{"id":50736,"date":"2024-08-07T16:51:39","date_gmt":"2024-08-07T20:51:39","guid":{"rendered":"http:\/\/jetwit.com\/wordpress\/?p=50736"},"modified":"2024-08-12T22:52:30","modified_gmt":"2024-08-13T02:52:30","slug":"jq-magazine-concert-review-this-is-your-brain-on-yoasobi","status":"publish","type":"post","link":"https:\/\/jetwit.com\/wordpress\/2024\/08\/07\/jq-magazine-concert-review-this-is-your-brain-on-yoasobi\/","title":{"rendered":"JQ Magazine: Concert Review \u2013 This Is Your Brain on YOASOBI"},"content":{"rendered":"\n<p><strong><em>Story and photos by <\/em><\/strong><a href=\"http:\/\/jetaany.org\/jq-magazine\"><strong>JQ\u00a0<em>magazine<\/em><\/strong><\/a><strong><em> editor <\/em><\/strong><a href=\"https:\/\/jetwit.com\/wordpress\/?s=Justin+Tedaldi\"><strong><em>Justin<\/em>\u00a0<em>Tedaldi<\/em><\/strong><\/a><strong><em> (CIR <\/em><\/strong><a href=\"http:\/\/www.feel-kobe.jp\/_en\/\"><strong><em>Kobe-shi<\/em><\/strong><\/a><strong><em>, 2001-02). Justin<\/em><\/strong> <strong><em>has<\/em><\/strong> <strong><em>written<\/em><\/strong> <strong><em>about<\/em><\/strong> <strong><em>Japanese<\/em><\/strong> <strong><em>arts<\/em><\/strong> <strong><em>and<\/em><\/strong> <strong><em>entertainment<\/em><\/strong> <strong><em>for<\/em><\/strong> <strong><em>JETAA<\/em><\/strong> <strong><em>since 2005. For<\/em><\/strong> <strong><em>more<\/em><\/strong> <strong><em>of<\/em><\/strong> <strong><em>his<\/em><\/strong> <strong><em>articles, <\/em><\/strong><a href=\"https:\/\/jetwit.com\/wordpress\/?s=Justin+Tedaldi\"><strong><em>click<\/em>\u00a0<em>here<\/em><\/strong><\/a><strong><em>.<\/em><\/strong>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/818fe910-ba2a-4169-be11-01019831c63f\/IMG_2219.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Yesterday (Aug. 6), gloomy skies gave way to a candy-colored world inside Radio City Music Hall as J-pop sensation <a rel=\"noreferrer noopener\" href=\"https:\/\/www.yoasobi-music.jp\/\" target=\"_blank\" class=\"aioseop-link\">YOASOBI<\/a> made their New York debut with a sold out performance at Radio City Music Hall just days after appearing at Lollapalooza in Chicago. As the packed crowd settled in to the intro music of \u201cI Bet My Life\u201d by Imagine Dragons, composer Ayase, vocalist ikura and their tight four piece band took the stage and would not let go for the next 90 minutes.<\/p>\n\n\n\n<p>On a massive horizontal high def screen behind them, a CGI storybook opened to whimsical music and purple spotlights launching into a full light show, bringing an arena-ready feel to the nearly 6,000 in attendance.<\/p>\n\n\n\n<p>\u201cWe are YOASOBI from Japan!\u201d proclaimed ikura, as the group unveiled their opening statement of \u201cUNDEAD\u201d (their latest song, appearing in anime <em>MONOGATARI Series OFF &amp; MONSTER Season<\/em>) and \u201cShukufuku.\u201d \u201cWe came ready to rock the stage. Are you ready to sing? Are you ready to dance?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/626ad441-b0ff-4e14-9c24-99aa5176e13a\/IMG_2221.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>The crowd certainly was, as the tune \u201cSeventeen\u201d featured slap bass, dazzling projections and countless green lasers that beamed all the way to the ceiling. \u201cHalcyon\u201d received thunderous applause, with this upbeat ballad spiked with acoustic guitars and a disco chorus giving way to \u201cSuki Da.\u201d \u201cOkay everybody, let\u2019s rock together!,\u201d commanded ikura, prompting synchronized handclaps by the crowd to some very animated lyrics onscreen.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/3325c5bc-8e25-417e-925d-a015e09984a4\/IMG_2225.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>\u201cFor the next song, I want to see a sense of unity, so everyone light up your phones.\u201d This introduction to \u201cTabun\u201d did just that, with the entire crowd up on their feed and swaying their arms in unison, phones aglow.<\/p>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/aece6903-36a3-47c8-8eac-737547be2fc2\/IMG_2246.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>As if the show wasn\u2019t visual enough up to this point, the audience was provided with special POP UP glasses, treating them to a universe of 3D effects for the next several songs, the first of which (\u201cBiri-Biri\u201d) conjured up CGI pitched somewhere between <em>Avatar<\/em> and <em>Space Harrier<\/em> behind the band, crescendoing with a galaxy of fireworks&nbsp;as ikura danced rings around the stage.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/ad2144ea-2078-4243-9db9-52343b32d11f\/IMG_2257.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>The tune \u201cMister\u201d upped up the ante, displaying what looked like the inside of a the most psychedelic computer server you\u2019ve ever seen, with a variety of impressive spinning microchips and machines&nbsp;front and center. More than a gimmick, the POP UP glasses provided a crystal clear image, at times upstaging the band with their razor sharpness.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/b6b41003-b789-4efd-80c2-809c36619a92\/IMG_2268.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Next came \u201cMoshimo Inochi ga Egaketara,\u201d this time displaying the Japanese lyrics in 3D amid streaming sakura and flowing liquid effects, marrying Japanese images to a tinkling piano melody and beat reminiscent of Dua Lipa. For \u201cYasashii Suisei,\u201d ikura\u2019s platform rose up to the center of the screen as she was surrounded by thousands of twinkling stars and propelled by AssH\u2019s ripping guitar solo from the stage.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/1ff3874c-fb07-4e33-b138-f58bfeb85374\/IMG_2269.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Heading into \u201cTsubame,\u201d ikura encouraged everyone to \u201call fly together along the vast sky.\u201d This birthed an abstractly colorful winged creature soaring through space in time with the music, bringing an uplifting end to the 3D portion of the set.&nbsp;<\/p>\n\n\n\n<p>Next it was Ayase\u2019s turn as MC. In a heartfelt statement (also in English), he said that YOASOBI they wasn\u2019t sure if people would come, with his apparent amazement that the show sold out. \u201cNew York is a wonderful city, one of my favorites so far. I guess I really like big cities. Enjoy the show to the fullest; let\u2019s all sing and dance and make it a big night!\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/49ee305c-3fe5-4439-9208-6a2343b74f88\/IMG_2279.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Two of YOASOBI\u2019s biggest songs followed. \u201cIdol\u201d from anime smash <em>Oshi no Ko <\/em>featured cameo appearances on the screen from the titular Ai Hoshino as the crowd pumped a multitude of glow sticks and shouted at all the right spots. This was paired with \u201cYuusha,\u201d the original opening theme to <em>Frieren: Beyond Journey&#8217;s End<\/em>, which also connected the fans.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/f96bb6de-14d0-4590-a546-0561169f168b\/IMG_2294.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>\u201cNew York! We are getting close to the end. Are you still with me?\u201d asked ikura as the band dropped \u201cKaibutsu,\u201d another anime theme, this time from <em>Beastars<\/em>. Bathed in a sea of reds and blue lights, the glowsticks followed with the music and visuals. ikura then shared a story from her childhood in which she first came to New York for a performance: \u201cIt feels like a dream to be back in New York in this amazing theater in front of all these fans\u2026thank you so very much!\u201d The set then wrapped up with exuberant performances of \u201cGunjou\u201d and \u201cHEART BEAT,\u201d the latter displaying the affectionate lyrics in between the duo, cementing their connection with the song: \u201cI can feel your heartbeat. Thank you so much!\u201d said ikura, as the group left the stage to an onscreen credit roll.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/a20b6c83-0464-4c31-a8d9-99ded2a9d646\/IMG_2299.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>With the audience (loudly) demanding one more song, Ayase and ikura returned, bantering in Japanese about their love of New York City food \u2014 pizza, bagels, spaghetti, and Chinese. After some gushing band intros the crowd was treated to \u201cYoru ni Kakeru,\u201d YOASOBI\u2019s very first single. Based on a short story by Mayo Hoshino, the song and story depicts a man who is fascinated by a personification of death, Thanatos. Despite the dark subject matter, this went down as a total J-pop banger. \u201cEverybody jump!\u201d yelled ikura, and everyone in attendance did, literally bringing down the house.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/8bfb0d58-3b8d-49c4-b091-fcc73048eaec\/IMG_2312.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Formed in 2019 and now one of the most popular bands in Japan in streaming and ticket sales (they launch a stadium tour at home this fall), YOASOBI dominated New York last night with songs and production that easily eclipsed other contemporary J-pop acts that have already played here multiple times like Kyary Pamyu Pamyu and Hatsune Miku. The variety of the effects, the earnest MC spots in English and the masterstroke of the POP OUT portion of the show was something that even top American acts haven\u2019t come close to attempting. YOASOBI wraps up their visit to the U.S. with another sold out performance at Boston\u2019s MGM Music Hall at Fenway Park on Aug. 8; catch them now so you can say you saw them on the way up to global pop domination.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/615a55916dadb047431247ce\/1083e793-a554-4a5b-b9d4-41506e783b45\/IMG_2319.jpeg\" alt=\"This image has an empty alt attribute; its file name is IMG_2319.jpeg\"\/><\/figure>\n\n\n\n<p><strong><em><strong><em>View the complete setlist <\/em><\/strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.setlist.fm\/setlist\/yoasobi\/2024\/radio-city-music-hall-new-york-ny-53a80f55.html\" target=\"_blank\"><strong><em>here<\/em><\/strong><\/a><strong><em>. For more <\/em>JQ<em> articles, click <\/em><\/strong><a href=\"https:\/\/jetwit.com\/wordpress\/?s=JQ+Magazine\"><strong><em>here<\/em><\/strong><\/a><strong><em>.<\/em><\/strong><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Story and photos by JQ\u00a0magazine editor Justin\u00a0Tedaldi (CIR Kobe-shi, 2001-02). Justin has written about Japanese arts and entertainment for JETAA since 2005. For more of his articles, click\u00a0here.\u00a0 Yesterday (Aug. 6), gloomy skies gave way to a candy-colored world inside Radio City Music Hall as J-pop sensation YOASOBI made their New York debut with a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,291,21,58],"tags":[],"class_list":["post-50736","post","type-post","status-publish","format-standard","hentry","category-articlejournalism","category-jq-magazine","category-music","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pkZ7m-dck","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/50736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/comments?post=50736"}],"version-history":[{"count":10,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/50736\/revisions"}],"predecessor-version":[{"id":50754,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/50736\/revisions\/50754"}],"wp:attachment":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/media?parent=50736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/categories?post=50736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/tags?post=50736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}