Justin’s Japan: Week One of JAPAN CUTS 2012 Serves Up ‘Love Strikes!’, Adult Anime
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‘Love Strikes!’ has its U.S. premiere at New York’s Japan Society July 14. (© 2011 TOHO CO.,LTD. / TV TOKYO CORPORATION / DENTSU INC. / KODANSHA Ltd. / Sony Music Entertainment (Japan) Inc. / Office Crescendo Inc. / PARCO CO., LTD. / Yahoo Japan Corporation / TV OSAKA CORPORATION / TV AICHI CORPORATION)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
From July 12-28, Japan Society ushers in its sixth consecutive year of JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema. Bigger than ever, JAPAN CUTS 2012 boasts the most feature films in the festival’s history: 37 full-length and 2 shorts, encompassing blockbusters, high-concept art house titles, mature anime, audacious documentaries, delirious rom-coms and a splatter of J-horror/gore genre busters. Running alongside the New York Asian Film Festival (June 29-July 15), which co-presents 12 films from July 12-15, JAPAN CUTS 2012’s selections sport the unyielding artistry and out-of-control eccentricity that define modern Japanese cinema.
“This year’s expanded and expansive edition of JAPAN CUTS reflects our (slightly maniacal) ambition to be the ultimate platform for Japanese cinema in North America—in the world perhaps?” says Japan Society’s chief film programmer and festival curator Samuel Jamier. “In this respect, the explosive, purposefully off-balance mix of dark-themed hard-core actioners, blockbusters, hit comedies, nano-budget indie titles and philosophical art house pieces emphasizes the wild diversity of the production in the archipelago, as well as its incredible resilience, despite the rise of its East Asian neighbors and the current severe economic conditions. We might not be solving the epistemological conundrum that is Japanese and world cinema (or event zombie apocalypse), but we’re giving it a good try.”
Upcoming events include the sold out Striking Love! JAPAN CUTS Opening Party following the July 14 screening of Love Strikes!, with an introduction and Q&A with star actress Masami Nagasawa (this year’s recipient of NYAFF’s Rising Star Asia Award) and an introduction and Q&A with Monsters Club director Toshiaki Toyoda for the July 15 screening.
For this week’s list of films, click here.
JQ Magazine: JQ&A with Darryl Wharton-Rigby on ‘Don Doko Don: The Yamakiya Taiko Drum Club Project’
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“This story is about the resiliency of community; how a community comes together in times of crisis. It’s a story about our shared human experience. It’s in some ways my own story, as my family still lives in Fukushima as well.”
By Nichole L. Knight (Shiga-ken, 2007-09) for JQ magazine. Originally from Waterbury, Connecticut, Nichole became active with the JET Alumni Association of New York even before moving to the city. Since returning from Japan, she’s played with the University of Connecticut Taiko Team, and trained with Soh Daiko, the East Coast’s oldest taiko group.
Darryl Wharton-Rigby (Fukushima-ken, 2005-07) is a playwright, poet, professor and filmmaker, who hails from Baltimore, Maryland. He has written for NBC, MTV, and BET. He lectures for Morgan State University’s Screenwriting and Animation Program, and is in the process of writing three books. Married with three children, he splits his time between Baltimore, Los Angeles, and Japan.
From 2005 to 2007, while teaching English in Kawamata-machi in Fukushima Prefecture through the JET Program, Wharton-Rigby was introduced to the talented members of the Yamakiya Taiko Club, a local community group which he would soon join. He began filming their story in 2006, but was inspired to continue after the group was misplaced in the aftermath of the 2011 tsunami and ensuing Fukushima Dai-Ichi Nuclear Power Plant area evacuations.
Of the documentary, now titled Don Doko Don: The Yamakiya Taiko Drum Club Project, Wharton-Rigby says, “…[T]his very well may be my most ambitious project. I never imagined my journey would bring me to [a] project with such an international scope and [is] profoundly personal on so many levels.” As the film’s writer, director and producer, he has unveiled an ambitious Kickstarter campaign to fund the project that closes July 11. In this exclusive interview, JQ caught up with Wharton-Rigby to discuss the origins of the film, the significance of Yamakiya on its devastated community, and the troupe’s international highlights so far.
Tell us a little about the Yamakiya Taiko Club and how you first came to know about it.
When I was a JET in Kawamata, I had to go to the Yamakiya District high in the mountains to teach at the elementary, junior high, and kindergarten schools. I met Megumi Endo, who was a school worker and head of the group at Yamakiya Elementary School. She invited me to play taiko drums with the Yamakiya Taiko Club and I was hooked. I loved the sound and power of the drums. There are three teams: Kodama, the beginning students; Suzaku, the intermediate students; and Yamazaru, the experienced members. I practiced with the younger members of Kodoma.
What inspired you to start making a documentary about them?
I started shooting footage of the group after breaking my finger. I couldn’t play the drums, but I still wanted to remain connected to the group. My background prior to JET was in film, so, I pulled out my camera and started shooting footage of the group. I would shoot rehearsals, performances, meetings, and on bus trips. I even followed around Genki Endo, who is the leader of the group. Megumi-san mentioned that it would be great to have a documentary about the group. I agreed. She came up with the title Don Doko Don—it’s the basic sound of the taiko beat. Over the years, I had compiled more than 80 hours of footage and when I would return to Japan, I would make sure to visit Yamakiya and I would bring along my camera and shoot more footage.
Why is it important to share this story with the world?
When I learned that Yamakiya was going to be evacuated because of high levels of radiation after the events of March 11, 2011, it broke my heart. I could not fathom this was really happening to a community and people I adored. Then I found out that despite the circumstances, the group was still practicing and performing together. I knew there was a story to be told. This story is about the resiliency of community; how a community comes together in times of crisis. It’s a story about our shared human experience. It’s in some ways my own story, as my family still lives in Fukushima as well.
JapanLocal: Tokyo Moves Video
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Patrick Lee (also known as Pat Leezy) is a current 2nd year JET in Nagasaki-ken who specializes in videography. His videos can be seen on his Youtube Channel. He can be contacted through Facebook and Twitter.
Tokyo is a city of contrasts. Its towering skyscrapers and neon-lit nights suggest a modern metropolis ceaselessly advancing into its future. Yet Japan’s capital visibly prides itself on its rich heritage, preserving various historical landmarks throughout the city. Pat spent a week this past April during cherry blossom week exploring this delicate relationship with his point-and-shoot camera.
WIT LIfe #202: I Wish (奇跡)
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Over the weekend I finally got to see I Wish (奇跡), the newest English release from my favorite Japanese director, Hirokazu Kore-eda (是枝裕和). This movie is set in Kyushu, and tells the story of two brothers separated due to their parents’ divorce (one up north in Fukuoka, one down south in Kagoshima). Now that all of Kyushu is connected by bullet train, the older brother had heard it said that if you are there at the moment when two shinkansen cross (in Kumamoto, where I was a JET), you can make a wish and it will come true.
The brothers (the talented Maeda siblings, pictured here with Kore-eda) come up with wishes of their own and are accompanied by friends when they make the journey for this purpose. The original Japanese title can also be translated as “miracle”, and for many of these wishes to be realized Read More
JQ Magazine: DVD Review — ‘Documentary of AKB48 to Be Continued’
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“It’s genius, really. This documentary takes some of the more popular girls and puts them under the lens and attempts to find out what they really want out of this and, please, could you prance around in a short skirt while we ask?” (NEW PEOPLE ENTERTAINMENT)
The Challenger Akihabara Deep—going where no otaku has gone before: The AKB48 Trench
By Rick Ambrosio (Ibaraki-ken, 2006-08) for JQ magazine. Rick manages the JET Alumni Association of New York (JETAANY)’s Twitter page and is the creator of the JETwit column Tadaima!
So, Documentary of AKB48 to Be Continued.
Starting out, I knew very little about this group. (In fact, I am writing this first paragraph before I watch this documentary.) So what do I know? I know it’s a troupe of pretty girls singing in unison to the joy of fans all over Japan. I know there are a lot of them. And they have songs. That’s…well, that’s really it. In the universe of girl groups, the only others that really come to mind are the Spice Girls and Girls’ Generation, and I only know the latter because my girlfriend really liked the jeans they wore in a video.
Before we start, you should know that getting a DVD like this is rare. The only place to pick this up is at http://store.newpeopleworld.com. No Amazon, no Right Stuf. So when handed a review copy of this disc, I knew this was something special, but I also knew I had it wrong. A hard-to-find documentary? My hopes where over the moon. I was curious what the director and his team would discover about this group. Who secretly hates whom? Which one has substance abuse problems? Surely some scandal would come to light.
For starters, this documentary assumes you know a little bit about the group beforehand. This really is set up as more of a “behind the scenes, get to know the girls” film than it is a structured presentation of their work. It allows you to get closer to the idols as people (or at least what is deemed appropriate, sadly) and see who these dancers are as they attempt to garner attention from an audience that ultimately decides their fate. The product here is really American Idol meets Japanese Pop Star, with the same emotional performances, reactions and judging of the American show mixed with the contemporary idol mania that has swept over Tokyo, Akihabara to be specific. It’s genius, really. This documentary takes some of the more popular girls and puts them under the lens and attempts to find out what they really want out of this and, please, could you prance around in a short skirt while we ask?
JapanLocal: Sunday Afternoons At The Park Video
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Patrick Lee is a current 2nd year JET in Nagasaki-ken who specializes in videography. His videos can be seen on his Youtube Channel. He can be contacted through Facebook and Twitter.
Chuo Park in downtown Tenjin, Fukuoka is the perfect escape from the bustling activity of the city. Patrick spent one Sunday afternoon mingling with locals and capturing the moments that made a memorable and relaxing day at the park. The video has been recently showcased at the Toyama International Film Festival organized by current Toyama JET Jonathan Dao.
JQ Magazine: JQ&A with Director Regge Life on ‘Live Your Dream: The Taylor Anderson Story’
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“‘Live Your Dream’ is principally about Taylor, but it is actually the story of all the JETs who come to Japan, so I really want to look at what the experience is for a variety of people and how that experience changes both the teacher and the students they interact with.”
By Renay Loper (Iwate-ken, 2006-07) for JQ magazine. Renay is a freelance writer and associate program officer at the Japan Foundation Center for Global Partnership. Visit her blog at Atlas in Her Hand.
Live Your Dream: The Taylor Anderson Story is the latest work by filmmaker and Global Film Network founder Regge Life, who has been making groundbreaking films for over two decades including the acclaimed Doubles: Japan and America’s Intercultural Children, and most recently Reason to Hope, which chronicles the events surrounding the 2010 Haiti earthquake. Live Your Dream not only shares the story of JET alum Taylor Anderson (Miyagi-ken, 2008-11) who tragically lost her life in the 2011 tsunami, but it also seeks to celebrate the lives of those who live their dreams and inspire others to make a difference. JQ caught up with Life to discuss the film, which is being prepared for a November release.
Your relationship with Japan spans over two decades. What stirred you to first go there, and how has this relationship grown over time?
This is a question with a very long answer, so let me try to be brief and to the point as possible. Japanese film has always intrigued me, so as a young filmmaker I would watch marathons of Japanese films at a cinema on Eighth Avenue called the Elgin. After years and so many movies, I was introduced to the Creative Artists Program of the NEA and Bunka-cho, and that is how I went the first time to witness the making of Tora-san #43.
How has it grown? Well, leaps and bounds. Four completed films, almost four years in residence in Tokyo, and a current feature project in development for almost 10 years.
What inspired you to make this film and document Taylor’s story?
Like most people, watching what was happening [during the time of the tsunami and earthquake] was mind-boggling and devastating. I have never been to Ishinomaki before, but I have been to Hachinohe, Morioka, Ichinoseki, and other parts of the region; so when I saw water rushing over rice fields like that and trucks and cars being carried—I just couldn’t believe it. It was devastating [to watch] for someone who has never been there before, but when you have been there, you [can better understand] the magnitude of what was happening. So at that time I’d just finished the film about Haiti, and from my work there, I realized there was probably going to be a story that needed to be told: something that no one would cover.
I don’t remember where I saw the fist e-mail about Taylor’s story or how it came to be, I just remember reading about her online. I made a few calls and one thing lead to the next, and slowly but surely, I was able to get in touch with Taylor’s family. And even still, it was all about timing. As a parent, I would have completely understood if no one got back to me. Then suddenly, I got this email from Andy, Taylor’s father. Giving him credit, he did his due diligence and did some research on me and became familiar with my work. [This all happened] at a time when they were swarmed by the media, so I took my time and we worked as they were comfortable.
Every step of the way, I checked in. Andy connected me with some of Taylor’s friends from Ishinomaki, so when I went back to Japan, I carved out some time to spend with them. One of her friends picked me up from the train station and that’s when it really hit me. At that time [the devastated area] was pretty much cleaned up—but even still, there was a lot to be done. Visiting Ishinomaki and meeting [Taylor’s] friends solidified it with me. I knew I needed to share her story.
Since this is a documentary about a JET participant, what cooperation did you receive from JET Program itself for the making of the film?
The CLAIR office in Japan was very generous to the film and made a remarkable pledge. We also received support directly from one of the people on staff! The JET alumni chapter in New York City (JETAANY) was also very generous, as well as JETs from all over the U.S. and even abroad.
WIT Life #195: Jiro Dreams of Sushi
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
This weekend I finally had the chance to see the much-hyped documentary Jiro Dreams of Sushi. It made a splash at last year’s Tribeca Film Festival and had been on my radar ever since, so I was happy to see it playing at local theaters (currently at IFC Center, Lincoln Plaza Cinema and Kew Gardens Cinema). Director David Gelb is a New Yorker who has loved sushi since he was a kid, and his film faithfully follows 85-year-old sushi chef Jiro Ono, proprietor of the renowned restaurant Sukiyabashi Jiro. Its humble location inside the Ginza subway station belies Read More
LIVE YOUR DREAM: The Taylor Anderson Story
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“LIVE YOUR DREAM: The Taylor Anderson Story”is a film project by documentarian Regge Life who is currently seeking support via Kickstarter to help fund the full production of the film.
ABOUT THIS PROJECT
This film is a story about Taylor Anderson and all the young people who travel the world trying to make a difference. Taylor was an extraordinary American who dedicated herself to teaching Japanese children, living her dream right up to the events of March 11, 2011. The earthquake and tsunami in Japan was a disaster that no one could have expected. In my 21 years of working on Japan based projects, I had witnessed earthquakes, but never the devastation of a tsunami.
I had just completed REASON TO HOPE, a film about the 2010 earthquake in Haiti, so I understood all of the events related to the aftermath of an earthquake, but what would be the aftermath when an earthquake was followed by a tsunami and in the case of Japan, a possible nuclear disaster.
CLICK HERE to read more on the Kickstarter site and to help support this project
Embassy of Japan in the UK Webmagazine (March 2012)
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Embassy of Japan in the UK Webmagazine round-up. Posted by JET alum and current editor of the webmagazine, Dipika Soni (Ishikawa-ken, 2003-06). To subscribe to the Embassy of Japan’s monthly webmagazine, email webmagazine@ld.mofa.go.jp with the subject ‘subscribe’.
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Embassy of Japan in the UK Webmagazine: March 2012
Ambassador’s blog
One year on
Featured article
ONE YEAR ON: SCENES OF RECONSTRUCTION & PICTURES DRAWN BY THE CHILDREN OF TOHOKU
Other articles:
Events around the country as the UK remembers “One year on…”
The Tsunami and the Cherry Blossom
One year on: A JET perspective
Films at the Embassy: Bloom in the Moonlight
Films at the Embassy: Tohoku Special Film Show
JAPAN-UK Events Calendar
Justin’s Japan: March Movies at Japan Society, New York International Children’s Film Festival
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Makoto Shinkai’s ‘Children Who Chase Lost Voices from Deep Below’ is a modern-day Orpheus tale with a sci-fi twist that pays tribute to the great works of Hayao Miyazaki. (Courtesy of GKids)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Japanese culture page on Examiner.com here for related stories.
Oscar season may be over, but this month offers a score of cinematic delights from Japan Society and the New York International Children’s Film Festival.
As part of its Love Will Tear Us Apart Globus Film Series, Japan Society presents outré love stories from Japan and Korea, including the U.S. premiere of Shinya Tsukamoto’s KOTOKO (March 2) and the world premiere of Koji Wakamatsu’s Petrel Hotel Blue (March 7) among 23 seminal films from the genre.
Other highlights include Hirokazu Kore’eda’s Air Doll (March 3), Nagisa Oshima’s arch-classic In the Realm of the Senses (March 16), Yukio Ninagawa’s Snakes and Earrings (March 16), Lee Sang-il’s Villain, (March 9) Lee Chang-dong’s Oasis, (March 18) and Kim Ki-duk’s Bad Guy, (March 10), among other twisted tales of star-crossed lovers on the rocks and on the run. (Click here for a complete list of films and showtimes).
For younger cineastes, the critically acclaimed New York International Children’s Film Festival kicks off its 15th anniversary event from March 2-25 at New York’s DGA Theater, Walter Reade Theater, IFC Center, Peter Norton Symphony Space, Asia Society, Scholastic Theater, and Cantor Film Center.
The nation’s largest festival for kids and teens will present four weeks of ground-breaking and thought-provoking new works for ages 3-18, with 100 new films, opening and closing galas, new feature premieres, six short film programs, filmmaker Q&As, filmmaking workshops, and the NYICFF Awards Ceremony. This year’s edition features three Japanese films from 2011.
For the complete story, click here.
Job: Translator for Fukushima Panel Event (NYC)
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The New York Peace Film Festival will be held March 10-11 in New York City.
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02). Visit his Japanese culture page on Examiner.com here for related stories.
The producers of this year’s New York Peace Film Festival are seeking a translator for Sunday, March 4 and Monday, March 5 to assist with events leading up to the actual festival the following week at the Unitarian Church of All Souls.
The producers are now coordinating with local activists and guests from Japan for an entire week of events relating to Fukushima. There will be an energy expert, professors, and a worker from the crippled Fukushima Daiichi and Daini nuclear plant, who will speak to the public on March 5 at Riverside Church, and for emergency workers and first responders including doctors and others at Manhattanville College on March 6.
Due to the nature of panelists and audience on March 6, an able translator and interpreter is needed. This will be paid work. For more information, please e-mail NYPFF executive producer Yumi Tanaka at yumicomic [at] gmail [dot] com.
To read an interview with Yumi on last year’s New York Peace Film Festival, click here.
Submissions sought for JET-organized Toyama Film Festival
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Jonathan Dao, the current ALT PA for Toyama Prefecture, is organizing a fundraiser for Make a Wish Japan, Hokuriku and shared the below information and rather entertaining video:
Love movies? Well, we are pleased to announce the first-ever Toyama Film Festival— and in consequence, the CALL FOR SUBMISSIONS. You’ll have three categories to choose from (or maybe you’ll even submit an entry for each):
Movie Trailers/Commercials (1 minute)
Keep it short and sweet. Spoof an existing product or showcase your own!
Karaoke/Music Videos (5 minutes)
We’re all aware of those unforgettable videos that play along when you’re belting out your favorite tune. Think you can do better? Think you can do worse?
Any musicians looking to self-promote are free to submit a little something-something of their own as well.
Short Films (5 minutes)
Give yourself the ultimate challenge of churning out a five minute flick. You’ll just have to watch your pacing. Then again, you could always submit a scene from a longer piece of work. Let the audience watch your ending first? You could be the next Tarantino!
RULES:
There is no submission fee
Anyone and everyone is free to participate
Entries must be in either English or Japanese (subtitles are appreciated, but not necessary)
Participants may submit as many entries as they like*
Entries are DUE APRIL 14TH for review
We’re in the process of securing the venue, but the tentative date for viewing said entries will be Saturday, May 19th. Ticket prices will be only 500 yen, with all proceeds going to Make a Wish Japan, Hokuriku.
For any questions, comments, or troubleshooting concerns, feel free to contact Jonathan Dao at johnnys.second.opinion@gmail.com
Stay tuned right here at facebook.com/ToyamaFilmFest for more!
Jen Wang (Miyagi, 2008-09) is a lab tech in Dallas and a staff writer for the Japanese music website Purple SKY. Her love of cosplay and her junior high school students inspired the name for her own Japanese pop culture blog, Hibari-sensei’s Classroom.
For their 28th annual KidFilm Festival, USA Film Festival paid tribute to Studio Ghibli by screening 10 of its films, plus Nausicaä of the Valley of the Wind which was made before the studio’s founding. Since The Secret World of Arrietty was sold out, I decided to catch Pom Poko with some friends. I had heard some odd things about the film and wasn’t sure what to expect.
Pom Poko , directed by Isao Takahata (Grave of the Fireflies), revolves around a group of tanuki, or Japanese raccoon dogs (incorrectly called “racoons” in the dub), who have banded together to face the transformation of their forest in Tama Hills into a suburban neighborhood. They cook up various ideas to reclaim their homes, ranging from sabotaging construction sites to tracking down legendary tanuki for assistance. Eventually the fun-loving tanuki have to come to terms with the harsh reality and learn to adapt to the changes around them.
The tanuki in the film appear in various forms: animal, mythical creature, and cartoon. In the presence of humans, they look much like their real-life counterparts. Amongst one another, they assume anthropomorphic forms with personality traits based on the lazy shape-shifting tricksters of Japanese folklore. When they get carried away with their emotions and behave ridiculously, they become even less realistic with their appearance based on characters of manga artist Shigeru Sugiura. The audience gets to see the tanuki in all its forms: animal, myth, and cartoon.
Click here to read the rest of the review.
JQ Magazine: Film Review – ‘Norwegian Wood’
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“The wintertime beauty of the Tonomine highlands in Hyogo prefecture is a sadly haunting visual expression of Naoko’s isolation and loss of life. One only wishes the characters were as compelling as the landscape in which they find themselves.”
By Lyle Sylvander (Yokohama-shi, 2001-02) for JQ magazine. Lyle is entering a master’s program at the School of International and Public Affairs at Columbia University (MIA 2013) and has been writing for the JET Alumni Association since 2004. He is also the goalkeeper for FC Japan, a New York City-based soccer team.
Haruki Murakami’s novel Norwegian Wood 「ノルウェイの森」 was published in Japan in 1987 and propelled the author to superstar status, especially among the nation’s youth. The novel was also an international success and the first English translation (there were eventually two) introduced Murakami to the U.S.
Unlike his other well-known works, such as Hard Boiled Wonderland and the End of the World and The Wind-Up Bird Chronicle, Norwegian Wood eschews surreal and Kafkaesque sensibilities in favor of a more nostalgically sentimental narrative. It tells the story of love and loss from the vantage point of its 37-year-old protagonist, Toru Watanabe, looking back on his youth as a student during the 1960s.
As in Europe and the U.S., Japan at that time was a society in flux and the establishment was being challenged by idealistic student movements. Against this backdrop, Toru falls in love with the emotionally troubled and fragile Naoko, who sinks into a deep depression after the suicide of their mutual friend Kizuki. She leaves the university for a mountainous sanitarium and during her absence, Toru has a love affair with Midori. Eventually, Naoko succumbs to the darker nature of her illness and commits suicide, sending Toru into an emotional period of bereavement, after which he can commit emotionally to Midori and continue on with his life.
