By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.

This month’s highlights include:

March 25-29

My Neighbor Totoro 35th Anniversary

Various locations

$15-$20

The inaugural selection of Ghibli Fest 2023, this classic tale from Academy Award-winning director Hayao Miyazaki serves up magic and adventure for the whole family. When Satsuki and her sister Mei move with their father to a new home in the countryside, they find country life is not as simple as it seems. They soon discover that the house and nearby woods are full of strange and delightful creatures, including a gigantic but gentle forest spirit called Totoro, who can only be seen by children. Totoro and his friends introduce the girls to a series of adventures, including a ride aboard the extraordinary Cat Bus, in this all-ages animated masterpiece featuring the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning, in early roles. Presented in both English-language and Japanese subtitled versions (March 28 only).

Thursday, April 6, 7:30 p.m.

Masayo Ishigure, Koto, Bass Koto, and Shamisen

Weill Recital Hall at Carnegie Hall, 881 7th Avenue

$40-$50

Masayo Ishigure Koto and Shamisen Recital commemorates the 30th anniversary of the veteran koto and shamisen performer’s professional career in the U.S.! Program selections include: “Sakura/The Moon over the Deserted Castle” A masterpiece representing Japan composed by Tadao Sawai. “Ginga (Galaxy)” by Tadao Sawai, using Okinawan melody, is performed on koto and shamisen. “(untitled) ” composed by Zac Zinger for koto, piano, and shakuhachi, each instrument partially improvises like often heard in Jazz music. “Gin-yu-ka (Minstrel Song)”, a powerful ensemble of six koto players composed by Hikaru Sawai “Chizuru/ Whereabouts of the Wind” by Hideaki Matsumoto, a relatively new Koto and piano piece. “Flying like a Bird”, composed by Tadao Sawai, will be the last piece of the recital. The piece, using all the techniques the composer could think of at that time, is one of the milestone of 20th century Koto music, and definitely worth listening to. The history of Japanese music can be seen in this program, which can be enjoyed by a wide range of audiences.

April 6-8, 8:00 p.m. 

Joan Laage/Kogut Butoh: Rivers Running Red

Triskelion Arts, 106 Calyer Street (Brooklyn)

$20 

Rivers Running Red is a homage to the female body and menstruation. The piece is inspired by an article exposing the practice in certain traditional societies of sending women off to the mountains to remain in huts and, all too often not surviving the harsh conditions. This practice is fueled by the belief that women are unclean while menstruating. It is also a reflection on this monthly cycle being celebrated as a sacred passage in other cultures. Vangeline Theater will open the show with an excerpt of The Slowest Wave. The Slowest Wave investigates through the use of scalp EEG how brain waves during Butoh dancing compare to those emitted during other conscious or unconscious motor behaviors, such as speaking or meditating. Moreover, the study will elucidate the functional neural networks of the dancers and the neural synchrony within and between them. This project is meant to foster connections and understanding between dancers, artists, scientists, engineers, and audiences from around the world.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here. e. 

Stay warm this winter with some hot local events, from live showcases that will transport you to another time and place, a clutch of new anime screenings, and a ballet performance you won’t want to miss.

This month’s highlights include:

March 3-19, Various Times

New York International Children’s Film Festival

Various Locations

Get $2.00 off tickets with the code JQ2023 at nyicff.org/tickets

New York International Children’s Film Festival is back—and back in theaters—with an all-new slate of the best films from around the world for kids and families.  Check out the highly anticipated new release Suzume, and many Japanese short films featured in the lineup–like the delightfully animated Konigiri-Kun Parasol in Shorts for Tots (ages 3-6). Japanese selections include:

Suzume (for ages 12+)

•           March 5, 5 PM @ SVA

North American premiere! From the director of the acclaimed Your Name. (NYICFF 2017). On the other side of the door, was time in its entirety…As the skies turn red and the earth trembles, Japan stands on the brink of disaster. But one determined teenager, Suzume, sets out on a mission to save her country. Able to see the supernatural forces that others can’t, it’s up to her to close the mysterious doors spreading chaos across the land. A perilous journey awaits as the fate of the country rests on her shoulders.

March 10-11, 8:00 p.m.

The Music of Toshiko Akiyoshi

Rose Theater – Jazz at Lincoln Center, Broadway & West 60th Street

$40.50-$170.50

For The Music of Toshiko Akiyoshi with The JLCO with Wynton Marsalis and special guest Lew Tabackin, The Jazz at Lincoln Center Orchestra with Wynton Marsalis play the monumental compositions of the iconic pianist-composer Toshiko Akiyoshi, as they are joined by her on stage for part of the performance. Akiyoshi has been a force on the international scene since 1952, and has impressed critics and audiences alike for the comprehensive mastery and fierce distillation of the language of bebop master Bud Powell that she was able to assimilate early on, and for her evocative corpus of sui generis works since 1973 for the Akiyoshi-Tabackin Orchestra with Lew Tabackin (who will play tenor saxophone and flute on this evening), combining swing, bebop, classical, and elements drawn from her Japanese heritage. There will be a free pre-concert lecture at 7 p.m. for each performance.

Monday, March 13, 7:30 p.m.

I’m Trying to Understand You, But…

Japan Society, 333 East 47th Street

$15, $12 members

The 17th installment of Japan Society’s annual Play Reading Series introduces topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S.NYC-based director NJ Agwuna, winner of the 2022 Barbara Whitman Award, tackles Yuri Yamada’s timely play I’m Trying to Understand You, But… In this piece, Yamada portrays a dicey conversation between a young couple that starts as an unintended pregnancy reveal and ends in a gender-swapped discussion about how the incident came about. Two maids named Libby and Prudie give running commentary throughout the couple’s heart-to-heart. Two-time Kishida Kunio Drama Award-nominee Yamada joins in a post-show Q&A with the audience and director.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

With Thanksgiving (and the hopes of sensible eating) now just a memory, we turn to colder weather, falling snow, and the new year to come. Fortunately for Japanese culture fans, December is just as busy as the holiday season itself. Whether you’re hosting guests from out of town or looking to squeeze in an event or two in between parties, we’ve got you covered.

This month’s highlights include:

Now through Jan. 8

NYC Winter Lantern Festival

Various locations

$12.00-$50.00

The annual Winter Lantern Festival is back to transform your neighborhood into an immersive world of light Journey to the East with friends and family at SIUH Community Park in Staten Island to explore the wonders of over 1,000 Chinese lanterns; all handmade by artisans. Queens County Farm welcomes visitors an unforgettable radiant oasis with friends and family as we Illuminate the Farm. Located at Nassau County Museum of Art in Long Island, Winter Lantern Festival’s Drive Thru Adventure in Roslyn will dazzle your friends and family as you roll through acres of luminance! Finally, night the light this holiday season! The Winter Lantern Festival at Smithtown Historical Society in Suffolk County will feature lanterns and displays ranging from mushrooms and flowers to farm animals to dinosaurs; all handmade by artisans with decades of dedication to their craft. Be ready for photo-ops with friends and family as this will be an unforgettable experience!

Dec. 1-3, 7:30 p.m.

Kotei (The Emperor) | Makura Jido (Chrusanthemum Boy)

Japan Society, 333 East 47th Street

$95, $76 members (performance + soirée); $72, $58 members (performance only)

Prominent members from the Kita Noh School, including Akiyo Tomoeda, Living National Treasure designated by the Japanese government, perform two works from noh theater’s classical repertoire: Kotei (The Emperor) on Dec. 1 and 3, and Makura Jido (Chrysanthemum Boy) on Dec. 2—two pieces meant to be a prayer to hasten the end of the pandemic and celebrate health and longevity. Set in the Tang Dynasty in China, Kotei tells the story of the deity Shoki, who rescues the ailing Empress Yang Guifei and pledges his allegiance to Emperor Xuanzong. Also set in China, Makura Jido is about a boy who has joyfully lived for 700 years by drinking an immortal elixir from the dew of a chrysanthemum leaf. The boy reveals that the dew has created a pool in the valley, which has become the headspring for medicinal water. Performed in Japanese with English supertitles. A ticketed soirée follows the Dec. 1 performance. An artist Q&A follows the Dec. 2 performance.

 Dec. 2-11, various times

Yoshimitsu Morita Retrospective

Film at Lincoln Center, 70 Lincoln Center Plaza #4

$10-$65

Across a 30-plus-year career, Yoshimitsu Morita (1950–2011) amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. From his irreverently comic 1981 Something Like It to his 1983 breakout black comedy, The Family Game (presented in an all-new 4K remaster), to forays into melodrama (And Then, 1985), the hard-boiled film (Deaths in Tokimeki, 1984), the pink film/roman porno (Top Stripper, 1982), horror (The Black House, 1999), and romantic drama (Haru, 1996), Morita’s work is marked by an incomparable sensitivity to the peaks and valleys of the inner landscape of Japanese society, a penchant for subtle injections of surreality to highlight the absurdity of certain aspects of Japanese life, an omnipresent sense of irony, and a boldly iconoclastic approach to visual composition. Presented in Japanese with English subtitles. Select screenings feature an introduction by producer Kazuko Misawa and composer Michiru Oshima.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

The Japan-centric events of the month ahead promise to be as rich and full as autumn itself—brisk and colorful, with a dash of unpredictability.

This month’s highlights include:

Oct. 30-31, Nov. 1-2

Spirited Away

Various locations/prices

The final film selected for this year’s Studio Ghibli Fest! Winner of the Academy Award for Best Animated Feature, Hayao Miyazaki’s wondrous fantasy adventure is a dazzling masterpiece from one of the most celebrated filmmakers in the history of animation. Chihiro’s family is moving to a new house, but when they stop on the way to explore an abandoned village, her parents undergo a mysterious transformation and Chihiro is whisked into a world of fantastical spirits ruled over by the sorceress Yubaba. Overflowing with imaginative creatures and thrilling storytelling, Spirited Away became a beloved hit worldwide, and is one the most critically acclaimed films of all time. The October 30 and November 1 screenings are dubbed in English, and the October 31 and November 2 screenings are presented in Japanese with English subtitles.

Opens Nov. 3

One Piece Film: Red

Various locations; for Village East by Angelika Screenings, click here

$8-$16

The spotlight shines on the 15th feature film of Eiichiro Oda’s enduring manga and anime smash, which is a massive box office hit (already in the top 10 highest grossing films released in Japan since its debut last August)! Luffy and his crew are about to attend an eagerly awaited music festival. The most popular singer in the world, Uta, will take the stage for the first time. The one who is none other than the daughter of the legendary pirate Shanks Le Roux will reveal the exceptional power of her voice which could well change the world… Presented in both Japanese with English subtitles and English dubbed options.

Thursday, Nov. 10, 6:30 p.m.

Behind-the-Scenes of My Neighbour Totoro

Japan Society, 333 East 47th Street

$20, $16 members

Puppet artist extraordinaire Basil Twist sits down to talk about his creative role in Joe Hisaishi and the Royal Shakespeare Company’s staging of the beloved Studio Ghibli animated feature film My Neighbour Totoro in collaboration with Improbable and Nippon TV. Twist is known for surprising audiences with his infinite creativity, from 88 magical Japanese screen doors (Dogugaeshi) and dancing fabrics in an onstage water tank (Symphonie Fantastique) to a gigantic rock creature in his most recent work (Book of Mountains & Seas). In this event, Twist will share backstage images and describe the process of creating real-life versions of the film’s fantastical creatures for the live staging of Totoro at London’s Barbican this fall. A special 35mm presentation of the original film will be screened at Japan Society on Friday, Nov. 4 at 7:00 p.m.; click here for tickets.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed all through Halloween.

This month’s highlights include:

Sept. 25-28

Howl’s Moving Castle

Various locations/prices

The penultimate pick for this year’s Studio Ghibli Fest is an Academy Award-nominated fantasy adventure for the whole family from acclaimed director Hayao Miyazaki (Spirited Away). Sophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a curse on Sophie and turns her into a 90-year-old woman. On a quest to break the spell, Sophie climbs aboard Howl’s magnificent moving castle and into a new life of wonder and adventure. The Sept. 25, 27 and 28th screenings are dubbed in English, and the Sept. 26 screening is presented in Japanese with English subtitles.

Friday, Sept. 30, 7:30 p.m.

ONE OK ROCK

Hammerstein Ballroom at Manhattan Center, 311 West 34th Street

$60-$132.50

Beloved at home in Japan and worldwide, Fueled By Ramen band ONE OK ROCK have released their anxiously awaited new full-length album, Luxury Disease (stream it HERE). Featuring the lead single “Save Yourself” (see the Tanu Muino-directed video on the band’s YouTube channel), additional album highlights include “Let Me Let You Go,” and “Vandalize,” which will serve as the ending theme for SEGA’s upcoming game Sonic Frontiers, releasing on November 8. Produced by Rob Cavallo (Linkin Park, My Chemical Romance), Luxury Diseasefinds ONE OK ROCK embarking on a North American headline tour which will see the group returning to stages in the U.S. and Canada for the first time in over three years.

Saturday, Oct. 8, 7:30 p.m.

MIYAVI

Le Poisson Rouge, 158 Bleecker Street

$30-$100

Celebrating his 20th year in the music industry, MIYAVI embarks on a 20-city tour across the U.S. and Canada. In this intimate venue, the samurai guitarist known for his unconventional style of guitar playing—performing not with a pick, but with his fingers in a method dubbed “slap style”— plans to perform fan-favorite tracks, material from last year’s Imaginary LP, and new music he will be debuting live for the first time!

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into both cutting-edge and classic anime, this month offers a diverse trio of theatrical premieres—all in the comfort of indoor air conditioning.

This month’s highlights include:

Opens Aug. 12

Inu-oh

For Village East by Angelika screenings, click here

From visionary director Masaaki Yuasa (Mind Game, Ride Your Wave), hailed by IndieWire as “one of the most creatively unbridled minds in all of modern animation,” comes a revisionist rock opera about a 14th-century superstar whose dance moves take Japan by storm. Born to an esteemed family, Inu-oh is afflicted with an ancient curse that has left him on the margins of society. When he meets the blind musician Tomona, a young biwa priest haunted by his past, Inu-oh discovers a captivating ability to dance. The pair quickly become business partners and inseparable friends as crowds flock to their electric, larger-than-life concerts. But when those in power threaten to break up the band, Inu-oh and Tomona must dance and sing to uncover the truth behind their creative gifts. Featuring character creation by Taiyo Matsumoto (Tekkonkinkreet, “Ping Pong the Animation”) and awe-inspiring vocals by Avu-chan (Queen Bee) and Mirai Moriyama, Inu-oh is a glam-rock ode to the power of music and a forceful statement on artistic freedom from one of animation’s singular talents. All screenings are presented in Japanese with English subtitles.

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

The New York Asian Film Festival taking place at Lincoln Center is one of my favorite annual events, and it’s coming to a close this weekend. This year the festival celebrated its 20th anniversary, and it was back in person for the first time in two years. Over the first week, I was lucky enough to interpret for several actors, producers and directors. Particularly thrilling was being able to work with the actor Hiroshi Abe, of whom I’ve been a longtime fan. He attended the festival to receive the 2022 Screen International Star Asia Award and participate in the Q&A for his film Offbeat Cops, which had its world premiere at the festival.

My sharp-eyed friend in Japan was up early watching Fuji’s Mezamashi TV, and she was able to capture this photo of me on stage with Abe and Offbeat Cops director Eiji Uchida (to my left/right respectively in the picture). Abe plays a hard-boiled detective named Naruse who gets shunted off to the police band, and ends up going on a journey of self-discovery as a result (and learns how to play the drums, as the actor had to in real life!). During the Q&A, Uchida expressed his desire to make a sequel where Naruse has a showdown with the NYPD Police band, and to the delight of the crowd Abe said that he’s be up for it.

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

The Oscars this past weekend were memorable in more ways than one, but I’d like to focus on Drive My Car winning Best International Feature Film! As I mentioned in my previous post, DMC is the second Japanese film to receive this honor since Departures (おくりびと or Okuribito) in 2008. I was proud of director Ryusuke Hamaguchi for giving his acceptance speech in English, though I wish they hadn’t tried to play him off the stage twice (his finger raised to ask for more time was golden).

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Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

I enjoyed watching the SAG Awards last night and it got me excited for the Oscars, which will take place in exactly one month. Drive My Car is the first Japanese film ever to be nominated for Best Picture in the ceremony’s 94-year history! In addition, Ryusuke Hamaguchi picked up a Directing nomination, as well as one for Adapted Screenplay with his co-writer Takamasa Oe. The film’s fourth nomination in the category of International Feature Film is the one it has the best odds of winning. If the many awards Drive My Car has already picked up at Cannes and other major film festivals are any indication, Hamaguchi and his team will be going home with at least one gold statue.

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

A longtime partner of classic and current theatrical anime releases, Fathom Events is showcasing two enormously influential films in theaters nationwide this month that were first screened in the U.S. a generation ago.

Kicking things off as a capper to this year’s Studio Ghibli Fest 2021, My Neighbor Totoro returns to the big screen Dec. 5, 6 and 9. Directed by Academy Award-winning legend Hayao Miyazaki, the titular Totoro is a gigantic but gentle forest spirit who can only be seen by children. When the young Satuski and her sister Mei move to a new home in the countryside with their father, Totoro and his friends introduce the girls to a series of adventures, including a ride in the extraordinary Cat Bus!

Originally released in U.S. theaters in 1993, this edition features exclusive bonus content. The 2005 English-language dub screenings on Dec. 5 and 9 feature the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning. With over $1 billion from licensed merchandise sales worldwide and a top spot on many “best animated film ever” lists, don’t miss your chance to catch this unforgettable tale of magic an adventure for the whole family!

From the past to the not-too-distant future comes Macross Plus Movie Edition, a theatrical sequel to the groundbreaking Macross (Robotech in the U.S.) 1980s TV staple. Originially released a four-part video series in the mid-’90s, Macross Plus features a Who’s Who of anime talent: Directed by series creator Shoji Kawamori and Shinichiro Watanabe (Cowboy Bebop), music by the legendary Yoko Kanno (Ghost in the Shell: Stand Alone Complex), and the vocal talent of Megumi Hayashibara (too many to mention), among others.

In this one-night-only (Dec. 14, subtitled) theatrical event, viewers will be transported to the year 2040 on the distant planet Eden, where former childhood friends Isamu Dyson and Guld Bowman face off in both love and war as mecha fighters and potential suitors for Myung Fang Lone, who has returned as the manager of Sharon Apple, an artificial intelligence pop star and the galaxy’s biggest singing sensation—which becomes self-aware and takes control of the Macross battle fortress itself!

For all upcoming Fathom Events anime screenings and tickets, visit www.fathomevents.com/categories/anime.

October 28 at 8 PM ET / 7 PM CT / 5 PM PT
Japan time: October 29 at 9 AM JT
Register free to get the access link:
https://usjetaa.wildapricot.org/event-4528144

In the lead up to next year’s 35th anniversary of the JET Program, join USJETAA for a creative program celebrating JET through the success of the alumni. Highlighting the contributions of JETs to the U.S.-Japan community, this variety show brings together the diverse community of JET alumni with snapshots into their experiences with arts, culture, research, and more!

JET Alum Thomas Ash (Tochigi 2000-2003) has made a documentary film about the issue of the long term detention of refugees and asylum seekers in Japan.

The film is called “Ushiku” and it will be featured in the Yamagata International Documentary Film Festival on October 9th. This year, the festival will be entirely ONLINE, and tickets can be purchased to view the film and Q&A session from anywhere in Japan.

“Ushiku” is currently on the international film festival circuit and has recently been screened in Holland, Belgium, Austria and the US and it has been awarded grand prizes in festivals in Korea and Germany.

Screening Details:

ONLINE Festival: Yamagata International Documentary Film Festival (YIDFF)
Program: Perspectives Japan
Film: Ushiku
Date and Time: Oct 09 [Sat] at 14:00 (film is 87 minutes + followed by Q&A)
Festival Information: https://online.yidff.jp/en/film/ushiku/

Tickets on sale from October 1 at 19:00 JST: https://yidff.jp/2021/info/21info-e.html#tickets

Synopsis from YIDFF Catalogue:
Based on interviews with foreign nationals detained for long periods of time at the immigration center in Ushiku city, Ibaraki prefecture, this film reveals the violation of human rights by the authorities. This is work of watchdog journalism that sounds the alarm about state power run amok.

Film Website and Trailer: https://www.ushikufilm.com/en/
—
More about Thomas’ films at https://www.documentingian.com

This week on the Krewe of Japan Podcast…

Jennifer & Doug unsheathe their verbal katana as they talk about Netflix’s hit documentary Age of Samurai: Battle for Japan. Notably, the documentary introduced a cast of overlooked historical figures who played a prominent role in the Sengoku Period, the Lady Samurai. Tomoko Kitagawa, a narrator featured in Age of Samurai & Japanese historian, joins the Krewe to highlight the impact of these influential women, as well as share some stories of her journey from study abroad student to world-renown historian and best-selling author. This is an interview you won’t want to miss!

The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, and Stitcher.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, & the Krewe of Japan Youtube Channel). Until next time, enjoy!

Interpreter/Translator/Writer Stacy Smith (Kumamoto-ken CIR, 2000-03) presents WIT Life, a periodic series about aspects of Japanese culture such as art, film, food and language. Stacy starts her day by watching Fujisankei’s newscast in Japanese, and here she offers some interesting tidbits and trends along with her own observations.

We have come to the end of this crazy Covid year, and that means it’s time for 今年の漢字 (kotoshi no kanji, or kanji of the year). 密 (mitsu, or close, dense and crowded) was selected, reflecting Japan’s initial response to the virus by promoting avoidance of 三つの密 (mitsu no mitsu or sanmitsu). These are also known as the 3Cs, and refer to 密閉 (mippei, or confined, poorly ventilated spaces), 密集 (misshuu, or crowds of people) and 密接 (missetsu, or close-contact settings). Japan was able to control infection rates to an extent this way, but as in the U.S. there are worries of a surge early next year as a result of gathering during the 年末年始 (nenmatsu nenshi, or year-end holidays). Runners-up to 密 included 禍 (ka, or damage, as in コロナ禍) and 病 (byou or yamai, or disease and illness).

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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.

As fall turns to winter, some spiffed up favorites, holiday hits and new discoveries are coming your way to close out the year.

This season’s highlights include:

Available Nov. 17

Mermaid Saga Collector’s Edition, Vol. 1

392 pp, $24.99

From Will Eisner Comic Awards Hall of Fame inductee Rumiko Takahashi, the legendary creator of Ranma 1/2 and Inuyasha! Yuta became immortal when he unwittingly ate mermaid flesh, and now he seeks a way to become human again. Hundreds of years later, he encounters a volatile and determined young lady named Mana while searching for a mermaid. Could this mysterious woman hold the key to saving Yuta’s humanity?

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