JQ Magazine: JETAA New York Greets Distinguished Guests
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Inuyama City Council Member Anthony Bianchi, center, poses with fellow JET alums at the Japan Friendship Festival, Brooklyn Borough Hall Plaza, May 2013. (Photo courtesy of Ann Chow)
By Ann Chow (Hyogo-ken, 2007-09) for JQ magazine. Ann is a native New Yorker and serves as the Membership Development Chair for the JET Alumni Association of New York.
On April 17, members of the JET Alumni Association of New York (JETAANY) were invited to attend a reception at the Nippon Club for the Governor of Tokyo, Naoki Inose, who was in New York to drum up support for his city’s bid for the 2020 Summer Olympics and Paralympics. Among the guests at the reception included Willie Banks, the three-time track and field Olympian, and world record holder from 1985-95 in Men’s Triple Jump. (Cool trivia: Banks speaks fluent Japanese.)
And on May 3, several JETAANY members, along with employees of CLAIR and the Japanese consulate, were on site to help Inuyama City Council Member Anthony Bianchi (Aichi-ken, 1987-91) and B. Bridges participants at the Japan Friendship Festival at Brooklyn Borough Hall Plaza. The B. Bridges program (short for “Brooklyn Bridge” as well as “Building Bridges” and “Be Bridges”) was created as a cultural exchange program by Bianchi and the administration of Xaverian High School, of which Bianchi is an alumnus.
“The idea for the B. Bridges exchange program was born 10 years ago at an event the Brooklyn Borough President, Marty Markowitz, held for me at Borough Hall after my first election, so it was great to be able to hold this, our Japan Friendship Festival: Inuyama Day at Borough Hall,” Bianchi said.
The program has sent close to 500 people from Brooklyn to Inuyama City and vice versa. This year, 40 participants came from Inuyama City to stay with families of students attending the school. On a beautiful sunny day, JETAANY members were able to help the group out at various booths which showcased tea ceremony, Japanese calligraphy, and traditional Japanese toys and wares.
“The cooperation of the Brooklyn Borough President’s Office, the Japanese Consulate of New York, the Japan Local Government Center, and the JET Alumni Association of New York were crucial to making this event successful,” explained Bianchi.
He added: “I was also proud of our B. Bridges members, as well as our exchange partners at Xaverian High School, who made great use of the opportunity. This, I believe, made the event a great experience for all those in attendance.”
For additional photos from the events, click here and here.
JQ Magazine: Cultural Heritage Soars in San Francisco’s Japantown
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Under the Peace Pagoda at the Northern California Cherry Blossom Festival, San Francisco, April 2013. (Preston Hatfield)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston received a B.A. in English literature with an emphasis in creative writing and a minor in Japanese at the University of California, Davis. After spending an amazing year on JET in Yamanashi, he spent a year writing and interning with book publishing companies in New York. He currently lives in Marin County, where he continues to cover local Japan-related stories for JQ, and teaches English as a second language at an international school in San Francisco.
This April marks the forty-sixth time that San Francisco has hosted the Northern California Cherry Blossom Festival. As one of the world’s top annual festivals of its kind and one of the largest Japanese American events in the country, the festival has made quite a reputation for itself, and each year it’s bigger and better. Whether you’ve been to Japan before and need a fix of your favorite street food, or you’re a newbie interested in exploring the culture, the NCCBF offers a comprehensive and top-notch Japan experience that includes traditional and modern elements.
If you’ve been to other festivals, you already know to expect tea ceremony demonstrations, doll exhibits, taiko performances, and cosplay competitions, but pay attention and you’ll also notice a powerful sense of community in every act and exhibit. Excepting a handful of wonderful guests from Japan (including this year’s Grand Marshal, renowned singer and actor Teruhiko Saigo), the NCCBF is put on wholly by the Bay Area’s Japanese American community, including some 300 volunteers, 50 organizations, schools, and groups, and is sponsored by a number of local businesses. In some respects, it’s their way of making a statement, as Allen Okamoto, co-chairman of the NCCBF, explains:
“One of the reasons I continue to volunteer with the festival is that Japantown is rapidly changing. The demographics of the community are changing with the intermarriage and lack of migration from Japan. I consider the festival as an institution the same as the Japanese language schools, the churches and other community organizations like the Japanese Community Youth Council, Kimochi, Inc. and the Japanese Cultural & Community Center. We are all continuing the culture and heritage of things Japanese.”
The festival has become something of a culture treasure here, and it’s no wonder. San Francisco, with a formidable but recently declining Japanese American population, is home to one of the last “true” Japantowns in the U.S., but some locals think that’s debatable. “I saw [at the festival] a hardworking community [bringing] culture and fun to Japantown, which for the rest of the year is slowly being eaten by non-Japanese businesses. Koreatown sometimes feels more appropriate,” said Bay Area resident and JET alum Mikeal Gibson.
JQ Magazine: Film Review – ‘Live Your Dream: The Taylor Anderson Story’
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“Laced with emotional reflections, vivid photos and jovial home movies, the film walks the viewer through Taylor’s 24 years on earth and untimely end caused by the Great East Japan Earthquake and Tsunami of 2011.” (Global Film Network Inc.)
By Renay Loper (Iwate-ken, 2006-07) for JQ magazine. Renay is a freelance writer and associate program officer at the Japan Foundation Center for Global Partnership. Visit her blog at Atlas in Her Hand.
Directed by renowned filmmaker and founder of Global Film Network Regge Life, Live Your Dream: The Taylor Anderson Story is Life’s first documentary about a loss.
Best known for his features like Doubles (about Japan and America’s intercultural children), After America…After Japan (about the migration of Americans to Japan and Japanese to America) and Struggle and Success: The African American Experience in Japan, Life opens the window for the viewer to glimpse the life of Taylor Anderson (Miyagi-ken, 2008-11) through personal accounts from her loved ones. Laced with emotional reflections, vivid photos and jovial home movies, the film walks the viewer through Taylor’s 24 years on earth and untimely end caused by the Great East Japan Earthquake and Tsunami of 2011. In light of the tragedy, the film sends a message of hope, optimism and encouragement for all to follow their hearts.
The film is divided into chapters, beginning with the first, “She Took Her Time.” Jean Anderson, Taylor’s mother, reveals how in everything Taylor did, she did it at her own pace, including her birth: she was 11 days late. According to her father, Andy Anderson, Taylor grew up inquisitive, interested and easygoing, never letting anyone influence her decisions. Julia Anderson-Kerr and Jeffrey Anderson (Taylor’s sister and brother, respectively) shared what it was like to grow up with such a peaceful and patient sibling.
From as early as they could remember, Taylor was into reading, exploring and having fun. Growing up near Richmond, VA, she was first introduced to Japanese at Millwood Elementary School. Her teacher exposed her to the language, artifacts and clothing of Japan at an early age, and from that point on she was hooked. Unfortunately, when she moved on to St. Catherine’s High School, Japanese was not an option, so she continued to study on her own.
It wasn’t until her college years at Randolph-Macon College in nearby Ashland that Taylor had the opportunity to visit Japan. She traveled to Tokyo for a January course designed to expose students to the history of the city. Later that summer, Taylor taught at a Japanese language academy, where she was adored by all. It was because of Taylor’s contagious zeal for Japan that her childhood friends and classmates became interested in the country and culture as well. She exposed them to anime, manga and the films of Hayao Miyazaki, inspiring some of them to travel to Japan and explore it for themselves.
JQ Magazine: JQ&A with JUSTE Program Participant Saiko Goto
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“In Minamisanriku, the local government wanted to keep the shiyakusho (city hall) as a memorial for the tsunami, but people who lost family there disagreed. Finally, the building was demolished recently. It reminded us of sad stories and memories of people who escaped to city hall during the tsunami.” (Courtesy of Saiko Goto)
By Fernando Rojas (Fukui-ken, 2008-10) for JQ magazine. A resident of Teaneck, New Jersey, Fernando was JHS ALT in Fukui prefecture, home of the echizen-gani, a city named Obama, the Fukuisaurus, and nuclear power plants. While in Japan, he picked up shuji (Japanese calligraphy) as his hobby and continues to practice today. He is currently a fellowships associate for the Social Science Research Council’s Abe Fellowship Program in Brooklyn and co-representative for the JETAA New Jersey subchapter.
Hailing from Tome City in Miyagi Prefecture, Saiko Goto was a recent JUSTE Program participant at Rutgers University in New Jersey. Informally called the “Reverse JET Program,” the Japan–U.S. Training and Exchange Program for Language Teachers allows Japanese Teachers of English (JTEs) from all over Japan to take courses in ESL teaching at U.S. universities.
Goto received her teaching license from Gunma Prefecture Women’s University, where she majored in English. She currently teaches at Sakuma Junior High School and has taught English for eight years. Before returning to Japan in January, Goto spoke with JQ about JUSTE and the ongoing impact of the March 11 earthquake and tsunami on her school.
How are teachers selected to participate in the JUSTE program?
Teachers are selected according to their prefectures. In some prefectures, teachers have to apply for the program. In other prefectures, teachers are picked by the board of education. In my case, I was recommended by my principal to the Tome City Board of Education and selected by the Miyagi Prefecture Board of Education.
Have you found the JUSTE program beneficial? In what ways has the program helped you?
Being on JUSTE has been very beneficial. I have met and talked with many people from different countries, as well as learned a lot from them through English. I have also thought more about my teaching and the importance of learning English. The program has also helped me to create more effective activities. I made many activities with other JUSTE members and we will use them in my classes.
Would you recommend the program to other JTEs in Japan?
Definitely. By participating in the program, you can have many chances for meeting people and learn a lot. I visited a former ALT during the winter vacation and experienced life in Arkansas with her and her family. I also became friends with other JUSTE participants. We will share our list of activities with each other online and keep in touch.
JQ Magazine: Life After JET on YouTube
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JET alum Eliot Honda: “With my year coming to a close, I wanted to create a set of videos that would not only explain what to expect as an ALT, but also what to expect as an Uwajima ALT. I had truly come to love this city, and I wanted to show off some of its beauty and history.”
By Eliot Honda (Ehime-ken, 2009-2012) for JQ magazine. Born and raised in Honolulu, Eliot was an ALT placed in Uwajima City of Ehime Prefecture. Prior to JET, Eliot worked as a freelance video editor mainly in the commercial and corporate world in San Francisco. Following JET, he returned to Honolulu and joined his mother in real estate. He currently has made a JET Introduction video, and has a YouTube series in the works called Sister City Ties, showing the beauty of the friendship between Honolulu and Uwajima.
My father always preached that “everything happens for a reason.” My being placed in Uwajima was no exception. Uwajima, as I would come to find out, had strong ties to my home of Hawaii. King Kalakaua of Hawaii and Date Munenari of Uwajima had met in 1881, becoming Japan’s first contact with a head of state. Uwajima and Hawaii would meet again in 2001 when the Ehime Maru, a high school fishing vessel, would be struck by a U.S. submarine. Nine lives would be tragically lost, including four high school students.
News of the tragedy spread quickly through Hawaii, causing the people to do everything they could to help the Uwajima families. Whole those families could have shown hate and anger toward the people of Hawaii, they instead embraced the people of the Aloha State with open arms. Through this tragedy, a friendship between Honolulu and Uwajima was born, giving way to the creation of a sister city relationship. To help strengthen the ties between the two cities, the mayor of Uwajima requested ALTs who were born in Hawaii. I found myself to be one of the lucky few chosen to represent Hawaii there as my time on the JET Program began.
I came to Uwajima with all these grand ideas of using video in my lessons. A month into my first year as an Uwajima ALT, I came to the realization that utilizing video in the classroom or in school for that matter would be an impossible task. If finding students willing to speak English in front of the class was difficult, finding students to speak English in front of a camera would be like moving the Hawaiian Islands with a fish hook. (I think only Hawaii people will get that reference.)
Feeling a bit defeated, I sat in my apartment and contemplated how I could put everything I’d learned in the multimedia world to good use. As fate would have, it I was asked by one of the Ehime Maru family members to join the Ehime Maru memorial service, and create a documentary not about the tragedy, but about the friendship between Honolulu and Uwajima. The documentary was for the schools in Ehime, and upon completion, DVDs were given to a large number of schools. This single video became the start of several videos for both the sister city exchange and the promotion of Uwajima.
JQ Magazine Seeks Writers for Spring 2013!
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Visit JQ magazine online at http://jetaany.org/magazine
As we slide into spring, JETAA New York’s JQ magazine continues to provide content with an ever-expanding array of articles, interviews and features (see our recent stories here). We’re now looking for new writers, including recent returnees and JET vets, from all JETAA chapters worldwide for posting stories via our host at the global JET alumni resource site JETwit.com. (Scribes are also encouraged to join the JET Alumni Writers group on LinkedIn.)
Below are story ideas grouped by JET participants and alumni (JET World) and those more on Japanese culture (Japan World). And if you’re a JET or JETWit contributor from anywhere in the world with a story idea of your own, let us know!
Click “Read More” below for our spring 2013 ideas pitch package, and contact JQ editor Justin Tedaldi (magazine [at] jetaany [dot] org) to sign up for stories.
JQ Magazine: Book Review – ‘Yoko Ono: Collector of Skies’
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“The book’s release is timed to coincide with Ono’s 80th birthday on February 18, and provides readers snippets of info on some tumultuous periods during her lifetime.” (Amulet Books)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
“Everybody knows her name, but nobody knows what she does.”
That line—uttered by the most famous of her three husbands—could accurately sum up Yoko Ono for a long time. But that shouldn’t be the case. Fortunately, thanks to a new book co-written by Nell Beram and Carolyn Boriss-Krimsky, readers have insight into this remarkable woman’s life.
Yoko Ono: Collector of Skies—so titled because Ono has always looked to the sky for inspiration—delves into the life of the famous avant-garde artist and musician, from her childhood in Japan and the U.S. to her chart-topping success in her seventies. The book’s release is timed to coincide with Ono’s 80th birthday on February 18, and provides readers snippets of info on some tumultuous periods during her lifetime.
Ono’s journey is presented in an easy-to-read format geared toward young adults. Unlike many other biographies, where all the photographs tend to be lumped together in a couple of sections, the photos in Collector of Skies are spread throughout the book, and they range from one in which Ono is wearing a kimono at the age of two to another taken at the inaugural lighting of the Imagine Peace Tower in Reykjavik in 2007. The authors also use quotes from Ono to expound upon certain periods and moments of her life.
Of course, any story about Yoko Ono has to make heavy mention of her relationship with John Lennon, and the middle of the book is largely devoted to her life with the former Beatle. While Collector of Skies might not reveal anything earth shattering for hardcore Lennon and Beatles fans, younger readers (or those unfamiliar with the Beatles) will learn not just the real story of the group’s breakup, but more importantly, the duo’s activism.
JQ Magazine: JQ&A with Bruce Feiler on ‘The Secrets of Happy Families’
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“One big idea in my book is that families should adapt all the time. The single best thing we’ve done is to add a weekly family meeting. We ask three questions, based on a popular program called ‘agile families.’ And no surprise: that idea was born in Japan in the culture of real-time change.” (Courtesy of HarperCollins Publishers)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
New York Times bestselling author and columnist Bruce Feiler (Tochigi-ken, 1987-88) has written a range of books dealing with topics as varied as life in Japan (depicted in 1991’s Learning to Bow), religion, and his own diagnosis with cancer.
His latest book, The Secrets of Happy Families, is a playbook for today’s family with tips and advice for increasing overall happiness and strengthening the family unit. Unlike other family-related books, Feiler does not advocate one particular method or philosophy over another; rather, he has done a thorough investigation of what happy families have in common and offers readers a slice of the pie.
In this exclusive interview, Feiler shares how his experience in Japan has given him insight into family life across cultures, as well as his take on the modern family’s trials and tribulations.
It seems the book market is already glutted with all sorts of self-help books about families. What sets your book apart and why do you feel that it is particularly timely?
In many ways, I was motivated by the deluge of self-help books. They’re boring, tried, and out of fresh ideas. As a parent, I was completely frustrated and had tons of questions about how to make my family function more effectively, and the only books out there were from “family experts.” Meanwhile, in every other arena of contemporary life—from Silicon Valley to elite peace negotiators, from championship sports teams to the Green Berets—there are proven new ways to make teams and groups run more smoothly. I wanted to know what those people were doing with their own families, then test their ideas with mine. Not every idea worked. That’s why I put over 200 new ones in the book, because what clicks with your family may be different from what clicked with mine. But my hope is that if you take three ideas, you’ll have a happier family in a week.
In the chapter about the agile manifesto, you talk about the importance of “being part of the family team.” In writing about the importance of teamwork within the family, were you inspired at all by your experience in Japan, a culture which valorizes the group above all else?
I think it may be more the other way around, in that I was attracted to Japan because I’ve always been interested in tight groups and well-run teams. At the time I lived in Japan, in the late 1980s, Americans still believed that the individual mattered above all else. But one thing we’ve learned from the Internet is that we all have a natural inclination toward groups, social networks, and other gatherings of people. The first generation of happiness research has shown us that relationships matter above all else. Happiness is other people. And the people who matter most to us are our family. Yet there have been almost no books that tell us how to do that.
Are there other cultural practices you observed in your time in Japan which you believe could benefit American families?
One I learned while in Japan is that being part of a group doesn’t just happen. Japanese schools, in particular, work on it. I remember a school trip I went on where classes were divided into small groups. The number one rule was, don’t be late. The number two rule was, only one person in each group was allowed to have a watch. Guess what! You better stick together. Having a close family doesn’t just happen, either—you have to work on it. Fortunately, there are lots of new ideas out there to do that, which I’ve tried to gather.
JQ Magazine: JQ&A with Takashi Ikezawa of Resobox Japanese Art Gallery
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“We don’t want art to be only for wealthy people, but instead want to target as wide an audience as possible for the purpose of disseminating Japanese culture. This is actually the reason why we chose to be located in Queens, as it is said to be the most diverse part of the city.” (Stacy Smith)
By Stacy Smith (Kumamoto-ken CIR, 2000-03) for JQ magazine. Stacy is a professional Japanese writer/interpreter/translator. She starts her day by watching Fujisankei’s newscast in Japanese, and shares some of the interesting tidbits and trends together with her own observations in the periodic series WITLife.
In recent years, Long Island City has experienced a rapid gentrification, being converted from an abandoned, industrial wasteland to a hotspot of waterfront apartments and art institutions. Of course it has big hitters like the Noguchi Museum that are well known to Japanophiles, but there are also Japan-related galleries flying under the radar just waiting to be discovered. One such place is Resobox, a short walk from the Queensboro Plaza subway stop whose location is marked by only a small, overhanging sign and a signboard that sits on the sidewalk reading: “The place where people who are conversant with, dedicated to and influenced by Japanese art can gather, create innovative arts through the collaborative process and disseminate them to the world.” Interest piqued? So was mine, and I was fortunate to have the opportunity to speak with Resobox co-owner Takashi Ikezawa to learn more about this unique endeavor.
Can you share with JQ readers Resobox’s back story and the origin of your name?
Resobox was a name created from the words “resonate” and “box,” and it refers to a space where artists can meet and collaborate to create new and innovative art. It initially referred to a project begun by my partner Fumio Tashiro, a jazz musician who became interested in experimental music and music as art performance. He would collaborate with dancers, painters, and musicians to put together performances. I had a business background as I worked at a talent agency representing Japanese artists in NYC, and I knew Fumio casually. However, we started meeting up monthly to brainstorm, and our discussions always focused on the breadth and depth of Japanese culture and arts. In order for a solid collaboration to take place, you need to have a strong foundation. Since we are both Japanese, we found the culture of our native country to be a foundation substantial enough to build on. Our brainstorming sessions yielded the idea of artists, both Japanese and non-Japanese, coming to our box and resonating off each other to create new Japanese art. This is how Resobox was launched in its gallery form in June of 2011.
Can you give an example of some successful collaborations?
One of the artists who was featured until early January, Mary Burton Wheeler, became involved by taking a Japanese ink painting (sumi-e) class at Resobox. It happened to be taught by Ayakoh Furukawa, the artist we currently have on display, and collaboration began in this class environment. Wheeler learned not just about Japanese painting itself but about Japanese sense and ideas, and she incorporated this into the new pottery she produced as a result. On first glance you wouldn’t say that her work is particularly “Japanese,” but on closer look there is definitely a Japanese sensibility that she encountered via her collaboration with Ayakoh.
“J-Boys is a historical lesson for readers of all ages. Although the story takes place 20 years after World War II, Japan is still very much scarred by the war and Oketani mentions how it affected the mindsets of the country’s people.” (Stone Bridge Press)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
The 1960s were a decade of enormous change around the world. Although Japan didn’t experience the upheaval some other countries did during that period, for one teenager, the mid-1960s were shaping up to be a different era.
Shogo Oketani’s novel J-Boys: Kazuo’s World, Tokyo, 1965 takes readers into the lives of young Kazuo Nakamoto and, to a lesser extent, his friends—younger brother Yasuo, his friend Nobuo, Nobuo’s older brother Haruo, and Kazuo’s classmate Minoru. As steeped in tradition as Japan is (and continues to be), Oketani paints a picture of a society beginning to be seriously touched by foreign influences. Inspired by the 1964 Olympics in their hometown, Kazuo and Haruo usually head to an empty lot after school to emulate 100-meter champion Bob Hayes (It was Kazuo’s dream to be an Olympic sprinter). And like many young people across the world, Haruo went crazy for a quartet from Liverpool, often singing “A Hard Day’s Night.”
Essentially, J-Boys (which was based on Oketani’s childhood)serves a journey through the ups-and-downs of adolescence while introducing younger readers to Japanese culture and the changing landscape of the country. Kazuo’s father speaks about the rise in TV’s popularity with an air of sadness, blaming it for the loss of a nearby cinema. Likewise, Kazuo feels the new Tokyo (much of it fueled by Olympic-related construction) he sees during his Saturday afternoon walks is not necessary an improved one. Kazuo develops a crush on a girl he’s known for quite a while, but sees a couple of close friends move just prior to the start of a new school year. So he realizes he’s about to embark on an unpredictable journey.
JQ Magazine: Same-sama, Party of One
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“We’re gonna need a bigger shopping cart.” (Leah Zoller)
By Leah Zoller (CIR Ishikawa-ken, 2009-11) for JQ magazine. Leah lives in Kanazawa, where she works as a writer and web administrator for The Art of Travel. In her spare time, she writes I’ll Make It Myself!, a blog about food culture in Japan and curates The Rice Cooker Chronicles on JETwit.com.
I live and work not too far from Omicho Market, and as a result, I see a lot of “Kanazawa’s Kitchen” and its back alleys in all seasons. I particularly like passing through in winter when the crabs are set outside the fish sellers’ stalls in the morning, the steam rising off their Styrofoam crates like a cloud in the cold air.
According to my coworkers, Omicho Market was once narrow and dirty, the way one expects a fish market to be. Since being renovated, Omicho, with its wide paths, incense to cover up the scent of fish, and ice blocks to relieve the summer heat, really fits with the tone and charm of our little city on the sea. Of course, the site is popular with tourists, but locals—myself included—actually shop there, since the variety and price of produce and seafood is often better than it is at the supermarkets. Every visit there is like a culinary adventure to me: What will be on sale today? Will the price of persimmons have dropped? What new squash varieties are the farms in the Noto growing?
Even Omicho, whose weaving roads I know like the back of my hand, has its surprises. One weekend in early winter (and winter comes early to Kanazawa), my husband and I were walking past one of the market’s side entrances when something caught my eye. I couldn’t quite process what I was seeing at first—was that a person was lying on the ground in front of one of the restaurants?
The figure on the ground was about my height, but slowly the realization that it wasn’t a person sank in. No, it wasn’t a person at all—it was a dead shark.
JQ Magazine: Book Review – ‘Samurai Awakening’
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“Ultimately, Samurai Awakening is a fun read that makes you think you’re watching a movie.” (Tuttle)
By Rashaad Jorden (Yamagata-ken, 2008-2010) for JQ magazine. Rashaad worked at four elementary schools and three junior high schools on JET, and taught a weekly conversion class in Haguro (his village) to adults. He completed the Tokyo Marathon in 2010, and was also a member of a taiko group in Haguro.
For those who have lived in Japan, there were probably times when nothing seemed to be going right while struggling to get adjusted to a new culture. But eventually—or maybe miraculously—things take a 180 degree turn.
Well, that happened in Samurai Awakening, Benjamin Martin‘s work of fiction for young adults. Martin—currently a fifth year Okinawa Prefecture JET—tells the story of David Matthews, an exchange student spending the year in Japan. David is frustrated and unhappy due to the fact he can’t speak Japanese well and hasn’t made any close friends. Fittingly, very early in the story, he is bloodied in a fight with students at Nakano Junior High School.
But after attending a local temple ceremony, David learns a new god has created special powers in him. He is now able to speak Japanese fluently, fight incredibly well and turn into a cat. However, those are not the only surprises in the book. His host family the Matsumotos, who are famous sword makers, are also keeping a secret handed down to their ancestors by the Emperor of Japan. And it is with the Matsumotos that he must work to save his host sister Rie, as wolves have taken up residence in her body.
JQ Magazine: Book Reviews – ‘Belka, Why Don’t You Bark?’ and ‘The Future Is Japanese’
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A pair of this year’s releases from Haikasoru.
Belka, Why Don’t You Bark?
“As a writer, Furukawa is possessed of a kinetic voice that seems to teeter on the edge of insanity. The hyperactive prose is sometimes poetic, sometimes sharp like a stinging slap in the face. Often, it’s both.” (Haikasoru)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction.
War: It’s a Dog’s Life. Battle Is a Bitch. War and Fleas.
These were just a few of the potential titles I had streaming through my mind as I sat down to write the review of Belka, Why Don’t you Bark?, the newly translated novel by Hideo Furukawa. But the truth is, love it or hate it (and you very well may hate it, but more on that later), Belka is far too original to be reduced to silly catchphrases or bromides.
At the very start of the novel, readers are met with a detailed canine family tree complete with the dogs’ names and nationalities. In looking back, this might as well have been a de facto warning: if anthropomorphism is not your thing, put this book down immediately.
The story begins in 1943 on the Aleutian Island of Kiska where four military dogs are left by the Japanese and then claimed by U.S. troops after the Japanese retreat. One dog dies and the other three go on to produce the offspring that populate the novel and occupy the branches of the family tree. Belka chronicles the lives of the military dogs who trace their roots back to Kiska, intertwined with the story of the young daughter of a yakuza boss who is kidnapped in the USSR and has a psychic connection to dogs. Belka is a book about history through canine eyes, namely the wars of the 20th century, as Furukawa tells us “history is moved, rolled this way and that, so simply. The twentieth century was a pawn, as were the dogs.”
JQ Magazine: Book Review – Haruki Murakami’s ‘1Q84’
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“Murakami’s previous books were like delicious sandwiches that left you wanting more. 1Q84 is like a two-foot long sub that filled you to bursting, but you’re still not totally satisfied.” (Vintage International)
Roland Kelts, don’t kick me in the balls—
One man’s attempt to review a book honestly while still keeping friends
By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. A staple of the JET Alumni Association of New York (JETAANY) community, Rick manages their Twitter page and is an up-for-anything writer.
My girlfriend wouldn’t shut up about it.
“1Q84 is the best! Ah, when it comes out in English you need to read it!” Just talking about it made her rush to find her old copies (it was broken up into three books in Japan) and start reading them again. She was enthralled, to say the least. I’ve been a Murakami fan for a while: Norwegian Wood was emotional and sexually riveting; Dance Dance Dance was creepy as hell but lots of fun; Kafka on the Shore blew my mind. So I was hungry for 1Q84.
I picked it up shortly after it came out…and put it down for a while…then picked it up again…then down… then up…I think you get the idea. My feelings can kind of be summed up like this: Murakami’s previous books were like delicious sandwiches that left you wanting more. 1Q84 is like a two-foot long sub that filled you to bursting, but you’re still not totally satisfied.
The plot follows two people tied together by fate, love, and inter-dimensional happenstance. Tengo is an author and math teacher who finds himself embroiled in a shady plot to write an award-winning book. Aomame is a fitness instructor with a decidedly darker side job. Both find themselves in an altered version of 1984 called 1Q84 that deviates from the previous reality in specific ways. Those changes seem to revolve around a cult, a beautiful young girl, a book and mysterious “Little People.” Their battle to beat the odds and find each other, discover where they are, and who’s behind the changed world is an epic journey told through alternating perspectives.
1Q84 had all the things I love about Murakami: Super complex, interesting and engaging characters, crazy inter-dimensional sex, lots of mystery, and supernatural elements that bring it right on the cusp of reality, teetering between a fantasy realm and the real 1984. His ability to walk that line (like a cat walking a picket fence for those who love cats not only in Murakami novels, but also in reviews of Murakami novels) is astounding and he does it…for a really long time.
JQ Magazine: Concert Review – ‘The Legend of Zelda: Symphony of the Goddesses’
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“There was so much attention paid to the nuance, so much consideration given to the fans, that the show became a kind of homage to both the franchise’s legacy and to every avid gamer whose collective fealty raised Zelda into one of the highest echelons of video game lore.” (Preston Hatfield)
By Preston Hatfield (Yamanashi-ken, 2009-10) for JQ magazine. Preston moved from San Francisco to New York City in January 2012 and is now accepting submissions from people who want to be his friend. Abduct him from his house in the middle of the night, or find him on Facebook and ask about his JET blog in which he details his exploits and misadventures in that crazy Land of the Rising Sun we all love.
If life is one ongoing adventure and each day is its own side quest, then several days ago the already labyrinthine halls beneath Madison Square Garden were not those of a theater but a dungeon, and the spirited host of attendees was nothing short of raiders in pursuit of plunder. Their coveted treasure on this magical evening of Nov. 28 was The Legend of Zelda: Symphony of the Goddesses from Jason Michael Paul Productions. Wielding the baton like her own personal Master Sword (or, as was the case at the onset of the Wind Waker movement, an actual replica of the Wind Waker), conductor Eimear Noone led the Orchestra of St. Luke’s into an epic musical campaign that toured across Hyrule and the 16 games in Zelda’s renowned platform, which is currently celebrating 25 years since its American debut on the original 8-bit Nintendo Entertainment System.
The evening commenced with a rousing overture in the form of “The Legend of Zelda Medley” before embarking a four-part movement that began with the crowd favorite Ocarina of Time, and concluded with A Link to the Past, the game where many of the now iconic Zelda themes first premiered. Each movement in this symphonic journey—this Tour de Triforce, if you will—began at the beginning of each game and proceeded to tell the familiar tales of heroism and mystic wonder, transitioning almost fairylike from one key moment to the next, as large screens over the orchestra showed in-game footage for context and intermittently focused on soloists and the choir.
