Posted by: Margie Banin (Kochi, 2005-2007), a former CIR with a love of the written word. Currently connecting others to Japan through translating, writing, and editing texts on Japan. Margie also serves as the JETwit Volunteer Coordinator and a JETwit jobs-list welcomer, as well as engaging in various other JETwit outreach activities.
JET alum Ryan Knight (Shiga, 2002-2003) shares his JET story and how his experience living in Japan led him in an unexpected direction.
I had the time of my life as a JET teacher in Shiga Prefecture during the early 2000s. Fresh out of graduate school at Michigan State University with a major in Music Performance, I was ready for a break before pursuing a Doctor of Musical Arts (DMA) degree. At the time, a DMA was essential for securing a teaching position at the university level. The previous summer, I had studied in Shiga Prefecture as an international student—a transformative experience that solidified my desire to return to Japan and immerse myself in its culture.
The early 2000s were simpler times. Social media was non-existent, the internet was in its infancy, and innovations like YouTube, AI, and the iPhone were still years away. My only connection to the world beyond Japan was a small flip phone that could send text messages of about 20 characters. Communicating with family back in the United States required a prepaid phone card costing $30–$40 and a trip to the nearest payphone—quaint by today’s standards.
Even after 23 years, I vividly remember the send-off party organized by the consulate, arriving in Tokyo, staying at the hotel, meeting other JET teachers, and riding the shinkansen for the first time. It was an unforgettable adventure for a young twenty-something fresh out of college. The JET Program is often described as offering vastly different experiences to its participants, but for me, it was nothing short of wonderful. My caring supervisors made the job immensely enjoyable, and the cultural exchange with students and teachers created lifelong memories.
Though I only participated in the JET Program for a year, I stayed in Japan, working at a cram school/private English school. Teaching both children and adults was equally rewarding. However, all good things must come to an end. The need for financial stability loomed, and my out-of-state college loan payments—totaling around $43,000—had become a burden. A musician friend mentioned that the military offered loan repayment programs, with the Navy promising $10,000 and the U.S. Army offering $65,000 for a single tour of 3–4 years. The opportunity to serve as a musician seemed too good to pass up, though my lack of military experience made me hesitant. At the time, there was no YouTube to watch testimonials and the internet provided little guidance.
In 2004, I joined the Army—from Japan, no less. The rest is history. I am set to retire this year after 21 years of active-duty service, during which I proudly served my country across Japan and various stateside locations. Beginning as a saxophonist, I rose through the enlisted ranks to E8/First Sergeant before being selected as a Warrant Officer Bandmaster/Conductor. For the past seven years, I’ve had the privilege of commanding Army Bands in Japan, New York, and now Texas.
As I transition out of military service, I look forward to leveraging my skills, experience, and passion for Japan–U.S. relations in the next chapter of my professional life.
If anyone in the JET community past or present needs anything, please don’t hesitate to reach out!
JETAA Ottawa Newsletter: Q&A with JET Alumnus Colin Rivers on producing a play in Japan
Career, Cultural Outreach, Interview/Profile, Notable JET Alums, Return on JET-vestment 
Comments Off on JETAA Ottawa Newsletter: Q&A with JET Alumnus Colin Rivers on producing a play in Japan
***************
By Gemma Villanueva (Fukushima-ken, 2008-11), editor for the JETAA Ottawa Newsletter. Visit the Canadian chapter’s website here for more stories. Written and photo submissions are always welcome. Please contact the editors at newsletter[at]jetaaottawa[dot]ca.
The Canadian play “2 Pianos 4 Hands” is giving its farewell performances as creators-performers Ted Dykstra and Richard Greenblatt retire from the show. “2P4H” follows the youngsters “Ted” and “Richard” as they tackle their love-hate relationship with piano lessons, exams and recitals. In January, “2P4H” played at the National Arts Centre in Ottawa. The show, which made a three-week stop in Tokyo in 2004, finds itself again in Japan this May.
Colin Rivers (Nara-ken JET, 1997-2000) is now the Theatre Producer/Agent for Marquis Entertainment, which produces “2 Pianos 4 Hands.” I had the chance to ask him about his time on JET, life as a producer and bringing 2 Pianos 4 Hands back to Japan.
What is it like to be a producer?
“A Producer manages the business behind the show. A General Manager does the same thing, but without the risk and the pressure to find the money. A New York theatre blogger sums it up perfectly… “Producers do everything! We are the bank, the therapist, the negotiator, the scapegoat, the creative, and we rarely get credit! I should add it’s awesome. Because I think it is.”
How was your JET experience been relevant to producing?
“The JET experience strengthened my Read More
