{"id":31132,"date":"2013-07-20T13:50:50","date_gmt":"2013-07-20T17:50:50","guid":{"rendered":"http:\/\/jetwit.com\/wordpress\/?p=31132"},"modified":"2013-07-22T19:45:23","modified_gmt":"2013-07-22T23:45:23","slug":"wit-life-241-the-ravine-of-goodbye","status":"publish","type":"post","link":"https:\/\/jetwit.com\/wordpress\/2013\/07\/20\/wit-life-241-the-ravine-of-goodbye\/","title":{"rendered":"WIT Life #241: The Ravine of Goodbye"},"content":{"rendered":"<p><em><strong><em><strong><a href=\"https:\/\/jetwit.com\/wordpress\/category\/wit-life\/\"><em><strong><em><strong><em><strong>WIT Life<\/strong><\/em><\/strong><\/em><\/strong><\/em><\/a> is <\/strong><\/em>a periodic series written<\/strong><\/em><em><strong> by professional Writer\/Interpreter\/Translator <\/strong><\/em><em><a href=\"http:\/\/www.stacysmith.webs.com\/\"><strong>Stacy Smith<\/strong><\/a> <\/em><em><strong>(<a href=\"http:\/\/www.pref.kumamoto.jp\/english\/list.html\">Kumamo<\/a><\/strong><\/em><em><strong><a href=\"http:\/\/www.pref.kumamoto.jp\/english\/list.html\">to-ken<\/a> CIR, 2000-<\/strong><\/em><em><strong>03). She starts<\/strong><\/em><em><strong> her day by watching Fujisankei\u2019s newscast in Japanese, and here she sha<\/strong><\/em><em><strong>r<\/strong><\/em><em><strong>es some of the interesting tidbits and <\/strong><\/em><em><strong>t<\/strong><\/em><em><strong>r<\/strong><\/em><em><strong>ends along with her own observations.<\/strong><\/em><a href=\"https:\/\/jetwit.com\/wordpress\/wp-content\/uploads\/2013\/07\/20130719_182126.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-31133\" alt=\"20130719_182126\" src=\"https:\/\/jetwit.com\/wordpress\/wp-content\/uploads\/2013\/07\/20130719_182126-150x150.jpg\" width=\"164\" height=\"164\" \/><\/a><\/p>\n<p>Last night&#8217;s Japan Cuts feature film was Tatsushi Omori&#8217;s <a href=\"http:\/\/www.japansociety.org\/event\/the-ravine-of-goodbye\">The Ravine of Goodbye<\/a>, which just received the Special Jury Prize at the\u00a0Moscow International Film Festival.\u00a0 This movie is based on the book by Shuichi Yoshida (who also wrote the chilling Villain, later made into a 2010 movie), and depicts the life of a couple whose next door neighbor&#8217;s young son was found murdered.\u00a0 As the police begin their investigation and reporters start gathering facts for their stories, it becomes revealed that the husband was involved in a gruesome gang rape when he was a college student.\u00a0 As more information is found, the deeper layers are peeled back to reveal the truth of the incident&#8217;s aftermath.<\/p>\n<p>There were several scenes that were left a bit vague and I had some unanswered questions while watching, though I have a hunch they could be cleared up by reading the original source material.\u00a0 I thought the movie was really engaging in the first half, but later on as the truth was being uncovered things seemed to slow down almost uncomfortably.\u00a0 I found Omori&#8217;s work reminiscent of the recent Sundance miniseries &#8220;Top of the Lake,&#8221; both theme and pacing wise.\u00a0 Although much of Ravine was disturbing, it is without a doubt a polarizing film that will lead to much discussion, as I heard many disparate reactions from viewers exiting the theater.\u00a0 And for that alone, perhaps it is worth seeing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WIT Life is a periodic series written by professional Writer\/Interpreter\/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). She starts her day by watching Fujisankei\u2019s newscast in Japanese, and here she shares some of the interesting tidbits and trends along with her own observations. Last night&#8217;s Japan Cuts feature film was Tatsushi Omori&#8217;s The Ravine of Goodbye, which [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[53,263,18,36,6],"tags":[],"class_list":["post-31132","post","type-post","status-publish","format-standard","hentry","category-events","category-film","category-translatinginterpreting","category-wit-life","category-writers"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"WIT Life is a periodic series written by professional Writer\/Interpreter\/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). 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Last night&#039;s Japan Cuts feature film was Tatsushi Omori&#039;s The Ravine of Goodbye, which\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"stacyasmith\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/jetwit.com\/wordpress\/2013\/07\/20\/wit-life-241-the-ravine-of-goodbye\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"JETwit.com - The alumni magazine, career center and communication channel for the JET alumni community worldwide\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"WIT Life #241: The Ravine of Goodbye - JETwit.com\" \/>\n\t\t<meta property=\"og:description\" content=\"WIT Life is a periodic series written by professional Writer\/Interpreter\/Translator Stacy Smith (Kumamoto-ken CIR, 2000-03). 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