Some upcoming Japan-related music events courtesy of Adren Hart, organizer of the JETAA Ongaku Connection google group.
Jazz and Poetry Evening
My Floating Mother, City: An Evening with Kazuko Shiraishi
http://info.japansociety.org/site/R?i=hk2e7JZ6mgiK1BYYpr3vtw..
Friday, January 30
6:30 pm
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NIPPON JAZZ NYC
February 1, 8:00pm – 11:00pm
Erika Matsuo
Blue Owl Cocktail Lounge
New York, NY
$5 cover
http://www.meetup.com/Nippon-Jazz-NYC-Meetup-Group/calendar/9445145/
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Pop the Rock Japan Music Showcase
http://www.afxakibafest.com/
April 4, 2009
University of Maryland
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Check out the J-Rock & Punk Meetup group GENKI SHOCK
Site: http://www.meetup.com/GENKI-SHOCK/
Mar. 22, 2009 – JAPAN NITE~ AUDREY BENTEN PRESENTS!!
Apr. 2, 2009 – ASOBI SEKUSU
Greetings Fellow Former JETS!
Do you know what yosa-koi is? Good for you.
Do you love nothing more than flailing about with naruko? (wooden instrument, NOT some girl’s name! ^^) Are you an aspiring performer/dancer with an interest in Japanese culture? Are you a non-performer/dancer with an interest in Japanese culture? Do you just really miss Japan and dream of becoming one of the crazy sexy cool people in this flier?
Then fantasize no more!
Hi, I’m Kirsten, a former ALT based in Niigata Prefecture 2005-2008. One of the things I missed most about my life in Japan was an awesome and energetic festival dance called yosa-koi that I used to perform together with my students. I missed it so much when I came back that I Googled “NY” and “Yosa-koi” and found 10tecomai. For a JET with raging Japan withdrawal like myself being a member of 10tecomai was like a dream come true.
Like the flier says, no dance experience is necessary. I can attest to that, folks. I have zero background in performance or dance but I quickly found this was not required. You will be expertly and patiently trained, no matter what level you are and you will have TONS of fun in the process. However, team spirit and serious dedication are an absolute must. My experience with 10tecomai has been truly rewarding and fulfilling on so many levels. I’m sad I no longer live in Japan but I am overjoyed to be a part of 10.
So come on down and try out if you fancy? It can’t hurt. Tell your friends!
[Editor’s note: Kirsten also wrote a wonderful article about the Mitsuwa department store in Edgewater, NJ for the Fall 2008 Issue of the JETAA NY Quarterly Newsletter.]
Christmas Song for JETs
Humor, Japan Trends, Music 
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Back in the mid-1990s, a weekly humor/lampoon-style magazine called The Alien began publishing in Nagoya. A lot of the humor was just cynical gaijin jokes recycled in different forms (which of course we loved). But occasionally there were gems like a verse from a song parody they ran at Christmas time that did a good job of capturing at least one relatively common Christmas memory for most JETs.
Workers’ Wonderland (sung to the tune of Winter Wonderland)
Have to work
On Christmas
For lunch plain rice
De-licious!
We’re slaving away
Day after day
Wilting in a workers’ wonderland
Note: I just did some Internet research and found a Wikipedia entry explaining that The Alien has evolved into the present day Japanzine. I also found a blog post on Jason’s Random Thoughts: Yet Another Gaijin in Japan that opines on Japanzine and, more importantly, has various posts in the comments section by a couple former writers for The Alien plus references to a couple of the great gaijin bars from the Nagoya scene back then. Natukashii!
A JET alum in Seattle shared a link to this interesting article on Salon.com about a guy named Brian Raftery who wrote a book about karaoke called Don’t Stop Believin’: How Karaoke Conquered the World and Changed My Life.
I enjoyed the article, though I think his explanation about the origin of karaoke slips into cultural generalizations, especially regarding the question of how karaoke became so big in Japan before the US. My understanding is that, even before karaoke machines, there was a tradition at enkais of making people stand up and sing a song on their own. Microphones and later karaoke machines were add-ons to the experience.
Any other JET perspectives or comments on karaoke? Post them below.
JETAA NY webmaster and NYU ITP grad student Lee-Sean Huang (Oita-ken, 2003-06) was pleased to see his ITP presentation from Wednesday and Thursday written up and photographed in a post today on Gizmodo (the gadget blog).
Lee-Sean used an accelerometer to create headphones that change the music depending on your head movements.
Gaijin-a-Go-Go Interview
Interview/Profile, Japan Trends, Music Comments Off on Gaijin-a-Go-Go Interview
Gaijin-a-Go-Go band member Saiko Mikan recently shared a link to an in depth interview with the band from J-Pop World. Definitely worth a read.
Translators Mini-Challenge #3 – WINNER!
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Translators Mini-Challenge is a new arbitrarily recurring feature presented by professional translator, interpreter and writer Kia Cheleen (CIR, Aichi-ken 1996-98, ALT 1998-1999).
Omedetou gozaimashita to Joel Dechant (CIR, Kagoshima-ken, 2001-04) for winning the Translators Mini-Challenge #3.
Joel has won a copy of the Gaijin-a-Go-Go CD “Go-Go Bootcamp.”
Lee-Sean Huang (Oita-ken, 2003-06), JETAA NY’s webmaster and a grad student in NYU’s Interactive Telecommunications Program, will be presenting his interactive music interface, the head(banger)
phones, at the Interactive Telecommunications Winter Show at NYU this
Wednesday and Thursday nights (tonight and tomorrow night). So drop in to take a look. (721 Broadway, 4th Fl – just east of Washington Sq Park)
The show features a variety of interactive sights, sounds and physical
objects created by student artists. The show is FREE and open to the
public. No need to RSVP. Just show up any time during the 2 nights.
http://itp.nyu.edu/shows/winter2008/
Dec. 17th & 18th from 5pm to 9pm
@ 721 Broadway, 4th Fl
Lee-Sean AKA JETAANY.org Webmaster
http://leesean.net
Job: Boston band seeks bilingual marketers
Jobs, Music, Translating/Interpreting Comments Off on Job: Boston band seeks bilingual marketers
From Craigslist Boston:
Fluent in another language? Love rock music?
Reply to: metaphorforeverything@gmail.com [?]
Date: 2008-12-12, 11:46PM EST
A very promising Boston-based rock band is looking to promote its music worldwide by developing a team composed of bilingual marketeers.
If you are fluent in French, Japanese, German, or Chinese and love rock music, we want to talk to you!
The right candidate will be fluent in a foreign language, be preferably from a foreign country originally, and have proficiency with computers and internet. We are especially interested in you if you have knowledge about the music scene of a foreign country, including knowledge of the social scene, web scene, etc.
We will pay between $10 and $20 depending upon qualifications for 3-4 hours per week.
Please email us to schedule an interview. Hope to hear from you.
Kirsten Phillips (Niigata-ken, 2007-08) is part of a yosa-koi dance group that is taking part in another Japan Arts Matsuri (JAM) function on December 23rd at the Knitting Factory. The last one they did in Greenpoint, Brooklyn was very well received and a huge success. In Kirsten’s own words:
“JAM brings Japanese dancers, musicians, martial artists, comedians from around the city under one roof. The atmosphere is that of a traditional Japanese matsuri, complete with taiko and akachochin. The one in Greenpoint even had oden! I know it’s a little inconvenient in the middle of the week, but it’s totally worth it if you miss the way Japan throws a festival.”
Japan Arts Matsuri (JAM) 2008
Tuesday, December 23rd.
Doors open 6 PM. The entire event lasts until 2 AM; Advance Tickets: $10/ $15 at the door
Knitting Factory
74 Leonard Street, New York, NY Tel: (212) 219-3132 Directions: 1 or 9 to Franklin OR St. A,C, E at Canal.
JETAA Ongaku Connection Update
Events, JETAA Chapters, Music Comments Off on JETAA Ongaku Connection Update
The JETAA Ongaku Connection Group (a new JET alum group formed recently by JET alums Adren Hart and Justin Tedaldi) has some events coming up. For more info, visit and/or join the Google Group at http://groups.google.com/group/jetaa-ongaku-connection.
A few highlights:
- MUCC – Free tickets available through the Ongaku Connection group – “In town for one night only,
Ibaraki-ken’s finest will hit the Fillmore at Irving Plaza on Sunday, December 7.” - NIPPON JAZZ NYC – Jazz Holiday Jam Session w/ Okaru Lovelace
Sunday, December 7th @ 8pm – 11:00pm; Blue Owl Cocktail Lounge; 196 Second Ave. (on 12th St.); Cover: $5 (This is a monthly show put together every month by Adren Hart.)
JETAA NY Karaoke tonight
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For anyone who can’t make the Quarterly Development Meeting tonight (or just likes karaoke with the JET crowd), there’s a karaoke gathering tonight starting around 9pm following the Development meeting.
Location: Sing Sing on St Marks St (between 2nd & 3rd Aves)
Cost: $19/person for 2 hrs
Time: After the Meeting ends around 9pm, for about 2 hours
Kinokuniya (NY) to host George Hirose – Night Light – Fri. Dec 5
Art, Celebrity, Events, Music, Photography Comments Off on Kinokuniya (NY) to host George Hirose – Night Light – Fri. Dec 5
Kinokuniya Book Store (6th Ave between 40th & 41st Sts.) will be hosting the George Hirose: Night Light – Images from Japan, New York exhibit from December 5-30, with a special reception and book signing on Friday, December 5 from 5:30-8:00 p.m.
The reception will also feature a live performance of traditional Okinawan music by KOSSAN (who plays for the popular and exuberant chindon band HappyFunSmile for which George has done photography work and is a big fan.)
Jameri-pop?
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I was listening to NY-based band HappyFunSmile on my iShuffle on my subway commute home last night, and it hit me that bands like HappyFunSmile, Gaijin-a-Go-Go, Soh Daiko (of which Ariel Shearman (Ichikawa-ken, 1994-97) is a member) and perhaps others seem to be part of a trend that could be called “Jameri-pop,” i.e., a hybrid of US and Japanese culture, though perhaps with an ironic sense more typical in U.S. culture than Japanese. Sort of a twist on Roland Kelts‘ Japanamerica concept.
I’m guessing someone somewhere has already discussed and described this trend, though I Googled the word “jameripop” and nothing came up. Maybe it’s just a New York thing at this point in time, given the high concentration of young Japanese people in a city already known for setting trends. I don’t travel around to other parts of the U.S. enough to know.
Do you have other examples of “Jameri-pop?” Send an e-mail to jetwit /atto/ jetwit /dotto/ com.
Here’s a sample of HappyFunSmile from a performance at the Knitting Factory in NYC:
Akiko Wada, interviewed at Kinokuniya by Store Manager John Fuller
By Justin Tedaldi (CIR Kobe-shi, 2001-02)
If you’ve ever watched TV in Japan on New Year’s Eve, chances are you’ve seen Akiko Wada. One of Japan’s most celebrated stars, the singer and entertainment personality has made over 20 appearances on the annual Kohaku Uta Gassen (Red-White Song Contest). To celebrate her 40th year in show business, the “Female Emperor” performed a landmark one-night-only concert, Power & Soul, at Harlem’s renowned Apollo Theater on September 29.
Born in Osaka, the headstrong Wada made her recording debut in 1968, shortly after dropping out of high school at age 17. The following year, she broke big with “Doushaburi no Ame no Naka de” (In the Pouring Rain), with pop stardom and numerous variety show hosting gigs to follow. With her tall, stocky build and direct nature, Wada is something of an anomaly in the Japanese entertainment world, where women are less encouraged to speak their mind or even think about criticizing their peers.
Three days before the Apollo date, Wada held court at a press event in Midtown’s Kinokuniya Books. Hosted by store manager John Fuller, the conference (conducted entirely in Japanese) kicked off with an a cappella performance of “Amazing Grace” from American vocal trio The Wild Women, who also opened Wada’s concert.
The superstar then emerged from the back to thunderous applause, fielding questions from Fuller and the Japanese media. She gushed about New York, which she’s visited eight times, and explained that she hand-picked the Apollo over venues like Carnegie Hall because of the “sacred place”‘s ties to the R&B acts that inspired her growing up.
Other questions focused on her rehearsal of English-language songs Read More
