JETAA British Columbia September/Fall Newsletter
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The JETAA British Columbia Newsletter September/Fall Newsletter is hot off the presses!
- PDF version: http://jetaabc.ca/uploads/Main/NewsletterV16N2.pdf (6MB)
- Online version (via Issuu.com): http://issuu.com/jetaabc/docs/newsletterv16n2?mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true
PNW JETAA’s meeting with Hyogo Governor Ido and Ryan Hart’s speech
Cultural Outreach, Earthquake Tsunami, Events, Fundraising, Japan Local, JETAA Chapters, Local Government, Notable JET Alums, Return on JET-vestment, Volunteer, Writers Comments Off on PNW JETAA’s meeting with Hyogo Governor Ido and Ryan Hart’s speech
On Friday August 26, we had the great honor of giving a presentation about the Pacific Northwest JET Alumni Association at the Hyogo Seminar, which was hosted by Hyogo Prefecture (coordinated by theHyogo Business and Cultural Center) and the Council of Local Authorities for International Relations (CLAIR). The Governor of Hyogo Prefecture, Toshizo Ido, gave a comprehensive presentation on the many great qualities of Hyogo. Consul General Kiyokazu Ota, Masaaki Akagi, the Executive Director of The Japan Local Government Center (CLAIR New York), and Ginn Kitaoka, the Executive Director of the Hyogo Business and Cultural Center all gave warm opening remarks.
During our presentation, we highlighted the great things our chapter does. Ryan Hart (Chiba-ken, Ichihara-shi, 1998-99) (former PNW JETAA President, JETAA USA Country Representative and JETAA International Vice-Chair) shared what JETAA and current JETs are doing on the national and international level, Karin Zaugg-Black shared how her JET experiences shaped her career and her personal involvement with Japan, and Erin Erickson explained how we have supported Japan Relief efforts. Leela Bilow, Jana Yamada, and Casey Mochel shared their memories of Japan and how they continue to be involved with the Japanese community after JET.
Ryan Hart very generously allowed us to share his speech with you. Below is a brief excerpt, and his full speech is below the cut.
From its inception, the JET Alumni Association has helped former participants of the JET Program “Bring Japan Back Home.” What does this mean? We help former participants network, make new friends and transition their careers. We help the JET Program by recruiting, interviewing and training new teachers for their journey. We also help our communities we live in to support Japanese culture and raise awareness of the strong ties between our countries.
On March 11, 2011, like so many other things in our lives, this changed. Instead of “Bringing Japan Back Home”, our chapters and membership have rallied not only to raise money for immediate earthquake and tsunami relief, but also to strengthen the value of our relationship with local communities and organizations in Japan.
The JET Program, since 1987, has grown into the largest and most successful work exchange program in the world. Each year, the program brings thousands of teachers to Japan to promote language education and to strengthen Japan’s relationship with a number of countries. Since 1989, our Alumni Association of former program participants, has mirrored that growth and has steadily grown as a true grassroots organization, built from our individual members up. JETAA is now 53 chapters in 18 countries. As a former chapter president here in Seattle, a former Country Representative for JETAA USA’s 19 chapters and as former Vice Chair for JETAA International, I have been truly blessed to have had the chance to work and be a part of this growth.
From its inception, the JET Alumni Association has helped former participants of the JET Program “Bring Japan Back Home.” What does this mean? We help former participants network, make new friends and transition their careers. We help the JET Program by recruiting, interviewing and training new teachers for their journey. We also help our communities we live in to support Japanese culture and raise awareness of the strong ties between our countries.
On March 11, 2011, like so many other things in our lives, this changed. Instead of “Bringing Japan Back Home”, our chapters and membership have rallied not only to raise money for immediate earthquake and tsunami relief, but also to strengthen the value of our relationship with local communities and organizations in Japan.
- Immediately following the earthquake and tsunami, JETAA USA started raised money as a national organization and chapters voted to allocate this money directly to the affected local communities. We have formed a national advisory committee for the relief fund, of which I am proudly serving as a member. To date, the JET alumni have raised over $60k in funds and we are exploring continued fundraising efforts to make an even bigger impact.
- AJET, as an organization of current JETs living and teaching in Japan, has been partnering with organizations such as Peace Boat, Second Harvest, Foreign Buyers Club and 5toSurvive to raise money and awareness of recovery efforts. The Osaka AJET Chapter has worked on food drives with Kozmoz International of Kyoto, and have driven food and supplies themselves to Tohoku from Osaka.
- Mike Maher-King, a Fukui JET, formed Smile Kids Japan, a program of visiting orphanages throughout Japan. After March 11, he partnered with an organization in Tokyo called Living Dreams to start the Smile & Dreams project for Tohoku children to make sure the needs of the orphanages and the needs of the children who rely on them are met. He recently presented at TED Talks in Tokyo.
- Paul Yoo, an Akita JET, founded the Fruit Tree Project (delivering $23,571 worth and 38,612 items of fresh fruit to Tohoku) and VolunteerAkita, which was the backbone of the BIG CLEAN project that was directly involved in the cleanup of Kessenuma. He is now working as the Home Communication Manager for two orphanages in Sendai to ensure their needs are communicated with organizations involved with relief efforts.
- Hotdogs and Hugs was an aid organization of JETs from Saga-ken, who traveled from Saga Prefecture in western Kyushu, all the way to Tohoku, raising awareness and funds for relief efforts along the way.
- Save Miyagi was founded by Canon Purdy, a JET Alumni who was in Miyagi-ken.
- Billy McMicheal, a CIR in Fukushima, has formed Hearts for Haragama, which is raising funds for the Haragama Youchien Kindergarten in Soma, Fukushima.
- Kat Geeraert, an alumnus who also lived in Soma, has started Friends of Soma to raise money for relief efforts.
These are just a few examples of the direct impact JETs and JET alumni have had. Given the number of teachers who have taught in Japan since 1985, there probably are many more individual efforts out there that we don’t know about.
What we do know is that, in light of what happened on March 11, JET alumni around the world are not only focused on “Bringing Japan Home”, but also “Bringing Home to Japan.” Collectively, we have a renewed focus not only on strengthening US/Japan relations, but also the ties with the communities we once lived, worked, and taught in. We know that our contracts we were given to us by local governments and boards of education throughout Japan, weren’t just annual contracts, they were invitations to a legacy. It should be very clear to the many communities across Japan who have invested in the JET Program since 1987 that there is a long-term value in the relationships that have been formed with the many JET Program participants that have come and gone. Whether it be through media campaigns, tourism promotion, school exchange programs, or relief and fundraising efforts, JETAA is now looking to continue our legacy in “Bringing Home Back to Japan.”
Thank you.
Ryan Hart, Ichihara City, Chiba Prefecture, 1998-99
Justin’s Japan: Interview with cartoonist Adam Pasion on ‘Aftershock’ and ‘Sundogs’
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"'Aftershock' is supposed to communicate how far-reaching the influence of Japan has been on cartoonists all over the world, and how we feel in a moment like this. I guess more than an open letter, it's a get well card." (Courtesy of Adam Pasion)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his page here for related stories.
For the past several years Adam Pasion has been living in Nagoya, which he calls “Japan’s best kept secret.” An editor and illustrator for RAN magazine, he is also a co-owner and English teacher of SpeakEasy Language School. As the creator of his own comic diary series Sundogs, the San Jose native was profiled in The Japan Times earlier this year, and the strip has since been collected into three books, providing a daily document of Pasion’s life in Nippon with his growing family from 2008 through 2010.
His latest project is Aftershock: Artists Respond to Disaster in Japan, a global response to the combined disasters of this year’s Tohoku earthquake, tsunami and nuclear meltdown. Edited and complied by Pasion and representing over 35 contributors from five continents, including Jeffrey Brown, Ben Snakepit, and JET alum Lars Martinson (Fukuoka-ken, 2003-06), the book shares their thoughts and feelings about a freshly devastated Japan in manga form. In this exclusive interview, Pasion reveals the inspiration for this unique project, his favorite Sundogs moments, and what’s next on his plate.
Tell us about your history with Japan. How did it cross your radar growing up?
My hometown had a pretty big and vibrant Japantown, and we would often go there and eat or go window shopping as a kid, but beyond that Japan was just a point on a map for me. In college I worked with a Japanese girl who tried to get me to go to some club for Japanese exchange students. I reluctantly went and was surprised by how much I enjoyed it—tons of delicious Japanese food and lots of cute girls. I started going regularly, and that is where I met my wife. I started taking a Japanese class, and through that class I got offered a position working in Japan for a summer. After spending a summer working here, I fell in love with the place. Several years later, my wife and I found out that we were going to be having a baby, and we decided to come have the baby close to my wife’s family here in Nagoya. Four years, two kids and a couple belt sizes later, and we are still here.
How did Aftershock come together following the earthquake and tsunami of March 2011?
Like most people out there who have any sort of connection to Japan, I felt paralyzed by the whole thing. Here were all these terrible events unfolding just a few hundred miles up the coast and there was nothing I could do about it. I had a sort of “survivor’s guilt” by proxy. When the medical teams and disaster relief groups started to come in I felt even more uneasy, realizing that it was in fact possible to help, just impossible for me to help. Every place I looked told me “just donate money for now.” I felt like I was sitting in the waiting room, waiting for the doctors to do their job. All I could do was wait, and offer to help with the hospital bills.
Then one night my brain was racing as I was trying to go to sleep, and the idea occurred to me to find a way to help out within my own skill set, which is where the idea for this book came about. I jumped out of bed and immediately fired off about 10 e-mails to the cartoonists I knew personally, and the response was 100 percent positive. I contacted Top Shelf Productions after that on a whim and they were into the idea right away. I still felt like any moment it would vanish in smoke until out of the blue I started getting tons of requests to join the project and submissions from people I had never met. The word had gotten out and was spreading quickly, and at that point I knew we were on to something. When things with Top Shelf didn’t pan out, the project already had way too much momentum to give up, which is why I decided to self-publish it. When the book was funding on Kickstarter, I actually had people thanking me for the chance to pledge money to the project. I still can’t wrap my head around that.
What are your goals with releasing Aftershock?
This has been a major point of misunderstanding from a lot of people. The main goal of this project is not fundraising for a charity. That is certainly a big part of it, but the distinction is that even if it fails to make a lot of money, I think it is incredibly meaningful in its own right. From the beginning I have described this book as a kind of “open letter” to the nation of Japan from the international comics community. It is supposed to communicate how far-reaching the influence of Japan has been on cartoonists all over the world, and how we feel in a moment like this. I guess more than an open letter, it’s a get well card. It is also a timepiece that encapsulates the popular sentiment of the world at one moment. I want all the contributors to look back on this book and remember exactly where we were and how we felt while we were still in the thick of it. I think we have succeeded in this goal. We have created a lasting piece of art that captures an important moment in time and the zeitgeist that goes along with it.
Some people have misunderstood the purpose of the project as a way to donate to the disaster. It certainly is [all proceeds from Aftershock will be donated to relief efforts in northeast Japan—Ed.], but if your main purpose is to make a donation, then there are much more direct ways to do it than to buy this book. I want the book to be successful in its aim to raise as much money as possible to help in the rebuilding process, but I also want people to actively become involved. Read the stories and see why we care so much. I want it to motivate people to join the process of rebuilding and I want it to help people feel like we are all in this thing together.
For the complete story, click here.
JQ Magazine: Book Review – ‘Aftershock: Artists Respond to Disaster in Japan’
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“I assumed a response to the earthquake would be grim. I was, however, relieved to see that there is a nice dose of playfulness alongside the serious, an homage to resilience and the inimitable Japanese sense of humor.” (Big Ugly Robot Press)
By Sharona Moskowitz (Fukuoka-ken, 2000-01) for JQ magazine. Sharona works at a literary agency in New York City. She is interested in fresh, new voices in fiction and creative nonfiction.
Composed in the wake of the catastrophic events of 3/11, Aftershock is something of a series of love letters to Japan written in the object of affection’s own familiar dialect: manga. Edited and compiled by American-born and Nagoya-based cartoonist Adam Pasion (Sundogs), the range of over 35 artists/admirers runs the gamut from the seasoned foreign resident to the casual Japanophile, each with an individual style and tone. The pieces are as eclectic as the artists’ experiences and personal ties to Japan, and all proceeds from Aftershock will be donated to relief efforts in northeast Japan.
When I first approached the anthology I wasn’t sure what to expect though I braced myself for gravity. Even in the form of manga, I assumed a response to the earthquake would be grim. I was, however, relieved to see that there is a nice dose of playfulness alongside the serious, an homage to resilience and the inimitable Japanese sense of humor.
For example, “I Was a Teenage Otaku” by JET alum and Tohonharu cartoonist Lars Martinson (Fukuoka-ken, 2003-06) traces the trajectory of the author’s interest in manga and anime, a hobby which “provided the spark that made [him] want to get out there and really explore” and eventually led to his move to Japan as an exchange student. Though his passion for the art form eventually waned, it gave way to a much broader appreciation of the Japanese arts in general.
