information about Karl Taro Greenfeld, go to his website or read the Wikipedia entry about him.
- To purchase the book on Amazon, go here: http://www.amazon.com/Triburbia-Novel-Karl-Taro-Greenfeld/dp/0062132393
Lars Martinson’s “Kameoka Diaries” e-comic now available on iTunes
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Lars Martinson (Fukuoka-ken 2003-2006), author of the graphic novels Tonoharu: Part Two andTonoharu: Part 1, has just announced the “Kameoka Diaries“, Lars’ e-comic about his return to teaching English, this time in Kameoka, Kyoto, is now available on iTunes.
More info here and below: http://larsmartinson.com/my-first-two-e-comics-now-available/
The Kameoka Diaries: Volume One [ Direct iBookstore Link ]
The Kameoka Diaries: Volume One is a humorous (?) account of my experiences living and working in Central Japan, told over eight chapters. It includes an exclusive chapter not available anywhere else!
JETwit Note: I just downloaded a copy onto my iPhone. 250 pages for only $0.99, and I always love Lars’ work. Plus, it’s my first time using iBook which it turns out is pretty nifty. :-)
Justin’s Japan: Interview with Jin Akanishi on ‘Japonicana’ and His American Tour
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"The word ‘Japonicana’ comes from Japan, America and Spain. The ‘a’ sound is for the females, so my album is a girl. There’s more than one genre—dance, pop, hip-hop, and R&B. It’s like my baby, because I created it from scratch." (Courtesy of PLAN C Agency)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Examiner.com page here for related stories.
In his native Japan, Jin Akanishi is a superstar. Since his early teens, he’s achieved fame as a pop idol, singer-songwriter (with the groups KAT-TUN and LANDS), actor, and radio host. After launching a successful American tour in 2010 to sold out (and screaming) crowds, Jin is back in the U.S. supporting his hotly anticipated English-language debut album, Japonicana. Released earlier this month, the disc features production by Grammy Award-nominated trio the Stereotypes (Far East Movement, Ne-Yo) and platinum hit maker Static Revenger (Madonna, Shakira).
Jin takes Manhattan at New York’s Best Buy Theater tonight (March 15) and hits San Francisco’s Regency Ballroom on March 17. In this exclusive interview, I spoke with the 27-year-old about the tour, the making of the album, his love for hip-hop, and hanging out with Justin Bieber.
How would you describe the new album?
The word “Japonicana” comes from Japan, America and Spain. The “a” sound is for the females, so my album is a girl. There’s more than one genre—dance, pop, hip-hop, and R&B. It’s like my baby, because I created it from scratch.
How has the tour been going?
It’s really great. The crowds are great, good energy, dancers, and a lot of drinks (laughs).
What can fans expect at the shows this time? What’s different?
It’s a totally different concert. Everything’s different.
Is there a highlight you can tell us about?
Crazy lights and dancing. All the songs are from Japonicana.
You mentioned that the title represents all the places that influence you—Japan, America and Spain. How have they influenced you?
I’m Japanese, obviously. And America, my mom loves American music and used to listen to it when I was little. I kind of grew up with it. My best friend’s mom is Spanish, and she taught me a lot about the culture. So that’s how I got influenced.
For the complete story, click here.
Kameoka Diaries #5 by Lars Martinson
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Lars Martinson (Fukuoka-ken 2003-2006), author of the graphic novels Tonoharu: Part Two andTonoharu: Part 1, has just just published the latest edition of his new cartoon series called“Kameoka Diaries“ about his return to teaching English, this time in Kameoka, Kyoto.
Click here to read the Kameoka Diaries #5.
http://larsmartinson.com/kameoka-diaries-5/
JET alum Rob Cornilles wins Republican primary for Oregon Congressional seat
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JET alum Rob Cornilles, a sports business consultant, has won the Republican primary for a seat in the U.S. House of Representatives representing the Portland-area district. The primary was part of a special election being held in the wake of the resignation of David Wu (D-Oregon) who resigned earlier this year due to allegations of sexually inappropriate behavior. Cornilles was also the previous Republican winner and lost to Wu in a close race in the last election.
Cornilles will next face the Democratic primary winner Suzanne Bonamici, an Oregon state senator.
Here’s a link to the full article: http://www.katu.com/news/local/133507753.html
Here’s a link to Rob’s campaign website: http://www.cornillesforcongress.com/
BTW, if anyone knows Rob’s prefecture and years on JET, please post here or e-mail to jetwit [at] jetwit.com. Yoroshiku!
Suzanne Bonamici (D) (left) and JET alum Rob Cornilles (R) (right)
A (Culturally) Stimulating Interview with the Insatiable Asa Akira
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“I think I have a lot of Japanese culture ingrained in me. Just from being from a Japanese family, living in Japan. The whole ‘respect your elders,’ that, to me, is the main thing that’s different between America and Japan.”
Porn porn
By Michael Karns (CIR Kobe-shi, 2001-02) for JQ magazine. Michael is an avid photographer.
The winner of five AVN Awards (like the Oscars, but without Cuba Gooding, Jr.), Asa Akira returned to the East Coast last weekend for a rare promotional trip. In the spirit of intensifying relations between our nation and Japan, we spoke with the scintillating 25-year-old superstar/native New Yorker about her Japanese roots, her favorite anime films, and the deeper cultural points that America and Japan can swap with each other.
Regarding your Japanese heritage, where is your family originally from?
My mother’s side of the family is from Osaka and my father’s side is from Tokyo, but they live in Yokohama.
You went to an American school growing up.
I did, a very prestigious American private school. It was nice.
When Japanese students relocate to America, it can be difficult adjusting. How was it for you relearning the way of life here?
I was born in New York City and I moved to Japan when I was six, so I already had a little America experience, but it was definitely a huge culture shock. Kids in Japan are really good, even American ones. So coming to New York was like, “Oh my God, these kids are 12 years old and they’re doing drugs!” It was definitely a huge culture shock, and I totally bought into it for a little bit (laughs).
You’ve got an incredible personality…
Thank you.
What do you attribute this to?
I grew up around boys; I think that has a lot to do with my sense of humor. Me and this other girl were always the only two girls in this group of boys, so I think we grew up with a really good sense of humor, you know?
So are you kind of like an otemba (tomboy)?
Yeah (laughs).
That’s my type, by the way.
Oh, good (laughs).
Regarding Japanese culture, what things do you like the most about it? Are there any films or other things that you point to as an inspiration?
I think I have a lot of Japanese culture ingrained in me. Just from being from a Japanese family, living in Japan. The whole “respect your elders,” that, to me, is the main thing that’s different between America and Japan. People in America treat old people like [expletive].
I love my grandmother, but I know what you’re talking about.
(Laughs) And they just don’t listen to older people. I think that’s weird. So that would be the main thing.
JET alum George Rose quoted in NYT feature on Hideki Irabu
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George Rose with Hideki Irabu
JET alum George Rose (Fukushima-ken, 1989-91), former interpreter for Hideki Irabu as well as former JETAA NY President, is quoted in a Sunday, October 9 feature article “Irabu Got Lost on the Way Back“) in the New York Times about Japanese pitcher Hideki Irabu who recently committed suicide. The article gives the impression that George was one of the few U.S. baseball colleagues who actually got to know Irabu personally.
Below is a link to the full article along with the quotes by George:
“When I saw him last summer, he told me he was having a midlife crisis,” said George Rose, who befriended Irabu when he worked for two years as his interpreter on the Yankees. Rose then repeated what had been a kind of conventional wisdom about the Irabu: he had a big heart, but could be his own worst enemy.
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JET alum George Rose with Derek Jeter at the 1998 World Series.
“He was kind of searching for what to do next,” said George Rose, his old interpreter, “and he never did.”
For additional background on George, here’s a link to a 2008 JETAANY Newsletter interview with George Rose (“Pride of the Yankees: Far East Edition“) by Stacy Smith (Kumamoto-ken CIR, 2002-03).
JET alum author Bruce Feiler’s latest NYTimes column
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September 23, 2011
By BRUCE FEILER
I RECENTLY attended a chaotic, kid-friendly gathering at the home of a friend. On my way to the bathroom to seek some solace, I decided to indulge in one of my favorite antisocial activities: scrutinizing someone else’s bookshelf. For a veteran sleuth, a bookshelf can offer a trove of insights worthy of any Freudian’s couch. Does a person alphabetize the books or clump them? Do they arrange their books by genre, order in which they were purchased, or color? Are these books unopened hardcovers or dog-eared paperbacks?
I was several minutes into my investigation (Bill Clinton’s memoir; “The DaVinci Code”), when I had a heart-sinking realization: Read More
JET alum band Monkey Majik to play Sendai charity concert
Celebrity, Earthquake Tsunami, Events, Fundraising, Japan Local, Notable JET Alums, Return on JET-vestment Comments Off on JET alum band Monkey Majik to play Sendai charity concert
Members of Monkey Majik with Deputy Minister Len Edwards
Here’s info on a charity concert (“charity live”) by JET alum Maynard Plant’s (Aomori-ken, 1997-2000) hit band Monkey Majik in Sendai on October 16th, as part of their ongoing effort to support rebuilding and recovery in Tohoku, in their capacity as Tohoku Tourism Ambassadors.
東北観光親善大使「モンキーマジック」がチャリティライブを開催します！
2011年9月12日
震災から６ヶ月が経過してもなお、復興までのプロセスには数多くの方の継続的なご支援が必要であるとあらためて実感すると同時に、活動を通じて人間一人一人の助け合いの力強さ、素晴らしさに日々感動を憶えてきました。
そしてこの出来事を全国の皆様に伝え続けて行かなくてはならないという強い想いから、プロジェクト第３弾となるチャリティライブを故郷 被災地 仙台で開催することを決断しました。
「音楽」の力を通じて、参加してくれた方々、さらに被災地の方々の一歩前へ踏み出す気持ちへの後押しとなり、心の早期復興への一助となるような１日を共に作り上げたいと強く願っております。
本公演に於ける売上金の一部を義援金、寄付金として、再び公的機関を通じて被災地へ送ります。
〈公演概要〉
東日本大震災復興支援プロジェクト
ＭＯＮＫＥＹ ＭＡＪＩＫチャリティライブ「ＳＥＮＤ愛」
～ＭＯＮＫＥＹ ＭＡＪＩＫがゲストを迎えてのチャリティライブ～
日程：２０１１年１０月１６日（日）開場１３：００開演１４：００
会場：セキスイハイムスーパーアリーナ（グランディ２１）
出演：ＭＯＮＫＥＹ ＭＡＪＩＫ/ＬＯＶＥ ＰＳＹＣＨＥＤＥＬＩＣＯ/Ｒａｋｅ and more・・・
チケット一般発売：９月１７日（土）１０：００～
チケット料金：前売り５，０００円（税込）
お問い合わせ：
ＴＢＣ事業部 ＴＥＬ０２２－２２７－２７１５
ニュース・プロモーション ＴＥＬ０２２－２６６－７５５５
詳しくは こちら へアクセス願います。
Latest Newsletter from Councilman Anthony Bianchi
Article/Journalism, Celebrity, Japan Local, Local Government, Notable JET Alums, Return on JET-vestment, Translating/Interpreting, Writers Comments Off on Latest Newsletter from Councilman Anthony Bianchi
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Here’s the newest newsletter from JET alum and Inuyama City Council Member Anthony Bianchi (Aichi-ken, Inuyama-shi, 1988-89):
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***Page 2***
CLICK HERE for more JETwit posts about Anthony Bianchi.
Show off your translating skills! An English translation or summary of some or all of the above would be great if any readers are up for it. Full credit will be given!
