Job: Bilingual Content Coordinator, Volt Technical & Creative Communication (Washington State)
Job posting by Lauren Sethney (Niigata-shi CIR, 2000-2003). Lauren serves as the Program Director at the Japan-America Society in Dallas-Fort Worth.
Volt Technical & Creative Communication has a long-term contract position available for a Content Coordinator who is Bilingual in Japanese AND English. The Content Coordinator will be working with the Tech Support group, so the content will be more technical in nature.
Select Duties and Responsibilities:
1. Quality Content Creation
-Use style guide and content creation guidelines to create quality content.
-Maintain style guide and update SharePoint site as necessary.
2. Operational Management
-Monitor the daily bugs and Change Management process.
-Identify Process Improvement areas and discuss with Operational Program Manager.
-Create new/updated Content Report and send to Stakeholders by end-of-business each day.
3. Project KM Collaboration
-Perform project collaboration with Release and Run Program Managers.
-Participate in project meetings as a Representative.
-Identify and collaborate with the necessary stakeholders for feedback and buy-in for each process designed.
For a complete job description and information on application procedures, click here.
Job: Project Leader and Technician (Northeast U.S.)
Job posting by Lauren Sethney (Niigata-shi CIR, 2000-2003). Lauren serves as the Program Director at the Japan-America Society in Dallas-Fort Worth.
Via Helen Godfrey (JET Participant, 1996-1998)
Job Summary: Formulate, blend and test lubricant additives in greases and oils used in automotive and industrial applications. Make technical presentations and attend meetings of industry organizations, particularly targeting the Asia Pacific region.
Job Responsibilities:
• Act as Project Leader for new product development.
• Evaluate commercial and experimental lubricant additives by Standard ASTM test methods.
• Develop additive formulations that meet customers’ specific requirements.
• Write reports in English and Japanese.
• Give technical presentations in English and Japanese.
• Attend industry organization meetings.
• Conduct all work in accordance with Petroleum Applications Laboratory ISO-9001 quality system procedures.
• Calibrate laboratory equipment and instruments in accordance with ISO-9001 protocol and procedures, including all equipment and instruments that require off-site calibration.
Job Qualifications:
• B.S. degree in a scientific discipline, preferably chemistry.
• 1-2 years experience.
• Excellent written and verbal communication skills.
• Experience in lubricant formulating and lubricant testing a plus.
• Fluent in technical and conversational Japanese and English.
• Up to 20% travel required.
For more information, email Helen Godfrey (hgodfrey@Central.UH.EDU).
Japan Society kicks off annual JAPAN CUTS film fest
By JQ Magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
July is here, and that means hot dogs, fireworks, and a horde of Japanese films served up by New York’s Japan Society for their annual JAPAN CUTS contemporary Japanese cinema festival. Launched at the tail end of the New York Asian Film Festival, Japan Society and NYAFF have teamed to co-present a whopping 24 films from July 1-16.
“JAPAN CUTS presents the roughest, sharpest, and smoothest of today’s cutting-edge Japanese film scene,” notes Japan Society’s chief film curator Samuel Jamier. “This year the lineup includes psycho dramas, thrillers, period pieces, bizarre comedies, refined melodramas, artistically adventurous indies, j-horror, and even anime. But when the lineup came together, I realized a number of these great films were made by female directors or featured a large number of prominent women’s roles and powerful performances by women–a reflection of industry trends in the last ten years, and the impact women have been making in Japan’s film industry. Overall, I like to think this year’s festival is exemplary of where Japanese cinema is today.”
For this week’s list, see the full article here.