Jan 18

Jobs: High School and Elementary Teachers Needed (Ibaraki)

Via the Fukushima JETs listserv:

Tsukuba International School (TIS) is looking for a full-time elementary school teacher and two full-time junior high school teachers to start in September 2011. If you are a certified teacher and you are looking for an opportunity to stay in Japan after your JET contract finishes, please have a look at the job ad below.

Tsukuba International School Seeks Full-Time Elementary School Teacher
Read More


Jan 18

Job: Administrative Assistant at Embassy of Japan (Washington, DC)

Via Shinpai Deshou, an online resource to help Japanese Studies majors figure out how to make a living doing what they love:

The Economics Section at the Embassy of Japan in Washington, DC currently needs an administrative Assistant. Position is open until filled, and more details can be found here.


Jan 18

Justin’s Japan: Japanese Sci-fi Film ‘GANTZ’ Holds World Premiere This Week

'GANTZ' world premiere is Jan. 20 in the U.S. (Courtesy of Nikkatsu)

By

JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories. 

GANTZ, a new sci-fi film from Japan, is making its international world premiere at 325 U.S. movie theaters (including three in New York City) in an exclusive one-night event on Thursday, Jan. 20. Based on the long-running manga and anime series originally created by Hiroya Oku, GANTZ stars two of Japan’s biggest leading actors, Kazunari Ninomiya (Letters from Iwo Jima) and Kenichi Matsuyama (Death Note, Detroit Metal City), who will both participate in an special live interview exclusive to this event.

Presented by NCM Fathom and New People, in association with Dark Horse Comics, GANTZ tells the story of childhood friends Kei Kurono and Masaru Kato, who are accidentally killed while trying to save another man’s life. Rather than find themselves in the hereafter, however, they awaken in a strange apartment in which they find a mysterious black orb they come to know as “GANTZ.” Along with similar abductees, they are provided with equipment and weaponry and manipulated into playing a kind of game in which they are sent back out to the greater world to do battle with alien beings, all while never quite knowing whether this game is an illusion or their new reality.

Click here for the rest of the article.


Jan 18

WIT Life #150: Tiger Mask, Toshiba’s Strides and a Moncchichi Milestone

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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.

Recent articles from the Wall Street Journal and the New York Times brings bright tidings from Japan in the midst of a new year which has started with PM Kan’s low popularity ratings and a still lagging economy.  One WSJ article describes the recent phenomenon of the Tiger Mask movement.  On Christmas Day last year, a gift of 10 school bags was left at a child welfare facility with a note signed by “Naoto Date.”  This was a reference to a character from a popular 1960s manga and TV anime called Tiger Mask.  Naoto Date was a wrestling hero who went by the name Tiger Mask and who had grown up in an orphanage.

This act of generosity made by someone adopting this name has inspired numerous copycat donations, and in total there have been Read More


Jan 18

Any JETs or JET alums in Kasugai, Komaki or Inuyama (Aichi-ken)?

If you’re a JET or JET alum who lives or lived in Kasugai, Komaki or Inuyama, or anywhere in the vicinity, please get in touch ASAP at jetwit [at] jetwit.com.  We may need your help.

Yoroshiku onegaishimasu.

-Steven Horowitz (Aichi-ken, Kariya-shi, 1992-94)


Jan 18

Any JETs or JET alums with Georgia connections in Japan?

Via JET alum Jessica Cork who works at the Consulate General of Japan in Atlanta:

Trevor Williams, the editor of Global Atlanta, will be visiting Japan at the end of this month and would like to interview some young professionals or entrepreneurs in Japan, preferably those who have Georgia connections. If you are interested, please contact him directly:

Trevor Williams
Editor, www.globalatlanta.com
twilliams@globalatlanta.com
Office: (404) 377-7710
Mobile: (706) 615-4599


Jan 17

Jobs: Academic Positions and Fellowships for Japanophiles

.

Via Shinpai Deshou, an online resource to help Japanese Studies majors figure out how to make a living doing what they love:

Lots of great academic posts have been popping up lately on Shinpai Deshou, including:


Jan 17

Justin’s Japan: Interview with Jazz Pianist Marcus Roberts

The Marcus Roberts Trio performs in NYC Jan. 18-23. (Courtesy of Florida State University)

By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories. 

Blind since the age of four, at 21 years old Marcus Roberts was invited by trumpeter Wynton Marsalis to join his band in the mid-’80s, playing on such Grammy Award-winning albums as J Mood and Marsalis Standard Time, Vol. 1. Six years of touring with Marsalis followed, establishing Roberts as one of the vanguards of young American jazz pianists. Roberts formed his own trio in 1993, and since then he’s been indefatigably presenting his interpretive style around the world as a musician, recording artist and assistant professor of jazz studies at Florida State University.

This week finds the Marcus Roberts Trio, with Rodney Jordan on bass and NEA Jazz Master/Wynton’s little brother Jason Marsalis on drums, in a weeklong residency at New York’s Jazz at Lincoln Center. I spoke with Roberts about his discovery of jazz, the role of technology in his life as a musician, and his thoughts on working with legends like Marsalis and Seiji Ozawa.

What can fans expect from your upcoming shows in New York?

They can expect sort of a wide range of what we like to choose from our repertoire—we have a pretty broad repertoire. We play standard tunes of [George] Gershwin and Cole Porter; we play blues by [Thelonious] Monk and [Duke] Ellington; we play [John] Coltrane’s music; we have a lot of original music that we play; and Jelly Roll Morton. It’s going to be a little bit freer this week, you know. We’re just going to look through the book and pick kind of a historical tour of jazz, if you will.

What was your introduction to jazz?

I grew up in Jacksonville, Florida, and I first started playing piano in church. I was self taught for four years, from eight to 12, and then at 12 I was listening to the radio and I happened to hear Duke Ellington. And I just remember being really enamored with his touch; his style; the chords he was playing. And it went from there; I went from Duke to Louis Armstrong and then I ventured to Miles Davis and Coltrane and Monk, and one by one as the years went on, I got more deep in being interested in how these guys were playing all this stuff that they were coming up with, and how I could emulate that.

Who was your first love in music?

Probably Duke Ellington; I think my real first interest was him. And also [jazz pianists] Teddy Wilson and Mary Lou Williams—I remember hearing Mary Lou Williams with Benny Goodman, and that always struck me. I guess when I’m listening to a great jazz artist, what I’m really always looking for is something that can be taken even outside of the context that they put it in, and I’m able to personalize it and identify my own personality and identity within it. So, honestly, there are many great artists that I love.

Growing up, how did you come to learn about Japan?

I don’t know—I think the first time I went to Japan was with Wynton in 1987, and then I believe went again with a quartet in ’89. But my most memorable experiences of going to Japan have always been with the great conductor Seiji Ozawa. He invited me there a couple of times, and we’ve done Gershwin’s Concerto in F there a few times. It’s probably one of the highlights of my career, going there, doing that with him, because he’s such an innovator, such a great man, and he’s always been very interested in the relationship between how jazz and classical music can be collaborated together, and we always enjoyed working with him there in Japan.

What was it like performing with the maestro?

Oh, my God, absolutely incredible—he is just amazing. He knows that score inside and out, and his dedication to just greatness in general, he’s very infectious. And my band and the other musicians always knew that it was going to be a great performance, because he just wasn’t going to have it any other way. If he had the schedule for rehearsals, I’d talk to him, and by the time we got going, he’d been up since four o’clock in the morning studying scores, making sure that everything was going to be all right. So, he taught me a lot about how you put things on the stage and how you continue to push yourself to reach a real level of expertise and communication with an audience.

Do you enjoy traveling? Where are some of your favorite places around the world?

I enjoy traveling; it’s always fun. It’s always a blessing to be able to play to people and hopefully inspire them through the music you play to have a better day or just something they might be going through. For me, I pretty much will go anywhere, but I love Italy because of the food there, you know? I like going to New Orleans because of the food—I like a lot of places, but I can’t single out a whole bunch of them. I think it’s more about just the variety of the different cultures and the places you can go, because all those different localities have different things that they bring to you, and I guess, from my perspective, since every year we’re going to different places, I guess I’m more intrigued with the act of traveling itself, wherever it is. I also like France for the desserts, and Japan for the sushi. [Laughs]

Click here for the rest of the interview.


Jan 16

Life After the B.O.E. is a comic series about the JET experience by David Namisato (Aomori-ken, 2002-2004), a professional illustrator currently living in Toronto.
Visit David’s website at www.namisato.org.

Blending In


Jan 16

JETAA Chicago site posts link to JetWit

Thanks to JETAA Chicago for including a link to JetWit on its “Resources” page:

http://www.chicago.jetalumni.net/resources/

And a request to other JETAA chapters to include a link to JetWit somewhere on your chapter websites.  (Feel free to use the JetWit mascot image as well.)

Here’s the list of other JETAA chapters that have included a link to JetWit so far:

Also, a reminder that all content on JetWit may be used by JETAA chapters and any other official JET-related organizations (e.g., AJET) on their websites, in their emails & newsletters, etc.  No permission necessary.  Just copy and paste.  (Or link.  Whatever makes your job easiest.)

Special thanks to Sam Lederer (Shizuoka-ken, 2005-07) for gathering the info.  If your chapter has a link to JetWit, e-mail sam [at] jetwit.com and let us know.


Jan 16

Justin’s Japan: All-time Anime Classic ‘Dragon Ball Z’ Comes to Hulu

Goku and the DBZ gang are now streaming online. (Courtesy of FUNimation/Toei Animation Co., Ltd.)

 

By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories. 

U.S.-based FUNimation Entertainment and Toei Animation Co., Ltd. have teamed up to present Japan’s evergreen animated series Dragon Ball Z at Hulu.com, North America’s online leader for streaming TV shows and film in North America.

Yesterday (Jan. 15), FUNimation began streaming the series’ first 15 episodes via Hulu, the official Dragon Ball Z website (www.dragonballz.com) in addition to www.dragonballzkai.com, www.funimation.com.

FUNimation will offer its professionally-produced, uncut, English-tracked and English-subtitled adaptations of the massively successful series beginning with the first episode as well as other chapters of the Dragon Ball franchise: Dragon Ball, Dragon Ball GT and Dragon Ball Z Kai.

Click here for the rest of the story.


Jan 16

Job: Sales Position

via Peter Weber, JET Program Coordinator. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika currently works as an in-house translator for PFU (a Fujitsu company) in Kahoku-shi, Ishikawa-ken. She is also the vocalist for the Japanese hardcore punk band DEGRADE.

*Note: If you apply for this position, please let them know you learned of it from JetWit. Thanks.

—————————————————————————————————————–

Job Position: Sales Position

Details: Sales position for American/Japanese Market. Send resume to below.

NTA/SFO
643 Bair Island Road #301
Redwood City, CA 94063
(650) 301-1880
Fax: (650) 301-1891
e-mail: ntayozo@ginga.net


Jan 14

Global MBA at Doshisha University (Kyoto)

via Jet alum Dr. Andrew Staples (Fukuoka, 1996-99), Associate Professor at Doshisha Business School. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika currently works as an in-house translator for PFU (a Fujitsu company) in Kahoku-shi, Ishikawa-ken. She is also the vocalist for the Japanese hardcore punk band DEGRADE.

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The following information was submitted by Dr. Andy Staples, a visiting professor at Doshisha Business School, Kyoto, Japan. He would like to pass on details of significant funding opportunities that may be of interest to people considering enrolling on an MBA program in Japan. Please feel free to contact him directly if you have any questions astaples@mail.doshisha.ac.jp

The University and MBA

Based in the heart of Kyoto, Doshisha University is Japan’s second oldest private university with a long tradition of international exchange reinforced by institutional agreements with top-ranked institutions around the world including the University of Cambridge in the UK, Stanford in the USA and Peking University in China.

The university was designated as a ‘Global 30’ institution by the Japanese Ministry of Education in 2009 in recognition of its proactive internationalization strategy which includes the launch of a number of new undergraduate and postgraduate program delivered in English.

As part of this process the Graduate School of Business (Doshisha Business School, established 2004) launched the Global MBA in 2009. This is a two-year, full-time program delivered entirely in English by an international and research active faculty. 40 students representing 20 different nationalities are currently enrolled on the program reflecting the international, diverse and cosmopolitan nature of the degree.

The average Global MBA candidate is around 27 and has approximately 3 years of work experience. Many of our students have had previous experience of studying or working in Japan and some are seeking to develop a Japan based degree although all have joined the program for its content, structure and global outlook. Our mission is to educate young managers/executives willing to take the initiative in business and society as proactive leaders capable of seeking out business opportunities while at the same time making a contribution to the well-being of our society.

Applications

We currently have one former JET enrolled, (Shiga, 2006-2009) and believe that the program offers an excellent next step for JETs interested in developing an internationally focused career while remaining based in (or returning to) Japan. Significant funding opportunities exist for 2011 entry including scholarships, monthly stipends and fee waivers for outstanding international students and full details can be found on our webpage (http://gmba.doshisha.ac.jp/).

Applications are open now and early submissions are advised, particularly for those seeking funding. Potential applicants are encouraged to submit a CV/resume and personal statement outlining interest in the Global MBA and career ambition on a no-fee/consultative basis. Please also feel free to get in touch if you would like to informally correspond with a former JET enrolled on the program.


Jan 14

Learn to blog….on your own!

I often encourage JET alums to learn to use a blog, and I’ve even done some “Learn to Blog” workshops for JET alums (and lawyers too) where I walk people through the set-up, the basics and some of the quirks.

Now there’s apparently a WordPress site that offers a tutorial for setting up a blog and using it.  Just go to  http://learn.wordpress.com/

Knowing how to use a blog is a great job/communication skill to have in this era.  It’s also a great platform for promoting yourself and your skills serving as a portfolio for your abilities and accomplishments if you’re trying to make your way in the freelance world, or trying to bootstrap yourself into a full-time job.

And of course, if you ever want to write for JetWit, it’s extremely helpful on my end if there’s less explaining for me to do in order to enable you to get started contributing to the site.

So take a look if interested and let me know whether it’s helpful.  (I haven’t actually reviewed any of the tutorials.  But WordPress generally has good quality stuff.)  Also note the somewhat JET-relevant title on the main page. :-)

Steven Horowitz (Aichi-ken, 1992-94)
Founder & Publisher, JetWit.com
Brooklyn, NY


Jan 14

Sales position at New York Mutual Trading, Inc

Ms. Ami Nakanishi, Business Development and Planning Manager of New York Mutual Trading, Inc., contacted me regarding a position at her company for a salesperson to target the American market.  The candidate should especially have knowledge of Japanese knives, serving dishes, and ingredients, as well as Japanese culture in general.  For those interested in applying, please contact Ms. Nakanishi directly at ami[at]nymtc.com or 201-933-9555.

By the way, the Japanese Culinary Center which serves as the showroom of New York Mutual Trading, Inc. and where Ms. Nakanishi works as Event Director, is a great resource for Japanese food culture.  I have taken part in many classes there, and it is worth a trip over just to see all the fabulous Japanese items they sell!


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