Oct 9

Job: Program Coordinator Position at Waseda University

Job posting via Sarah Kobayashi (Kobe 2007-09). Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika currently works as an in-house translator for PFU (a Fujitsu company) in Kahoku-shi, Ishikawa-ken. She is also the vocalist for the Japanese hardcore punk band DEGRADE.

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Job Description

The following tasks related to the Contemporary Japanese Studies Program (English-based Degree Program) to be conducted both in Japanese and English.

  • Planning and coordination of international students recruitment
  • Provision of services and information for international students
  • Coordination with faculty members or other offices within the university
  • Regular office work related to the English-based Degree Program
  • Qualifications

    Candidates must meet all of the following requirements:

  • Hold a university degree
  • Have at least three years of working experience
  • Excellent English writing and proof-reading skills
  • Be able to communicate in Japanese (Japanese Proficiency Level 2 or above)
  • Have basic skills in using computer (MS-WORD and EXCEL is a must, ACCESS and web page skills welcome)
  • *Please note that these are qualifications for English-native speakers or equivalent.

    Click ‘Read More’ for more details

    Read More


    Oct 8

    Interview with Satoshi Okamoto of the New York Philharmonic

    Photo: Chris Lee

     By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.

    Japanese native Satoshi Okamoto is a double bass player for the New York Philharmonic, a position he has held there since 2003. Prior to that, he was a member of New York City Ballet Orchestra for one year and an assistant principal of the San Antonio Symphony for eight years. Last September, he performed at the New York Philharmonic’s Opening Gala Celebration for its169th season with Music Director Alan Gilbert and Wynton Marsalis’s Jazz at Lincoln Center Orchestra for the U.S. premiere of the latter’s Swing Symphony. I caught up with Okamoto following the performance to learn more about what it’s like to play with an esteemed ensemble.

    What were your impressions of this year’s Opening Gala, and what was your favorite thing about it?
    I thought it was very successful. The orchestra played very solidly. It was quite a high quality performance. Mr. Marsalis’s music was really nice, too. I always wish for more contemporary composers to use existing rhythm patterns to write music, like the Baroque era. In his piece, there were a lot of those: Charleston, Kanasas City swing, New Orleans parade marches, bebop, and so on. The orchestra was nicely woven into a jazz style music. If I can wish more, it would be nicer and more creative if there are more classical elements in the piece, because it’s a little like big band music played by an orchestra.

    What’s it like working with musical director Alan Gilbert and Wynton Marsalis?
    I know Alan from my school days in Juilliard. He was conducting the pre-college symphony where I was a ringer (helper). I always have a great time playing under his baton. For me, it comes very natural to synchronize with his music, I would say, more than any other conductor. I don’t really know Mr. Marsalis.

    As a musician, what’s the difference between working with an orchestra in Japan compared with New York?
    I have never been a regular member of Japanese orchestras, so maybe it’s not totally fair for me to make a comparison. But I think New York has more of an advantage to attract great musicians worldwide. Like the NBA or MLB, you often have to reach outside of your country to grab the best players. Even though Japanese orchestras are becoming international, it’s still harder for them to get the first class players from overseas compared to the New York Philharmonic, which is in a great position to attract the best players around the world. As a result, I’m surrounded by truly amazing musicians and you can’t have this kind of experience except only a few places in the world. I am enjoying it and really appreciate it.

    Read the rest of the interview here.


    Oct 7

    Justin’s Japan: Interview with Yoshiki of X Japan

    Yoshiki of X Japan. (Nishioka)

    By JQ magazine’s Justin Tedaldi (CIR Kobe-shi, 2001-02) for Examiner.com. Visit his NY Japanese Culture page here to subscribe for free alerts on newly published stories.

    After 25 years of recording and 30 million discs sold, the biggest rock group in Japanese history is finally come coming to New York. X Japan, the pioneers of the elaborate “visual kei” movement, launched themselves with a glam-meets-metal look and sound that instantly set them apart from the pack. After selling out the 55,000-seat Tokyo Dome a record 18 times in its career, X Japan will take Roseland Ballroom Sunday. Band leader/drummer/pianist Yoshiki shared his thoughts with me on breaking America and recording a new album.

    For your current North American tour, what are you looking forward to doing in New York and the other cities in the U.S. and Canada?
    Do the best X Japan shows EVER. (Love)

    Your forthcoming album is going to be almost entirely recorded in English. Since many popular musicians have experienced plummeting CD sales, what are the goals with the new record?
    Quality and quantity secondary!

    Who is your label in the States? How did you choose them?
    We are in the middle of closing the deal. If we come to an agreement, we may be able to announce the label and distributor at the New York show.

    Read the rest of the interview here. Click the button below to visit X Japan’s U.S. homepage.


    Oct 6

    AJET Survey: Do you have suggestions for the JET Programme?

    This year’s JET Programme Survey of current JETs is more important than ever as the JET Programme and JET Alumni Association have been subject to increased political scrutiny despite the benefits that JETs continue to provide to Japan, both during their service as well as in the years after.  If you’re a current JET, please take a moment to provide responses.  You are in an excellent position to help improve the JET Programme, and the more we can help the better for everyone.

    Here’s the post about the survey from the AJET website:

    Do you have an opinion about JET Programme orientations, technology use in your workplace or how integrated you are into your workplace? If so, please take the National AJET surveys about these issues.

    Since the JET Programme is over 4,000 members strong, National AJET surveys the concerns and comments of JET Programme participants twice a year and then presents the results to CLAIR and the ministries so that your voice is heard.

    You can find the the surveys here:

    JET Programme Orientations
    http://www.surveymonkey.com/s/JETorientations

    Technology in the Workplace
    http://www.surveymonkey.com/s/AJETtech2010

    Workplace Integration Survey
    http://www.surveymonkey.com/s/integration2010

    These surveys are vital to the longevity and improvement of the JET Programme.


    Oct 5

    Asahi newspaper column offers perspective on the value of JET Programme to Japan

    The following is a synopsis/loose translation of Bill Breer’s recent op-ed piece about the importance of the JET Programme to Japan which appeared in the My Viewpoint column of the Asahi newspaper from October 1, 2010.  Breer is the former Japan Chair at the Center for Strategic & International Studies.

    I thought it was worth sharing with the JET alum community as it provides some rather helpful perspective on the value to Japan of the JET Programme and the JET Alumni Association.

    Bill Breer, Japan Chair at the Center for Strategic & International Studies

    In this world of ongoing globalization, the JET Program is a daring, unique effort to open up the world to students in Japan. It is the Japanese government’s most successful program, and no other country has been able to create a citizens’ exchange initiative like it.

    The many young people who have participated in the Program from the world’s leading English-speaking countries have come to like Japan, have learned the language, come to know the people and culture, and have gone on to become the “Third Wave” of Japanese scholarship.

    The “First Wave” developed from the mid-19th century as art collectors worked with Japanese artists and merchants to build the great collections at the Boston Museum of Art, the Freer Galleries in Washington, DC, and others, entrancing Americans with Japan’s beauty and culture and producing the first research on Japan.

    The “Second Wave” came out of the tragedy of the Second World War, as the US government trained thousands of soldiers in Japanese language for the war effort. These people came home with a deep interest in Japan and created the base of scholarship into Japan’s history, culture, economics and politics at the great universities. These men include Edwin Reischauer at Harvard, James Morley, Donald Keene, Edward Seidensticker and Herbert Passin at Columbia, and John Hall at Yale.

    Now, the JET Program, begun in 1987, has given birth to a new generation.  These people have an entirely different perspective on Japan and the Japanese people. Many of them have a fondness for Japan and are instrumental in conveying that to people in their home countries. Furthermore, many have gone on to become educators conducting further research on Japan, and this piques their students’ interest in JET. Over 20 ex-JETs work at the US Embassy in Tokyo, and many more work in business in New York, London, and other major cities. They are all passionate “Japanese ambassadors”, conveying the message that Japan is an outstanding country with a rich history and culture.

    America has the Fulbright Program and England the Rhodes Scholarships, but Japan should be proud of its JET Program as the most successful example of a government youth exchange program. JET is the advance guard of Japan’s “internationalization”, whose participants have changed the Japanese people’s perceptions of “gaijin” and then gone home to become lifelong friends of Japan.

    Japan could still use “friends” like these, couldn’t it?

    Here is the original column:




    Oct 5

    Rajio Taiso Project – JETAA Portland

    A little while back we posted about JETAA Portland’s effort to get every JETAA chapter to make a Rajio Taiso video in their city or town.  Well, JETAA Portland has started things off with the first video.

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    Inspired?  For more information, or to submit your a video for your chapter, you can contact JETAA Portland’s webmaster Bob Schnyder at webmaster@jetaaportland.com or go to:  http://www.jetaaportland.com/community-events/rajio-taiso-portland-japanese-gardens/


    Oct 4

    Japan America Society Roundup 10.4.10

    JET Alum Gail Cetnar Meadows (Hiroshima-shi 2007-10), co-founder of Hiroshima JET webzine the Wide Island View, shines a light on some of the upcoming events of Japan America Societies…

    JAS of Chicago

    • Japan’s Emperor System: Bane of Blessing? — Learn all about the history of Japan’s emperor system from James Huffman, who taught East Asian history for 35 years at Wittenberg University in Ohio. Huffman will discuss the dramatic ways in which Japan’s emperor system has changed across the modern era: the use of the Meiji Emperor to create a modern state in the late 1800s, the controversial role of the Shōwa Emperor (Hirohito) during World War II, and the debates that have raged around the emperor in the postwar era. He will include comments on the personal approaches (and quirks) of individual emperors and will conclude with reflections on the role of the emperor system in Japan’s current political system and what the imperial family means to the Japanese society.
      • Date: Thursday, Oct. 21
      • Time: 6 to 7:30 p.m.
      • Place: Conference Center UBS Tower One, N. Wacker Drive, 2nd floor (Superior Room), Chicago
      • For more information, click here.

    JAS of San Antonio

    • 2010 Matsuri — Get your dose of Japanese culture at this festival featuring tea ceremonies, karate and kendo demonstrations, dance performances and live musical performances with taiko drums, the koto and the shakuhachi. The festival will take place at the Water Garden Gems, which also will be hosting the 18th annual Koi & Goldfish Show and the AGA National Goldfish Show.
      • Date: Saturday, Oct. 9
      • Time: 9 a.m. to 4:30 p.m.
      • Place: Water Garden Gems, 3136 Bolton Road, Marion, Texas
      • For more information, click here.

    JAS of Greater Austin

    • Academic Lecture Series Speaker — John W. Traphagan, Associate Professor of Religious Studies at the University of Texas at Austin, will provide an introduction to general themes in Japanese religions, focusing on Shinto and Buddhism. Rather than exploring religious texts, the talk will look at how people in contemporary Japan use religious symbols and ideas in ritual practice.
      • Date: Friday, Oct. 8
      • Time: 7 to 8:15 p.m.
      • Place: Kumon of Westlake – Math and Reading Center, 3345 Bee Caves Road, Suite 103, Austin, Texas
      • For more information, click here.

    Does your Japan America Society have an upcoming event that you’d like to share with JetWit readers? Email Gail Meadows the info.


    Oct 4

    Job: Team Assistant at PAX-Program of Academic Exchange

    Job posting via Jet Alum Elizabeth Bass. Posted by Dipika Soni (Ishikawa-ken, 2003-06). Dipika currently works as an in-house translator for PFU (a Fujitsu company) in Kahoku-shi, Ishikawa-ken. She is also the vocalist for the Japanese hardcore punk band DEGRADE.

    ——————————————————————————————————————-

    Job Position: Team Assistant

  • Salary: $30K w/ med. bnfts & 401K
  • Education: Bachelor (BA, BS, etc.)
  • Location: Port Chester, New York, 10573, United States
  • Posted by: PAX – Program of Academic Exchange
  • Job Category: Administration
  • Sector: Nonprofit
  • Last day to apply: October 8, 2010
  • Type: Full time
  • Language(s): English
  • Area of Focus: Education and Academia
  • Job Description:
    Entry level opportunity for College graduate interested in international educational exchange. Provide administrative support to regional directors in fast paced, lively environment. The ideal candidate is well organized, detail orientated with a can do attitude. Excellent computer skills a must. Room for ample growth, Great work environment in downtown Port Chester, NY near Metro-North station.

    Contact:
    Email cover letter & resume to: michaels at pax dot org

    PAX -Program of Academic Exchange.
    A non-profit Educational Foundation.
    www.pax.org


    Oct 4

    Second Volume of JET-inspired Graphic Novel Now Available

    JET alum/cartoonist Lars Martinson (Fukuoka-ken 2003-2006) has this to share:

    “I just got copies of my second graphic novel Tonoharu: Part Two back from the bindery. The book won’t be available in stores until next month, but I’m selling them on my website right now if anyone’s interested.”

    A link to order the book, as well as information about Tonoharu: Part One and Two, can be found here:

    http://larsmartinson.com

    Click here to see previous JetWit posts about Tonoharu:  Part Two and Tonoharu:  Part 1.


    Oct 4

    JETAA Chapter Beat 10.4.10

    Freelance writer/editor Jonathan Trace (Fukuoka-ken, 2005-08) takes us on a walk around the JET Alumni community for another edition of JETAA Chapter Beat.

    JETAA Canberra

    • O-Shaberikai – Wednesday, October 6th, 6:00 at Coo Izakaya in Civic. Join in and meet Japanese people living in Canberra and other locals interested in Japan.
    • Nara Candle Festival Writeup – The Nara Candlefest has come and gone for another year. Last year was rough. I’m told that we were selling bags of frozen gyoza to break even. This year, however, was a complete blowout. We had a line stretching to infinity and beyond from the time the gates opened up at 9:30. A huge thank you to all those who came out and volunteered, especially those who stayed for longer than their assigned shift. We made around $2,500 for upcoming JETAA Canberra events. –JETAA Canberra

    JETAA Southern California

    • Welcome Back / Meishi Exchange – Friday, October 15th, 6:30 – 9:00 at the Los Angeles International Airport Marriot Hotel. Make new contacts, tweak the old resume and join the folks at JETAASC for this year’s welcome back even. Nijikai to follow at Purple Orchid Tiki Lounge.
    • La Boheme Mixer – Thursday, October 28th, 6:30 – 8:30 at La Boheme. Get to know the returning JETs and the new officers of JETAASC for a fun happy hour mixer.

    JETAA British Columbia

    • Tea Ceremony Workshop – Sunday, October 24th, 1:00 at the Furemi-an Tea Room in Vancouver. Learn the basics of attending an authentic Japanese Tea Ceremony.
    • Career Seminar – Thursday, October 28th, 5:30 at MacMillan Bloedel Room, at the YMCA of Vancouver. Get back into the job market with a little help from JET alumni.

    JETAA Pacific Northwest

    • October General Meeting – Wednesday, October 6th, 6:30 – 8:30 at the Hyogo Business & Cultural Center. Discuss upcoming events, volunteer opportunities and much more at this month’s meeting, and get involved with the future of JETAA.
    • Global Rhythms: Drumming! – Friday, October 8th, 8:00 at Town Hall Seattle. This season of Town Hall kicks off with a drumming theme, including Indian Tabla, Senegalese Sabar and Japanese Taiko.

    JETAA New England

    • Fall Festival – Saturday and Sunday, October 9th and 10th in Ashfield, MA. Celebrate fall with apple pies, apple cider, pumpkin games, artisans and even pumpkin donuts.

    JETAA D.C.

    • Networking Happy Hour – Thursday, October 7th, 6:00 at Tortilla Coast. Chat, relax and catch up with friends old and new at this month’s Networking and Happy Hour event.
    • JBook – Monday, October 25th, 6:30 at Teaism in Penn Quarter. JBook, JETAADC’s own book club, will be meeting this month to discuss Haruki Murakami’s piece, “The Wind-Up Bird Chronicle.”

    JETAA Western Australia

    • KaiWA – Thursday October 7th and 21st, 5:30 at 43 Below. Practice Japanese with old friends and some tasty snacks.

    JETAA Northern California

    • Curry Cook-off – Saturday, October 9th, 4:00 – 7:00 at the Christ United Presbyterian Church in Laguna. If you like cooking curry or even just eating curry, then don’t miss this fun event benefiting the Japanese American Religious Federation.

    What happened at your chapter’s event? If you attend(ed) any of these exciting events, JetWit would love to hear about them. Just contact Jonathan Trace with any info, stories or comments.


    Oct 4

    Global Facilitation Skills seminar: 11/18-19

    FOJ Natsuyo Lipschutz shared information regarding an upcoming seminar that might be of interest to the JETAA community.  Please see details below:

    Seminar: Global Facilitation Skills Open Seminar
    Organizers: PFC and ASPIRE
    Date & Time: November 18th (Thu) & 19th (Fri), 2010 9:00am – 5:00pm
    Venue: ASPIRE Intelligence
    750 Third Avenue (Between 46th and 47th Streets) 9th Floor, Conference Room A
    Fees: (textbooks & lunch included):
    Standard price $900
    Discount price $675*
    *25% discount applies to individuals who have previously attended the program within the past year, and also for groups of 2 or more participants from the same organization (discount applies to 2nd person or more).
    Registration Deadline: November 10th, 2010
    Minimum Number of Participants: 8 people (In the event that the number of applications doesn’t reach the required minimum, the seminar may be canceled. If canceled, fees will be fully refunded.)
    Who Should Attend: Anyone who manages a global team or must lead meetings effectively, project leaders and mangers, HR professionals involved in team effectiveness, anyone interested in learning facilitation skills
    Details: www.aspireintelligence.com/english/od (Click on banner)
    Inquiries: E-mail NY@peoplefocus.co.jp (Ms. Okubo / Ms. Conaghan)
    Phone 212-527-7540 (Ms. Natsuyo Lipschutz)



    Oct 2

    WIT Life #129: Maui Manju and other Hawaii discoveries

    WITLife is a periodic series written by professional Writer/Interpreter/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei’s newscast in Japanese, and here she shares some of the interesting tidbits and trends together with her own observations.

    I find myself lucky enough to be finishing my current interpreting assignment here in Honolulu.  I head home tonight but was able to spend my last afternoon with my local JET friend, who took me to the Don Quijote behind my hotel.  I was expected the kind of zakka they have in Japan, but here it is a full-fledged supermarket stocked with a plethora of Japanese and other goods!

    One item I found there that I have never Read More


    Oct 2

     

    The 4th annual Japan Writers Conference will be held Oct. 10-11 in Tokyo with 30 writers giving 50-minute presentations about the artistic and business sides of their respective fields, which inlcude fiction, poetry, journalism and even EFL textbook writing. At least four of the presenters are former JETs.

    The venue is the Ekoda Campus of Nihon University College of Art. You can find full details by visiting http://www.japanwritersconference.org/or following the event on Twitter via http://twitter.com/JapanWritersCon

    Here are some slightly shortened versions of the official descriptions of presentations to be made by JET alums:

    DWAYNE LIVELY (Niigata-ken, 1996-99) “My Freeware Life.”

    The lecture focuses on my experiments with various freeware writing programs, some of which promise to help improve the writing process. The first part of the lecture introduces a number of freeware writing programs that have been suggested by and/or designed by fellow writers. I will explain the results of my experiments with each program and will demonstrate how easy, or not, they are to use, how they changed my writing process and whether or not I intend to keep using them. Next, I will describe what happened when I attempted to follow a handful of “how to write a novel” plans offered free online. Finally, I will introduce the moral if the lecture, including what I learned and what I managed to accomplish during all the experiments.

    Dwayne Lively’s fiction has appeared in Twister, Kansas Quarterly, and The MacGuffin. His non-fiction and reviews have appeared in Transitions Abroad, Literary Magazine Review and online at Notebookism.com. He has been a writer, teacher and editor for the better part of 20 years and worked and taught in Japan, the USA and Albania. In his dwindling free time he’s been finishing up a novel and, on occasion, writing the online journal The Crazy Japan Times ( http://www.crazyjapan.com).

    SUZANNE KAMATA (Tokushima-ken, 1988-90): “Marketing for Beginners.”

    Getting your book into print is the easy part. Publishing it – making your work known to the public – takes a bit more effort. These days, writers are often expected to submit a marketing plan along with manuscripts, and most publishers expect writers to take an active role in marketing. So how do you market a book if you’re living in rural Japan, far from your target audience? Suzanne Kamata, author of five books with meagre advertising budgets, will suggest some easy, cheap, and not so obvious ways for expats to spread the word about their books.

    Suzanne Kamata again: “Kickstart Your Creativity”

    Suzanne Kamata will lead participants in writing exercises meant to warm up the writer and/or kickstart creativity when the muse is absent. Bring a notebook and a writing implement.

    Suzanne Kamata is the author of the novel Losing Kei (Leapfrog Press, 2008) and editor of three anthologies – Love You to Pieces: Creative Writers on Raising a Child with Special Needs (Beacon Press, May 2008) The Broken Bridge: Fiction from Expatriates in Literary Japan (Stone Bridge Press, 1997), and Call Me Okaasan: Adventures in Multicultural Mothering (Wyatt-Mackenzie Publishing, 2009). She also serves as fiction editor of the popular on-line journal literarymama.com from Tokushima, Japan, where she lives with her family.

    TODD JAY LEONARD (1989-92): “So you want to publish an EFL textbook?–Four Points of View to Consider when Writing a Proposal–The Myths and Realities of EFL Publishing in Japan.”

    Most likely, every language teacher in Japan has (at some point during his/her tenure) contemplated writing a textbook to fill a void in the market…in that constant search for the perfect, all encompassing textbook. What are publishers looking for in the current market? What appeals to editors who ultimately decide which titles go to production and which ones do not? What are the salespeople on the front lines hearing from their market base? What must an author do in order to get his/her book published? This presentation focuses on these very questions, offering inside insights from all the various points of view that must be considered when writing a proposal to publish a textbook–the publisher, the editor, the salesperson, and the author.

    Todd Jay Leonard has been actively involved in book publishing for twenty years and has published twenty books. He lives, writes, and teaches on the southern island of Kyushu, where he is a university professor at Fukuoka University of Education. He has published extensively in academic journals, magazines and newspapers on cross-cultural, historical, and Teaching English as a Foreign Language (TEFL) themes.

    TOM BAKER (Chiba-ken, 1989-91), “Interviewing Creative Subjects: Actors, Authors, Artists and Auteurs.”

    Interviewing a creative subject requires thorough preparation to elicit original and interesting quotes. My talk will explain how to do the research, write the questions and conduct the interview. It will briefly touch on turning quotes into a story. A well-prepared interviewer will be familiar with the subject’s previous interviews, online self-expression and body of work. The interviewer will look for themes and connections in the work to ask probing questions about its meaning. The interviewer will prepare questions ranging from basic to technical to off-the-wall, but will use the list only as a guideline to the conversation. The interviewer will tolerate digressions (within reason) and allow thoughtful silences to bear fruit. The interviewer will look for local angles and connections to current events.

    Tom Baker has been a staff writer for The Daily Yomiuri since 2001, and has interviewed Sylvester Stallone, Liv Tyler, Marlon Wayans, John Woo, Nicholas Sparks, Barry Eisler, Brian K. Vaughan, Michael Sowa and many others. He is a coauthor of Tokyo Chic and The Sushi Lover’s Cookbook.


    Oct 1

    Job: Teaching Position at Doshisha International (Kyoto)

    Via JETAA Western Japan LinkedIn group:

    Tenured position from April 1st, 2011 at Doshisha International Jr./Sr. High School for fluent Japanese-English bilingual teacher. Teach classes for Returnee students, homeroom and club duties. Check school homepage for details.


    Oct 1

    Job: Fujisankei Communications International (FCI) Position

    via the JETAASC monthly newsletter:

    Looking to get your feet wet in the entertainment industry?

    Fujisankei Communications International (FCI) seeks a temporary worker to assist their TV development department. The ideal candidate is Japanese/English bilingual, both written and spoken. This candidate will assist in compiling materials to present to Hollywood executives.

    Duties include translating TV program material (game shows and comedies) mainly from Japanese to English, as well as, interpreting in meetings between Japanese and American TV executives. Business-level/native-level fluency in both languages is desired. Knowledge in Microsoft Word, Excel, Powerpoint and Final Cut Pro is a plus. This is a temporary position (9 months) with no benefits.

    Please send resume and cover sheet to aoki@fci-la.com. No calls, please.


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