“Takahashi’s warm watercolors and relatable stories are guaranteed to entertain readers of all ages, and the latest English-language addition to this series, Kuma-Kuma Chan’s Travels, is every bit as enjoyable as its two predecessors.” (Museyon)
By Stacy Smith (Kumamoto-ken CIR, 2000-03) for JQ magazine. Stacy is a New York City–based provider of top quality Japanese interpreting, translating and writing/editing services. Starting from her initial encounter with Japan in her teens, she has built up a consummate understanding of the country‘s language and culture, enabling her to seamlessly traverse between Japan and the U.S. and serve as a bridge between the two. For more information, visit www.stacysmith.webs.com. As a writer, Stacy also shares tidbits and trends with her own observations in the periodic series WIT Life.
Having spent three years on JET in Kumamoto, home of nationwide sensation Kumamon who didn’t yet exist when I was there, I must honestly say that I approach bear characters with slight trepidation. However, I was delightfully surprised to love every minute of my encounter with Kuma-Kuma Chan, the bear who stars in the eponymous children’s book series written and illustrated by Kazue Takahashi. Her warm watercolors and relatable stories are guaranteed to entertain readers of all ages, and the latest English-language addition to this series, Kuma-Kuma Chan’s Travels, is every bit as enjoyable as its two predecessors.
The previous two books, Kuma-Kuma Chan, the Little Bear (previously reviewed in JQ here) and Kuma-Kuma Chan’s Home, looked at a day in the life of Kuma-Kuma Chan on his own and when a friend comes to visit. Kuma–Kuma Chan’s Travels is a bit more expansive, introducing readers to his world when he takes trips. I love the details at the beginning sharing what he brings with him on his journeys, along with accompanying illustrations such as a Thermos containing hot coffee. We later see him on top of a mountain drinking said coffee while watching the sunrise. These trips take place inside his head, but the descriptive text and beautiful pictures make you feel like you are with him everywhere he goes.
The series as a whole features a strong element of kawaii, or cuteness, which contributes to its Japaneseness. Also, there is an intangible sensibility to the stories that make them feel a bit different than traditional Western children’s books. In the inaugural Kuma–Kuma Chan, the Little Bear, we learn about his daily routine, which includes aspects such as eating a big salad for breakfast with lettuce from his garden and personal grooming like trimming his nails and hair. I particularly liked the scene which shows him during the winter, rolling around to catch the sunlight as the day progresses with the kerosene heater nearby. For many JET alumni, I’m sure this scene will be reminiscent of days spent in school offices where this was the sole source of heat.
Courtesy of Museyon
For readers seeking a creature of a different nature, the Tyrannosaurus children’s books written and illustrated by Tatsuya Miyanishi is another series worth checking out. It currently features 13 titles, four of which have been published in the U.S. For those who would like to learn about these books and meet the acclaimed author, he will be at the New York and New Jersey locations of Books Kinokuniya at 2 p.m. on October 21 and 22, respectively. On both days, Miyanishi will be reading from and discussing his works, as well as signing books for those with purchased copies. For more dates in Texas, Washington and California, click here.
Kuma-Kuma Chan’s Travels is available October 1. For more information, click here.
For more JQ magazine book reviews, click here.
JQ Magazine: Nippon in New York — Collision: Brooklyn, ‘Four Nights of Dream,’ The Joy of Sake
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
As the summer winds fade into fall colors, the weeks ahead are shaping up with these exciting events, ready to be enjoyed after Labor Day.
This month’s highlights include:
Courtesy of Nipponclub.org
Friday, Sept. 8, 6:45 p.m.
The Nippon Club, 145 West 57th Street
$70, $60 members
The Nippon Club will present “Sake Social 2017″, featuring a sake tasting with 14 different “Kuramoto” (sake brewers) from Japan, on 9/8 (Fri). From Fukui to Yamaguchi, each Kuramoto will bring 2 types of Sake to the event, so you can enjoy 28 types of Sake and Chef Yasuoka’s tasty appetizers. For RSVP and more info, call Mita-san at (212) 581-2223 or email info@nipponclub.org.
Courtesy of Residentadvisor.net
Friday, Sept. 8, 8:00 p.m.
Lot 45, 411 Troutman Street (Brooklyn)
$20 advance, $30 at the door
Collision is a cross-cultural event that aims to expose Japan’s underground music and culture to cities across the globe by curating lineups of Japanese and local artists (seven acts in all). With the 2020 Tokyo Summer Olympics on the horizon, organizers hope to introduce Japan’s unique subcultures to the millennials of the U.S. and contribute to the attraction and brand of the country, while supporting local creatives and businesses.
Illustration by Ben Warren and David O’Nyon, copyright Japan Society
Sept. 13, 15-16, 7:30 p.m.
Japan Society, 333 East 47th Street
$55, $45 Japan Society members
A frustrated samurai. An unwieldy herd of pigs. A mysterious murder. A woman’s dying wish. Four surreal stories from Japanese author Natsume Soseki’s (1867-1916) Ten Nights of Dream come to life in Four Nights of Dream (2008), a contemporary chamber opera that traverses the subconscious through colorful melodies and piercing emotions. For this new production, New York vocalists and Tokyo instrumentalists come together to perform within a spellbinding and ever-morphing set. Performed in English.
Justin’s Japan: LUCKYRICE and The Joy of Sake
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Autumn in New York is the season for delectable dishes, and this month has two unmissable events on the calendar.
First comes the annual LUCKYRICE New York Feast at Mandarin Oriental on September 22. Founded by Danielle Chang in 2010, this eagerly awaited event will once again showcase the city’s most enticing Asian food experiences, along with avant-garde spots, fine dining establishments and local superstar mom and pop shops. Tradition becomes progressive in this mash-up of culinary cuisines, with drinks provided by Asahi Beer and Suntory Whisky (for even more LUCKYRICE, check out their EPIC-urean Asian Feast hosted by BD Wong at Capitale on October 14).
Turning the spotlight to sake, returning for its 12th annual celebration in New York City is The Joy of Sake. The world’s largest sake tasting event outside of Japan comes to Metropolitan Pavilion in Chelsea on September 27, featuring a record 400 premium labels from every part of Japan and sake appetizers from 16 of New York’s finest restaurants, including Momofuku, Sakagura and SushiSamba.
While current statistics show that sake is losing ground to beer in Japan, it continues to make inroads in the U.S., especially among drink-savvy New Yorkers.
“In the last 10 years the amount of sake imported into New York has doubled as more and more people discover how good the premium labels can be,” says event organizer Chris Pearce. “The Joy of Sake is a celebration of the pleasures of the sake cup—and it’s also one of the best annual food and beverage events in New York.”
For more information and tickets, visit www.luckyrice.com and www.joyofsake.com.
JQ Magazine: Manga Review — ‘She and Her Cat’ and ‘Mobile Suit Gundam Wing: Endless Waltz — Glory of the Losers’
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“In She and Her Cat, Shinkai does what he does best, using carefully curated imagery to set a somber tone that soothes readers into a quiet, meditative headspace.” (Vertical Comics)
By Preston Hatfield (Yamanashi–ken, 2009-10) for JQ magazine. Preston received a BA in English literature with an emphasis in creative writing and a minor in Japanese at the University of California, Davis. After spending an amazing year on JET in Yamanashi, he spent a year writing and interning with book publishing companies in New York. He currently lives in Cupertino, where he continues to cover local Japan–related stories for JQ.
This season, Vertical Comics releases two notable titles. The first is She and Her Cat, a story by acclaimed animator Makoto Shinkai, the mastermind behind 5 Centimeters Per Second and Your Name. The second is Mobile Suit Gundam Wing: Endless Waltz — Glory of the Losers, a multi-volume adventure starring everyone’s favorite fighting mecha. While very different in style, pacing, and subject matter, each title has a lot to offer its readers.
In She and Her Cat, Shinkai does what he does best, using carefully curated imagery to set a somber tone that soothes readers into a quiet, meditative headspace. From there he proceeds to unfold an understated vignette that explores adult depression. This is a timely story, our considering society’s gradual willingness to speak openly about depression and mental health more broadly.
“By contrast, Glory of the Losers delivers action, explosions, and braggadocio.” (Vertical Comics)
Shinkai’s protagonist, Miyu, is a sympathetic introvert who has a hard time asking for or accepting help from others, and she is also her own antagonist, a fact that will likely resonate with readers who have battled depression. One unique feature about this story, which is also at times strained, is that it is told from the perspective of the protagonist’s cat, Chobi. While some readers may feel that Shinkai could have done more with this story, it is nonetheless well told and tactfully, intelligently handled.
By contrast, Glory of the Losers delivers action, explosions, and braggadocio. Based on creator Yoshiyuki Tomino’s classic 1970s giant robot series, the story follows a common trope: In a post-apocalyptic world, humans have broken off into different factions to colonize other planets. But when a central military agency begins annexing free colonies, a small resistance rises in the name of freedom to end their tyranny. This is an enjoyable underdog story that may have particular appeal to middle and high school students.
For more information, visit www.vertical-inc.com.
JQ Magazine: Nippon in New York — Bob James, Liberty City Anime Con, PLAY NYC
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
In the dog days of summer, it’s best to escape the heat in a place that’s cozy and cool. For those into Japan-related cultural events, this month offers a diverse selection of film premieres and live music—all in the comfort of indoor air conditioning.
This month’s highlights include:
Courtesy of Bluenotejazz.com
Aug. 15-20, 8:00 p.m. and 10:30 p.m.
Bob James feat. special guests
Blue Note Jazz Club, 131 West Third Street
$20, $35
The career of multi-Grammy winner Bob James is long, varied and continues to evolve at every turn as he continues to captivate audiences throughout the world for more than 50 years, 58 albums, and innumerable awards. While James is recognized as one of the progenitors of smooth jazz, his music has also had a profound effect on the history of hip-hop, having been sampled frequently since the early days of the genre. A longtime star in Japan, he has recorded a piano duet album with Keiko Matsui, and worked with Seiko Matsuda as a guest vocalist on “Put Our Hearts Together,” written by James and his daughter Hilary in response to the Great East Japan Earthquake of 2011. Joining Bob and his special guests for the week’s sets are trumpeter Randy Brecker on Aug. 16.
Courtesy of Renireni.com
Aug. 18-20, various times
New York Marriott Marquis, 1535 Broadway
$40-$60
The best three-day anime convention in New York City returns for its third year and features over 100 events and panels, three days of cosplay, game tournaments and anime screenings, concerts, balls and dances. This year’s special guests include Tyler Walker, Heather Walker, Chuck Huber, Aaron Roberts, Brittany Lauda, Matt Shipman, Ian Rubin, Dokudel, Michael A. Zekas, Marcus Stimac, and Reni Mimura!
Courtesy of Zaczingermusic.com
Aug. 19-20, starts 10:00 a.m.
Terminal 5, 610 West 56th Street
$25
PLAY NYC is New York’s first and only dedicated games convention. The weekend will feature three floors of playable games for all consoles, PC, virtual reality and mobile devices from studios large and small and developers old and new. Games will include indie projects with some larger triple A titles. Get access to some of the biggest games coming later this year and discover many you’ve never even heard of. PLAY NYC celebrates every facet of gaming in a way that only the Big Apple can by uniting players, developers and industry pros at a games event like no other. Special guest speakers include multi-instrumentalist Zac Zinger of Japanese traditional/jazz fusion project KAI. Read More
JQ Magazine: Book Review — ‘The Seed of Hope in the Heart’
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Although The Seed of Hope is a memoir of one man’s experiences during a challenging period in recent Japanese history, it is also a fascinating look into how the people of Tohoku struggled but fought to rebuild their lives. (Amazon Digital Services LLC)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
There are certain moments we remember clearly as if they happened only yesterday, whether they are monumental historical events or natural disasters. But how would you tell stories centering on those moments?
Teiichi Sato has a go at it in The Seed of Hope in the Heart. In the memoir, Sato, an Iwate Prefecture seed shop owner, survives the 2011 Tohoku earthquake and tsunami but sees his beloved seed shop crumble. This plunges him into the task of rebuilding his life and livelihood amidst destruction while trying not to sink into depression and despair.
It all started with the disaster that struck on March 11, which didn’t actually come out of the blue. Sato explains that after a strong earthquake hit the Kesen area two days prior, a tsunami advisory was issued, which wasn’t really cause for a cause for concern as “weak” tsunami advisories were frequent around Rikuzentaka (where Sato lived).
But obviously, it should have been as for much of Tohoku, the world changed starting on 2:46 p.m. on March 11. Sato spends much of the early chapters detailing not only his perspective of the earthquake, but more dramatically his escape from the oncoming tsunami. While reading The Seed of Hope, you get the sense of being transported into a movie as it contains no shortage of drama as Rikuzentaka’s citizens make a desperate dash to find shelter—some of whom aren’t able to do so successfully.
JQ Magazine: Manga Review — ‘Kitaro and the Great Tanuki War’
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“The Great Tanuki War stands apart from the other Kitaro volumes because in this adventure, the stakes are higher than anything you’ve ever seen.” (Drawn and Quarterly)
By Julio Perez Jr. (Kyoto-shi, 2011-13) for JQ magazine. A bibliophile, writer, translator, and graduate from Columbia University, Julio currently keeps the lights on by working at JTB USA while writing freelance in New York. Follow his enthusiasm for Japan, literature, and comic books on his blog and Twitter @brittlejules.
A haunted house built on an ancient burial ground? That’s minor league. How about an entire nation built above an army of human-hating yokai who command a catfish large enough to cause earthquakes?
Shigeru Mizuki’s Kitaro and The Great Tanuki War is a manga volume that tells an epic tale pitting the titular character, Kitaro, against an army of tanuki and their powerful yokai allies. There are also a few bonus stories with Kitaro’s usual one-shot adventures. You may already be familiar with Mizuki’s famous character, but if you are not, you can brush up on his origin story featured in the first volume, The Birth of Kitaro, which JQ reviewed last year here.
This marks the third volume in the English collection of Kitaro stories published by the fine folks at Drawn and Quarterly. One of our very own JET alums, Zack Davisson (Nara-ken, 2001-04; Osaka-shi, 2004-06), has been doing his part to put Shigeru Mizuki’s timeless work on the map in the English-speaking world. He has served as translator for these Kitaro stories and also for Mizuki’s colossal four-volume manga history of the Showa period. Zack is a yokai expert in his own right and you can find out more about his career and JET experience in our vintage JQ interview with him.
As many consumers of Japanese media may already be aware, yokai are strange creatures or phenomena that originate in Japan and have become widely popular globally. Kitaro is a unique yokai who solves mysteries and fights for humans. The conflict between humans and yokai is often an issue of tension for him as he straddles both sides, but this conflict takes center stage in The Great Tanuki War, when an army of tanuki escape from their underground dwelling beneath the island of Shikoku (shout-out to our Shikoku JET alums!), to wage a war on the human residents of Japan.
Justin’s Japan: Ryoko Yonekura Returns to ‘Chicago’
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
This month, “Chicago,” the longest-running American Broadway musical in history, features Japanese superstar actress Ryoko Yonekura in the role of Roxie Hart for 11 performances from July 3-13 at the Ambassador Theatre.
Yonekura originated the role of Hart in the Japanese-language production of “Chicago” in 2008 and played it again in 2010. She then learned the role in English and made her Broadway debut in 2012. Following her return to Broadway this year, Yonekura will join the “Chicago” U.S. national touring company in Tokyo August 2-13 at the Tokyu Theater Orb.
An actress who has enjoyed a steady career in film and television in Japan since the year 2000, Yonekura is best known from the TV Asahi series “Doctor X.” Recently, she appeared for an intimate discussion and meet and greet at Asia Society on June 27.
“Ryoko Yonekura is an amazing bridge builder between the U.S. and Japan. In 2012, she became the first Japanese person in the history of Broadway to play a major character as an American. We are really excited to have Ryoko back in New York,” said Josette Sheeran, president and CEO of Asia Society.
Featuring classic tunes by John Kander and Fred Ebb, “Chicago” tells the story of Roxie Hart, a Jazz age nightclub dancer who murders her lover after an argument, and the media sensationalism that follows. Originally produced for Broadway in 1975 and revived in 1996, the show won six Tony Awards the following year, and the 2002 film adaptation starring Reneè Zellweger, Catherine Zeta-Jones and Richard Gere won Best Picture at the Academy Awards. For tickets, visit www.chicagothemusical.com.
JQ Magazine: Film Review — JAPAN CUTS 2017 at Japan Society
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Neko Atsume House, starring Atsushi Ito and an army of kitties, makes its East Coast premiere at Japan Society July 16.
(Neko Atsume House © 2017 Hit-Point:Neko Atsume House Production Committee
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ magazine. Lyle has completed a master’s program at the School of International and Public Affairs at Columbia University and has been writing for the JET Alumni Association of New York since 2004. He is also the goalkeeper for FC Japan, a New York City-based soccer team.
The 11th edition of JAPAN CUTS, the Japan Society of New York’s extensive showcase of new Japanese cinema, premieres tomorrow (July 13) for 11 days of unique programming, special guests, and the chance to see exclusive North American releases. This year’s lineup—29 films in all—demonstrates the wide variety of Japan’s contemporary cinematic space. The programming runs the gamut from documentaries to shoestring independents, old classics and mainstream blockbusters. A handful of films were made available for JQ press screenings; here are some notable selections:
Neko Atsume House (July 16, 12:00 p.m.): Based on a popular smartphone game, this film deals with writer’s block in a most unique way. When the novelist-protagonist Sakumoto-san (Atsushi Ito) finds himself faced with his profession’s most dreaded dilemma, he accepts an assignment to write a series of horror novels—a major step backward for this once-celebrated author. In order to solve his predicament, he adopts the old cliché of secluding himself in a country house for creative inspiration. What follows is a thoroughly unexpected delight of a movie as he makes friends with a multitude of friendly felines with whom he bonds.
At the Terrace (July 16, 6:45 p.m.): Kenji Yamauchi adapts his play for the screen, in what can best be described as a Japanese Who’s Afraid of Virginia Woolf? This dialogue-heavy film finds a group of guests drinking into the night. As the alcohol makes its way through their systems, the characters let down their guard and inhibitions and make confrontational and incriminating accusations against one another. The veneer of civility gradually dissipates until the carnal desires and petty jealousies take over the proceedings. In the process, Yamauchi skewers the pretensions of Japan’s professional and bourgeois class.
Haruneko (July 16, 8:45 p.m.): Dealing with the Japanese fascination with death is first-time director Soro Hakimoto’s Haruneko, a tale set at a forest café where people come to die. In some ways, the setting reminds one of the infamous “suicide forest” at the base of Mt. Fuji, another place for a similar purpose. Unlike that real location, Hakimoto creates an ambience that can only be described as “melancholy mysticism” as the café manager, young boy and an old woman guide their visitors into the deep woods to dissolve into the ether. This film debut serves as a harbinger of great things to come from Hakimoto, who establishes himself as Japan’s answer to the great Thai director Apichatpong Weerasethakul (Tropical Malady, Uncle Boonmee Who Can Recall his Past Lives).
JQ Magazine: Nippon in New York — Ghibli Fest, JAPAN CUTS, One OK Rock
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Before and after the outdoor fireworks, enjoy some summer events in the cool indoors, whether it’s catching one of the dozens of films premiering at Japan Society’s annual festival, or enjoying anything from interpretative theater to the latest rock sensation.
This month’s highlights include:
Courtesy of Lamama.org.jpg
June 30-July 2
The Club (La MaMa), 74A East 4th Street
$20-$100
Celebrated for her captivating work with the Martha Graham Dance Company, dancer/choreographer Miki Orihara premieres the second incarnation of her multi-media work, In the Box (ITB). Directed by theatrical visual-effects specialist Hiroyuki Nishiyama, this new experimental dance-theater piece features performances by Bessie Award winner Orihara with original music by best-selling Sony Music artist Senri Oe.
Following the 2015 Using cutting edge animations and projections from Japan, In the Box 2 (ITB2) juxtaposes three-dimensional sounds and images with the flesh and bones of a dancer and her moving shadow. ITB2 follows the 2015 premiere of ITB which explored the paradox of “Where Technology Meets the Body” inspired by Schrödinger‘s cat (quantum mechanics). ITB 2 picks up where its predecessor left off and opens the book of our lives in a paradoxical nature. “ITB2 explores human nature by mixing the human body with technology,” explains Orihara. “Audiences will experience entirely new sensations!” Using a streamlined technology of sensor system and infrared camera, audiences can enjoy the dancer’s motions and visual expressions through streamlined technology including CG, infrared cameras, and three-dimensional audio.
Courtesy of GKIDS
Wednesday, July 4-5
Village East Cinema, 189 Second Avenue
$15
Part of this year’s Studio Ghibli Fest! Perfect for audiences of all ages, PONYO centers on the friendship between five-year-old Sosuke and a magical goldfish name Ponyo, the young daughter of a sorcerer father and a sea-goddess mother. After a chance encounter, Ponyo yearns to become a human so she can be with Sosuke. Hayao Miyazaki’s tale is a beautiful combination of unbridled imagination, visual wonder and tender love, humor, and devotion from the emotional heart of the film. The July 4 screening will be presented in Japanese with English subtitles.
ANTI-PORNO © 2016 NIKKATSU
July 13-23
Japan Society, 333 East 47th Street
Most films $14/$11 seniors and students, $10 members
Now in its 11th year, North America’s largest festival of new Japanese cinema returns to serve up a slice of the best and boldest titles from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and much more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics, and breathtaking animation, JAPAN CUTS 2017 promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike. For a list of this year’s special guests, click here.
JQ Magazine: Book Review — ‘25 Places in Canada Every Family Should Visit’
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“This year marks Canada’s 150th anniversary, so it’s a wonderful time for families to explore the wonders of the country. You just need the right information to do so, and 25 Places serves as a worthy reference guide.” (TouchWood Editions)
By Rashaad Jorden (Yamagata–ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub–Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Summer is almost here. With the kids out of school, it’s the perfect time to explore new places and travel as a family. But where should you go?
Those thinking about Canada should seek out Jody Robbins’ 25 Places in Canada Every Family Should Visit for ideas. Robbins, a JET alum (Tottori-ken, 1994-97) and arguably one of Canada’s most prominent travel writers, profiles locations going counterclockwise from Victoria to Yukon, from the famous (Toronto, Vancouver) to the relatively unknown (Parksville-Qualicum Beach, Avalon Peninsula).
As the book is geared towards parents, Robbins devotes plenty of space to sharing advice about how they can entertain their young ones. In addition to expounding on the requisite what to do and see activities for each destination, Robbins just as importantly lists family-friendly options for dining (“Kids will love the wood-fired bambino pizza” at Pizzeria Prima Strada in Victoria) and lodging (a highlight of the Fairmount Chateau Laurier in Ottawa is the Art Deco-style pool, which “children love parading down to in their child-size bathrobes”).
25 Places features a diverse mix of urban and nature-filled destinations (like Outaouauis), so readers will get a great sense of Canada’s varied landscapes, as well as some surprises (beaches on the Prairies? Yes, they exist) and more importantly, how to arrive prepared for them. While it’s obvious that Robbins would include information about how to get around certain places, she excels when extensively detailing how to make your camping trip a safe and wonderful experience: An entire chapter is devoted to providing readers advice about tackling and overcoming the challenges that awaits (as well as tips about what to pack and eat). Camping novices would do well to heed this helpful advice.
JQ Magazine: Philadelphia LOVEs Japan
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Stone lantern amidst peonies and azaleas in Shofuso’s roji tea garden. (Therese Stephen)
By Therese Stephen (Iwate-ken, 1996-99) for JQ magazine.
What many people don’t know is that the City of Brotherly Love is in love with Japan, and has been since the 1876 Centennial Exhibition in Philadelphia, when the Japanese Pavilion became one of the most popular exhibits of that historic World’s Fair.
When you think of Philadelphia, you probably think of cheesesteaks, the Liberty Bell, Independence Hall or the Rocky steps at the Philadelphia Museum of Art. What you might not realize is that Philly has many ways for Japanese, and the Japanese-at-heart, to get their Japan fix for a lot less than a roundtrip ticket to Tokyo. So, whether you’re planning a quick weekend getaway or day trip this summer, or if you’re a returning Philly JET looking at your hometown with a new post-JET perspective, read on for Philly’s best Japan picks.
Let’s start with those famous Rocky steps. It’s cheesy and we know it, but everyone who visits Philly has to replay that famous Rocky Balboa moment. So once you’ve run to the top of the steps and done your obligatory fists-in-the-air-pose, head on into the Philadelphia Museum of Art (PMA) and find your way to the East Asian Galleries.
One of the most endearing and exciting things about the PMA are its period rooms. While there are plenty of rooms displaying objects on pedestals or paintings on walls, a few steps through a doorway connecting two galleries will suddenly put you in the middle of an Indian temple or the hall of a Chinese palace. Wander a little further and you’ll find Sunkaraku Tea House, the highlight of the Japanese collection in the East Asian Galleries.
Justin’s Japan: Mr. Big Returns with ‘Defying Gravity’
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By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Shukan NY Seikatsu. Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
Sometimes a band has something special that makes it transcend its own culture, creating a whole new tradition in a completely different place.
Since 1989, this has been the case with Mr. Big, the American hard rock quartet that mixes metallic virtuosity with melodic appeal. Best known for their international smash ballad “To Be with You” (a number one pop U.S. hit in 1992), the band has continued to enjoy massive success in Japan, having played over 100 large-scale concerts there to date and continuing to serve as an influence on Japan’s own music scene and its top artists.
Mr. Big’s drummer Pat Torpey and bassist Billy Sheehan have previously performed with Japan’s all-time most successful rock group B’z (with the latter even joining them on tour); lead singer Eric Martin has recorded a successful string of “Mr. Vocalist” albums consisting of songs originally made famous by female Japanese singers; and guitarist Paul Gilbert has appeared on Japanese talk shows displaying both his tremendous guitar chops and dedicated study of the language.
In a new tradition, the U.S. will get the first taste of all-new Mr. Big material as the group launches a 13-date national tour beginning May 31, with a New York stop at B.B. King Blues Club & Grill on June 10. The tour precedes the release of the group’s ninth studio album, “Defying Gravity,” available July 7 on Frontiers Records. The new songs will presumably make their live debut at these special American gigs.
For tickets to the show and more information, visit www.bbkingblues.com and www.mrbigsite.com.
Also on June 10 at 12:00 p.m., An Intimate Afternoon of Conversation and Music with Mr. Big will take place at The Cutting Room (44 East 32nd Street), featuring a long–form interview with author and journalist Brad Tolinsk. This special event includes an opportunity for audience questions, a short acoustic performance, and a meet and greet. Tickets are $25; for more information, click here.
Justin has written about Japanese arts and entertainment since 2005. For more of his stories, visit http://jetaany.org/magazine.
JQ Magazine: Nippon in New York — AnimeNEXT, Mr. Big, ‘My Neighbor Totoro’
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By JQ magazine editor Justin Tedaldi (CIR Kobe–shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click here.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate the best of both fine art and pop art.
This month’s highlights include:
Courtesy of Asiasociety.org
June 1-2, 6:30 p.m.
Asia Society, 725 Park Avenue
$12, $10 students/seniors, $8 members
Highlighting some of the most exciting new voices in cinema, New York Japan CineFest presents two nights of short films by emerging Japanese and Japanese American filmmakers. Featuring 15 short films spanning drama, sci-fi, documentary and anime, the first night’s program is followed by a reception. Click here to check out Program 2 on Friday, June 2, 2017.
Courtesy of Bluenote.net
June 6-11
Blue Note Jazz Club, 131 West 3rd Street
$30-$45
Japan has produced an impressive assemblage of jazz pianists; from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut album Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters; taking improvisation and composition to new heights of complexity and sophistication. These special duet performances with Colombian harpist Edmar Castañeda are sure to inject a Latin flavor to the mix.
Courtesy of Okmusic.jp
June 9-11
Atlantic City Convention Center, 1 Convention Boulevard
$50-$60
The largest independently organized anime convention in the New York/New Jersey metropolitan area. AnimeNEXT features Japanese creators of anime and manga, voice actors, musical acts, artists, vendors and exhibits, events, panels, workshops, gaming, and cosplay. This year’s special guest is Oblivion Dust, a major label Japanese rock act, which reunited in 2007 following a six-year hiatus. Although they were originally largely influenced by early ’90s American grunge bands, since reuniting their music has become straight alternative rock. They stand out in the Japanese scene as most of their songs are written and sung in fluent English.
JQ Magazine: Book Review — ‘The Little Exile’
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“The Little Exile reveals a world of angst, but hope in a world that has been turned upside down.” (Stone Bridge Press)
By Rashaad Jorden (Yamagata-ken, 2008-10) for JQ magazine. A former head of the JETAA Philadelphia Sub-Chapter, Rashaad is a graduate of Leeds Beckett University with a master’s degree in responsible tourism management. For more on his life abroad and enthusiasm for taiko drumming, visit his blog at www.gettingpounded.wordpress.com.
Earlier this year I explored Uprooted, an exhibition devoted to the Japanese American internment. Considering how many families were displaced following Pearl Harbor, “uprooted” is at the perfect word to describe how a lot of people’s lives were disrupted.
Uprooted also comes to mind when reading The Little Exile. Written by Jeanette Arakawa, the novel tells the story of Marie Mitsui, a Japanese American girl living in San Francisco, whose world is jolted after the events of December 7, 1941 as she and her family is forced to relocate to an internment camp in Arkansas. Based on her own life story (although some names in the book have been changed), Arakawa takes readers on a journey through the brutal challenges that many Japanese Americans faced.
At first, you might think that The Little Exile is an uneventful novel, as the first few chapters capture a seemingly carefree life that the Mitsuis enjoy (Marie has an older brother named Brian). They seem to be a typical American family—Marie’s parents run a dry cleaning shop where the whole family lives. She loves roller-skating with her friend Beverly and often spends time on the playground (She frequently wins amateur hour contests there).
However, San Francisco is not paradise for the Mitsuis—Brian learns from his father that due to “racial covenants,” the family is prohibited from buying houses in a certain neighborhood. In addition, classmates hurl racial slurs at Brian and Marie upon their arrival at the Lawton School in December 1940.
