WIT Life #139: 60′s Japan film festival
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
On Friday night I attended a free screening of the movie Yearning, which was being shown as part of the Japanese Cinema 1960’s film series at Asia Society. This organization is co-sponsoring the event along with Japan Foundation, and they have been offering complimentary tickets to the five films that were being shown over a span of a little over a month. You had to sign up ahead of time by indicating which film you wanted tickets for and officially you could only pick one, but when I went there was a stand-by line so if you go early on the day of the show you are likely to get in even without tickets.
Although Yearning was the English title of the movie, it came from the Japanese title of 乱れる (midareru), literally meaning Read More
Justin’s Japan: ‘Summer Wars’ Anime Aims for Oscar (Film Review)
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- ‘Summer Wars’ comes to New York’s IFC Center Dec. 29.
By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
The opening scene of Mamoru Hosoda’s animated film Summer Wars transports us to the virtual world of OZ, a place where hundreds of millions of users chat, shop and play via customized avatars in a breathtakingly trippy space that owes much to contemporary Japanese pop artist Takashi Murakami and Mamoru Oshii’s Ghost in the Shell movies. But it’s in rural Nagano where most of Summer Wars occurs, and this setting gives it a heart in a world that’s becoming increasingly addicted to online social networks and mobile devices.
The film enjoyed a sold-out reception of its English language premiere at Asia Society yesterday as part of distributor GKIDS’ annual New York International Children’s Film Festival. Fueled by Internet buzz and rapturous word of mouth upon its initial release in Japan last year, the film won a clutch of awards and is an official entry for Best Animated Feature at the 2011 Academy Awards.
The plot: teenage OZ moderator Kenji (voiced by Michael Sinterniklaas) agrees to a “job” escorting his popular schoolmate Natsuki (Brina Palencia) to her great-grandmother’s upcoming 90th birthday celebration at the family’s enormous estate in Ueda. The catch: he’s asked by his secret crush to pose as her fiancé, which hits complications as her crazed extended family enters the picture. To make matters worse, Kenji unwittingly triggers a malicious AI program called Love Machine that threatens not just the existence of OZ, but the rest of the real world with its interdependence on technology. It’s up to the boy—a girl-phobic math prodigy—to gain new confidence in himself in order to right OZ and win his dream girl’s heart.
Click here for the rest of the review.
JETAA DC Film Festival – Dec 3 and 5
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Via Mack Maloney, President of JETAA DC:
JETAA DC will be holding a film festival at the Freer Gallery of the Smithsonian Institute the weekend of December 3-5.
1. Friday, December 3 @ 7pm is “Linda Linda Linda.”
The film follows four girls as they prepare their band for their final school festival. Accompanied by a great soundtrack, this film is funny, poignant, and will certainly have you longing for your school festival (and a karaoke box).
2. Sunday, December 5 @ 2pm is “The Harimaya Bridge,” written and directed by JET alum Aaron Woolfolk (Kochi-ken) who will be in attendance.
Filmed in Kochi Prefecture, “The Harimaya Bridge” is a drama about an American man who must travel to rural Japan to claim some important items belonging to his late son, from whom he was estranged. While there, he learns several secrets his son left behind. Mr. Woolfolk will be in attendance during the screening and will stay to answer questions about his craft and his experiences. Come see a film the Los Angeles Times calls “a unique, complex, consciousness-raising accomplishment,” and Derek Kester of the San Francisco Examiner labels one of the best films of the year.
WIT Life #132: Kwaidan
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Last night kicked off Japan Society’s current “Zen and Its Opposite” Monthly Classic Film Series, which features films from the late ’50s to ’60s that showcase the paradoxical unity of zen and violence. It began with the 1965 film 怪談 (Kwaidan or Kaidan), said to be the most expensive production of its time. It clocks in at a whopping 161 minutes and although the pacing is slow at certain points, the suspense draws you in and keeps you on the edge of your seat for most of it. Kwaidan is comprised of four separate stories, each haunting in its own way. My favorite was Read More
Dipika Soni (Ishikawa-ken, 2003-06) is an in-house translator for PFU (a Fujitsu company) in Kahoku-shi, Ishikawa-ken. She is also the vocalist for the Japanese hardcore punk band DEGRADE. “Chi-Town Rising” takes a look at the connections between Japan and Chicago, where Dipika will be moving in the coming year.
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The 46th Chicago International Film Festival is currently under way, screening 150 films from 50 countries. First held in 1964, the festival founded by Michael Kutza is one of the oldest of its kind in North America. This year the following Japanese films are being showcased, with cultural support provided by The Japan Foundation.
ABACUS AND SWORD / BUSHI NO KAKEIBO
Director: Yoshimitsu Morita
Reimagining the classic samurai picture, this quiet, elegant drama follows the Inoyama family as they serve their lord not with the sword but with the abacus. With a sense of honor as exacting as any warrior’s and a rigorous ethic of honesty even in the midst of dire poverty, Naoyuki Inoyama (nicknamed “the Mad Abacus” by his rivals) distinguishes himself as a hero for the approaching modern age.
BIG TITS ZOMBIE / KYONYŪ DRAGON
Director: Takao Nakano
A campy, raucous crowd-pleaser that is definitely not for the whole family, this 3-D spectacle pits brassy strippers against a horde of the undead, which the ladies unwittingly revive by reading aloud from an ancient tome. They must battle one of their own in addition to the brain eaters when goth stripper Maria hatches her own ambitious plans to become Queen of the Dead.
CATERPILLAR / KYATAPIRÂ
Director: Kôji Wakamatsu
Horribly maimed while fighting on the Japanese front in China during WWII, a Japanese lieutenant returns home a war hero. But his loss of limbs has not made him any less of a brute, especially to his wife. Required to satisfy his every need, she feels her anger quietly boiling over. Based on a short story that was banned for its extreme subject matter, Caterpillar is a howl of rage against blindness to the atrocities of war.
GOLDEN SLUMBER / GÔRUDEN SURAMBÂ
Director: Yoshihiro Nakamura
In this seriocomic conspiracy thriller, affable deliveryman Aoyagi unwittingly becomes the prime suspect in a hunt for the assassin of the prime minister. As he runs from the authorities and the news media eats up every scrap of incriminating evidence, Aoyagi finds a little help from his friends, including his college sweetheart and a crazy but cheerful youth who’s wanted for serial murder. Together, this motley crew will help Aoyagi navigate the strangest, scariest 24 hours of his life.
SWORD OF DESPERATION / HISSHIKEN TORISASHI
Director: Hideyuki Hirayama
The expert swordsman Kanemi Sanzaemon is a man of principle, first and foremost. His decisive, violent handling of high-level corruption in the court of the local feudal lord landed him in solitary confinement for two years. He has now been released, with one caveat he cannot comprehend: He must serve as bodyguard to the lord he betrayed. This thrilling, masterfully stylized tale of honor combines classic samurai action with a taut story of intrigue and betrayal.
The festival runs from October 7th till the 21st. For a complete schedule and more info visit http://chicagofilmfestival.com/ or call 312-332-FILM.
WIT Life #123: International acclaim and disdain
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
I was really happy to hear that Eri Fukatsu (37) won the best actress award at the 2010 Montreal World Film Festival for her performance in the Japanese film Akunin (Villain). It also features Satoshi Tsumabuki (29) who stars in the title role and is pictured with Fukatsu on the right. Akunin is a tragic love story based on the novel of the same title, and Fukatsu plays the part of a young woman who runs away with a construction worker (Tsumabuki) who inadvertently killed someone. It was directed by Lee Sang Il (36), and all three were in attendance at the festival. Fukatsu is the first Japanese actress to take home the trophy since 1983.
I have liked Fukatsu ever since seeing her in the 2005 drama Slow Dance, which also stars Tsumabuki who is one of my favorites. In this drama you wonder if Read More
Notable JET Alums: Aaron Woolfolk’s “The Harimaya Bridge” wins at Pan African Film Festival
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Aaron Woolfolk (Kochi-ken, 1991-93)
Aaron Woolfolk (Kochi-ken, 1991-93), director and writer of the Kochi-based film, “The Harimaya Bridge,” recently won a director’s award at the 2010 Pan African Film Festival.
Click the link below to read the article and learn more about Aaron and his acclaimed film.
http://www.indybay.org/newsitems/2010/08/12/18655970.php
Tom Baker interviews “Airbender” cast
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. As another example of JET ROI, he is one of at least four former JETS to have been on the newspaper’s staff in recent years. He usually writes for DYWeekend, the arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Recently he interviewed two members of the cast of “The Last Airbender” movie during their promotional visit to Tokyo, asking them for their views on the “racebending” controversy surrounding their film. He also covered an insect show now running at a Tokyo museum, reviewed the manga “Otomen,” and weighed in on a couple of other movies now playing in Japan. Here are some excerpts:
“Last Airbender”
In the United States, some fans of the anime-style cartoon on which the movie is based have protested against the casting of Jackson Rathbone and Nicola Peltz, who are white, in roles the fans saw as Asian.
Asked to comment on that, Rathbone said: “I originally was a finalist for Prince Zuko [a Fire Nation role that went to Slumdog Millionaire star Dev Patel]. Almost a year later, I was brought back in for the character of Sokka…I think what they were really looking for was the qualities that people represent, not so much focusing on race…All these characters [in the cartoon] have so many different features, you can’t really say that they are one race…It’s a shame that people really focus on the race thing and they don’t understand that it’s a story for everyone.”
“And there are over 120 different types of people in the film,” Peltz added.
“In terms of a big-budget film, it’s the most ethnically diverse cast there’s ever been,” Rathbone agreed.
Read the rest of the interview here.
“Insects festival”
Open your window on a hot summer day and you may hear a sound that caught the ear of haiku poet Matsuo Basho in the 17th century: the voices of cicadas, seeping into the rocks. Of course, Japan today is a lot more urbanized than it was in Basho’s time, and cicadas are more likely to sing against a background of asphalt and cement. Yet year after year, the buzzing bugs never fail to show up, even in the heart of Tokyo.
Visitors to Insects Festival, an exhibition now running at the Edo-Tokyo Museum in Ryogoku, Tokyo, are reminded of such persistence right away with a display of six-legged critters that live in three different Tokyo zones: mountains, fields and downtown areas.
While city-dwellers often resent sharing space with the likes of cockroaches and ants, the emphasis of this show is on seasonal outdoor insects whose diverse shapes, bright colors and occasional songs actually enhance city life…
Read the rest of the article here, or visit the exhibition’s site here.
“Otomen”
Anyone writing a graduate thesis on the presentation of gender in Japanese pop culture will find abundant material in the manga series Otomen. Readers looking for laughs will also find what they seek in Otomen, but rather less abundantly.
The main characters are a trio of high school students, with the focus on Asuka (a boy who has a name more common for girls), who is in love with Ryo (a girl who has a name more common for boys). Their would-be romance is complicated by the constant presence of their friend Juta, who tries to play cupid, but is more often a third wheel.
Asuka is the captain of the school kendo team, and is admired by everyone as a “real man.” But he is secretly an “otomen,” a boy who is into girly things, such as cute stuffed animals and delicate pastries. He is at least as skilled at cooking and sewing as he is at sports, but he keeps that side of himself hidden. Ryo is Asuka’s mirror image in that she has been raised by her socially inept father to follow in his footsteps as a martial arts champion, but she strives to put up a feminine front at school. Juta has a secret, too, as he is actually a best-selling manga artist who is using the couple as a model for his stories…
Also playing…
You can read Tom’s review of “Inception” here, and his review of “Zombieland” here.
WIT Life #110: Japan Cuts comes to a close
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Last Friday wrapped up Japan Cuts, the two-week, 25-film festival at Japan Society. Thanks to JS’s wonderful volunteering system I was able to see nine of the films at the festival itself, and another two in the comfort of my home. The final night wrapped up the event with the two movies About Her Brother and Sweet Little Lies. I was really looking forward to the latter, but I found the pacing slow and the movie’s story less stimulating than I thought it would be.
About Her Brother is one of those ubiquitous sentimental Japanese movies, but it wasn’t too heavy on the sappiness. Tsurube Shofukutei plays Read More
WIT Life #109: Parade
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
At Japan Society on Friday night I saw what has been my favorite movie of the Japan Cuts festival so far, Parade. A special treat was the attendance of the director, Isao Yukisada, to introduce the movie and take questions after. He presented the movie as a “slice of the dark side of Tokyo,” and expressed his nervousness and excitement at having his work screened here in New York for the first time. The movie explores the relationships between four young people sharing an apartment in Tokyo, as they deal with their respective troubles as well as the danger of an assailant who has been attacking women in the area. The title refers to Read More
WIT Life #108: On the Road
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Both films screened last night at Japan Society’s Japan Cuts festival were road movies. The first, Accidental Kidnapper, is reminiscent of Clint Eastwood’s A Perfect World, but I found the second one, One Million Yen Girl, to be more distinctly Japanese. Both feature well-known leads who are easy on the eyes (Katsunori Takahashi and Aoi Yu, respectively) and are backed by strong supporting casts, including Takashi Sasano who makes an appearance in both as an advocate for the main character.
In Accidental Kidnapper he plays a convict who advises Takahashi how to carry out his kidnapping, and in the latter he is a coffee shop proprietor in a small mountain village. In my previous double header, the actor Eita also appeared in both movies; he shows great versatility as one of the main characters in The Foreign Duck, The Native Duck and God in a Coin Locker and has a bit part in Hanging Garden. Both he and Sasano are also in Read More
WIT Life #107: Japan Cuts continued
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WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
At the Japan Cuts film festival last night, I was able to attend both movies which were screened. The first was The Foreign Duck, The Native Duck and God in a Coin Locker and the one that followed was Hanging Garden. As a special treat, the director of the latter, Toshiaki Toyoda (who also directed Blood of Rebirth which was screened twice at the festival last week) was on hand to offer an introduction to his film and a Q&A session after. The director of the former, Yoshihiro Nakamura, also did Golden Slumber so it was interesting to be able to compare the two.
Director Nakamura clearly places great importance on music in his movies, to the point where is almost a secondary character. This is true in Golden Slumber which focuses on the title’s Beatles song, and in Foreign Duck it is Bob Dylan’s Blowin’ in the Wind. In both cases, the songs and their lyrics are Read More
WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.
Last week was the start of the Japan Cuts film festival at Japan Society, where this year 24 films will be featured. This is the largest lineup ever and includes a wide variety of films. The Japan Society allows those who offer to volunteer at the festival the chance to stay and view the movie for free! I have decided to take advantage of this opportunity, and plan to help out during a couple of days of the festival. Stay tuned for reviews of the many movies I will have the chance to sample!
However, my first time at the festival was as a customer last Friday for the screening of the conspiracy theory comedy Golden Slumber. The plot of Read More
Japan Society kicks off annual JAPAN CUTS film fest
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By JQ Magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.
July is here, and that means hot dogs, fireworks, and a horde of Japanese films served up by New York’s Japan Society for their annual JAPAN CUTS contemporary Japanese cinema festival. Launched at the tail end of the New York Asian Film Festival, Japan Society and NYAFF have teamed to co-present a whopping 24 films from July 1-16.
“JAPAN CUTS presents the roughest, sharpest, and smoothest of today’s cutting-edge Japanese film scene,” notes Japan Society’s chief film curator Samuel Jamier. “This year the lineup includes psycho dramas, thrillers, period pieces, bizarre comedies, refined melodramas, artistically adventurous indies, j-horror, and even anime. But when the lineup came together, I realized a number of these great films were made by female directors or featured a large number of prominent women’s roles and powerful performances by women–a reflection of industry trends in the last ten years, and the impact women have been making in Japan’s film industry. Overall, I like to think this year’s festival is exemplary of where Japanese cinema is today.”
For this week’s list, see the full article here.
Tom Baker reviews “Crazy Heart” and “Brothers”
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Tom Baker (Chiba-ken, 1989-91) is a staff writer for The Daily Yomiuri. He usually writes for DYWeekend, the paper’s arts and leisure section. You can follow Tom’s blog at tokyotombaker.wordpress.com.
Recently he reviewed movies, “Crazy Heart” and “Brothers.” He found poetry in both of them. Here are some excerpts:
“Crazy Heart”
Country music singer-songwriter Bad Blake (Jeff Bridges) smokes like a chimney, drinks like a fish, sweats like a pig, and urinates into a plastic jug while driving from town to town. As I watched him perform under hot lights at a variety of small and unglamorous venues in the movie Crazy Heart, I could almost smell him. He didn’t smell very nice.
…
On the bright side, Bad’s personal problems are grist for the mill. One of his most popular songs looks back on a dissipated life with the refrain, “Funny how fallin’ feels like flyin’/for a little while.”
Anyone who doubts that country music is the primary home of modern American poetry should meditate on that line. “Funny how fallin’ feels like flyin'” is alliterative and catchy, but also trenchant. And Bad has flown and fallen quite a way…
Read the rest of the review here.
“Brothers”
In William Shakespeare’s play about his life, King Richard II is forced to surrender his crown to his usurper cousin Henry IV. In doing so, Richard compares himself and Henry to two buckets in a well: “The emptier ever dancing in the air,/The other down, unseen and full of water:/That bucket down and full of tears am I,/Drinking my griefs while you mount up on high.”
The title characters in Brothers, although they dwell in an American suburb rather than an English castle, are not unlike the tragic royal cousins.
Sam (Tobey Maguire) is an upstanding husband, father and U.S. marine who is about to be separated from his family for a tour of duty in Afghanistan. On the eve of Sam’s departure, his surly brother Tommy (Jake Gyllenhaal), a ne’er-do-well with a drinking problem, rejoins the extended family after a stint in prison…
Read the rest of the review here.
