JQ Magazine: Japan Day @ Central Park Reels in the Crowds
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Volunteers from JETAANY helped make this year's yo-yo fishing game a big success.
By Alma Jennings (Fukushima-ken, 2008-10) for JQ magazine. Alma works at Japan Society in New York as a development assistant in foundation and government relations.
The sixth annual Japan Day @ Central Park took place on a warm Sunday May 13. Over 40,000 people attended the event, which featured live performances, Japanese games and language lessons, and the four-mile “Japan Run.” This year also marked the triumphant return of food tents, where volunteers dished out free sushi, udon, Pocky, and other Japanese vittles to hungry visitors.
According to their homepage, the goals of Japan Day are to build bridges of understanding between the people of Japan and the U.S., showcase the local Japanese community’s appreciation toward New York, and facilitate stronger grassroots connections within the local Japanese community. This year, the JET Alumni Association of New York (JETAANY) teamed up with Japan Society, a New York City-based organization that deepens understanding between the U.S. and Japan, to offer traditional Japanese “yo-yo fishing.” In this addictive game, participants try to win a colorful balloon by using a paper hook to lift it from a pool of water. Volunteers from the Japan Local Government Center, Mitsubishi, K Line Logistics, Mirai IT International, and the Bronx Science Key Club also provided much appreciated help at the tent.
The cute yo-yos look deceptively easy to make. In fact, they are tricky to make and can get messy. Volunteers showed up hours before the event began to blow up the balloons, which tend to deflate over a few days and thus couldn’t be made in advance. Japan Society’s director of special events and JET alum Christy Jones (Nagasaki-ken, 1995-98) served as the yo-yo activity organizer on behalf of the Society, encouraging Japan Society’s staff and JET alums to prepare thousands of paper hooks before the big day.
JQ Magazine: JQ&A with Director Regge Life on ‘Live Your Dream: The Taylor Anderson Story’
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“‘Live Your Dream’ is principally about Taylor, but it is actually the story of all the JETs who come to Japan, so I really want to look at what the experience is for a variety of people and how that experience changes both the teacher and the students they interact with.”
By Renay Loper (Iwate-ken, 2006-07) for JQ magazine. Renay is a freelance writer and associate program officer at the Japan Foundation Center for Global Partnership. Visit her blog at Atlas in Her Hand.
Live Your Dream: The Taylor Anderson Story is the latest work by filmmaker and Global Film Network founder Regge Life, who has been making groundbreaking films for over two decades including the acclaimed Doubles: Japan and America’s Intercultural Children, and most recently Reason to Hope, which chronicles the events surrounding the 2010 Haiti earthquake. Live Your Dream not only shares the story of JET alum Taylor Anderson (Miyagi-ken, 2008-11) who tragically lost her life in the 2011 tsunami, but it also seeks to celebrate the lives of those who live their dreams and inspire others to make a difference. JQ caught up with Life to discuss the film, which is being prepared for a November release.
Your relationship with Japan spans over two decades. What stirred you to first go there, and how has this relationship grown over time?
This is a question with a very long answer, so let me try to be brief and to the point as possible. Japanese film has always intrigued me, so as a young filmmaker I would watch marathons of Japanese films at a cinema on Eighth Avenue called the Elgin. After years and so many movies, I was introduced to the Creative Artists Program of the NEA and Bunka-cho, and that is how I went the first time to witness the making of Tora-san #43.
How has it grown? Well, leaps and bounds. Four completed films, almost four years in residence in Tokyo, and a current feature project in development for almost 10 years.
What inspired you to make this film and document Taylor’s story?
Like most people, watching what was happening [during the time of the tsunami and earthquake] was mind-boggling and devastating. I have never been to Ishinomaki before, but I have been to Hachinohe, Morioka, Ichinoseki, and other parts of the region; so when I saw water rushing over rice fields like that and trucks and cars being carried—I just couldn’t believe it. It was devastating [to watch] for someone who has never been there before, but when you have been there, you [can better understand] the magnitude of what was happening. So at that time I’d just finished the film about Haiti, and from my work there, I realized there was probably going to be a story that needed to be told: something that no one would cover.
I don’t remember where I saw the fist e-mail about Taylor’s story or how it came to be, I just remember reading about her online. I made a few calls and one thing lead to the next, and slowly but surely, I was able to get in touch with Taylor’s family. And even still, it was all about timing. As a parent, I would have completely understood if no one got back to me. Then suddenly, I got this email from Andy, Taylor’s father. Giving him credit, he did his due diligence and did some research on me and became familiar with my work. [This all happened] at a time when they were swarmed by the media, so I took my time and we worked as they were comfortable.
Every step of the way, I checked in. Andy connected me with some of Taylor’s friends from Ishinomaki, so when I went back to Japan, I carved out some time to spend with them. One of her friends picked me up from the train station and that’s when it really hit me. At that time [the devastated area] was pretty much cleaned up—but even still, there was a lot to be done. Visiting Ishinomaki and meeting [Taylor’s] friends solidified it with me. I knew I needed to share her story.
Since this is a documentary about a JET participant, what cooperation did you receive from JET Program itself for the making of the film?
The CLAIR office in Japan was very generous to the film and made a remarkable pledge. We also received support directly from one of the people on staff! The JET alumni chapter in New York City (JETAANY) was also very generous, as well as JETs from all over the U.S. and even abroad.
JQ Magazine: Book Review – ‘Project Japan: Metabolism Talks’
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"What’s most striking about 'Project Japan' is the text itself, a frenetic landscape of drawings, photographs and textual tidbits both fluid and choppy. The book is also a portrait of a moment; once futuristic, now historical, yet still as influential as ever." (Taschen America)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
What does it mean to be a Japanese architect, and is this distinction even worth making? According to Rem Koolhaas, the legendary architect and co-author of the book Project Japan: Metabolism Talks, the answer is unequivocally yes. As he puts it, “The Japanese are a group of modernists that never entirely cut connections with the past. That is probably still something one intuitively senses when they look at Japanese architecture.”
Project Japan (co-written with Hans Ulrich Obrist) offers a documentary-style look at the avant-garde Metabolism movement that flourished in Japan after World War II. While the country was recovering from the war and reinventing its image, the Metabolists strived to make architecture “a public rather than a private affair,” designing for a widescale shift from the rural to the urban.
What’s most striking about Project Japan is the text itself, a frenetic landscape of drawings, photographs and textual tidbits both fluid and choppy. It’s essentially a reference book, reading like a series of presentations whose format begs audience interaction. The book offers an intimate glimpse into the lives of the men responsible for propelling the movement forward and the processes involved. The book is also a portrait of a moment; once futuristic, now historical, yet still as influential as ever.
JQ Magazine: Petals Underfoot at Brooklyn’s Sakura Matsuri
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The view from Sakura Matsuri at Brooklyn Botanic Garden, April 2012. (Preston Hatfield)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
In the end I find myself in Cherry Esplanade, sinking to the ground, my back comfortable against the broad face of a cherry tree whose gnarled and mostly barren branches still sported a few late blossoms flitting in the breeze, the petals of those that had come before it strewn across the grounds, specking the meadow in gentle shades of pink. It’s an act of defeat, really; an act of resignation.
I never did find that damn press table.
* * *
I arrived early, as planned, eager to take in the 31st Annual Sakura Matsuri at the Brooklyn Botanic Garden. It was my first matsuri since moving to New York in January, my first trip to the Garden. I was stoked.
As instructed, I went to the entrance designated for performers, event staff and press and told the man at the front desk who I was. After consulting his clipboard and giving me a skeptical look, he let me in and gave me directions to the tent where I could pick up my press kit and thank the publicist for giving JQ magazine and myself the opportunity to cover the event. I set off, and once inside was instantly struck by how large the Brooklyn Botanic Garden really is. Droves of people had shown up for the event, a fair number of them in costume, though conspicuously, from where I stood just outside the visitor center, it was not readily apparent where the main event was being held. As I continued walking down the path, I was growing more and more sure that either the guy at the front desk either gave me poor instructions, or I was poor at following them (and this would not surprise most people who know me, least of all my mom or some of my elementary school arts and crafts teachers).
Leave it to me to let this bother me, to knock impatiently at the door of my mind so loudly that I was unable to really take in and appreciate my surroundings. Find the press table. That is the first priority. Enjoying myself can come later.
JQ Magazine: JQ&A with JET Alum Kalu ‘Kaz’ Obuka of Meta-Culture
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"My time on JET bolstered my thinking that we need better institutions and processes for dealing with difference. To its credit, the prefecture I worked in was definitely ahead of the curve."
By Renay Loper (Iwate-ken, 2006-07) for JQ magazine. Renay is a freelance writer and associate program officer at the Japan Foundation Center for Global Partnership. Visit her blog at Atlas in Her Hand.
Originally from London, Kalu “Kaz” Obuka (Saitama-ken, 2005-08) is currently working as a conflict resolution specialist at Meta-Culture, a conflict resolution NGO in Bangalore, India. Having a unique career fueled by his graduate studies in Coexistence and Conflict at Brandeis University paired with his time on JET, Kaz spent a little time with us to share more.
How did your time on JET influence your decision to take up your particular course of study?
My time on JET bolstered my thinking that we need better institutions and processes for dealing with difference. I think it was seeing the way that the institutions I worked with were absolutely out of their depth when, for example, it came to dealing with pupils with migratory backgrounds. To its credit, the prefecture I worked in was definitely ahead of the curve, and was actively looking to develop mechanisms and services for immigrants to help them navigate what, in some cases, would be a very alien cultural landscape.
Aside from immigration, it was seeing the way politics played out, especially the posturing with which the Japanese and their neighbors engaged one another, and their history.
How did your JET experience help you to secure your position at Meta-Culture?
I think my JET experience helped me to the extent that it bolstered my desire to enter the conflict resolution and consensus building field.
What fields did you work in prior to JET?
Prior to JET I dabbled in the NGO sector with an organization that worked to empower disadvantaged youth in London, as well as PR and some professional modeling.
"The author's final thoughts about his stay in Japan struck a chord with me. Though many people seek adventures in foreign lands, if they stay in one place long enough, they often find it's the people they befriended that end up meaning the most to them upon their departure." (Baka Books)
By Tim Martin (Fukui-ken, 2006-08) for JQ magazine. Tim works as a research assistant in a neuroscience lab, and is an avid swing and blues dancer in New York City. He runs a humanist/atheist blog, The Floating Lantern, and is looking for ways to make a difference in people’s lives.
Fukui is a rural, out-of-the-way prefecture, relatively unfamiliar even to the Japanese. It boasts the largest number of nuclear reactors in the country, but only a single Starbucks. It’s home to a Buddha statue larger than the one in Nara, which, curiously, very few tourists come to visit. Fukui also has an amusing reputation for getting terrible reviews from authors who’ve passed through—in his book Hitching Rides with Buddha (aka Hokkaido Highway Blues), fellow JET alumni author Will Ferguson (Nagasaki-ken, 1991-94) describes it, only half-jokingly, as “a hole.”
So it’s an interesting place.
It’s also where Sam Baldwin (Fukui-ken, 2004-06) ended up when he applied to teach English in Japan as a member of the JET Program. In For Fukui’s Sake, Baldwin recounts tales from his two-year stay in this quirky rural backwater, weaving together the varied strands of his experience to form a continuous narrative of adventure and personal growth.
While working a monotonous job as a “research lab technician” in the UK, Baldwin decided he needed to broaden his horizons. Looking to discover what else life could offer, he set his sights on Japan, which, according to a friend who had visited, was a place where Baldwin could indulge in his love of snow and mountains. This may be a casual way to make the decision to start a new job in a strange country, but the required spontaneity and openness to new experiences may be what ultimately allowed the author to glean so much from his time in Japan.
JQ Magazine: Life after JET – The Employment Conundrum
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Geneva enjoying hanami in Hakusan Kouen, Niigata, 2009.
By Geneva Marie (Niigata-ken, 2008-09) for JQ magazine. Geneva works as an account manager in the vast Great Plains a.k.a. Omaha, Nebraska and is a (sometimes) contributor to JETwit. Contact Geneva at geneva [dot] sarni [at] gmail [dot] com and visit her on LinkedIn.
It’s 8 a.m. on a chilly morning in December and I’m sitting at my desk in a thoroughly nondescript building located on the edge of Omaha, Nebraska’s suburban sprawl. I’m checking my interoffice e-mail and yielding phone calls—typical cube-rat chores. I’ve got my coffee and my Spotify, and oh right, I’m writing this article during my downtime. When I think about my daily routine, I realize that it’s a far cry from what I was doing two and a half years ago when I was teaching English to elementary and middle school students in rural northern Japan on the JET Program.
Like everyone who returns from living abroad, I found myself suffering from the typical culture shock and malaise. However, the readjustment to regular life, a regular job, and a regular me—the life I had before my time on JET—has been a continuous uphill battle. It’s been a very trying two years, a strange journey that has somehow left me feeling isolated and worlds away from my former home in Japan, taking me to a place I never thought I’d end up in. Not to mention feeling like I will never get the chance to work in a Japan-related field anytime soon.
My story begins in the frozen metropolis of Minneapolis, where as a 24-year-old, non-traditional student I reenrolled in college at the University of Minnesota as an Asian studies major (emphasis in Japanese, of course). Admittedly, I wasn’t the best Japanese student. I was older than most of my peers and thus (I felt), at a disadvantage. I struggled through two years of language learning before deciding at 26 to embark on my first trip out of the country—a study abroad in Tokyo. It was a life-altering experience for me and probably the most expensive thing I have ever done. It was so life-changing that I often look back at life in my twenties as “before and after Japan.”
JQ Magazine: Concert Review – L’Arc~en~Ciel Take Madison Square Garden by Storm
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L'Arc~en~Ciel frontman hyde at the band's historic Madison Square Garden show, March 25, 2012. (Courtesy of BAM! Marketing, Publicity & Promotions)
By Sam Frank, an ALT who taught English in Hiraizumi-Cho, Iwate-ken, from 2002-04 and worked in Shirahama-cho, Wakayama-ken as a JET from 2004-06, for JQ magazine. He currently manages the New York division of UnRated magazine and works as a project manager/Web producer at Arrow Root Media.
A few years ago I went to the MTV Video Music Awards in Japan, and noticed something interesting. Whenever categories came up where American artists went against Japanese artists, nine out of ten times, the American would win, and not even be in attendance to accept the award. It seemed so unfair to compare American artists to their Japanese counterparts when you think about how many American bands have sold out stadiums in Tokyo while most Japanese bands that tour America have a hard time filling up mid-size venues such as Roseland Ballroom and Irving Plaza in Manhattan. That comparison doesn’t seem quite so unfair after watching L’Arc~en~Ciel (French for rainbow), a band formed in Osaka, cement its name in rock history as the first Japanese band to perform at New York City’s famed Madison Square Garden on March 25.
In celebration of the band’s 20th anniversary making music together, hyde (lead vocals), tetsuya (bass), ken (guitar), and yukihiro (drums) have taken their dynamic visual spectacle around the globe to thank fans in true rock star fashion. The show got underway with an epic opening video displaying the band members’ names carved in platinum scrolling across the screen before showing a beautiful butterfly landing in Hyde’s glove-clad palm.
As the excited crowd eagerly waved their florescent glow sticks in anticipation, L’Arc~en~Ciel stormed the stage backed by the enchanting piano intro to “Ibara no Namida” (いばらの涙). The instant the spotlight dropped on hyde, the Garden erupted into a surge of screams and cheers for the international superstar. Juxtaposing band members with various computer generated ethereal images, songs like “Good Luck My Way,” the theme song to 2011′s FullMetal Alchemist The Movie: The Sacred Star of Milos, “My Heart Draws a Dream,” and “Honey” all came to life in a fresh and exciting way. The visual narratives added another level of interactivity to each song, which is why concertgoers who might not be familiar with songs like 1999′s “Driver’s High” will remember it as the song that opened with a revving engine sound, pyrotechnics, and images of white smoke spreading across the three gigantic LED screens.
For the complete story, click here.
JQ Magazine: Book Review – ‘Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories’
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“Reading ‘Tomo’ is a reminder that even in the most desperate straits, friendship and personal relationships have the power to nourish and sustain us.” (Stone Bridge Press)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
If you could know your future cause of death, would you choose to know? This is the question posed by “Yamada-san’s Toaster,” one of the short stories in the new fiction anthology Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories. As the title suggests, the collection is geared toward adolescents and dedicated to the youth of Tohoku, though it undoubtedly has— in the parlance of publishing— tremendous crossover appeal. There is plenty for adults to enjoy here, too. Edited and with a foreword by Holly Thompson, this collection features 36 stories—including 10 in translation—contributed by several JET alums from around the world, all of whom share a connection to Japan. Proceeds from its sale will go directly to the continued relief efforts.
In Kelly Luce (Kawasaki/Tokushima, 2002-04)’s story, Yamada-san’s toaster burns into each slice of bread a Chinese character supposedly predicting one’s cause of death. The tale’s young narrator observes the effects of the toaster on the townspeople as news spreads and they become stirred into a ridiculous pandemonium. There’s a great element of humor to the story though it also reveals a universal human folly: the vulnerability towards superstition. People try desperately to find order and make sense of a chaotic and random world, even if it means looking for burnt kanji of the toast on a breakfast plate.
The stories are grouped thematically, represented by “Shocks and Tremors,” Friends and Enemies,” “Ghosts and Spirits,” Powers and Feats,” Talents and Curses,” Insiders and Outsiders” and “Families and Connections.” (The final story, the poignant “Peace on Earth,” is penned by Suzanne Kamata (Tokushima-ken, 1988-90), whose own book of short stories, The Beautiful One Has Come, was released last year.
JQ Magazine: On Japanese Winters and Well Endowed Snowmen
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Preston with his cool creation.
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
On JET it may be true that everyone’s situation is different, but I’d bet my left dango that each of us, for whatever extenuating circumstance, suffered a few restless nights without heat in our rooms. My bone-chilling tale of refrigery and woe took place when 2010 was newly born, in the sweeping valleys of Yamanashi Prefecture. I lived in Kofu’s International Exchange Center, a westernized building converted from an old motel with all the comforts of home: shower, central heating, high speed Internet, furnished everything—which is to say I’d gotten used to a very comfortable lifestyle. I was overdue for a slice of humble sashimi.
I should mention that Kofu is not a cold place. It usually gets one storm where the snow sticks, and even that only lasts a few days. But that means nothing to a California boy. The moment my room dropped below its usual 72 degrees of moderation I knew I was in for it and got my building supervisor on the phone. He showed up a few minutes later, a shrunken old man who’d apparently won the battle against time, for indeed time had already done its worst and still the man was up and (very gradually) at ’em.
“A couple of days,” he told me after examining the fuses. “You’ll have to hang in there until then.” I looked out my window where the sky was semi-busy dropping the one good bit of snowfall we’d have that year. By now I imagined the temperature inside had dipped into the upper 60s and the first stages of hypothermia couldn’t be far off. Neither could the epic hissy fit I was about to throw.
At scenic Setogaro Gorge in Iwaki, fifth year JET Peter Gillam says people are not seeing Fukushima for everything it is. “What people need to know most about Fukushima is that it is a prefecture first, a city second, and a nuclear reactor a distant third,” he says. “Not the other way around.”
Who’s telling the truth about radiation in Japan, and why it might not matter anyway.
By James A. Foley (Fukushima-ken, 2007-10) for JQ magazine. James was one of eight American JET alums selected for the Tohoku Invitational Program sponsored by the Ministry of Foreign Affairs and the Japan Tourism Agency.
Nastassja Vidro knew something was awfully wrong when the March air turned yellow.
It happened while she was outside on the playground with the eight students she taught English to at Shiramizu Elementary in Iwaki City, Japan, after the earth began to move.
Vidro, a 2007-2011 JET participant, was by then an old pro at earthquakes. She had lived in seismically active Japan nearly four years, and in California for more than two decades before that. But this quake was different. The earth rocked so violently that huge clouds of pollen erupted from the trees and hung in the air, casting the scene in an eerie hue.
The school principal ran outside, telling everyone to get in the center of the schoolyard and huddle together. Crouched on the ground with her students, Vidro kept waiting for the tremor to subside, but it went on. For six minutes.
She heard a fantastic noise—“like a monster roaring, not screeching, but deep, [and] I could hear the wood creak and bend and the earth move”—and ceramic shingles rattling off neighboring houses and shattering on the pavement.
She says she felt the ground quiver beneath her. She fixated on it, amazed.
“My hands were on the ground and the movement was pushing them off,” she says. “I’m not a very religious person, but I was praying so hard. I hoped the earth didn’t crack.”
She looked toward a fellow teacher, a Japan native, whose eyes were wide.
“I could see in her face that this was bad, that it was not an average earthquake,” she says.
JQ Magazine Seeks Writers for Spring 2012!
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Visit JQ's homepage at http://jetaany.org/magazine
As we march into spring, JETAA New York’s JQ magazine continues to provide content with an ever-expanding array of articles, interviews and features (see our recent stories here). We’re now looking for new writers, including recent returnees and JET vets, from all JETAA chapters worldwide for posting stories via our host at the global JET alumni resource site JETwit.com. (Scribes are also encouraged to join the JET Alumni Writers group on LinkedIn.)
Below are story ideas grouped by JET participants and alumni (JET World) and those more on Japanese culture (Japan World). If you’re a JET or JETWit contributor from anywhere in the world, we welcome your interest or additional story ideas! Contact JQ’s editor Justin Tedaldi (magazine [at] jetaany [dot] org) to sign up for stories, and click here to see the story ideas online.
Click “Read More” below for our spring 2012 ideas pitch package.
Wendy enjoying the snow (safely) at World Heritage Site Shirakawa-go, Gifu.
By Wendy Ikemoto (Ehime-ken, 2006-2011). Wendy taught at six crazy but lovable high schools and served as a Prefectural Advisor on JET. Now based in the equally crazy New York City, she is looking for her next challenging career opportunity. Wendy is a fan of reading, writing, and cooking as a form of socialization. Visit her LinkedIn profile here.
I learned the hard way that bicycles and snow don’t mix.
It wasn’t that I didn’t have my suspicions about this, but I: a) Needed to get to the train station, and b) was inexperienced with the fluffy stuff (it was only the second time in years that snow in my country town hadn’t immediately melted away, and as a Hawaii girl, the snow seemed more novelty than threat).
So on a January morning in Ehime, I left my apartment to catch a train into town. I followed the same route to the station that I used hundreds of times. I rode past a small temple on the hill. I enjoyed watching the animals in the river along the road. I took the turn by the bridge and in slow motion, my tire slipped out from under me and I crashed. SMACK–I fell on the back of my head.
I couldn’t move for a moment.
Before I could regain composure, I started to get dragged off. A kind Japanese couple had seen the whole thing and sensibly moved me out of the road. I was very grateful, but hugely mortified. After about a minute, I thanked them profusely, assuring them that I was OK, and managed to get back on my bicycle. Slowly and wobbly, I made it to the station.
I met my friend, we bought our train tickets, and through the gate we went to wait for our train. This was my first moment to relax since the accident. Although I felt fine, I decided to inspect the back on my head. Lightly, my fingers caressed where I crashed until they came upon a bump. Not the hard kind that happens when you knock your head against a shelf, but the soft kind that happens when you have a blister. Crap. Well, maybe I can go to the doctor tomorrow, I thought.
When I brought my hand down into my lap, however, I noticed that it looked funny…there was blood all over it.
Amy at Soma, Fukushima, with Mr. Tanji, August 2011.
By Amy Cameron (Fukushima-ken, 1998-2000) for JQ magazine. Amy was one of eight American JET alums selected for the Tohoku Invitational Program sponsored by the Ministry of Foreign Affairs and the Japan Tourism Agency.
I will always remember the day back in 1998 that I received my JET ALT assignment. I immediately rushed to a map to see where I would be living. I hadn’t studied Japanese before, so it was hard to pronounce the words: Nihonmatsu-shi, Fukushima-ken. My tongue tripped on the syllables and I laughed. I found the spot on a map, about halfway between Tokyo and Aomori, 35 miles or so from the coast, between some mountains. I tried to imagine what it would be like to live there. As my departure approached, friends and family asked where in Japan I was heading, but no one had ever heard of Fukushima.
Fast forward to the days following March 11, 2011, and suddenly the whole world had heard of Fukushima. Amidst the media overload of earthquake, tsunami, and radiation disaster images, friends and family called and e-mailed me, “Was that where you used to live?” I scrambled to contact friends and coworkers in the region. My former supervisor cried when he heard that I was thinking of him. People in Nihonmatsu were okay, he assured me. The earthquake had not done as much damage as in some other areas, and Nihonmatsu was far enough from the coast that it had not been hit by the tsunami. Radiation, on the other hand, was a growing concern.
At this time, my heart ached to return to Fukushima to visit the people and land I loved so dearly. I had spent two amazing years there as an ALT, and it had been hard to leave. Even as news of the disasters began to fade from the headlines, I felt distracted from my life in Boston, part of me emotionally back in Fukushima. When I heard about the Tohoku Invitational Program for JET alums a few months later, I was so excited that I had a hard time sleeping. This was it: a real opportunity to return to my Japanese hometown, much sooner than I had thought would be possible.
Preston busts a move onstage with cosplay idol Reni Mimura. (Justin Tedaldi)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
The Bennett Media Studio in New York’s West Village was filled to capacity on Feb. 11 for Saturday’s Lunar New Year Celebration and Fashion Show. This event, hosted by the ASIANinNY networking organization, treated guests to a night of Asian-oriented exhibitions, highlighted by two fashion shows and an energetic performance by cosplay singer and Japanese idol Reni Mimura.
The boys took the stage first, modeling clothes by designer Ninh Nguyen and eliciting a number of lascivious hoots and catcalls from an appreciative crowd, and the girls, wearing Meiling Chen’s new line, came out to a barrage of camera flashes. Fitting with the Year of the Dragon, the models’ hair, stylized by a team from Haruo Noro Salon, exhibited a quiet ferocity and mystique.
“For [the girls] the look is a simple and romantic boho style, center part, with a low ponytail and a braid. For [the boys] the look is a ’60s mod, edgy/punk, with a modern and clean feel,” lead stylist Noro said of his artistic intent. Having worked and studied in salons in Japan and London before coming to New Jersey and establishing his own business, Noro explained that for this event he drew mostly from his Japanese training, though having additional training and work with other cultures and participating in various fashion shows has enhanced his creative vision.
“I love that ASIANinNY is able to feature and promote various Asian designers, and my team and I are very happy to be part of it,” he said.
