JQ Magazine: Heisei Nakamura-za Kabuki Returns to NYC This Summer
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After a seven year absence, Heisei Nakamura-za brings Kabuki to New York’s Lincoln Center Festival July 7-12. (© Shochiku)
By Mark Frey (Kumamoto-ken, 2002-06) for JQ magazine. Mark served as the editor for JETAA Northern California’s Pacific Bridge newsletter from 2007-11, and is currently chapter president as well as coordinator of the JETAANC Kabuki Club.
A warm thought to heat you up as the Fourth of July approaches: real, live Kabuki is coming back to New York City July 7-12 as part of the annual Lincoln Center Festival.
This is great news for Kabuki fans in America. And if you were ever curious about Kabuki, it is a rare chance to see the real thing in your own backyard. The performance is part of a very interesting project called “Heisei Nakamura-za,” which was started about a decade ago by the late, great Kabuki actor Nakamura Kanzaburo, who passed away unexpectedly at age 57 in December 2012.
Kanzaburo wanted to give audiences the chance to experience Kabuki the way it used to be in the “good old days” of the Edo period. Back then, Kabuki was a popular entertainment for the common people. It featured smaller theaters, a more intimate relationship between actor and audience, and a more festive, earthy, raucous feel. So Kanzaburo started constructing temporary theaters in Japan and around the world that reflected this atmosphere. He extended the mood to the plays he staged, putting a contemporary spin on old classics.
In 2012, this reporter was fortunate enough to be able to see Kanzaburo perform in the last Heisei Nakamura-za theater he constructed, in Tokyo’s Asakusa district. It was an unforgettable experience. Some of the best actors of our day were walking a couple feet away from me on the theater’s modest hanamichi runway. A special energy flowed between the actors and the audience that I hadn’t felt at established Kabuki theaters. At the end of the final play, the entire back wall of the theater disappeared and we enjoyed a beautiful, open-air night view of the Sumidagawa River and the newly constructed Skytree Tower. It was a magical evening.
Justin’s Japan: ‘Ghost in the Shell,’ Kishi Bashi, Luna Haruna at AnimeNEXT
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Ghost in the Shell: Arise – Borders: 1 & 2 premieres at AMC Loews Village 7 May 29. (FUNimation)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
After an unusually chilly spring, it’s finally starting to feel like summer. Enjoy some seasonal events this month that celebrate the best of both fine art and pop art.
This month’s highlights include:
Wednesday, May 28, 10:00 p.m.
The Bowery Electric, 327 Bowery
$5
An all-female quartet that delivers riff-heavy, post-punk anthems, Each of the Hard Nips came to live in New York at different times, from different parts of Japan. And, as conspired by the ever-dexterous hand of fate, they were to cross paths and become fast friends. They quickly formed a cult-like bond whose rituals all included drinking a lot of alcohol and uncontrollably running their mouths. The wine flowed like Kool-Aid and, somehow, they found themselves buying into the delusion that they were capable of forming a kick-ass rock band. Witness the next chapter in their story, with support from Shakes and the Johnnys.
Thursday, May 29, 7:30 p.m.
Ghost in the Shell: Arise – Borders: 1 & 2
AMC Loews Village 7, 66 Third Avenue
$10
In the first two parts of this highly anticipated prequel series of the anime sensation Ghost in the Shell, it’s the year after the fourth World War and cyborg/hacker Motoko Kusanagi finds herself wrapped up in the investigation of a devastating bombing. But she’s not the only one looking for answers—as she delves deeper into the mystery of who is behind the attack, a specialized team unlike any before begins to take shape.
June 6-8
Garden State Convention Center, 50 Atrium Drive, Somerset, NJ
$45-$60
The largest independently organized anime convention in the New York/New Jersey metropolitan area. AnimeNEXT features Japanese creators of anime and manga, voice actors, musical acts, artists, vendors and exhibits, events, panels, workshops, and gaming. This year’s musical guest is Tokyo’s Luna Haruna, who made her major debut in 2012 with the song “Soraha Takaku Kazeha Utau,” the ending theme song for the second season of anime series Fate/Zero. Her latest single, “Snowdrop,” was featured as the ending theme song the second season of Monogatari. Don’t miss her first-ever performance on the East Coast!
For the complete story, click here.
WIT Life #269: Japan Day @ Central Park
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Japan Day @ Central Park celebrated its 8th year this past Sunday, and 50,000 attendees came out on this warm, beautiful day. As it coincided with Mother’s Day, many families enjoyed the events together. In addition to the free food and culture booths, an assortment of performances were featured on the main stage. There was some stellar taiko drumming and an interesting Matrix-like duo, but many in the crowd were waiting excitedly for the crooner Jero, who I wrote about and got to interview when he came to Japan Society two years ago.
This Pittsburgh native began his career singing enka (Japanese traditional ballads) as a youngster with his Japanese grandmother, and his official career started in Japan six years ago. Jero treated the audience to his debut single 海雪 (Umiyuki or Ocean Snow) as well as Read More
Justin’s Japan: Nippon in New York — Asa Akira, ‘Monkey Business,’ Jero @ Japan Day, Peelander-Z
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Insatiable New Yorker Asa Akira’s literary debut is available May 6. (Grove Press)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
As spring continues and the weather continues to warm, New Yorkers can enjoy activities all over the city both indoors and out.
May 2-3, 7:30 p.m.
Veggetti, Kato and Nakamura Project IX – Pleiades
Japan Society, 333 East 47th Street
$30, $24 Japan Society members
Two Japanese tour de force artists, acclaimed musician Kuniko Kato, praised by Steve Reich as a “first rate percussionist,” and dancer Megumi Nakamura, internationally known since her days with Jiří Kylián’s Netherlands Dance Theater, explore the mesmerizing scores of legendary 20th century composer Iannis Xenakis (1922-2001). Project IX – Pleiades, which features one of Xenakis’ most complex and ambitious pieces, Pléiades, is a multimedia work delivered through live performance and a state-of-the-art sound/projection installation. Directed by Italian choreographer Luca Veggetti, one of the featured artists in the 2014 NY PHIL BIENNIAL. The Friday, May 2 performance is followed by a MetLife Meet the Artists Reception.
Saturday, May 3, 2:00 p.m.
Monkey Business: Japan/America Writers’ Dialogue
Asia Society, 725 Park Avenue
$15, $12 seniors/students, $10 Asia Society and PEN members
In conjunction with PEN World Voice Festival 2014! For the past three years PEN World Voices and Asia Society have provided a place for dialogues between established and upcoming writers in the United States and Japan. This year Laird Hunt and Matthew Sharpe join Toh EnJoe and Hideo Furukawa for another exciting and provocative cross-cultural literary encounter between Japanese and American writers. Moderated by Motoyuki Shibata and Ted Goossen, editors/translators of Monkey Business, the English-language anthology of newly translated Japanese writing, now celebrating its fourth edition.Ticket price includes a copy of the book and signing following the program. For additional free readings taking place in Manhattan and Brooklyn, click here.
Tuesday, May 6
Insatiable: Porn—A Love Story by Asa Akira
$25 MSRP
At age 28, Asa Akira has already led an extremely unusual life. Born in New York and raised in Japan as a pre-teen, then coming of age at the prestigious United Nations International School in Manhattan, she eschewed the academic aspirations of her classmates and soon was earning a good living by stripping and working as a dominatrix at a sex dungeon. Akira has now built up a reputation for being one of the most popular, hardworking, and extreme actors in the adult entertainment industry, winning dozens of awards and appearing in nearly 400 films to date and the popular DVDASA podcast. In her debut book, Akira provides an inimitable voice from the inside in a world where porn is increasingly becoming part of the mainstream.
For the complete story, click here.
JETAA UK Careers Seminar May 20 with Ex-JET British Consul General Western Japan and Japan Related Companies
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Posted by blogger and podcaster Jon Dao (Toyama-ken, 2009-12). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
[Steve’s Note: Not a job listing, but part of an ongoing effort by JETAA UK to help with the job search for those in the UK.
Note on US-UK translation: “JET alum” in the US = “Ex-JET” in the UK. I’ve been told that using the word “alumni” in the UK is associated more with universities and sounds strange in the context of something like the JET Program(me). Well, as the Japanese saying goes, “Ten people. Ten colo(u)rs.” ;-]
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WIT Life #267: Japan’s underutilized female resources
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Early this month I attended a Japan Society event regarding empowering women in the U.S. and Japan. The featured speakers were former Diet member, Minister of the Environment and Minister of Foreign Affairs Yoriko Kawaguchi, and Morgan Stanley Chief Financial Officer Ruth Porat. The conversation was moderated by Columbia Professor of History Carol Gluck, a Japanologist who has written several books on Japanese history. Some of the topics to be addressed were gender disparity issues, using quota systems to increase numbers of women executives and work-life balance, so it was guaranteed to be an interesting discussion.
Kawaguchi pointed out that a mentality change on the part of both employers and women themselves is needed. M![kate_hesson_juggles_work_and_family__1610129638[1]](http://jetwit.com/wordpress/wp-content/uploads/2014/04/kate_hesson_juggles_work_and_family__16101296381.jpg)
any Japanese women strive for nothing more than having a happy, healthy family, not even conceiving that they could reach the levels of upper management. Of course, this creates a chicken and egg scenario as there are few female role models in these positions so they don’t have many predecessors in whose footsteps they can follow. Porat remaked that when she started out there were few female managers she could look up to, but credited her advancement partially to male superiors who recognized her skills and took a chance on her. Kawaguchi stressed that there is a Read More
Via JETAA UK. Posted by blogger and podcaster Jon Dao (Toyama-ken, 2009-12). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Overview:
DISCO will be hosting a London Career Forum at the Olympia Conference Centre in London on June 7-8, 2014, bringing together low to high profile Japanese and European companies who are recruiting local Japanese-English bilingual students and professionals. Read More
WIT Life #266: Kajitsu Spring Tasting Reception
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Over the weekend I had the chance to take part in the delectable Spring Tasting Reception held at Kajitsu/Kokage. For those of you who don’t know this spot, it’s about as close as you can get to Japan here in NYC. Last year I celebrated my birthday with a delicious meal at Kajitsu, the restaurant on the upper floor featuring 精進料理 (shojin ryouri), vegan cuisine devised centuries ago by Buddhist monks which was the predecessor to kaiseki .
In the first four years of its existence Kajitsu was located in the East Village, but it moved to its midtown location a year ago. Aside from Kajitsu occupying the second floor, Kokage on the first floor serves non-vegetarian Japanese food and Ippodo near the entrance sells Japanese tea. There is literally something for everyone, and both restaurants are open for both lunch and dinner.
This event was celebrating the promotion of the Executive Sous Chef Hiroki Odo to Executive Chef, as current Executive Chef Ryota Ueshima is returning to Japan. The amazing spread featured Read More
Justin’s Japan: Nippon in New York — Miyazaki, Godzilla, Tribeca Film Festival, Sakura Matsuri
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New York’s 33rd annual Sakura Matsuri will be held at Brooklyn Botanic Garden April 26-27. (Mike Ratliff)
By JQ magazine editor Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his Japanese culture page here for related stories.
Spring has sprung in the Big Apple, and that means one thing: a new season of sounds, colors, and spectacular performing arts to match the blossoming sakura trees throughout the city.
This month’s highlights include:
Tuesday, April 8
Turning Point: 1997-2008 by Hayao Miyazaki
MSRP $29.99, $34.99
The companion second volume to the earlier chronicleStarting Point: 1979-1996 (also new in paperback),Turning Point is an insightful collection of essays, interviews, memoirs, and illustrations from legendary animation director Hayao Miyazaki. The new title covers the critical stage in the legendary director’s career when his animated films for Studio Ghibli such as Princess Mononoke, Spirited Away, and Ponyo began to garner a significant international audience. Turning Point follows Miyazaki as his grand vision continued to mature, cinema-lovers worldwide discovered and embraced his creations, and prominent film critics such as Roger Ebert delivered tremendous acclaim for the director’s films. Bringing us up to the present is The Art of The Wind Rises, which captures the art of the film from conception to production, featuring in-depth interviews with the creative team from Miyazaki’s latest—and supposedly final—Academy Award-nominated epic.
April 8-13, 8:00 p.m. and 10:30 p.m.
Gary Burton & Makoto Ozone Duets
Blue Note Jazz Club, 131 West Third Street
$20, $35
Born in Kobe to a jazz organist father, Makoto Ozone came to Boston in 1980 to study at the Berklee College of Music, where multi-Grammy Award-winning vibraphonist Gary Burton was a composition and percussion instructor. After graduation he made his first American solo appearance in 1983 with a recital at Carnegie Hall. The incredibly talented young man struck a record deal with CBS, making his international debut in 1984 with the album OZONE. Burton and Ozone have been collaborators in the duet format for over two decades and recorded the Grammy-nominated Virtuosi in 2002. The versatile Ozone has hosted a TV series in Japan, ventured into electronics, and composed for and played with classical orchestras in addition to working with his own jazz trio from his home in New York.
Wednesday, April 9, 8:00 p.m.
Carnegie Hall, 881 Seventh Avenue
$22.50-$140
Praised by the New York Times when she last appeared at Carnegie Hall as “among the most respected artists of our time” for her “probing and magisterial performances” of Schubert’s last three sonatas, pianist Mitsuko Uchida returns to perform his “Reliquie” Sonata, once mistakenly thought to be the composer’s final work. Also on the program is Beethoven’s all-encompassing and transcendent Thirty-Three Variations on a Waltz by Diabelli.
For the complete story, click here.
[Google Japan] Recruiting Seminars in NYC – April 7 & 9
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Thanks to JET alum Anne Koller, who used to work for Google, for passing this on. Note that the deadline to register is March 30. Posted by blogger and podcaster Jon Dao (Toyama-ken, 2009-12). Click here to join the JETwit Jobs Google Group and receive job listings even sooner by email.
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Overview:
Google Japan is looking for fabulous bilingual potential Japan Googlers who can help grow one of the top 5 markets globally in the fields of online advertising and partnerships, enterprise and marketing. We are trying to tap into global talent pools to achieve this goal. Read More
WIT Life #265: NY Peace Film Festival
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
This past weekend I had the opportunity to attend the NY Peace Film Festival co-hosted by my lovely friend Yumi Tanaka. This year highlighted 11 films over the course of the weekend, many with Q&As with their directors following the screenings. I was lucky enough to be able to interpret for two of the Japanese filmmakers who were Skyped in from Japan for their Q&As (a first for me!). Saturday night featured the documentaries The Targeted Village by Chie Mikami and X Years Later by Hideki Itoh.
The first film focuses on a small village in Okinawa called Takae, which happens to be situated between two American military bases. Residents are fighting against the construction of new helipads in Takae, being installed in preparation for the deployment of Osprey. Their story embodies U.S. military strategy dating back to the Vietnam War, the blocking of the gates to the Futenma base, and their town’s rage against their state.
Depicted here is one of the main characters profiled in the film, a local farmer and father of 4 who just wants to ensure that his children can continue to live their quiet lives. In one scene his young son asks how they will be able to study at school with all the noise from the Osprey flying overhead. The farmer takes part in protests again the helipad construction, and unbelievably the Japanese government brings a case of “traffic obstruction” against not only him and several other peaceful protesters but his 7-year old daughter who was Read More
WIT Life #264: Campaign
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Yesterday I went to see director Kazuhiro Soda’s documentary Campaign (選挙) at Japan Society, being shown as part of Richie’s Electric Eight: The Bold and the Daring (part 2 of the film series honoring Ritchie that I talked about in a recent post). It came out in 2007 and was screened at the Berlin Film Festival that year, and was loved by Ritchie who introduced it at a preview at Tokyo’s Foreign Correspondents Club of Japan. This fascinating, self-funded film follows Soda’s Tokyo University (東大) classmate Kazuhiko Yamauchi in becoming the LDP candidate in a by-election for a seat on the Kawasaki City Council, after relocating there from Tokyo for that purpose. Campaign tells the story of how Yamauchi is groomed as a promising newcomer for this well-established conservative party. The LDP is killing it with Prime Minister Junichiro Koizumi and his reform platform on the national level, but engaged in a close battle with the DPJ on the local level.
Yamauchi’s education extends to his wife Sayuri, a particularly interesting character in the film. He is instructed to refer to her as his “housewife” (「家内」 or kanai) as opposed to “wife” (「妻」 or tsuma), a term they both take umbrage against but become resigned to using. In addition, Yamauchi’s supporters within the LDP’s well oiled local political machine later encourages her to quit her job to focus on her husband’s political career, an idea that outraged her. Yamauchi urges her to Read More
Let’s Talk Japan is a monthly, interview format podcast covering a wide range of Japan-related topics. Host Nick Harling (Mie-ken, 2001-03) lived in Japan from 2001 until 2005, including two great years as a JET Program participant in Mie-Ken. He practices law in Washington, D.C., and lives with his wife who patiently listens to him talk about Japan . . . a lot.
In this episode, I speak with Ambassador John Malott, President emeritus of the Japan American Society of Washington, DC about the inaugural Cinematsuri Japanese Film Festival (March 23-27). In addition to discussing what it takes to organize such an event, we cover recent trends in Japanese cinematography and introduce some of the best new films from Japan.
Enjoy!
Nick
If you have not already done so, be sure to “Like” the podcast on Facebook, and follow the podcast on Twitter @letstalkjapan. Additionally, please consider leaving a positive rating and/or review in iTunes.
WIT Life #263: Tohoku Earthquake/Tsunami 3-year anniversary
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Today in Japan (where it is already March 11) marks three years since the earthquake/tsunami hit the Tohoku region. In a nationally televised news conference to commemorate the anniversary, Prime Minister Abe talked about the children who have lived their whole lives only knowing their home as a disaster-stricken area, saying he wanted to invite as many of them as possible to the 2020 Olympics as a “symbol of reconstruction.” Over the last three years recovery has taken place, though not at a pace as fast as some would like. The news this morning reported that out of the “reconstruction housing” that is to be built in the affected prefectures of Iwate, Miyagi and Fukushima, only 3% has been completed. Many of the over 267,000 evacuees are living in temporary housing that has become more permanent than temporary.
In terms of what can be done to help, many speak of the necessity of implementing not only one-time events, but sustainable activities that will serve as a source of both economic and psychological sustenance. Experts on a recent Japanese political talk show agreed that the goal should not be returning the region to what it once was, some even lamenting oft-used terms such as “reconstruction assistance” and “affected area.” They claim that these ways of thinking are not a basis for moving forward, but looking back. They encourage those who want to help to focus their efforts on Read More
WIT Life #262: 梅祭り！
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WIT Life is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations.
Over the weekend I had the chance to try the 梅祭り (ume matsuri or plum blossom festival) Prix Fixe at Hi Collar in the East Village. It was my first time going to this cool hole-in-the-wall location, which hasn’t even been open for a year. Hi Collar operates as a coffee shop during the day, offering beverages and desserts, and at night transforms into a sake bar/restaurant. You can see some of the amazing ume offerings in the menu here, and I especially enjoyed the rice that closed the meal (although it lacked yuba which is one of my favorite foods, as they had run out). The cozy bar sits about 10 people (and has little hooks for your bags underneath, so convenient!), and we were there on Saturday night so it was packed. However, there is a turnover as some people just come in for a drink and leave fairly quickly, as opposed to people like my friend and I who lingered over our ume course for hours. At $38 it is amazingly reasonable so if you have a chance to go before the end of the month when the matsuri ends I would highly recommend it…
I also got the accompanying $30 Umeshu Pairing, which was phenomenal. It came with five glasses of various 梅酒 (ume shu or plum wine), not all of which were sweet. I really liked the Kimoto Umeshu from Daishichi Brewery in Fukushima. This sake producer was one of a few highlighted in a recent New York Times article about how the Japan government is using sake to revitalize the economy by Read More
