By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered. 

This month’s highlights include:

Dec. 7-11

My Neighbor Totoro

Various theaters

Various prices

From the legendary Studio Ghibli, creators of Spirited Away and Ponyo, and Academy Award®-winning director Hayao Miyazaki, comes a classic tale of magic and adventure for the whole family. When Satsuki and her sister Mei move with their father to a new home in the countryside, they find country life is not as simple as it seems. They soon discover that the house and nearby woods are full of strange and delightful creatures, including a gigantic but gentle forest spirit called Totoro, who can only be seen by children. Totoro and his friends introduce the girls to a series of adventures, including a ride aboard the extraordinary Cat Bus, in this all-ages animated masterpiece featuring the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning, in early roles.

Dec. 11, 15

BABYMETAL Legend–43 the Movie

Various theaters

Various prices

Anime Expo Cinema Nights Presents a special concert film of the band BABYMETAL with their worldwide tour Legend-43. In April 2023, SU-METAL (Vocal, Dance), MOAMETAL (Scream, Dance), and MOMOMETAL (Scream, Dance) entered a new stage as the newly born BABYMETAL. Since then, they have embarked on their largest world tour, “BABYMETAL WORLD TOUR 2023 – 2024,” which took them to 25 countries, including Japan. The headline tour, excluding festivals and guest acts, drew a cumulative audience of more than 280,000 people for a total of 98 performances. The final chapter of the world tour, the first Okinawa performance “TOUR FINAL IN JAPAN LEGEND – 43”, has been fully filmed. The film is BABYMETAL’s first live film that allows viewers to experience all of the diverse music, unique worldview, production that only a tour final can offer, and the overwhelming performance of BABYMETAL, which has evolved even further during their world tour.

Thursday, Dec. 12, 7:30 p.m.

A Diary of Chuji’s Travels

Japan Society, 333 East 47th Street

$22-$31

One of the great masterworks of Japanese silent cinema, Daisuke Ito’s A Diary of Chuji’s Travels exists in incomplete form—a triptych missing its first segment with remnants of its second and third parts—yet stands out as a seminal jidaigeki (period drama), voted the greatest Japanese film of all time in a 1959 Kinema Junpo poll. Starring Ito’s frequent collaborator Denjiro Okochi, another great star of the silent era known for his portrayal of Tange Sazen, A Diary of Chuji’s Travels recounts the exploits of Chuji Kunisada (Okochi), the outlaw bakuto (gambler)—a real-life proto-yakuza figure who took on a romanticized Robin Hood reputation. A fragmented version of its once four-hour long runtime, A Diary of Chuji’s Travels is a kinetic dispersal of rapid-cut swordplay sequences, fluid camerawork (Ito was nicknamed Ido daisuki, a pun on his name meaning “big fan of camera movement”), expressionist techniques and political commentary—an embodiment of the modernized period drama that both Ito, “the father of jidaigeki,” and Okochi helped pioneer. Followed by a private gathering for artists and members. A pre-performance lecture on benshi begins before the screening at 6:30 p.m.

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

Happy early fall everyone! I can’t believe that six months have passed since my latest entry, but time seems to have a way of doing that. Last night I had the chance to check out the film Tokyo Cowboy starring actor Arata Iura. I was struck by Iura when I saw him in his first leading role in Hirokazu Kore-eda’s 1998 film After Life, (Japanese title: ワンダフルライフ or wandafuru raifu) which is second only to Defending Your Life as my favorite movie about what happens when we die.

Tokyo Cowboy is directed by Marc Marriott and written by Dave Boyle and Ayako Fujitani, who also produced and stars in the film as Iura’s boss and love interest. The fish out of water story is reminiscent of Ryusuke Hamaguchi’s latest Evil Does Not Exist, with a city slicker trying to change the ways of rural folk. Iura’s character businessman Hideki goes to visit the Montana cattle ranch his Japanese company owns. Developers plan to buy out this underperforming ranch, but Hideki has an idea to save it by raising wagyu. However, upon arrival he realizes this will be much more difficult to achieve than he initially thought.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.

This month’s highlights include:

Sept. 11-12, 15-17

Ninja Scroll 30th Anniversary

Various theaters

Various prices

Anime Expo Cinema Nights Presents the classic anime Ninja Scroll’s 30th anniversary with an all-new exclusive interview with director Yoshiaki Kawajiri! A mysterious vagabond sets out on a journey to confront his past. Little does he know he is up against a demonic force of killers, with a ghost from his past as the leader. When Jubei saves a young ninja woman from the unthinkable, he assumes that’s the end of it. To his surprise, it’s only just the beginning. Together, the two investigate the mysterious deaths of an entire village which uncovers a conspiracy of demonic proportions! Getting closer to the truth, the demonic forces will stop at nothing to silence Jubei and his companion for good!

Sept. 11-15, 17-19

Basil Twist’s Dogugaeshi

Japan Society, 333 East 47th Street

$44, $58

Dogugaeshi, the award-winning phenomenon by genius puppeteer Basil Twist, is back! Born as a Japan Society commission, this ever-innovative piece now celebrates its 20th anniversary. Enter a mystical world, where a mysterious white fox shepherds you through past and present Japan. Inspired by a disappearing traditional stage mechanism from Japan’s Awa region called dogugaeshi, Twist has created fusuma screens with stunning painted imagery that dance, slide, flip, conceal and reveal to pull audiences deeper into a brain-bending optical illusion. Dogugaeshi is a cross-cultural collaboration with master shamisen player and experimental musician Yumiko Tanaka, whose multi-layered music collage embraces everything from traditional tunes to popular songs.

Sept. 12-13, 7:00 p.m.

Cowboy Bebop LIVE Presented by Bebop Bounty Big Band

Gramercy Theatre, 127 East 23rd Street

From $71.55

Cowboy Bebop LIVE is a complete multimedia experience highlighting the story of critically acclaimed anime, Cowboy Bebop, on the big screen accompanied by live music from the soundtrack performed by the Bebop Bounty Big Band. This 14-piece jazz ensemble features world-class musicians with members from the world famous Glenn Miller Orchestra, the Jazz Orchestra at Dr. Phillips Center, and the Walt Disney Company. This show is a completely one-of-a-kind production specifically designed to deliver an experience anime fans have never had before. Travel the solar system with anime’s most iconic soundtrack at Cowboy Bebop LIVE!

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into both cutting-edge and classic anime, this month offers a diverse trio of theatrical revivals—all in the comfort of indoor air conditioning.

This month’s highlights include:

August 2-8

Moving

Elinor Bunin Munroe Film Center, 144 West 65th Street

$16, $19

A noted influence on Ryûsuke Hamaguchi, Hirokazu Kore-eda, and Kiyoshi Kurosawa, among many others, Shinji Sōmai was a consummate filmmaker’s filmmaker, and Moving is one of his most remarkable achievements. It follows the gradual, frequently messy untangling of love between a divorced couple in Kyoto as experienced by their 11-year-old daughter Renko (Tomoko Tabata, giving easily one of the greatest child performances in film), but evolves into something altogether stranger and more elemental by its conclusion. What’s so exceptional about Moving is its frank understanding of adolescent feeling and the emotional fluctuations borne out by loss and growing up, rendered in an exquisite color palette and via dexterous long takes. It’s a film that is as genuinely heartbreaking as it is funny and touching. This August, Film at Lincoln Center is thrilled to present the long overdue New York theatrical release of Moving in its brand-new 4K restoration, which won the Best Restored Film Award at the 2023 Venice Classics. A selection of the Un Certain Regard section at the 1993 Cannes Film Festival. A Cinema Guild release. Screenings feature an exclusive video introduction from Ryûsuke Hamaguchi!

August 3-7

Ponyo

Various theaters

Various prices

From Academy Award-winning director Hayao Miyazaki! Perfect for audiences of all ages, Ponyo centers on the friendship between five-year-old Sosuke and a magical goldfish named Ponyo, the young daughter of a sorcerer father and a sea-goddess mother. After a chance encounter, Ponyo yearns to become a human so she can be with Sosuke. As to be expected with Miyazaki, the film is awash in pure unbridled imagination and visual wonder–but it is the tender love, humor, and devotion exhibited by Ponyo and Sosuke that form the emotional heart of the film.

Sunday, August 4, 8:00 p.m. 

FLOW – 2024 Anime Shibari Tour

Hammerstein Ballroom at Manhattan Center, 311 West 34th Street

From $44

Fresh from their 20th anniversary, FLOW will be playing an anime song ONLY concert all around the world! After debuting in 2003, FLOW has an established reputation for hit anime works, including themes for anime series Naruto (“GO!!!,” many others), opening themes for Code Geass: Lelouch of the Rebellion (“COLORS,” “WORLD END”), and the opening theme for Tales of Zestiria the Cross (“Kaze no Uta”). They have written songs for numerous other anime works as well. Since 2006 they have been active playing shows not only in Japan but overseas, performing over 60 live performances in 19 countries in Asia, North America, South America, Europe, and the Middle East, transcending borders as a live band. Heavily streamed, their song “Sign” for the opening of Naruto Shippuden has been played over 120 million times worldwide on Spotify.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

After the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s taking in North America’s largest annual Japanese film festival, checking out a Kurosawa or Studio Ghibli classic, or enjoying an anime con, Brooklyn-style!

This month’s highlights include:

July 5-18

Akira Kurosawa’s Seven Samurai

Film Forum, 209 West Houston Street

$11 members, $17 general

The epic 1954 masterpiece returns to the big screen, remastered for the very first time in 4K by Toho! In 16th century Japan, as proud samurai end up as masterless, wandering ronin and farmers are terrorized by marauding bandits, a village patriarch counsels resistance. How? Hire samurai, “hungry samurai.” Under the calm leadership of Takashi Shimura (Kurosawa regular and Ikiru and Godzilla star), that magic number enlist for a war against 40 mounted bandits, winding up at the most hair-raising battle ever filmed. One of the most influential films of all time, but nothing can top the original: Kurosawa’s orchestration of swords, spears, arrows, men, horses, rain, wind, and mud; blazing tracking shots; giant close ups; chiaroscuro lighting; telephoto lenses that put us underfoot as horses crash amid struggling men; deep focus shots that render the tip of a sword poking into the lens equally clear with scurrying figures fifty feet away, transitions that effortlessly whip us from scene to scene; and ensemble performances that give three dimensionality to every character, topped by Toshiro Mifune’s eventual transition from manic goofball to tortured, self-hating tragic hero. Voted in the 1979 Kinema Junpo critics poll as the Best Japanese Film ever.

July 10-21

JAPAN CUTS 2024

Japan Society, 333 East 47th Street 

$5-$25, based on film category/event

North America’s largest festival of contemporary Japanese film returns for its 17th year this summer at Japan Society! Join us July 10-21 for 30+ curated films from across Japan featuring major blockbusters, indie darlings, up-and-coming filmmakers, restorations, documentaries, experimental and short films, and anime. JAPAN CUTS is a showcase of the latest in Japanese cinema, featuring both today’s most popular actors and directors as well as tomorrow’s pioneering talent. Become part of our passionate filmgoer community for premieres, parties, and celebrity guests in the heart of America’s biggest city! This year’s festival features three International Premieres, 14 North American Premieres, five U.S. Premieres, three East Coast Premieres and four New York Premieres, plus three parties during the course of the festivities!

“We couldn’t be more amazed by this year’s festival,” says Peter Tatara, Director of Film at Japan Society, who organized this year’s festival with Japan Society Film Programmer Alexander Fee. “This year’s JAPAN CUTS presents an abundance of powerful, engaging and unexpected films together with rare appearances from some of their most imaginative creators. JAPAN CUTS is a reflection of the breadth of Japan’s contemporary film industry, and this year absolutely celebrates the scope and storytelling of what Japanese cinema brings to the world.”

Leading this year’s guests, JAPAN CUTS will present acclaimed actor Mirai Moriyama (Shadow of Fire) with the CUT ABOVE Award for Outstanding Achievement in Film and acting legend Tatsuya Fuji (Great Absence) with a Lifetime Achievement Award! Further guests include directors Gakuryu Ishii (The Box Man), Ema Ryan Yamazaki (The Making of a Japanese), Kei Chika-ura (Great Absence), Masanori Tominaga (Between the White Key and the Black Key), Noriko Yuasa (Performing KAORU’s Funeral), Shinya Tsukamoto (Shadow of Fire), and actress Tomoko Tabata (Moving)! Click here for tickets to all films, and here for the complete list of special guests. 

July 13-17 

Princess Mononoke

Various locations

Various prices

From the legendary Studio Ghibli, creators of Spirited Away, and Academy Award-winning director Hayao Miyazaki comes an epic masterpiece that has dazzled audiences worldwide with its breathtaking imagination, exhilarating battles, and deep humanity. Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there. The English-language version features the voice talents of Gillian Anderson, Billy Crudup, Claire Danes, Jada Pinkett Smith, and Billy Bob Thornton (July 14 and 16 screenings).

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

As spring continues and the weather continues to warm, New Yorkers can enjoy activities all over the city both indoors and out. 

This month’s highlights include:

Courtesy of Sideshow/Janus Films

April 26-30 and May 3-16

Hamaguchi I & II and Evil Does Not Exist

Walter Reade Theater, 165 West 65th Street

Elinor Bunim Munroe Film Center, 144 West 65th Street

$12-$17 

Evil Does Not Exist: Deep in the forest of the small rural village Harasawa, single parent Takumi lives with his young daughter, Hana, and takes care of odd jobs for locals, chopping wood and hauling pristine well water. The overpowering serenity of this untouched land of mountains and lakes, where deer peacefully roam free, is about to be disrupted by the imminent arrival of the Tokyo company Playmode, which is ready to start construction on a glamping site for city tourists—a plan, which Takumi and his neighbors discover, that will have dire consequences for the ecological health and cleanliness of their community. The potent and foreboding new film from Oscar-winning director Ryûsuke Hamaguchi (Drive My Car and Wheel of Fortune and Fantasy, both NYFF59) is a haunting, entirely unexpected cinematic experience that reconstitutes the boundaries of the ecopolitical thriller. Intensified by a rapturous, ominous score by Eiko Ishibashi, this mesmeric journey diverges from country-vs-city themes to straddle the line between the earthy and the metaphysical. Presented in Japanese with English subtitles. Q&A with Ryûsuke Hamaguchi and Eiko Ishibashi on May 3 at 6 p.m. screening. Don’t miss Hamaguchi I & II, a selected retrospective of Ryûsuke Hamaguchi’s films to be presented at FLC from April 26–30.

© 1983 Argos Films

Wednesday, May 1, 7:00 p.m.

The Film Desk Presents: Sans Soleil

Japan Society, 333 East 47th Street

$8-$16

Imported 35mm print! Driven by a desire to “capture life in the process of becoming history,” the enigmatic and influential French filmmaker Chris Marker travelled the globe and made a sprawling body of hybrid work that ruminates on the nature of memory and time. Of the several films he made in Japan (where, among the crowded drinking holes of Shinjuku’s “Golden Gai” district, there is a bar named after one of his early masterpieces), this singular essay film remains the late director’s greatest achievement. An unnamed woman narrates the poetic letters and philosophical reflections of an invisible world traveler accompanied by footage of Guinea-Bissau, Cape Verde, Iceland, Paris, San Francisco and, most significantly, Tokyo—a city whose people, streets, malls and temples inspire the traveler’s richest observations.

Courtesy of Eventbrite

Saturday, May 4, 7:30 p.m.

Marimba Extraordinaire Makoto Nakura at 60 – A Retrospective

The Church-in-the-Gardens, 50 Ascan Avenue (Queens)

$10 students, $20 general admission/adult

Makoto Nakura started building his distinctive career as a marimbist as soon as he arrived in NYC from Japan 30 years ago. This concert shows his journey through the works which he has commissioned along the way. Featuring Barbara Podgurski on piano, these works from today’s leading composers showcase the expressive possibilities of the marimba…expressive possibilities that keep expanding under Makoto’s ever-growing collection of mallets! You are sure to have a great time not only hearing extraordinary music, but also meeting this extraordinary artist and human being who always gives his audience an incredible show. Don’t forget to wish him a happy 60th birthday if you attend!

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.

This month’s highlights include: 

Now through June 2 

The Life and Slimes of Marc Summers

New World Stages, 340 West 50th Street

$39-$149 reserved seats, $299 VIP with meet-and-greet, front seats and gift bag 

On your mark! Get set! Go! to this one-of-a-kind intimate theatrical adventure that will leave you inspired, hopeful and feeling like a kid again. Marc Summers, the host of internationally renowned shows like Nickelodeon’s Double Dare and Food Network’s Unwrapped, tells all about his extraordinary life in this part game show-part memoir-all heart theatrical adventure which the New York Times calls “as satisfying as riding down a spiraling slide into a giant ice-cream sundae.”Written by Alex Brightman and directed by Chad Rabinovitz, the creative team includes original music by Drew Gasparini and co-sound design by David Sheehan and Hidenori Nakajo.

Tuesday, April 2, 8:00 p.m.

Queen Bee

Sony Hall, 235 West 46th Street

$35 standing room only, $55 VIP reserved seating

Queen Bee is a band from Japan formed in 2009. With their unique and intense performances and newsworthy activities in various fields, they have created abuzz not only in the music industry but also in various other fields. Their songs rank high on music charts, and their live shows are sold out in in many places, boasting an overwhelming presence in terms of both popularity and ability. Their songs have also been used for popular anime such as “Mephisto,” the ending theme for the anime OSHI NO KO and “01,” the opening theme for the anime UNDEAD UNLUCK and “VIOLENCE,” the ending theme for the anime Chainsaw Man and “Kaen (Fire),” the opening theme for the anime Dororo and “HALF,” the ending theme for the anime Tokyo Ghoul:re. A statement provided by the band exclaims: “Queen Bee’s first performance in New York! I can’t wait to cause a frenzy across languages and borders. You may have heard of us from anime, or maybe from our attitude or world view. I promise you it will be an extraordinary night in New York, that will make you want to celebrate our meeting.”

Monday, April 8, 8:00 p.m.

Keiko Matsui

Sony Hall, 235 West 46th Street 

$35 GA seating, $75 VIP reserved seating

“This album is about the hope that we all carry inside of us,” shares internationally acclaimed pianist, composer and humanitarian, Keiko Matsui, who has worked with everyone from Miles Davis, Stevie Wonder, Bob James, and Hugh Masekela. “I have this dream where we can each cherish our own happiness and learn to accept and care for one another.” There is a reason why the stunning, soft-spoken, and petite powerhouse with such a commanding presence at the piano has amassed a devout following through the years. “When I tour around the world and witness how my music cuts through our differences and connects everyone, it makes me feel euphoric!” exclaims Keiko, who harnesses this joy on her 30th recording Euphoria. She enlists an all-star contingency of special guests including vocalist, and daughter of Donny Hathaway, Lalah Hathaway, trumpeter Randy Brecker, guitarist Mike Stern, saxophonist Kirk Whalum, vibist Joel Ross, harmonica player Grégoire Maret and pianist/arranger John Beasley. Keiko concludes, “During the past few years, I have witnessed the loss of life and seen people’s sadness and it has been really painful, but it has helped to remind me of the precious gift of time and the importance of gratitude for what I have now,” confides Keiko.” “Euphoria is my gift to my fans around the world.”

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

Last night I went to the screening of the documentary Black Box Diaries, which premiered earlier this year at the Sundance Film Festival. This film directed by Shiori Ito depicts her own five-year journey from being raped by an older colleague in 2015 to the court case she brought against her perpetrator. You might recall hearing about her crusade, as she had been featured as one of Time’s Most Influential People of 2020 and wrote a memoir about the incident called Black Box. This film does a deep dive from Ito’s point of view as a journalist investigating her own case. She states that maintaining this relative objectivity is the only way she was able to tell her story, as directly facing herself and what happened would be too difficult.

Her honest portrayal is as harrowing as you might imagine, and this film is a tough watch. Ito provides a personal trigger warning at the beginning, one of many written messages superimposed throughout the film in her own handwriting. Along with interspersed confessional videos, these messages serve to connect us to the narrator and illuminate her mental state. Ito delves into the personal and professional ramifications of her assault, boldly holding nothing back. She uses her story to advocate for legal reform, as at the time the legal age of consent was 13 (it’s now 15) and male victims weren’t recognized (and now systematic sexual abuse within the Johnny’s talent agency has been exposed). It’s amazing to realize that Ito took on Japan’s rape culture and patriarchal society six months before Me Too became a concept. The moment in the film when she hears about the Weinstein case is one of pure joy, as she realizes that her bravery was not for naught and that she is part of an international movement.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, a clutch of new anime screenings, and a live performance you won’t want to miss.

March 15-21

Ryuichi Sakamoto | Opus

Film at Lincoln Center – Walter Reade Theater and Howard Gilman Theater, 165 W 65th Street

$14-$19

When Ryuichi Sakamoto died in March 2023 at age 71, the world lost one of its greatest musicians: a classical orchestral composer, a techno-pop artist, and a piano soloist who elevated every genre he worked in and inspired and influenced music-lovers across the globe. As a final gift to his legions of fans, filmmaker Neo Sora (Sakamoto’s son) has constructed a gorgeous elegy starring Sakamoto himself in one of his final performances. Recorded in late 2022 at NHK Studio in Tokyo, this filmed concert is an intimate, melancholy, and achingly beautiful one-man show, featuring just Sakamoto and a Yamaha grand, as the composer glides through a playlist of his most haunting, delicate melodies (including “Lack of Love, “The Wuthering Heights,” “Aqua,” “Opus,” and many more). Shot in pristine black-and-white by Bill Kirstein and edited by Takuya Kawakami, this stirring film brings us so close to a living, breathing artist that it feels like pure grace. Join Neo Sora for a director’s Q&A at the 3:30 p.m. and 6:30 p.m. screenings March 16.

March 17, 20

The End of Evangelion

Various theaters

Various prices

U.S. theatrical debut! Originally released in 1997, this final movie version was created as an alternative ending to the Neon Genesis Evangelion TV series, remaking the final two episodes from the series. SEELE plans an attack on NERV after failing to create a man-made Third Impact. After reaffirming both her own and her mother’s existence in a state of despair, Asuka returns and begins the counterattack. However, new enemies descend from the heavens. Meanwhile, Shinji witnesses the horrifying wreckage of Asuka’s EVA-02 while piloting EVA-01. Mass production models surround EVA-01 and perform a solemn ceremony. What does it mean to complete a human heart?

Friday, March 22, 2:00-9:00 p.m.

Manga March Madness Faire!

53rd Street Library, 18 West 53rd Street

Free

This special event in partnership with Brooklyn’s AniTOMO Con celebrates both Japanese culture and Women’s History Month! See art demonstrations, panels, giveaways (including the opportunity to win badges for Anime NYC this summer), gaming, a scavenger hunt, and much, much more! At 6:00 p.m., the theater area will present Sailor Moon R: The Movie on its big screen, where pizza and drinks will be provided for the teens in attendance. The debut film from the hit shojo series, Sailor Moon and the Sailor Guardians unite to save Earth from an alien force that has a startling connection with Mamoru!

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, some new film screenings, and a rock performance you won’t want to miss.

This month’s highlights include:

Feb. 2-3

Point Break

Metrograph, 7 Ludlow Street

$17, $10 members

From Academy Award-winning director Kathryn Bigelow, Point Break stars Keanu Reeves as Johnny Utah, an FBI agent who goes undercover among the beach bums in order to investigate a hunch about surfers who are possibly moonlighting as bank robbers, in the film that cemented Reeves as a new, very California cool kind of action star. With Patrick Swayze as the group’s guru and kingpin, Point Break is the kind of smart, fun, sexy, exciting action film desperately lacking in today’s Hollywood. This all-new 4K restoration is courtesy of Shout! Factory in association with Resurgence Media Group.

Tuesday, Feb. 6, 7:30 p.m.

Mr. Big: The Big Finish 2024

Sony Hall, 235 West 46th Street

$45 standing room only, $85 VIP reserved seating

One of the most successful American exports to rock Japan, Mr. Big is putting on their signature top hats and old shoes one last time for a worldwide tour, aptly titled “The Big Finish.” Since the band’s original drummer and co-founder, Pat Torpey, lost his battle with Parkinson’s disease in 2018, joining Mr. Big on drums for this special final world tour will be longtime friend of the band Nick D’Virgilio (Spock’s Beard, Big Big Train). Of note for this final run is the band’s decision to perform the entirety of their breakthrough platinum-selling 1991 album Lean Into It from start to finish as a featured highlight of the live setlist, along with other tunes from Mr. Big’s entire career. Lean Into It is the perfect litmus testament to the band’s inherent dexterity at blending a variety of styles together, whether it’s the heady rocking brew of “Green-Tinted Sixties Mind,” the power-drilled and power-chorded identity checklist “Daddy, Brother, Lover, Little Boy,” or the truly heartfelt sentiments found within “To Be With You,” Mr. Big’s chart-topping, worldwide #1 smash hit single.

Feb. 7, 8, 11

Paprika — Satoshi Kon Fest

Various theaters

Various prices

Anime Expo Cinema Nights presents the final film ever made by visionary director Satoshi Kon (Perfect Blue, Tokyo Godfathers) with his mind-bending thriller Paprika, which has been restored in 4K for the first time ever! When a machine that allows therapists to enter their patients’ dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it. Dreams become reality and vice versa in this psychological fantasy you won’t want to miss! Featuring the voice talents of Megumi Hayashibara, Kōichi Yamadera, and Tôru Furuya.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Start the new year right by heading down to your local concert venue, cinema, or arts center for some fantastic new year’s fare. Whether you enjoy movies, travel, or orchestral performances classic video games, treat yourself and catch a break from the cold.

This month’s highlights include:

Jan. 16-17

GURREN LAGANN THE MOVIE -Childhood’s End-

Various theaters

Various prices

In the distant future, Simon, a shy boy, and Kamina, a man who dreams of another life up on the surface live a quiet and restless life deep underground in Giha Village. One day, their destinies are forever changed when a gigantic “Gunmen” along with a beautiful girl named Yoko come falling through their village ceiling! Kamina, Simon, and Yoko break through to the surface riding the mysterious “Lagann” but the surface is nothing like Kamina imagined. Now, Kamina and Simon along with their comrades must challenge the evil Spiral King with the Gurren Lagann to bring hope to this desperate world. Available in subtitled, dubbed, 4DX and MX4D screenings (check local listings).

Jan. 21-23

Cowboy Bebop: The Movie

Various theaters

Various prices

Anime Expo Cinema Nights presents Cowboy Bebop: The Movie. Caught up in a world of dreams, lost in the cruelty of reality. What should have been an easy bounty turns into biological war after a terrorist gets hold of a deadly virus. Drawn in by the pretty price on the mastermind’s head, Spike and the Bebop crew are ready to collect a much-needed reward. Unfortunately, the gang’s about to find themselves in more trouble than money when the terrorist threatens to unleash the virus on Halloween–effectively killing everyone on Mars. With little time and leads that seem more dreamy than helpful, they’ll have to use their own bag of tricks to stop a dangerous plot.

Tuesday, Jan. 23, 8:00 p.m.

The 13th Annual New York Game Awards

SVA Theatre, 333 West 23rd Street

$64-$105

The New York Game Awards is an annual award show produced by the nonprofit New York Videogame Critics Circle to recognize outstanding achievement in video games. The first awards were held in 2012 to honor the previous year’s contributions to the video game industry. New York Videogame Critics Circle’s goals are to promote education within the worlds of video game writing and journalism in the New York City area. The New York Game Awards returns to the SVA Theatre January 23, 2024 to celebrate one of the best years in gaming! NYVGCC will honor Neil Druckmann (co-president of Naughty Dog and creator of The Last of Us) with the Andrew Yoon Legend Award. VIP tickets also include exclusive after party event access.

Jan. 23-24

GURREN LAGANN THE MOVIE -The Lights in the Sky are Stars-

Various theaters

Various prices

Seven Years have passed since the battle of Teepelin. Humans have successfully rebuilt civilization under Simon’s leadership and enjoyed an unprecedented period of peace and prosperity. However, humanity’s increasing population triggers the emergence of a powerful enemy. This fearsome Anti-Spiral proves too overwhelming for humanity to fight back. In these desperate times, the members of Team Dai-Gurren reunite to fight once again. In this high-stakes battle, can Simon and his team pierce the heavens with the Gurren Lagann to save mankind one last time? Available in subtitled, dubbed, 4DX and MX4D screenings (check local listings).

Jan. 24-26, 7:30 p.m.

Nihon Buyo in the 21st Century: From Kabuki Dance to Boléro

Japan Society, 333 East 47th Street

$55, $44 members/persons with disabilities

Witness a breathtaking union of Japan’s most talented nihon buyo dancers, featuring the esteemed Hanayagi Motoi and rising young star Azuma Tokuyo (also known as Nakamura Kazutaro in kabuki theater). Nihon buyo, literally meaning “Japanese dance,” encompasses an animated style that draws from traditional kabuki dance techniques. The program begins with Toba-e, a kabuki dance accompanied by live music, which depicts a comical manga story from the Edo period. The second half of the program is a piece set to Maurice Ravel’s famous score, Boléro. Expertly choreographed by Hanayagi Genkuro, this unexpected combination of East and West brilliantly retells a classical Japanese folk tale, with Kazutaro showcasing his exceptional talent in the onnagata (female) role of the heartbroken princess, Kiyohime. The Jan. 24 performance will be followed by private gathering for artists and members. The Jan. 25 performance will be followed by an artist Q&A. A pre-performance lecture, led by California State University, San Bernardino Dr. Kirk Kanesaka, begins at 6:30 pm. Performed in Japanese with English supertitles.

For more JQ articles, click here.

By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered. 

This month’s highlights include:

Opens Wednesday, Nov. 29 

Godzilla Minus One

Various locations 

Various prices

The undisputed King of the Monsters returns in the first Japanese Godzilla film since 2016! Written and directed by award-winning director Takashi Yamazaki and produced by Toho Studios, the film features an all-star cast lead by Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando and Kuranosuke Sasaki. Set in a devastated post-war Japan, it follows the country recovering from the scars of the past as the new threat of Godzilla appears. What happens when Godzilla comes to Japan completely disarmed and defenseless? Presented in Japanese with English subtitles.

Opens Thursday, Dec. 7 

The Boy and the Heron

Various locations

Various prices

The first feature in a decade from Hayao Miyazaki is a ravishing, endlessly inventive fantasy that is destined to be ranked with the legendary animator’s finest, boldest works. While the Second World War rages, the teenage Mahito, haunted by his mother’s tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy’s mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the “long-awaited one.” Indeed, an extraordinary and grand fate is in store for our young hero, who must journey to a subterranean alternate reality in the hopes of saving Natsuko—and perhaps himself. Uniting the countryside surreality of My Neighbor Totoro with the Alice in Wonderland–like dream logic of Spirited Away and the personal historical backdrop of The Wind Rises, yet fabricating something ingeniously original, The Boy and the Heron is a deeply felt work of eccentric beauty brimming with inspired images that lodge in the mind, from the adorable to the grotesque. Moving from earthbound serenity to a universe of boundless imagination, Miyazaki’s long-anticipated film seeks, once and for all, a world without malice. Presented in Japanese with English subtitles and English-language versions. Check local listings.

Dec. 11-13 

Tokyo Godfathers

Various Locations

$18-$20

Anime Expo Cinema Nights invites you to celebrate Tokyo Godfathers, the acclaimed holiday classic from master director Satoshi Kon (Paprika, Perfect Blue), as it returns to theaters to celebrate its 20th anniversary with a 4K restoration under the supervision of the original art director and producers. On Christmas Eve, three homeless companions stumble upon a baby girl in a garbage heap. They name her Kiyoko, and vow to care for her as they track down her family. Haunted by memories of their own broken pasts and pursued by a cast of shadowy characters from Tokyo’s nightlife, Hana, Gin and Miyuki overcome their differences and learn to trust one another as a new, makeshift family. With the New Year fast approaching, the mystery behind baby Kiyoko deepens, and these unlikely heroes discover the surprising—and sometimes miraculous—connections that have brought them all together. Co-written by Keiko Nobumoto (Cowboy Bebop) and featuring a whimsical score by Keiichi Suzuki, Tokyo Godfathers is a masterpiece by turns heartfelt, hilarious and highly original, a tale of hope and redemption in the face of seemingly insurmountable odds. 

Friday, Dec. 15, 7:30 p.m.

The 8-Bit Big Band

Sony Hall, 235 West 46th Street 

$60-$125

The 8-Bit Big Band is a Grammy Award-winning contemporary symphonic jazz orchestra created to celebrate and reimagine video game music’s most beloved hits rearranged in exciting and creative new ways to push the envelope of how we experience the music from these legendary soundtracks as a standalone body of musical work! Formed in 2017 with the release of their debut album Press Start, they draw their music from some of the most beloved video game titles of all time, dedicating themselves to bringing large ensemble arranging into the presence of the internet and gaming era while giving the music from these games the same professional treatment in arranging, performance, and production that has gone hand in hand with the large symphonic studio jazz orchestras of the past.  

For more JQ articles, click here.

By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability. 

This month’s highlights include:

Thursday, Nov. 1

Godzilla 2000 

Various locations

$16-$20

Get ready to crumble! The king of all monsters is back and bigger than ever! The action heats up when a UFO reveals itself as a massive alien monster with awesome destructive powers. The alien monster heads straight for the behemoth Godzilla, who’s just crushed the entire city for the battle of the millennium. But Godzilla’s furious heat beam may not be enough to destroy the death-dealing alien, and the future of humankind is in jeopardy. Now, it’s a bang-up, three-way, no-holds-barred brawl as Godzilla, the alien monster and the courageous citizens of Japan fight an unprecedented battle for survival in this earth-shattering sci-fi action adventure that will blow you away.

Nov. 3-4 

New York Japan CineFest

Asia Society, 725 Park Avenue

$8 Members, $15 Non-Members (per day)

Join Asia Society to celebrate Japanese independent filmmaking at New York Japan CineFest 2023. Now in its twelfth year, this film festival is back in person for the first time since 2019 with a screening of eighteen provocative short films over two days. The films comprise a diverse and exciting array of genres and styles from around the world— including fiction, documentary, and anime—that portray historical and contemporary Japanese culture and society.

On Friday, November 3, at 6:30 p.m., the two-day festival opens with a ninety-minute screening of short films, followed by a reception.

On Saturday, November 4, more short films follow at 1 p.m. and 3:30 p.m., with a beautiful calligraphy performance by acclaimed artist Chifumi Niimi at 3 p.m. Asia Society is proud to co-host the world premiere of Chifumi’s first short documentary film, Shu Ha Ri on New York Japan CineFest Day Two.

Nov, 8-9, various times

Digimon Adventure 02

Various locations

$16-20

It’s 2012, and ten years have passed since the adventure in the Digital World. Daisuke Motomiya is now twenty, and he and the rest of the DigiDestined seem to be changing bit by bit in terms of appearance and lifestyle. Then one day, a giant Digitama suddenly appears in the sky over Tokyo Tower. Daisuke and the others encounter a mysterious young man named Lui Ohwada, who informs them that he’s the first ever DigiDestined in the world…

The feature will include an introduction from the director, Tomohisa Taguchi. PLUS, as an incredibly special bonus, the first 50 guests to arrive at each night’s screening will receive a complimentary Digimon Card Game Tamer Party Pack -THE BEGINNING-  ver. 2.0, which includes 3 out of 14 possible cards from the new Digimon Card Game deck commemorating the film. Lucky recipients will be among the first fans in the U.S. to own these new “Digimon Adventure 02 The Beginning” themed cards before they are released to the general public in December. The Nov. 8 screening is dubbed in English, with the Nov. 9 screening subtitled in Japanese.

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

Earlier this month I had the amazing opportunity to work with the legendary actor Koji Yakusho when his newest work PERFECT DAYS premiered at the New York Film Festival. The film was helmed by German director Wim Wenders, who shot it over the course of 16 days in Tokyo. Wenders co-wrote the screenplay with the film’s producer Takuma Takasaki, who I had the honor of interpreting for during the festival.

The film’s backdrop is The Tokyo Toilet, a public works project featuring 17 public toilets throughout Shibuya designed by world renowned creators. Yakusho plays a cleaner of these toilets named Hirayama, a man who leads a simple life. His days consist of an early morning commute to work with a soundtrack of nostalgic music, enjoying a soak at the public bath, having a simple meal before returning home and reading before bed. Hirayama has a flip phone and no Internet access, but he is content with his existence. The unexpected arrival of his niece shakes up his routine, and during their time together we learn more about his background.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

As the summer sun fades into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed all through Halloween.

This month’s highlights include:

Sunday, Sept. 24, 6:00 p.m.

Fox Lake/Hanabie

Gramercy Theatre, 127 East 23rd Street

$53.66

Hanabie is a sensational hybrid-girl-band with their original genre, “Harajuku-core,” which is a mix of metalcore and hardcore with Akihabara culture. Formed in 2015, members Yukina, Matsui, Hettsu and Chika are now on a massive 21-date American tour, including the Louder Than Life and Aftershock festivals! Joining them on these and upcoming dates are Denver’s Fox Lake, a hip-hop-injected metal band that most recently released their Fear & Loathing EP in June. For videos and more info on future gigs, visit www.foxlakeband.com.

 Oct. 1-2, 12, 14

The Boy and the Heron

Alice Tully Hall, 1941 Broadway

$25 students, $30 non-members 

U.S. premiere as part of the 61st New York Film Festival! The first feature in a decade from Hayao Miyazaki is a ravishing, endlessly inventive fantasy that is destined to be ranked with the legendary animator’s finest, boldest works. While the Second World War rages, the teenage Mahito, haunted by his mother’s tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy’s mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the “long-awaited one.” Indeed, an extraordinary and grand fate is in store for our young hero, who must journey to a subterranean alternate reality in the hopes of saving Natsuko—and perhaps himself. Uniting the countryside surreality of My Neighbor Totoro with the Alice in Wonderland–like dream logic of Spirited Away and the personal historical backdrop of The Wind Rises (NYFF51), yet fabricating something ingeniously original, The Boy and the Heron is a deeply felt work of eccentric beauty brimming with inspired images that lodge in the mind, from the adorable to the grotesque. Moving from earthbound serenity to a universe of boundless imagination, Miyazaki’s long-anticipated film seeks, once and for all, a world without malice. Presented in Japanese with English subtitles.

Oct. 5, 7, 11 

Evil Does Not Exist

Alice Tully Hall, 1941 Broadway

Howard Gilman Theater, 144 West 65th Street 

$25 students, $30 non-members

U.S. premiere! Deep in the forest of the small rural village Harasawa, single parent Takumi lives with his young daughter, Hana, and takes care of odd jobs for locals, chopping wood and hauling pristine well water. The overpowering serenity of this untouched land of mountains and lakes, where deer peacefully roam free, is about to be disrupted by the imminent arrival of the Tokyo company Playmode, which is ready to start construction on a glamping site for city tourists—a plan, which Takumi and his neighbors discover, that will have dire consequences for the ecological health and cleanliness of their community. The potent and foreboding new film from Oscar-winning director Ryûsuke Hamaguchi (Drive My Car and Wheel of Fortune and Fantasy, both NYFF59) is a haunting, entirely unexpected cinematic experience that reconstitutes the boundaries of the ecopolitical thriller. Intensified by a rapturous, ominous score by Eiko Ishibashi, this mesmeric journey diverges from country-vs-city themes to straddle the line between the earthy and the metaphysical. Presented in Japanese with English subtitles. Q&A with Ryûsuke Hamaguchi on Oct. 5 & 7.

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