Now On Sale: Life After the B.O.E. the Book
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Life After the B.O.E. the Book is now on sale at Amazon.com and CreateSpace!
Amber Liang and Sean Harley explain the art of getting a job without ever asking (i.e., informational interviews). (Steven Horowitz)
By Carolyn Brooks (Ishikawa-ken, 2006-11) for JQ magazine. Carolyn is co-author of the blog MadSilence–a cross-cultural blog written with her father–and a current culture/education related job-seeker in the New York area available for full-time or consulting work.
JET alumni from all walks of life gathered this weekend at the Nippon Club in New York City to talk about something important to us all: jobs and how to get them. The Career Forum is a much-anticipated event, with JETAA New York providing a varied and well-planned series of presentations for recent returnees and new career searchers alike.
“We hold this event annually to help the recent returnees get settled back in New York, provide job hunting advice and techniques for highlighting the JET experience on their resume, and give them the opportunity to meet alumni and recruiters in their possible career fields,” said JETAANY president Monica Yuki (Saitama, 2002-04). The Career Forum achieved all those objectives with flying colors, as well as giving us recent returnees a taste of home, which for many of us suffering from reverse culture shock was as welcome as the career advice.
Evan Hyman (Osaka, 1995-96) started the presentations off with a bang, sharing the 10 most important lessons he’s learned in his 14 years since JET. Over the years he’s worked in marketing and planning with some of the world’s largest companies (including Pepperidge Farm and Johnson & Johnson), but that doesn’t mean he hasn’t encountered the same road bumps that new jobseekers do. Some of his advice included practical matters like “Network, network, network!”; “Utilize as many recruiters as you can”; and “Your job search will be determined by the economy”; but it was his more personal advice that really struck me.
Lesson #9 was “It can take a really long time to realize what you want to do.” Mr. Hyman’s had some jobs that, while lucrative and attractive, just weren’t for him. It was those jobs that helped him find his “sweet spot” and learn skills that got him the jobs he liked. No experience is ever wasted! Lesson #5, my personal favorite, was “Have a passion for what you do!” If you work at a job you’re not interested in, you’re not going to do your best work, so find your passion and see how you can use it in a career. Read More
Justin’s Japan: Film Review – ‘Hatsune Miku Live Party 2011 39’s Live in Sapporo’
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"With New York going bananas in between numbers and the room itself mimicking the Sapporo show with timed strobe and lighting effects—the theater’s management really went the extra mile—it truly felt like being at a concert." (Courtesy of Live Viewing Japan)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his page here for related stories.
On Nov. 10 a one-time theatrical screening was held for a new concert film from virtual pop phenom Hatsune Miku. Entitled Hatsune Miku Live Party 2011 39’s Live in Sapporo, the film—captured in August at the 2,000 capacity Zepp Sapporo—is Miku’s latest appearance in America following a Toyota ad campaign and live gigs at L.A.’s Nokia Theatre and the San Diego Comic-Con earlier this year. (In fact, this reporter was interviewed for Japanese TV about that; click here for the news clip.)
Hatsune Miku, whose name means “first sound of the future,” is a Vocaloid (meaning machine-made vocals) digital female avatar and the most popular of Crypton Future Media characters that employ Yamaha technology to create synthesized vocal tracks, similar to Auto-Tune. In Japan, Miku is massively successful and has appeared in numerous popular video games and music videos, and her Sailor Moon-meets-Avril Lavigne image (she is a teen idol, after all) is equally fanboy and fangirl friendly.
Presented by Live Viewing Japan and simulcast in nine U.S. cities, this screening was shown to a capacity Times Square crowd. From the moment Miku’s name flashed up on the dark screen five seconds in, the audience was hooked. Wild applause, shrieks and excitement from the mostly American teens and twentysomethings in the crowd took the older folks by surprise. “This is like Paul McCartney to us,” remarked one lady several seats away. (She and her companion left about an hour in.)
For those unfamiliar with J-pop, the genre’s credo is style over substance (Katy Perry and Lady Gaga are our closest counterparts), but just like with our pop tarts, a catchy hook is a catchy hook. With a black, completely bare stage flanked by a five-piece band (yes, the music seems to be performed live), the only thing besides Miku noticeable throughout are the hundreds of lime green glow sticks pumped energetically by the fans throughout. Again, this was mirrored by the Times Square audience as one enterprising otaku passed out five blue ones (not to be outdone, he carried a massive Darth Maul-ish staff that lit up a chunk of the theater.)
For the rest of the article, click here.
