Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Japanese/English Interpreter
Posted by: Quick USA
Location: Greenfield, IN, USA
Contract: Full-Time

Thanks to Carlos Medina (Oita, 2019-2022) for passing along the following job opening.

A Japanese Manufacturing company is currently looking for a full time Japanese-English Bilingual Interpreter to join their Greenfield, IN location.

The main role is to support Japanese expatriates (leaders and advisors) and provide real-time conference interpretation (simultaneous and consecutive) between English and Japanese.

More than just language conversion, the position requires an understanding of the differences in culture and business practices between Japan and the United States, and the ability to promote smooth mutual understanding as a communication advisor.

DOE and skills, the pay range for this position would be between the 50k-70k mark with great benefits.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. Photos by Matt Beard & Anne Colliard.

Under the White Big Top at Atlantic Station, a glowing disc becomes moon and sun, hummingbirds vault through moving hoops, and a sudden downpour sketches patterns in mid-air. This is LUZIA: A Waking Dream of Mexico, Cirque du Soleil’s acclaimed touring production that transforms a night at the circus into a kaleidoscopic travelogue: equal parts high-wire athleticism, live theater, and living mural. The Atlanta engagement runs now through January 25—a perfect holiday send-off and a rare chance to see the company’s first Big Top show to weave real rain into its acrobatics. 

LUZIA opens with a parachutist tumbling into a field of golden marigolds before a “Running Woman” unfurls monarch-butterfly wings. From there, the show leapfrogs through an imaginary Mexico: a smoky dance hall inspired by the golden age of cinema; an arid desert rimmed by towering agaves; a cenote where an aerialist arcs just above a shimmering pool. The program’s audacious centerpiece is a curtain of water that “prints” shapes with droplets—flowers, animals, even motifs drawn from Otomí embroidery—then vanishes in an instant.

On treadmills, hoop divers sprint and spring through moving rings; Cyr wheel artists carve hypnotic circles in the rain; and the Russian swing sends flyers soaring 30 feet beneath the tent’s crown. (Note that this is the first Cirque touring production to integrate water at this scale; Cirque’s custom-made 2,600-seat Grand Chapiteau becomes a small village on wheels, complete with kitchens, workshops, and a self-contained water system.)

Reviews have been rapturous since the show’s Montreal premiere back in 2016. New York Theatre Guide called LUZIA “one not to miss,” praising the way it “showcases the best of Cirque’s acrobatic feats amid bright colors, vibrant music, and rich culture.” Atlanta’s ArtsATL admired how the “sumptuous and vibrant world of Mexico” is conjured through costumes, ingenious set pieces, and “excellent acrobatics.” Critics abroad have echoed the praise. Australia’s Herald Sun hailed LUZIA as a “spellbinding love letter to Mexican culture” and marveled at the onstage downpour created with tens of thousands of liters of filtered, heated, and recirculated water—an engineering feat that underscores Cirque’s obsession with detail and safety.

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Administrative Assistant
Posted by: Permanent Mission of Japan to the United Nations
Location: New York, NY, USA
Contract: Full-Time

Thanks to Jaime Cerna (Okinawa, 2017-2022) for passing along the following job opening.

The Permanent Mission of Japan is looking for local staff in the Social Section.

Job Description

• Administrative Assistant in charge of supporting and engaging in duties pertaining to the Social Section (please see below for detailed descriptions of expected job responsibilities).
• Full-time local staff, Monday through Friday. 7 hrs 45 min./day (9:30am-6:15pm with 1 hour lunch break)
• 3 months probation period required. 2 years (including probation period) with possible extension.
• Excellent and professional English writing, verbal communication skills and computer skills required.

Requirements

• U.S. citizenship or green card – required
• Professional English writing and verbal communication skills, computer skills, touch typing skills – required
• Bachelor’s degree – required
• Japanese language skills and cultural familiarity – preferred
• Basic Knowledge of the United Nations and diplomacy – preferred

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered. 

This month’s highlights include:

Wednesday, Dec. 3 (IMAX early access), opens everywhere Dec. 5

Jujutsu Kaisen: Extinction

Various theaters

Various prices

For the first time on the big screen, the Shibuya Incident—the greatest battle in Jujutsu Kaisen to date—will be presented in a special compilation format. Jujutsu Kaisen: Execution presents the debut of the first two episodes of Season 3’s upcoming arc, “Culling Game Part 1” ahead of its January 2026 streaming debut. By connecting the directly linked episodes of the “Shibuya Incident” and “Culling Game,” arcs, fans can relive all the mayhem and heartbreak of the Shibuya Incident and witness the reveal of the Culling Game as the story transforms into a new experience crafted specially for the big screen. The desperate confrontation between Satoru Gojo’s two beloved students comes to the big screen with an early preview. Be the first to experience Yuji and Yuta’s fateful battle with the hotly anticipated kickoff to Season 3 in theatres nationwide!

December 4-6, 7:30 p.m.

Mishima’s Muse – Noh Theater

Japan Society, 333 East 47th Street

Sold out; limited access seats for $40 may be available for performances on December 5 & 6 only

Hosho Noh School’s U.S. Debut! A pre-performance lecture on noh theater begins one hour prior to the start of each show.

Yukio Mishima immersed himself in Japan’s traditional arts and, notably, traditional noh theater, enchanted by its noble elegance and refined beauty. His love for noh resulted in a series of esteemed dramatic works, Modern Noh Plays, growing to encompass eight contemporary adaptations of noh stories. Now, the distinguished Hosho Noh School, originating in the early 15th century and led by 20th Grand Master Kazufusa Hosho, brings this elegant art form to the U.S. in the company’s historic North American debut. In accordance with centuries-old tradition, each evening features a rotating offering of the authentic classic repertoire of noh alongside comedic kyogen theater (performed by the prominent Yamamoto Tojiro Family).  Each play selected for this program served as a source of inspiration for Mishima to adapt as modern stories centuries later.

PROGRAM:

December 4: Noh Music: Shishi (Lion Dance) / Kyogen: Busu (Poison) / Noh: Aoi no Ue (Lady Aoi)

December 5: Noh Shimai (unmasked excerpt): Kantan / Kyogen: Busu (Poison) / Noh: Aya no Tsuzumi (The Silk Drum)

December 6: Noh Shimai (unmasked excerpt): Yoroboshi / Kyogen: Busu (Poison) / Noh: Aoi no Ue (Lady Aoi)

Performed in Japanese with English supertitles.

Dec. 10-14

New Dances: Edition 2025

Peter Jay Sharp Theater at Juilliard, 155 West 65th Street

$20 members, $40

Four exceptional choreographers are working with Juilliard dancers creating new works here on campus. Be the first to see New Dances: Edition 2025. Gianna Reisen has created works for New York City Ballet and the Los Angeles Dance Project and sets her new piece for first-year dancers to sections of Philip Glass’ Einstein on the Beach, with third-year dancers as the narrators. Juilliard alum, former Paul Taylor dancer, and founder of TAKE Dance Takehiro Ueyama is creating a work for second-year dancers to communicate something “human, honest, and hopeful.” Juilliard alum My’Kal Stromile, currently choreographing with the Boston Ballet, has third-year dancers sharing the stage with Dolphin Quartet, playing Paganini live. Jessica Wright from Studio Wayne McGregor introduces the first phase of a large-scale work with fourth-year dancers, before it expands to a multi-part performance McGregor will direct this spring in New York, culminating in the world premiere at Sadler’s Wells East in May, featuring the Juilliard dancers and dancers from London’s Rambert School.

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: JET Program Interview Assistant
Posted by: The Consulate-General of Japan in Chicago
Location: Chicago, Illinois, USA (Remote)
Contract: Full-Time

Thanks to Magda Fuller (Ishikawa, 2015-2022) for passing along the following job opening.

The Japan Information Center is hiring multiple part-time, remote JET Program Interview Assistants for the upcoming 2026 JET Program interview season. Please see the job listing for details.

Application Process: For more information and to apply, please click here – https://www.chicago.us.emb-japan.go.jp/files/100939658.pdf

Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Japanese Interpreter
Posted by: Quick USA
Location: Rockmart, GA, USA
Contract: Full-Time

Thanks to Carlos Medina (Oita, 2019-2022) for passing along the following job opening.

A Japanese manufacturing company is currently looking for a fully onsite, Japanese Bilingual Interpreter to join their Rockmart, GA location.

The Interpreter is responsible for assisting various situations of communication between American staffs and Japanese staffs. Translator is responsible for translating emails, documents and presentations as requested by top management members and staff. Special Projects is responsible for following through on any business requests the President deems necessary.

DOE and skills, the pay range for this position would be between the 50k-60k mark and would come with great benefits. Entry level candidates are also encouraged to apply , especially if they have JLPT N2 level Japanese proficiency.

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Japanese Bilingual Correspondent
Posted by: Quick USA
Location: New York, NY, USA
Contract: Full-Time

Thanks to Carlos Medina (Oita, 2019-2022) for passing along the following job opening.

A Japanese Publishing Company is currently looking for a full time, hybrid English-Japanese Bilingual Correspondent to join their New York location.

This position is responsible for reporting on and writing news stories and relevant information, frequently related to the US and global economies through collecting and analyzing information relevant to newsworthy events through interviews, investigations, data analysis, and other observation methods.

The role may involve attending press conferences independently, traveling to other parts of the country, and collaborating with reporters in other locations, including bureaus in the Americas and in Tokyo.

DOE and skills, the pay range for this position would be between the 58k-70k with great benefits.

Your essential duties would include the following:

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for JQ magazine. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. 

Mamoru Oshii’s Angel’s Egg is one of those films that people talk about in a lowered voice, as if it were a mystery that might vanish if confronted too directly. It is a film of austere beauty and radical quiet—70-odd minutes of shadowed corridors, abandoned cathedrals, fossilized leviathans, and two nameless travelers: a girl who cradles a giant egg as if it were her entire future, and a boy who cannot stop asking what’s inside.

Released in 1985 and long unavailable through official channels in North America, Angel’s Egg has gathered its legend through bootleg tapes, festival whispers, and the occasional late-night screening. Now, four decades on, it returns today (Nov. 19) in theaters nationwide in a new 4K restoration supervised by Oshii and presented nationwide by GKIDS, which included Dolby Cinema early access engagements before the general theatrical rollout. For a film that has lived so much of its life in the margins, the chance to experience it in a calibrated premium room with Dolby Vision and Atmos support feels almost paradoxical—and absolutely right.

This anniversary run isn’t just a new coat of paint. The restoration—which debuted on the 2025 festival circuit and now arrives coast to coast—was reconstructed from the original 35mm materials, with a Dolby Cinema version created alongside a rebuilt soundtrack that expands the original mono presentation into 5.1 and Dolby Atmos options. That last detail may raise eyebrows for purists, but in practice the approach respects the film’s fundamental quietude; it simply gives the silence more dimensions.

To remember Angel’s Egg in the context of anime history is to remember how unstandardized the medium felt in the mid-1980s. It premiered in a decade when the OVA market was exploding and when directors like Oshii and artists like Yoshitaka Amano (Final Fantasy, Vampire Hunter D) were testing the boundaries of animation’s visual grammar. The film’s surface—textured stone, dripping water, the faint pulse of bio-mechanical curiosities—speaks in symbols rather than exposition. There is barely any dialogue. The camera (or rather, Oshii’s implied lens) prefers long lateral moves, as if pacing the nave of an endless church, and the compositions are arranged like prints: light carved out of darkness, characters dwarfed by architecture, the egg always nestled in white cloth at the frame’s center.

When viewers call the film “obscure,” they don’t just mean it’s hard to find; they mean it resists the usual ways we talk about plots. If Oshii’s Ghost in the Shell (1995) became the textbook for cyber-philosophy in animation, Angel’s Egg is the poem scrawled in the margins. The imagery anticipates later techno-gothic strains of anime, but without the anchor of a conventional narrative. In this sense, its return to theaters matters historically: one rarely sees repertory engagements for 1980s anime outside of a handful of well-known titles, and the film’s own distributors underscore how rarely screened it’s been in any official capacity. Seeing it at scale isn’t a curiosity; it’s an act of historical restoration.

Oshii’s collaboration with Amano yields a film that looks simultaneously medieval and futuristic. Statues of saints are strapped to rolling platforms and carted through fog-wet streets; hunters hurl harpoons at shadow-fish that pass across stone facades like projected ghosts; the girl and the boy ride a gargantuan, half-submerged machine that could be a cathedral or a vessel or a fossilized beast. The film’s religious aura—crosses, chalices, a literal ark—threads through its central question: does faith require the egg to remain closed, or the courage to break it? The boy, carrying a rifle and speaking in riddles, keeps needling: “What’s inside?” The girl maintains her vigil.

What’s remarkable, especially on a big screen, is how the movie makes time feel tactile. Shots hold until your breathing matches the drip of water; the rhythm of footsteps through an empty hall becomes as musical as Kenji Kawai’s glassy, ascetic score. And then, at intervals, Oshii punctures the stillness with kinetic episodes: a barrage of thrown spears; a dissolve-drunk montage of monuments and bones; an unforgettable nocturne of the boy swinging the egg like a hammer. These moments carry a kind of moral vertigo that’s hard to feel at home; they need the dark, the scale, the sense that the film surrounds you.

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Travel Experience Specialist
Posted by: Inside Travel Group
Location: Remote-Optional
Contract: Full-Time

Thanks to Madeline Bradshaw with Inside Travel Group for passing along the following job opening.

Your role as a Travel Experience Specialist is twofold: proactively seeking opportunities to improve clients’ travel experience and reactively assisting in resolving inbound customer issues, concerns, or requests. As a key member of the Customer Experience team, you’ll play a pivotal role in delivering exceptional customer service while monitoring the day-to-day travel landscape. This includes surveying air and rail services, weather events, and public health risks to keep our travelers informed of any potential disruptions.

No two days are the same for our Customer Experience team, as you’ll manage itinerary-related inquiries, provide assistance with missed transfers, and fulfill requests for additional guides or unique travel experiences. You’ll also support clients in more challenging situations such as lost items, medical emergencies, or unexpected delays. This is a multitasking role that involves managing the customer support phone line, inbox, and TESS (our customer support ticketing system) to calmly, efficiently, and effectively deliver solutions.

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Temporary/Part-Time Program Coordinator
Posted by: INCO
Location: Japan/Remote
Contract: Full-Time

Thanks to INCO for passing along the following job opening.

About You:

Are you passionate about empowering young women to enter the tech industry or pursue further education in tech? Do you want to contribute to closing the skills and employment gap in Japan? If you are tech-savvy, enthusiastic about education, and eager to support learners in their journey from basic digital literacy to specialised tech knowledge, this role is for you!

Join INCO’s groundbreaking Get into Tech (GiT) program, an orientation and pre-specialization training initiative aimed at helping those who face barriers to employment to secure jobs in the tech sector or advance their education in this field.

Your missions will include the following:

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Economic Development Associate and Researcher
Posted by: JETRO New York
Location: New York, NY, USA/Hybrid
Contract: Full-Time

Thanks to JETRO New York for passing along the following job opening.

Description:
(Job Summary／業務内容)
• Under the supervision of the Executive Director and Director, assist in the implementation of activities, programs, and services aimed at promoting bilateral economic relations between Japan and the U.S., in collaboration with federal, state, and local governments, organizations, companies, and institutions.
ディレクターの監督の下、米国の連邦、州、地方の政府や組織、企業、機関とともに、日米二国間経済関係促進のための各種活動、プログラム、サービスの実施を補佐する。

• Conduct research and analysis on U.S. federal and state government policies related to workforce development—including visa and immigration issues—as well as industrial strategies and disseminate accurate and relevant information to stakeholders in Japan and the U.S.
米国における連邦・州政府の人材関連政策、産業政策などに関する調査や分析を行い、正確で関連性の高い情報を日本向け、米国向けの双方に発信する。

• Collect and disseminate up-to-date information on Japan’s investment trends in the United States. In addition, manage the progress of quantitative surveys related to the actual business activities of Japanese companies in the U.S., coordinate communications, and share findings.
日本の対米投資動向に関する最新情報の収集・発信を行う。加えて、日本企業の米国における活動実態に関わる定量調査の進捗管理、連絡調整、発信を行う。

sparrosd@gmail.com

Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Temporary Assistant to the JET Program Coordinator
Posted by: Consulate General of Japan in Los Angeles
Location: Los Angeles, CA, USA
Contract: Full-Time

Thanks to Michelle Akamine (Oita-shi, Oita, 2021-2024) for passing along the following job opening.

The Consulate General of Japan in Los Angeles is seeking a talented, hard-working, organized individual to assist the JET Program Coordinator during the JET Program selection period in early 2026. This is a temporary contract position which will most likely be part-time for the duration of approximately 30 business days, to take place from early January until
late February. Work will primarily take place in the office. Wages are non-negotiable and will not cover any taxes you may be responsible for later (social security, etc.) or parking/transportation

Application Process: For more information and to apply, please click here – https://www.la.us.emb-japan.go.jp/pdf/JET_TempAd_Winter2026.pdf

Dan Lowe is the founder of Boston Intercultural Consulting, LLC, including its Japanese learning arm, japanesecircle.com. The following is the conclusion of a five-part series covering the “Big Five Common Enemies” Japanese language learners must confront to maximize their Japanese learning effectiveness: 

1. The Passive Kraken(受け身クラーケン)
2. The Binge Beast(ドカ食いビースト)
3. The Isolation Ghost（孤独ゴースト)
4. The Friction Goblin（摩擦ゴブリン)
5. The Slow-Mo Swamp（スローモー沼).

Finally, we confront the Slow‑Mo Swamp. This marsh makes your progress feel so slow and invisible that quitting seems logical. You think, “After all this effort, why am I not fluent yet?” Without proof of improvement, the Swamp drags you down until you abandon your journey.

When I Slogged Through the Swamp

Around mid‑2022, I was studying regularly but felt stuck. I couldn’t see my progress and assumed I wasn’t improving. Only after finding an old marked up JLPT practice test, with all my unknown words highlighted, did I realize how far I’d come. I just hadn’t been measuring it.

Research shows that monitoring progress is critical for translating goals into action. A 2016 meta‑analysis of 138 studies (nearly 20,000 participants) found that interventions prompting people to monitor their progress significantly increased both the frequency of monitoring (effect size and goal attainment. Progress monitoring was even more effective when outcomes were made public or physically recorded. Put simply: what gets measured gets done.

Tracking isn’t just about numbers: it also changes how you think. Psychology researchers note that self‑monitoring (keeping logs, journals, or diaries) makes us more aware, focused, and motivated. Without tracking, we rely on flawed memories and heuristics, making us underestimate progress and give up too soon.

Spotting the Slow‑Mo Swamp

• Symptom #1: You feel like you’re not improving, even after weeks of study.
• Symptom #2: You don’t keep records of what you’ve learned. There’s no “before” and “after” to compare.
• Symptom #3: You frequently relearn words or grammar because you forget what you mastered.

Why the Swamp Wins

Our brains are wired to notice big wins and quick feedback. Language learning, by contrast, is incremental. Without clear markers, you misinterpret slow progress as no progress and conclude your efforts are futile. The Slow‑Mo Swamp thrives on this perception. Tracking creates an external scoreboard, giving your brain the hits of achievement it craves. Meta‑analysis data confirm that physically recording and sharing progress dramatically boosts goal success.

How to Escape the Slow‑Mo Swamp: Make Progress Visible

1. Establish Baselines. Pick a topic you enjoy. Read an article about it and highlight all the words, kanji, and grammar patterns you’re unfamiliar with. Date it.
2. Pick Your Metrics. Decide on 2–3 upstream metrics to track weekly: new words used, minutes of output (speaking/writing), or number of conversations attempted. Then, choose a downstream metric to track success, such as number of unknown vocab across similar readings. (e.g. reading the sports section or weather each day). 
3. Create a Scoreboard. Use a spreadsheet, journal, or japanesecircle.com’s “Wins & Learnings” space to log your metrics each week. Public recording increases accountability and success.
4. Schedule Review Points. Every four weeks, review your trends. Celebrate improvements, no matter how small. Seeing progress fuels motivation. If you’re results are trending in the wrong direction, evaluate your input metrics and see if you are following the plan you set before tearing it down entirely. 

Mini‑Quest: This Month’s Challenge

1. Pick a topic of interest and share on japanesecircle.com.
2. Set up a simple progress tracker (spreadsheet, journal, or community post) with your chosen metrics.
3. Update it weekly for four weeks. At the end of the month, review your progress

Share one metric or a before‑and‑after insight in your study group or on japanesecircle.com. Remember: what you measure moves. Let’s drain the Slow‑Mo Swamp and watch our Japanese journey accelerate!

Special Thank You

I’d like to express my appreciation to everyone who has read part or all of this series. I’d love to chat over text or over a call and hear what you gained from the experience. You can reach me directly on Japanesecircle.com. 

Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Local Staff, Economic Division
Posted by: Consulate General of Japan in New York
Location: New York, NY, USA
Contract: Full-Time

Thanks to Joseph Meringolo (Fukushima, 2014-2017) for passing along the following job opening.

The Consulate General of Japan in New York is currently seeking to hire a local employee in the Economic Division.

Duties
– Communicating and supporting relationships with government and corporate contacts, including arranging and/or participating in meetings and reporting results clearly
– Daily research on Japanese business issues and U.S. economic conditions
– Writing and editing public statements by the Consulate
– Responding to telephone and e-mail inquiries from the general public related to matters under the jurisdiction of the Economic Division

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Posted by Sydney Sparrow. Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.

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Position: Program Coordinator
Posted by: U.S.-Japan Council
Location: Washington, D.C., USA/Hybrid
Contract: Full-Time

Thanks to the U.S.-Japan Council for passing along the following job opening.

The Program Coordinator will work closely with the Director of Programs, Program Manager(s), and other staff across the team to provide administrative support in the development, coordination and execution of programs and events that support and promote USJC’s mission.Candidates should be committed to the goals of the organization and bring 1-2 years of experience coordinating and supporting programs and events that educate and engage audiences who are interested in U.S.-Japan relations.

This is a full-time position based in Washington, D.C. (or elsewhere in the continental U.S.), with domestic and international travel required as needed. Preference will be given to candidates located in Washington, D.C., who are able to commute to the office. The Program Coordinator will report to the Director of Programs.

Key Responsibilities

sparrosd@gmail.com