{"id":32502,"date":"2013-10-26T10:03:15","date_gmt":"2013-10-26T14:03:15","guid":{"rendered":"http:\/\/jetwit.com\/wordpress\/?p=32502"},"modified":"2014-04-26T10:17:41","modified_gmt":"2014-04-26T14:17:41","slug":"jq-magazine-book-review-dreams-of-love-etc-from-monkey-business-volume-3","status":"publish","type":"post","link":"https:\/\/jetwit.com\/wordpress\/2013\/10\/26\/jq-magazine-book-review-dreams-of-love-etc-from-monkey-business-volume-3\/","title":{"rendered":"JQ Magazine: Book Review \u2013 \u2018Dreams of Love, Etc.\u2019 from \u2018Monkey Business Volume 3\u2019"},"content":{"rendered":"
\""Most<\/a>

“Most striking about this piece is how astute Kawakami is in capturing not only the loneliness and boredom of daily life, but the paradox of how absurd life is and how, ultimately, it\u2019s also really no big deal.” (A Public Space)<\/p><\/div>\n

By\u00a0<\/b><\/em>Sharona Moskowitz<\/em><\/a>\u00a0(<\/strong><\/b>Fukuoka-ken<\/b><\/em><\/a>,<\/strong>\u00a02000-01) for\u00a0<\/b><\/em>JQ<\/strong>\u00a0magazine<\/b><\/em><\/a>. Sharona is interested in fresh, new voices in fiction and creative nonfiction.<\/b><\/em><\/p>\n

<\/b><\/em>In the latest issue of contemporary Japanese literature anthology\u00a0Monkey Business<\/i>\u00a0Volume 3<\/i><\/a>, Japanese novelist Mieko Kawakami writes of roses, post-earthquake malaise and a friendship that never quite consummates.<\/p>\n

We first encounter the narrator, who inexplicably calls herself Bianca, as she stands on her porch tending to her bed of roses.<\/p>\n

By her own admission, Bianca\u2019s days are filled with nothing\u2014\u201cI don\u2019t work. I\u2019m not pregnant. I don\u2019t watch TV. I don\u2019t read books. Come to think of it, I do absolutely nothing.\u201d What she is, however, is a wife\u2014a loaded title for a Japanese woman with its implications of duty and decorum. Yet she wants more\u2014much more. What exactly, she isn\u2019t quite sure.<\/p>\n

Stuck in the doldrums of her daily existence, she thinks and rethinks the simplest decisions, her inner monologue playing out like T.S. Eliot\u2019s \u201cThe Love Song of J. Alfred Prufrock<\/a>.\u201d (\u201cShall I part my hair behind? Do I dare to eat a peach?\u201d)\u00a0What little volition she has is spent on tending to her plants, a hobby she developed after the earthquake, perhaps as an outlet for her nurturing tendencies, or, more likely, as a reminder that life was returning to normal after the shaker and its ensuing chaos.<\/p>\n

<\/p>\n

Little by little, Bianca begins to notice the sound of her neighbor Terry playing the piano, the broken melody seeping into earshot like a welcomed intruder. Before we know it, Terry has invited Bianca over and the two women are going through the motions of neighborly formality, smiling, bowing politely, Bianca dutifully procuring overpriced sweets from a fancy department store.<\/p>\n

Terry asks Bianca if she would listen to her play piano and this simple request quickly yields a regular routine of private piano recitals.<\/p>\n

Terry is accustomed to practicing alone. The act of playing in front of Bianca feels eerily intimate yet the two women remain insulated by their thoughts, buffered only by Terry\u2019s consistently flawed rendition of Liszt\u2019s \u201cDreams of Love.\u201d Eventually Terry makes it through the entire piece, performing it without error for Bianca, which marks a natural and unspoken end to their meetings.<\/p>\n

After her regular meetings with Terry come to an end, Bianca finds herself right back where she started: alone in her apartment, reminded again that even when \u201cDreams of Love\u201d is perfectly rendered, love itself remains imperfect, elusive, a dream.<\/p>\n

We rarely feel fully convinced that Terry is much more than an abstraction, maybe because we never get a true taste of her point of view. For all we know, she could be a figment of Bianca\u2019s imagination, existing solely as a distraction, a temporary salve to the insufferable pain of her tedium and frustration.<\/p>\n

Most striking about this piece is how astute Kawakami is in capturing not only the loneliness and boredom of daily life, but the paradox of how absurd life is and how, ultimately, it\u2019s also really no big deal. Bianca resumes her life of nothingness, dreaming of love, etc., the \u201cetc.\u201d presumably encapsulating a universe of possibility, forever out of reach.<\/p>\n

For more\u00a0JQ\u00a0magazine book reviews,\u00a0<\/strong>click here<\/i><\/b><\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

By\u00a0Sharona Moskowitz\u00a0(Fukuoka-ken,\u00a02000-01) for\u00a0JQ\u00a0magazine. Sharona is interested in fresh, new voices in fiction and creative nonfiction. In the latest issue of contemporary Japanese literature anthology\u00a0Monkey Business\u00a0Volume 3, Japanese novelist Mieko Kawakami writes of roses, post-earthquake malaise and a friendship that never quite consummates. We first encounter the narrator, who inexplicably calls herself Bianca, as she stands […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,40,58,14],"tags":[],"class_list":["post-32502","post","type-post","status-publish","format-standard","hentry","category-articlejournalism","category-books","category-reviews","category-roland-kelts"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pkZ7m-8se","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/32502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/comments?post=32502"}],"version-history":[{"count":3,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/32502\/revisions"}],"predecessor-version":[{"id":32506,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/32502\/revisions\/32506"}],"wp:attachment":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/media?parent=32502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/categories?post=32502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/tags?post=32502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}